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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "LMadam Signiora Fount"/1) | (@(roleclean,performerclean) "LMadam Signiora Fount")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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40 results for: Keyword - L'Madam Signiora Fount
We found 21 matches on Performance Title, 12 matches on Performance Comments, 9 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

26
10 April 1708 @ Queen's Theatre

Performances

Mainpiece Title: Thomyris, Queen Of Scythia

Performance Comment: See17080217, but Queen-Baroness; Tigranes-Signiora deL'Epine.
Cast
Role: Tigranes Actor: Signiora deL'Epine.

Dance:

27
12 February 1709 @ Queen's Theatre

Performances

Mainpiece Title: Camilla

Performance Comment: As17090129, but Camilla-Signiora deL'Epine.
Cast
Role: Camilla Actor: Signiora deL'Epine.

28
22 November 1710 @ Queen's Theatre

Performances

Mainpiece Title: Hydaspes

Performance Comment: Berenice-Signiora Elizabetta Pilotta Schiavonetti; Artaxerxes-Gioseppe Boschi.
Cast
Role: Berenice Actor: Signiora Elizabetta Pilotta Schiavonetti

29
12 March 1723 @ King's Theatre

Event Comment: Benefit Signiora Margherita Durastanti. And particular Care will be taken to place Benches on the Stage for the Accommodation of the Company. N.B. Whereas the Benefit for Signiora Durastanti is Part of her Contract, the Directors of the Royal Academy of Musick resolve not to make use of the Liberty of the House for that Night. [This benefit brought her nearly a thousand pounds.-Deutsch, Handel, p. 160.

Performances

Mainpiece Title: Coriolanus

30
26 November 1726 @ King's Theatre

Performances

Mainpiece Title: Il Matriomonio Disturbato; Or, Pantalon's Marriage Disturbed By The Different Humours Of The Ladies: Nane Gonolier And Brighella Co-rivals In Their Amours With Argentina, And Their Challente, Together With Entertainments Of Masquerades, Serenades, Risings, Songs And Dances After The Ventetian Manner

Performance Comment: Nane Gondolier-Signiora Vittora.
Cast
Role: Nane Gondolier Actor: Signiora Vittora.

Dance: Poictiers

31
20 April 1734 @ King's Theatre

Performances

Mainpiece Title: Ariadne [in Creta]

Performance Comment: Cast not listed, but see17340126 LIF Ariadne [in Naxus]. Ariadne-the celebrated Signiora Cuzzoni, who is just arriv'd from Italy in good Health .
Cast
Role: . Ariadne Actor: the celebrated Signiora Cuzzoni, who is just arriv'd from Italy in good Health

32
26 December 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: Cato

Afterpiece Title: Colombine Courtezan

Performance Comment: As17341219 but Signiora Garagantula-Mrs Webb, the Tall Woman from Leicestershire .
Cast
Role: Signiora Garagantula Actor: Mrs Webb, the Tall Woman from Leicestershire

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Grand Comic Ballet by Poitier and Mlle Roland. III: Black Joak by Nivelon and Miss Mann. IV: Grand Polish Dance (with New Habits), as17341221

33
29 January 1748 @ Haymarket Theatre

Performances

Mainpiece Title: A Concert Of Musick

Performance Comment: Vocal Parts-Signiora Pirker, Waltz; First Violin-Collet.
Cast
Role: Vocal Parts Actor: Signiora Pirker, Waltz

34
18 December 1707 @ Drury Lane Theatre

Performances

Mainpiece Title: Thomyris, Queen Of Scythia; Or, The Royal Amazon

Performance Comment: Valentini, Mrs Tofts, Signiora Margarita, Leveridge, Mrs Lindsey, Laurence performing their Parts as formerly.

Dance:

35
14 June 1710 @ Greenwich

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music ....The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro

Performance Comment: ...The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro.

36
24 April 1711 @ Home's Dancing School

Event Comment: Benefit Signiora Lody. At 7 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; a new Cantata with a Solo on the Harpsicord-Mr Babell Jun; with Variety of Concertos and other Pieces by Mr Corbett-Mr Corbett, other of the best Masters

37
12 January 1723 @ King's Theatre

Event Comment: [Text by Haym. Music by Handel.] Admission as 7 Nov. Daily Journal, 14 Jan.: On Saturday Night, his Majesty was at the Opera...and Signiora Catzoni, newly arrived from Italy, perform'd for the first Time, to the Surprize and admiration of the Audience, which was very numerous. [See also London Journal and British Journal, 12 and 19 Jan.

Performances

Mainpiece Title: Otho

38
05 May 1726 @ King's Theatre

Event Comment: [Text by Rolli. Music by Handel.] At 7 p.m. Daily Journal, 7 May: On Thursday Night, Signiora Faustina, the famous Roman Songstress, performed his Majesty, their Royal Highnesses, and great Numbers of the Nobility and Quality, in...Alexander...with great Applause

Performances

Mainpiece Title: Alexander

39
12 September 1732 @ Richmond Wells

Event Comment: Benefit the Famous Signiora Violante. At the Request of several Persons of Quality. At the Great Assembly Room at Richmond Wells. 3s. 6 p.m

Performances

Mainpiece Title: The Beggar's Opera

Entertainment: As at hay, 11 Sept. Signora Violante; Harlequin-Master LaFevre, Miss Violante; Louvre in Boys' Clothes-Miss Violante; Two Pierrots-Lalauze, Tobin

40
01 January 1737 @ King's Theatre

Performances

Mainpiece Title: Siroe

Afterpiece Title: Il Giocatore; or, The Gamester

Performance Comment: Edition of 1736 states that it was performed by Signiora Anna Maria Faini, Antonio Lottini.