SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Katherine Philips"/1) | (@(roleclean,performerclean) "Katherine Philips")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 812 matches on Author, 505 matches on Performance Comments, 98 matches on Event Comments, 88 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Magic Picture

Afterpiece Title: The Poor Soldier

Song: As17831121

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Fortunatus

Dance: End of Act II of mainpiece a New Comic Ballet by Mr and Miss Hamoir (from the Theatre-Royal, Brussels; their 1st appearance on that stage)

Performances

Mainpiece Title: The Magic Picture

Afterpiece Title: Friar Bacon

Song: As17831121, but omitted: Mrs Bannister, Mrs Johnstone

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Harlequin Junior

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Harlequin Junior

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Harlequin Junior

Performances

Mainpiece Title: The Prophetess

Afterpiece Title: A Jubilee in Commemoration of Handel and Shakespeare

Afterpiece Title: The Election

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Whos the Dupe

Dance: As17840320athi

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Flitch of Bacon

Dance: As17840525

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Harlequin Junior

Dance: As17841002

Performances

Mainpiece Title: The Maid Of Honour

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: The Maid Of Honour

Afterpiece Title: Liberty Hall

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Caldron

Dance: End of Act III of mainpiece the Minuet de la Cour and Gavot by Master Butler and a Young Lady [unidentified] (both Scholars to Miller); End of mainpiece a Double Hornpipe by Master Butler and the same Young Lady

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Deserter

Dance: End of Act I of mainpiece the Minuet de la Cour by Harris and Miss Besford; After Mrs Kennedy's song The Wapping Landlady; or, Jack in Distress by Blurton

Song: End of Act II of mainpiece Alas! Poor Sue, as17850418; End of mainpiece a favourite song by Mrs Kennedy

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Arthur and Emmeline

Dance: End of Act II of mainpiece a new Scotch Dance, The Lucky Return, by Williamson, Mrs Sutton, Miss J. Stageldoir, and others

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The First Floor

Dance: End III: a new Dance, La Soiree Provencalle-the two young D'Egvilles, Miss DeCamp

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Comus

Dance: End III: The Capricious Lovers, as17870920

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Harlequin Junior

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Waterman

Dance: As17880607

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: British Fortitude and Hibernian Friendship

Afterpiece Title: The Follies of a Day

Song: In 2nd piece: As17960405, but Fa la la-_; Our Simple Tale thus Ended-Incledon, Johnstone, Linton, Street, the rest of the characters; End III 1st piece: Old Towler-Incledon

Performances

Mainpiece Title: Disinterested Love

Afterpiece Title: Starboard Watch

Afterpiece Title: The Highland Reel

Entertainment: Monologue.Preceding 1st piece: a new Occasional Prologue-Holman

Event Comment: The Duke's Company. The date of performance is uncertain. The play was entered in the Stationers' Register, 15 Feb. 1663@4, and its publication noted in The Newes, 3 March 1663@4. Katherine Philips, writing from Cardigan, Wales to Lady Temple in London, 24 Jan. 1663@4: I beleive er'e this you have seen the new Pompey either acted or written & then will repent your partiallity to ye other, but I wonder much what preparations for it could prejudice Will Davenant when I heare they acted in English habits, & yt so aprope yt Caesar was sent in with his feather & Muff, till he was hiss'd off ye Stage & for ye Scenes I see not where they could place any yt are very extra-ordinary, but if this play hath not diverted ye Cittizens wives enough Sr W: D: will make amends, for they say Harry ye 8th & some later ones are little better then Puppett-plays. I understand ye confederate-translators are now upon Heraclius, & I am contented yt Sr Tho. Clarges (who hath done that last yeare) should adorn their triumph in it, as I have done in Pompey (Harvard Theatre Collection)

Performances

Mainpiece Title: Pompey The Great

Event Comment: This play was presumably acted by the Duke's Company. In the preface to Heraclius, Emperour of the East, published in 1664, the author, Lodowick Carlell, complains that he had submitted his translation of Corneille, only to have it returned the very day that this version appeared on the stage. See also the letter by Katherine Philips, under Pompey the Great, Jan. 1663@4. Pepys, Diary: We made no long stay at dinner; for Heraclius being acted, which my wife and I have a mighty mind to see, we do resolve, though not exactly agreeing with the letter of my vowe, yet altogether with the sense, to see another this month, by coming hither instead of that at court, there having ueen none conveniently since I made my vowe for us to see there, nor like to be this Lent, and besides we did walk home on purpose to make this going as cheap as that would have been, to have seen one at Court, and my conscience knows that it is only the saving of money and the time also that I intend by my oaths....The play hath one very good passage well managed in it, about two persons pretending, and yet denying themselves, to be son to the tyrant Phocas, and yet heire of Mauricius to the crowne. The garments like Romans very well. The little girle is come to act very prettily, and spoke the epilogue most admirably. But at the beginning, at the drawing up of the curtaine, there was the finest scene of the Emperor and his people about him, standing in their fixed and different postures in their Roman habitts, above all that ever I yet saw at any of the theatres

Performances

Mainpiece Title: Heraclius

Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.
Event Comment: Benefit Berry. Mainpiece: Containing the Death of the Duke of Buckingham; The Fall of Cardinal Wolsey; The Divorce and Death of Queen Katherine; The Coronation of Anna Bullen, with the Military Ceremony of The Champion in Westminster Hallv; the Christening of Queen Elizabeth, and many other Historical Passages. Tickets to be had at Mr Berry's, the Corner of Crown-Court in Russel St., Covent Garden, and of Mr Bradshaw. Tickets deliver'd out by Woodburn, Mrs Roberts, and Speer will be taken. Receipts: #130

Performances

Mainpiece Title: Henry Viii

Performance Comment: Henry-Berry; Wolsey-Mills; Buckingham-Winstone; Gardiner-Johnson; Cranmer-Turbutt; Norfolk-Havard; Suffolk-Ridout; Lord Chamberlain-Woodburn; Campeius-Shepard; Abergavenny-Raftor; Cromwell-Cross; Lord Sands-Neale; Surveyor-Taswell; Lovel-Ray; Old Lady-Mrs Egerton; Anna Bullen-Mrs Ridout; Queen Katherine-Mrs Roberts.
Cast
Role: Queen Katherine Actor: Mrs Roberts.

Afterpiece Title: The Virgin Unmasked

Dance: I: A Concerto, as17420105; II: The Drunken Peasant, as17411029; III: Le Boufon, as17420325

Song: IV: A Ballad-Lowe; V: Bumper Squire Jones-Beard