SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King James"/1) | (@(roleclean,performerclean) "King James")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3541 matches on Performance Comments, 2649 matches on Performance Title, 2161 matches on Author, 1886 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Fashionable Lover

Cast
Role: Mortimer Actor: King

Afterpiece Title: Wit's Last Stake

Performance Comment: Saville-J. Aickin; Mrs Watchly-Mrs Cross; Martin-King; Linger-Parsons; Caveat-Hartry; Item-Wright; Myra-Miss Platt; Lucetta-Miss Pope.
Cast
Role: Martin Actor: King
Related Works
Related Work: Wit's Last Stake Author(s): Thomas King

Dance: V: The Sailors Revels, as17711008

Event Comment: Benefit for Merryfield, King, Dumay and Curtat. Receipts: #35 16s. (Account Book). Charges #81 10s. Deficit to each #11 12s. 1 1!2d. cover'd by tickets: @Tickets Box Pit Gallery Value@Dumay 149 128 81 #64 11s.@King 92 145 71 #51 17s.@Merryfield 136 94 62 #54 6s.@Curtat 71 161 149 #56 16s.@Total 448 528 363 #227 10s.

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Padlock

Dance: Minuets, Cotillons-Merryfield, Dumay, King, Curtat, Mrs Invill, Miss Bassan, Miss Matthews, Mrs Hartle; End I Farce: A New Dance-Rudd, his 1st appearance any stage Miss Matthews

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham

Ballet: End: The Wapping Landlady (with Sixfold Hornpipe). As17740512

Event Comment: The composition of the drama with the characters of the King, Prince of Wales, Hotspur, and Falstaff will be particularly illustrated. [This is Kenrick's School of Shakespeare; repeated 9, 16, 20 (Falstaff's Wedding and Merchant of Venice), 29 (Cozeners and Falstaff's Wedding).

Performances

Mainpiece Title: Lecture On King Henry Iv, Part I

Song: To keep my gentle Jessy-DuBellamy; Where the Bee sucks-Miss Wewitzer

Event Comment: Benefit for Dumay, Hussey, King and Merrifield

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Two Misers

Dance: II: A New Dance call'd The Nosegay-Rudd (2nd appearance), Miss Matthews [See dl 27 April 1767]; IV: Minuets, Allemandes, Cotillions-Dumay, Hussey, King, Merrifield, Miss Matthews, Miss Brown, Miss Ross, Mas. Holland, Miss Armstrong, a young Lady[, scholar to Dumay [See17740518]; End: The Enchantress, as17750201

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham
Event Comment: Places for the Boxes to be taken of Fosbrook at the Stage-door. No Money to be taken at the Stage-door, nor any Money returned after the Curtain is drawn up. The Doors will be opened at 5:30. To begin at 6:30 [see 4 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Monologue [1st time, probably by Thomas King. MS: Larpent 602; synopsis in London Magazine, Sept. 1782, 437]. Receipts: #200 4s. (170/14/0; 29/7/6; 0/2/6)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Lord Ogleby-King ; Sterling-Parsons; Sir John Melvil-Bensley; Lovewell-Brereton ; Serieant Flower-Wrighten ; Traverse-Phillimore; Trueman-Norris ; Canton-Baddeley ; Brush-Palmer If Miss Sterling-Miss Pope ; Fanny-Mrs Brereton ; Chambermaid-Miss Collett ; Betty-Mrs Love ; Mrs Heidelberg-Mrs Hopkins .
Cast
Role: Lord Ogleby Actor: King

Afterpiece Title: Who's the Dupe

Dance: End of Act I of afterpiece The Minuet de la Cour by the Miss Stageldoirs

Monologue: 1782 09 17 End of Act I of mainpiece a Dramatic Oglio by King

Event Comment: Afterpiece [1st time; P 2 (?), by Thomas King. MS not in Larpent; not published; synopsis of action in Public Advertiser, 27 Dec.]: With Variety of new Scenes, Dresses and Decorations. With a Grand View of the Cumberland Fleet sailing for the Cup, and a Song and Chorus in Honour of the Institution. To conclude with a Pageant Rural and Pantomimical. [These were included in all subsequent performances.] The Music partly new and partly compiled [by Thomas Linley Sen.] from the best Masters. The Paintings by Greenwood and other eminent Artists. Nothing under Full Price will be taken. Account-Book, 17 Feb. 1783: Paid King in full for Harlequin's Wedding #47 1s. Receipts: #231 (225/10; 5/10)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Triumph of Mirth; or, Harlequin's Wedding

Related Works
Related Work: The Triumph of Mirth; or, Harlequin's Wedding Author(s): Thomas King
Event Comment: Benefit for Miss George. Afterpiece: Not acted these 2 years [not acted since 3 Aug. 1784]. Public Advertiser, 4 Aug.: Tickets to be had of Miss George, No. 23, King-street, Soho

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Midas

Song: End I: a new song by Master King In vain do idle vi'lets blow (Public Advertiser 14 Aug.)-Miss George; End: Mad Bess (for that night only)-Miss George

Event Comment: Benefit for Mrs Mattocks. Tickets delivered for the 24th of April will be taken. Public Advertiser, 16 Apr.: Tickets [for 24 Apr.] to be had of Mrs Mattocks, No. 7, King-street, Covent Garden. Mainpiece: Written by Richard Steele. 3rd piece [1st time; ENT I, author unknown. Larpent MS 830; not published]. Receipts: #253 17s. 6d. (159.12.0; 8.9.6; tickets: 85.16.0)

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Annette and Lubin

Afterpiece Title: Saint George's Day; or, Britons Rejoice

Song: End 3rd piece: God save the King-; with Grand Accompaniment [on the organ]-Greatorex [, as performed at the Oratorios see17890320

Event Comment: Ballet: 1st Time [at this theatre. The two Miss Simonets were from the king's.]. With new Scenes and Dresses. Receipts: #119 9s. 6d. (113.6.6; 6.3.0)

Performances

Mainpiece Title: Marcella

Afterpiece Title: The Citizen

Dance: End afterpiece: A Grand Ballet of Action, as performed at the King's Opera House in the Hay-market [most recently in season of 1787-88] The Deserter[. Principal Characters-Cranfield, Delpini, Boyce, Byrne, Mrs Davenett, the two Miss Simonets (1st appearance [at this theatre])

Event Comment: [As mainpiece the playbill announces The School for Scandal, but "The Public is most respectfully informed that, in consequence of the sudden indisposition of King, The School for Scandal is unavoidably postponed. This Evening [will be acted] The Heiress" (printed slip attached to BM playbill (Burney 937.c.II)). Thespian Magazine, Feb. 1793, p. 193, also notes this change.] Receipts: #131 15s. (82.15; 45.8; 3.12)

Performances

Mainpiece Title: At King's The Heiress

Afterpiece Title: Richard Coeur de Lion

Song: Probably as17921016

Event Comment: Benefit for Suett and Barrymore. [In mainpiece the playbill assigns Valentine to Barrymore and Scandal to Bensley, but "previous to the play an apology was made for the appearance of Whitfield in Valentine, as Barrymore had undertaken Scandal, in consequence of Bensley's being afflicted with a violent hoarseness" (Thespian Magazine, June 1793, p. 2).] Morning Herald, 25 Apr.: Tickets to be had of Suett, No. 21, King-street, Bloomsbury; of Barrymore, No. 11, Bedford-street, Bedford-row. Receipts: #447 10s. (95.19; 43.16; 6.1; tickets: 301.14). (charge: #159 0s. 4d.)

Performances

Mainpiece Title: At King's Love For Love

Afterpiece Title: The Devil to Pay

Event Comment: The original Music [of the TE DEUM] is in two Scores, MS., one of them in the possession of the King of Naples, and the other in that of his Royal Highness the Prince of Wales, by whose gracious condescension the use of this Score will be allowed for that night. The new Organ, built by Green (organ-builder to his Majesty) for the new Subscription Room, will be played upon this occasion by Greatorex. Boxes to be taken of Rice. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Doors to be opened at 7:00. To begin at 8:00

Performances

Mainpiece Title: A Grand Selec Tion Of Music From The Most Eminent Masters

Afterpiece Title: THE GRAND TE DEUM, composed by Paisiello, upon the return of his Majesty the King of the Two Sicilies, from Vienna to Naples, in the summer of 1791

Event Comment: Tickets delivered for King Richard the Third [Account-Book: by Brandon, Arnold, Little, Brice, Blurton, Bonsor, Hay, Haseler, Lloyd, Berecloth, Savory, Noble, Linton, Castelle, Atkins] will be admitted. Receipts: #484 14s. 6d. (51.0.6; 3.14.0; tickets: 430.0.0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Comus

Dance: End: The Wapping Landlady-Blurton, King, Mrs Watts

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham

Song: Vocal Parts, as17950309but Mrs _Blurton; In afterpiece: Sweet Echo-Mrs Mountain; accompanied on the hautboy-W. Parke

Event Comment: Last Night of the Company's performing this Season. Account-Book: Tickets delivered by Mrs Shotter, Wyatt, Waller, Gawdrey, Ratchford, the Band, Coombes, Page, Wilkins, Robson (door-keeper), Warwhick, Dosel, Paskin, Wells, Ansell, King will be admitted. Receipts: #467 13s. 6d. (67.10.0; 3.14.0; tickets: 396.9.6)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Poor Sailor

Cast
Role: King Edward III Actor: Farren

Dance: Afterpiece: With a Treble Hornpipe-Ratchford, King, Mrs Ratchford

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham
Event Comment: The Last Night of the Company's performing this Season. [Account-Book: Tickets delivered by Mrs Lloyd, W. Bayzand, Timkins (box-keeper), Street, Barnes, Morris, Rye, Dosel, Wells, King, Timkins (carpenter), Thompson (near Stage), Coates, Roberts, Thompson, (gallery door-keeper) will be admitted.] Receipts: #419 1s. (38.16; after-money: not listed; tickets: 380.5)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Irish Mimick

Dance: End: a Scotch Reel-Bayzand, King, Mlle St.Amand

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham
Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Event Comment: Benefit for R. Palmer and Russell. Morning Chronicle, 16 Apr.: Tickets to be had of R. Palmer, No. 12, King's Row, Pimlico; of Russell, No. 8, Broad-court, Bow-street. Receipts: #507 15s. 6d. (111.13.0; 69.19.6; odd and after-money: 11.6.0; tickets: 314.17.0) (charge: #219 12s. 5d.)

Performances

Mainpiece Title: As You Like It

Cast
Role: Touchstone Actor: King

Afterpiece Title: Wit's Last Stake

Related Works
Related Work: Wit's Last Stake Author(s): Thomas King

Afterpiece Title: The Deserter

Song: V: a song, as17990214

Entertainment: Monologue End: The Picture of a Play House; or, Bucks have at ye all-R. Palmer; Vaudeville II 3rd piece: Military Manoeuvres-; The Dead March-; the Ceremony Shooting a Deserter-

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for a Gentlewoman. Mainpiece: Not acted these 7 years. [Author of Prologue unknown.] Afterpiece: Written by Thomas King, Esq. The Doors to be opened at 5:00. To begin at 6:30. The Public may be assured that the principal Performers in the above play and farce are Persons accustomed to the Stage, and that the utmost Attention will be paid to the credit of Performance. Tickets delivered by Mrs Lefevre and Blackburn will be admitted

Performances

Mainpiece Title: The Modish Wife

Afterpiece Title: Wit's Last Stake

Related Works
Related Work: Wit's Last Stake Author(s): Thomas King

Dance: End II: Miller

Entertainment: End: Variety of Rhetorical Imitations-a Gentleman (1st appearance [unidentified])

Event Comment: Benefit for Mr and Mrs Bernard. Afterpiece [1st time; CO 2, author unknown. Larpent MS 909; not published]: With proper Scenery, Dresses, and Decorations. The Music entirely new, composed by M. P. King. Morning Chronicle, 20 May: Tickets to be had of Bernard, No. 35, Bow-street. Receipts: #299 2s. 6d. (120.10.6; 11.8.0; tickets: 167.4.0)

Performances

Mainpiece Title: Which Is The Man

Related Works
Related Work: The Man of Taste Author(s): James Miller
Related Work: The Man of Taste; or, The Guardian Author(s): James Miller

Afterpiece Title: Primrose Green; or, Love in the Country

Related Works
Related Work: Primrose Green; or, Love in the Country Author(s): Matthew Peter King

Dance: After Monologue: The Jockies, as17910507

Song: End II: Black Eyed Susan-Incledon

Entertainment: Monologue. End: Dissertation on Hobby@Horses: The Statesman's Hobby; The Soldier's Hobby; The Beau's Hobby; The Lady's Hobby; The Fidler's Hobby; Mrs Mountain's Hobby; The Manager's Hobby; and His Own Hobby-Bernard

Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.
Event Comment: Mainpiece containing the Distresses and death of King Henry VIv; The Artful Acquistion of the Crown by King Richardv; The Murder of Prince Edward and his Brother in the Towerv; the Landing of the Earl of Richmondv, and Death of King Richardv in the memorable Battle of Bosworth Fieldv, being the last that was fought between the houses of York and Lancaster

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard-Ryan; King Henry-Hale; Richmond-Cibber; Buckingham-Cashell; Tressel-Chapman; Stanley-Rosco; Norfolk-Ridout; Catesby-Gibson; Tyrrel-Carr; Lord Mayor-Marten; Ratcliff-Anderson; Lieut-Arthur; Oxford-Bencraft; Prince Edward-Miss Hippisley; Duke of York-Miss Morrison; Duchess of York-Mrs James; Lady Anne-Mrs Horton; Queen Elizabeth-Mrs Pritchard.
Cast
Role: King Henry Actor: Hale
Role: Buckingham Actor: Cashell
Role: Duchess of York Actor: Mrs James

Afterpiece Title: Pyramus and Thisbe

Event Comment: Benefit for Winstone and King. Tickets at Stage Door. Rec'd Cash #62 18s. 6d., plus #71 17s. from tickets. Total #134 15s. 6d. Paid King's Tax (Land) Windsor's House #10; Paid Mrs Swift for a suit of women's cloaths #12 14s. 6d.; Paid Knight (Lampman) month bill #7 8s. 6d.; Mrs Hobson a bill 16s. 6d. (Treasurer's Book). Receipts: #150 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17491223, but Count Basset-King; Miss Jenny-Miss Cole; Myrtilla-_.
Cast
Role: Count Basset Actor: King

Afterpiece Title: Miss in Her Teens

Performance Comment: As17500409 but Fribble-King; Puff-James.
Cast
Role: Fribble Actor: King
Role: Puff Actor: James.
Role: Tag Actor: Mrs James

Dance: Grandchamps, Mlle Auretti

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: The Mock Doctor

Performance Comment: Doctor-Dunstall; Sir Jasper-Massey, 1st appearance that stage; Leander-R. Smith; James-Quick; Harry-Holtom; Charlotte-Miss Helme; Dorcas-Mrs Green.
Cast
Role: James Actor: Quick
Event Comment: [The King's Company. The date of the first performance is not known, but a letter--see 2 Jan. 1670@1--indicates that the first part had been acted before that date and that Part II was to be shortly staged. The point of the Prologue spoken by Ellen Gwyn seems to have derived from an incident at Dover (see Downes, Roscius Anglicanus, p. 20) in May 1670, when James Nokes attired himself in a ridiculous fashion, including "Broad wast Belts." The speakers of the Epilogue and the Prologue to the Second Part are mentioned in Sir William Haward's MS (Bodl. MS Don. b., pp. 248-49); see The Poems of John Dryden, ed. James Kinsley (Oxford, 1958), IV, 1848-49. In Part I a song Beneath a myrtle shade, with music by John Bannister, is in Choice Songs and Ayres, First Book, 1673. Another, Wherever I am, with music by Alphonso Marsh, is in the same collection, as is also How unhappy a lover am I, the music by Nicholas Staggins. Mrs John Evelyn to Mr Bohun, ca. Jan. 1670@1: Since my last to you I have seen The Siege of Grenada, a play so full of ideas that the most refined romance I ever read is not to compare with it; love is made so pure, and valour so nice, that one would image it designed for an Utopia rather than our stage. I do not quarrel with the poet, but admire one born in the decline of morality should be able to feign such exact virtue; and as poetic fiction has been instructive in former ages, I wish this the same event in ours. As to the strict law of comedy I dare not pretend to judge: some think the division of the story is not so well if it could all have been comprehended in the day's actions (The Diary and Correspondence of John Evelyn, ed. William Bray, IV, 25). According to John Evelyn--see 9 Feb. 1670@1--Robert Streeter did some of the scenes for this play. In the Preface to The Fatal Discovery, ca. February 1697@8, George Powell, in discussing revivals of Dryden's plays, stated: In relation to our reviving his Almanzor...very hard crutching up what Hart and Mohun could not prop

Performances

Mainpiece Title: The Conquest Of Granada By The Spaniards

Performance Comment: Almanzor and Almahide; or, The Conquest of Granada. The Second Part. Edition of 1672: Prologue to the First Part-Mrs Ellen Gwyn in a broad brim'd hat, and was belt; Mahomet Boabdelin-Kynaston; Prince Abdalla-Lydall; Abdelmelech-Mohun; Zulema-Harris; Abenamar-Cartwright; Selin-Wintershall; Ozmyn-Beeston; Hamet-Watson; Gomel-Powell; Almanzor-Hart; Ferdinand-Littlewood; Duke of Arcos-Bell; Almahide-Mrs Ellen Gwyn; Lyndaraxa-Mrs Marshall; Benzayda-Mrs Bowtell; Esperanza-Mrs Reeve; Halyma-Mrs Eastland; Isabella-Mrs James; Epilogue-Charles Hart?; Prologue to the Second Part of the Conquest of Granada-Michael Mohun?; Epilogue to the Second Part-.
Cast
Role: Isabella Actor: Mrs James
Event Comment: The Duke's Company. Pepys, Diary: With Creed, my wife, and Mercer to a play at the Duke's, of my Lord Orrery's, called Mustapha, which being not good, made Betterton's part and Ianthe's but ordinary too, so that we were not contented with it at all...All the pleasure of the play was, the King and my Lady Castlemayne wer there; and pretty witty Nell Gwin?, at the King's house, and the younger Rebecca? Marshall sat next us; which pleased me mightily. Downes (p. 26): All the Parts being new Cloath's with new Scenes, Sir William's great Care of having it perfect and exactly perform'd, it produc'd to himself and Company vast Profit

Performances

Mainpiece Title: Mustapha, The Son Of Solyman The Magnificent

Performance Comment: Downes (Roscius Anglicanus, pp. 25-26): Solyman-Betterton; Mustapha-Harris; Zanger-Smith; Rustan-Sandford; Pyrrhus-Richards; Cardinal of Veradium?-Young; Haly-Cademan; Roxolana-Mrs Davenport [presumably an error for Mrs Betterton, who is named for this role in the edition of 1668 and who is referred to (Ianthe) by Pepys on this day]; Queen of Hungaria-Mrs Davies. [Edition of 1668 adds: Achmat-$James Noke; Thuricus-$Medborn; Viche-$Aingel; Zarma-$Mrs Long; Mitza-$Mrs Norris; Cleora-$Mrs Shadwel.
Cast
Role: Achmat Actor: James Noke