SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King Charles"/1) | (@(roleclean,performerclean) "King Charles")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3675 matches on Performance Comments, 3400 matches on Author, 2694 matches on Performance Title, 1832 matches on Event Comments, and 10 matches on Roles/Actors.

Performances

Mainpiece Title: Lord Russel

Performances

Mainpiece Title: The Fair Quaker Of Deal Or The Humours Of The Navy

Performance Comment: Mizen-King; Worthy-Reddish; Flip-Jefferson; Rovewell-a Young Gentleman; Cribbage-Keen; Easy-Ackman; Sir Charles-Palmer; Indent-Griffith; Drawer-Burton,[J.]; Cockswain (song)-Bannister; Sailors-Waldron, Jacobs, Fawcett, Wright, Hartry, W. Palmer; Dorcas Zeal-Miss Young; Belinda-Miss Rogers; Jenny Private-Miss Platt; Arabella Zeal-Mrs Abington; Sir Charles-Palmer; Jiltup-Mrs Bradshaw.
Cast
Role: Mizen Actor: King
Role: Sir Charles Actor: Palmer
Role: Sir Charles Actor: Palmer
Related Works
Related Work: The Fair Quaker; or, The Humours of the Navy Author(s): Charles Shadwell
Related Work: The Fair Quaker of Deal, or, The Humours of the Navy Author(s): Charles Shadwell
Related Work: The Deserter Author(s): Charles Dibdin

Afterpiece Title: The Register Office

Event Comment: Benefit for Mrs Jordan. [In mainpiece the playbill retains King as Sir Peter Teazle, but "Murray, on account of the indisposition of King, was the Sir Peter to Mrs Jordan's Lady Teazle" (Monthly Mirror, May 1797, p. 311).] Tickets delivered for the 15th [for which day the benefit was first announced] will be admitted. "On the whole, Mrs Jordan's Lady Teazle, if not excellent, was respectable; and at a time when it was thought that it would be impossible to personify her Ladyship [i.e. after the retirement of Miss Farren], Mrs Jordan is commendable in having endeavoured it...[Sir Peter] was a part well suited to Murray, who excels in the still and the pathetic...In the screen scene his mirth in revealing to Charles the story of the French milliner, and his amazement the moment after when Charles, throwing down the screen, presented that milliner in the shape of Lady Teazle, must confirm the reputation of Murray. 'Lady Teazle!' (exclaimed he, turning from her towards the door, and in an accent alarmingly impressive), 'Lady Teazle, by all that is damnable!" (Monthly Visitor, June 1797, pp. 531-32). True Briton, 6 May: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #550 3s. (232.4.0; 72.2.0; 7.10.6; tickets: 238.6.6) (charge: free)

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Charles Surface Actor: Wroughton

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey

Song: As17960927

Entertainment: Monologue. End Address, (Written by R. Cumberland, Esq.) in which she will introduce the Original Ballad from which In the dead of the Night, from The Wedding Day, was taken-Mrs Jordan

Event Comment: The Late Wells, the bottom of Lemon St., Goodman's Fields. A Concert of Vocal and Instrumental Musick. Divided into two Parts. The Concert to conclude with the Chorus of Long Live the King. Boxes 2s. 6d. Pit or First Gallery 1s. 6d. Upper Gallery 1s. Between the two Parts of the Concert will be exhibited Gratis, and not acted these 50 years, an Historical Play...written by the celebrated Mr Lee. And founded on Facts which happened in France, in the Reign of Queen Elizabeth. Shewing the unparalleled Dissimulations, Imprecations, and Perjuries of Charles the 9th of France, the Queen Mother, and Cardinal Lorrain, to draw the Hugonot Party into their snares, by which means the Death of the Queen Navarre was effected by Poison, and most of the Protestant Princes of the Blood destroyed. Chastillon, the famous Admiral of France, with his Wife, Children, Commanders, and Followers, all put to Death, with the King's Consent, bx the cruel and Revengeful Duke of Guise, and his Adherents. After which the Massacre becoming general over the Kingdom, near near 100,000 Protestants were destroyed in the most barbarous and inhuman manner. The Concert will begin every Evening Positively at Six of the Clock, and the Whole be concluded by Half an Hour after Nine, the Wdlls being appointed (after the Entertainment is over) for the Main Guard of the Militia of the Tower Hamlets

Performances

Mainpiece Title: Massacre At Paris

Performance Comment: Charles IX-Cushing; Chastellion-Furnival; Cardinal-L. Hallam; Duke of Guise-Paget; Navarre-Shepherd; Conde-Lee; Anjou-Blakey; Alberto-Julian; Rochfacault-Burt; Langoiran-Blogg; Columbiere-Barlow; Chavagnes-Dove; Queen Mother-Mrs Bambridge; Antramont-Mrs Hallam; Queen of Navarre-Mrs Williamson; Margaret-Gentlewoman; the two last never appear'd on the stage before. With the Prologue-; Epilogue- written at the late happy Revolution.
Cast
Role: Charles IX Actor: Cushing

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey

Song: Blogg, Barlow, Waters, Mrs Phillips, Mrs Williamson, Mrs Cushing

Dance: the two Mhe two Masters, Miss Granier

Performances

Mainpiece Title: The School For Rakes

Cast
Role: Loyd Actor: King

Afterpiece Title: The Jubilee

Performance Comment: Parts-King, Moody, Parsons, Ackman, Hurst, Waldron, Castle, Wheeler, W. Palmer, Wright, Keen, Hartry, Mesink, Clough, Booth, J. Burton, Mas. Cape, Mrs Bradshaw, Mrs Lowe. The Vocal Parts-Vernon, Dibdin, Bannister, Champnes, Fawcett, Kear, Miss Radley, Mrs Baddeley; The Dances-Dagueville, Mrs King, Sga Vidini, Miss Rogers; In which will be introduced The Pageant as it was intended for Stratford-Upon-Avon; Ralph-King; Irishman-Moody; Ballad Singer-Vernon; Ostler-Parsons; Country Girls-Mrs Baddeley, Miss Radley; Margery Jervis-Mrs Love; Female Ballad Singer-Dibdin; Prologue-King; Characters in the pageant: Benedict-Garrick; Beatrice-Miss Pope; Touchstone-King; Richard III-Holland; Romeo-Brereton; Hamlet-Cautherly; Falstaff-Love; Lear-Reddish; Antony-Aikin; Portia-Mrs W. Barry; Apollo-Vernon; Tragic Muse-Mrs Barry; Comic Muse-Mrs Abington; Also: Hurst, Wheeler, Castle, Waldron, Wright, Keen, Clough, Hartry, Messink, Booth, J. Burton, Master Cape, Mrs Bradshaw, Mrs Love; Dancing-; Singing- New Dresses, Scenes; Music by Dibdin (Genest, V, 256, and Winston MS 10). See Three Plays by David Garrick, Elisabeth P. Stein (New York, 1926). Music by Dibdin (Genest, V, 256, and Winston MS 10). See Three Plays by David Garrick, Elisabeth P. Stein (New York, 1926).
Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.
Cast
Role: King Henry the Fifth Actor: Harris
Event Comment: The King's Company. This play was acted at Oxford on 19 March 1680@1 before Charles II (see True Protestant Mercury, 19-23 March 1680@1; Wilson, Theatre Notes from the Newdigate Newsletters, p. 80; and Smith's Protestant Intelligence, 24-28 March 1681). The play may have been given first in London; if not, it probably was not acted there until after Easter, 3 April 1681. The company also performed The Plain Dealer in Oxford on 21 March 1680@1 (Smith's Protestant Intelligence, 24-28 March 1681)

Performances

Mainpiece Title: Tamerlane The Great

Related Works
Related Work: Tamerlane the Great Author(s): Charles Saunders
Event Comment: On Saturday 6 January will be performed for the benefit of Joseph Lowe, citizen of London under Misfortunes, the tragedy of King Richard III. The part of Richmond by Mr Joseph Lowe

Performances

Mainpiece Title: The Fair Quaker Of Deal

Cast
Role: Sir Charles Actor: Ridout
Related Works
Related Work: The Fair Quaker of Deal, or, The Humours of the Navy Author(s): Charles Shadwell

Afterpiece Title: Merlins Cave or Harlequin Skeleton

Dance: As17521219

Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Related Works
Related Work: Love a-la-mode Author(s): Charles Macklin

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

Event Comment: Paid 5 days salary list #441 15s.,; King's extra salary #2 10s.; Mr J. French on acct #5 5s.; Mr J. Palmer on note #21 (Treasurer's Book). [This month was printed An Apology for the Conduct of Charles Macklin, Comedian, which, it is hoped, will have some effect in favour of an aged player, by whom the public at large have been uncommonly gratified." Price 1s. Axtell (Gentleman's Magazine Register). This year was publish'd Miscellaneous Pieces in Verse and Prose, with Cursory Theatrical Remarks, by P. Lewis, Comedian. Contains some apostrophes to Garrick, Holland, etc.] Receipts: #213 4s. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Related Works
Related Work: A Christmas Tale Author(s): Charles Dibdin

Afterpiece Title: Catharine and Petruchio

Cast
Role: Petruchio Actor: King
Event Comment: Benefit for Miss George. [Monologue by Charles Stuart {.European Magazine, Sept. 1786, p. 165).] Morning Chronicle, 31 July: Tickets to be had of Miss George, No. 23, King-street, St. Ann's, Soho. Afterpiece: Never performed here

Performances

Mainpiece Title: Two To One

Related Works
Related Work: The Two Misers Author(s): Charles Dibdin

Afterpiece Title: The Romp

Related Works
Related Work: The Boarding School; or, The Sham Captain Author(s): Charles Coffey
Related Work: The Romp Author(s): Charles Dibdin

Monologue: 1786 08 03 End of mainpiece The News-Papers spoken by Bannister Jun

Event Comment: [G$Garrick] promised me the Part of Tressel; when the Play was given out, and I prepar'd for it, I saw in the Bills next Morn, another Person's Name [Blakes].-Charles Adams to John Gilbert-Cooper, quodet in Theatre Notebook, XI (1957) p. 136. Receipts: #180 (Cross); #182 9s. 6d. (Powel)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17480929, but Buckingham-Bridges; Blunt-Barnet; Duchess of York-Mrs Bennet.
Cast
Role: Buckingham Actor: Bridges
Role: King Richard Actor: Garrick
Role: King Henry Actor: Berry

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Paid Charles Sarjant for the Like sum advanc'd towards the repairs of the Houses in Bow St... #11 (Account Book). Receipts: #170 10s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Cast
Role: King Henry Actor: Gibson
Role: Buckingham Actor: Hull

Afterpiece Title: The Oxonian in Town

Dance: III: Comic Dance, as17671106

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Cautherly; King-Jefferson; Ghost-Bransby; Horatio-Packer; Polonius-Baddeley; Laertes-Brereton; Ostrick-Dodd; Rosencraus-J. Aickin; Guildenstern-Fawcett; Bernardo-Marr; Marcellus-Ackman; Player King-Burton; Lucianus-Hartry; Gravediggers-Waldron, Castle; Ophelia-Mrs Baddeley; Player Queen-Mrs Johnston; Queen-Mrs Hopkins.
Cast
Role: King Actor: Jefferson
Role: Player King Actor: Burton

Afterpiece Title: The Jubilee

Performance Comment: Principal Characters-King, Moody, Parsons, Ackman, Hurst, Castle, Waldron, Wright, Keen, Hartry, W. Palmer, Messink, Clough, Mas. Cape, Mrs Bradshaw, Mrs Love; The Vocal Parts-Vernon, Dibdin, Bannister, Fawcett, Champnes, Kear, Miss Radley, Mrs Baddeley; The Dances-Daigville, Mrs King, Sga Vidini, Miss Rogers; In Which will be Introduced The Pageant-.
Related Works
Related Work: The Jubilee Author(s): Charles Dibdin

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-King; Scrub-Parsons, first time; Aimwell-Packer; Foifard-Moody; Boniface-Love; Gibbett-Bransby; Sullen-Burton; Sir Charles Freeman-J. Aickin; Dorinda-Mrs Reddish; Cherry-Miss Pope; Lady Bountiful-Mrs Cross; Mrs Sullen-a young gentlewoman her 2nd appearance on any stage.
Cast
Role: Archer Actor: King
Role: Sir Charles Freeman Actor: J. Aickin

Afterpiece Title: The Jubilee

Performance Comment: As17701030, but to avoid confusion full cast listed- Parts-King, Moody, Ackman, J. Burton, Hurst, Castle, Booth, W. Palmer, Parsons, Wright, Keen, Hartry, Messink, Mas. Cape, Mrs Bradshaw, Mrs Love; Vocal parts-Dibdin, Bannister, Champness, Fawcett, Kear, Miss Radley, Mrs Baddeley; Dances-Daigueville, Mrs King, Sga Giorgi, Miss Rogers; etc. In which will be introduced the Pageant-.

Dance: IV: Comic Dance, as17701025

Event Comment: House (Hopkins Diary). Garrick's last time of performing Benedict . In the Farce the whole set of Clouds fell down upon the Stage but did no Damage (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] King was hoarse. Spleen deferr'd. Receipts: #270 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Rival Candidates

Related Works
Related Work: The Rival Candidates Author(s): Charles Thomas Carter

Dance: II: The Grand Garland Dance, as17760410

Performances

Mainpiece Title: Pompey The Great

Performance Comment: Edition of 1664: wo actors' names. Prologue At the House-; Epilogue at the House-; Epilogue to the King at Saint James's-; Epilogue To the Dutchess at Saint James's-; [One Epilogue was written by Sir Edward Deering.] [At the end: After which a grand Masque [is Danc'd before Caesar and Cleopatra[, made (as well as the other Dances and the Tunes to them) by Mr John Ogilby-.
Related Works
Related Work: Pompey the Great Author(s): Sir Charles Sedley Charles Sackville

Performances

Mainpiece Title: The Beggars Wedding

Performance Comment: Hunter-Stoplar; King of Beggars-Williams; Bluff-Pierce; Grigg-Eaton; Phebe-Miss Palms; Tippet-Mrs Ward; Queen of Beggars-Mrs Palmer.
Cast
Role: King of Beggars Actor: Williams
Related Works
Related Work: The Beggar's Wedding Author(s): Charles Coffey

Afterpiece Title: Flora

Dance:

Event Comment: Gift for ye Sufferers by ye fire in Cornhill (Cross). [A column and a half "Letter to the Author" appeared in the General Advertiser this day, laying historical background for Ford's Lover's Melancholy]. The history of the stage before the Restoration is like a Foreign Land, in which no Englishman had ever travelled; we know there were such things as Playhouses, and one Shakespear a great writer, but the historical traces of them are so imperfect, that the manner in which they existed is less known to us, than that of Eschylus or the theatres of Greece. For this reason, 'tis hoped that the following Gleaning of Theatrical History will readily obtain a place in your paper. 'Tis taken from a Pamphlet written in the reign of Charles I, with this quaint title, "Old Ben's Light Heart made heavy by young John's Melancholly Lover"; and as it contains some historical anecdotes and altercations concerning Ben Johnson, Ford, Shakespear, and the Lover's Melancholy it is imagined that a few extracts from it at this juncture, will not be unentertaining to the Public. [The substance of the remainder retails Jonson's critical cantankerousness and his wounded pride at the failure of the New Inn, quoting some epigrams made at Jonson's expense on his allegation that Ford was a plagiary. This second "puff" for the play, presumably also written by Macklin, formed the basis for a Steevens-Malone controversy late in the century, centering on the existence or nonexistence of the pamphlet referred to by Macklin as "Old Ben's Light Heart made Heavy, &c." A summary account of the evidence appears in the Dramatic Works of John Ford, by Henry Weber (Edinburgh, 1811) I, Intro. XVI, XXXI.] Receipts: #210 (Cross); #208 1s. (Powel)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Double Disappointment

Dance: Cooke, Anne Auretti, Matthews, Mrs Addison

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Performance Comment: Actors only listed, but Genest, IV, 579, lists: Sir Archy Macsarcasm-Macklin; Sir Callaghan-Moody; Squire Groom-King; Mordecai-Blakes; Sir Theodore Goodchild-Burton; Charlotte (with Prologue)-Miss Macklin.
Cast
Role: Squire Groom Actor: King
Related Works
Related Work: Love a-la-mode Author(s): Charles Macklin

Dance: IV: A Dutch Dance-Master Settree, Master Blagdon, Miss Blagdon

Event Comment: Both pieces By Command of his Majesty. The Comedy Love for Love design'd to be perform'd this day, is deferr'd till further notice. Present His Majesty and Princess of Wales, Lady Augusta, Princess Louisa, Prince William and Prince Frederick. Boxes #94 7s. 6d. [about 384 persons, nearly the capacity of the Boxes, which was about 560]. Paid Macklin one fifth part of #179 being the surplus after #63 allow'd for the charge as per agreement...#35 16s. Gave the Yeomen of the King and Princess's Guard #2 2s., and the King's Footmen and Chairmen #1 1s. (Account Book). Receipts: #242 (Account Book)

Performances

Mainpiece Title: King Henry Iv Part I

Cast
Role: King Actor: Sparks

Afterpiece Title: Love a la Mode

Related Works
Related Work: Love a-la-mode Author(s): Charles Macklin

Dance: [Unspecified]

Performances

Mainpiece Title: Womans A Riddle

Performance Comment: Courtwell-Palmer; Sir Amorous Vainwit-King; Col. Manly-Holland; Vulture-Moody; Aspin-Yates; Miranda-Miss Haughton; Lady Outside-Mrs Pritchard.
Cast
Role: Sir Amorous Vainwit Actor: King

Afterpiece Title: Love a la Mode

Performance Comment: Sir Archy McSarcasm-Austin (after the manner of the original); Squire Groom-King; Mordecai-Blakes; Sir Callaghan-Moody (with a song in Character); Sir Theodore-Burton; Miss Charlotte-Mrs Hippisley.
Cast
Role: Squire Groom Actor: King
Related Works
Related Work: Love a-la-mode Author(s): Charles Macklin

Entertainment: III: Mr Moody will entertain the public with Teady Wolloughan's Whimsical Roratorical Description of a Man@o' War and Sea Fight-, with Hibernian notes on the whole

Performances

Mainpiece Title: King Richard Iii

Cast
Role: King Henry Actor: Havard
Role: Buckingham Actor: Davies

Afterpiece Title: Love a la Mode

Performance Comment: Principal characters-Moody, King, Blakes, Packer, Burton, Miss Hippisley. [See17620518.]See17620518.]
Related Works
Related Work: Love a-la-mode Author(s): Charles Macklin

Song: III: Miss Young

Dance: A Comic Dance-Miss Rogers

Event Comment: Mainpiece: Not acted these 9 years. [See 7 Feb. 1757.] Mr J. Aickin hissed.--Mr Holland and Mrs Baddeley played well (Hopkins Diary). Mr Garrick had the honour of being with the King of Denmark Tuesday morning last, and conversed with him for near half an hour on the state of the stage in England and France. The King gave him an elegant gold snuff-box studded with diamonds as a small mark of the great regard he had for his extraordinary talents (London Evening Post, 14 Oct.)

Performances

Mainpiece Title: The Revenge

Related Works
Related Work: The Roman Bride's Revenge Author(s): Charles Gildon
Related Work: The Wives Revenged Author(s): Charles Dibdin

Afterpiece Title: The Padlock

Related Works
Related Work: The Padlock Author(s): Charles Dibdin

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Jubilee

Performance Comment: As17691218, but Prologue, to be spoken for the last time-King.