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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Sommerford"/1) | (@(roleclean,performerclean) "John Sommerford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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11750 results for: Keyword - John Sommerford
We found 9825 matches on Author, 1682 matches on Performance Comments, 1133 matches on Event Comments, 323 matches on Performance Title, and 0 matches on Roles/Actors.

11376
04 November 1697 @ Whitehall or St. James's

Event Comment: In L. C. 5@152, pp. 202, 220--see Boswell, Restoration Court Stage, p. 105--is a reference to a performance given jointly by both companies. As this was the customary date of the celebration of King William's birthday, this musical work was probably given on this day. The BM copy has a MS date of 29 Nov. 1697; and a dialogue from this work was noticed in the Post Boy, 30 Nov.-2 Dec. 1697. The music was composed by John Eccles

Performances

Mainpiece Title: Europe's Revels For The Peace

11377
03 May 1698 @ Drury Lane Theatre

Event Comment: Rich's Company was apparently suspended because of its action in allowing John Powell, who had been involved in an altercation with Colonel Stanhope and Charles Davenant, to act before making satisfaction for the incident. See Nicoll, Restoration Drama, p. 368, and Cibber, Apology, II, 20n. The suspension lasted but a day; on 19 May 1698 Powell was forbidden to be received at either Drury Lane or Dorset Garden

Performances

11378
28 January 1700 @ Lincoln's Inn Fields

Event Comment: Villiers Bathurst to Arthur Charlett, 28 Jan. 1699@1700: The Wits of all qualities have lately entertained themselves with a reviv 6: went to ye play. I staid there a quarter of an hour (Huntington MS St 26). The Wits of all qualities have lately entertained themselves with a revived humour of Sir John Falstaff in Henry the Fourth, which has drawn all the town, more than any new play that has bin produced of late; which shews that Shakespeare's wit will always last: and the criticks allow that Mr Betterton has hitt the humour of Falstaff better than any that have aimed at it before (G. Thorn-Drury, More Seventeenth Century Allusions to Shakespeare, [London, 1924], p. 48)

Performances

11379
13 May 1700 @ Drury Lane Theatre and Lincoln's Inn Fields

Event Comment: Both playhouses were closed for the burial services of John Dryden. See The Patentee; or some Reflections in Verse (1700), titlepage

Performances

11380
11 December 1700 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-. Compos'd by Dr John Blow, for the late Anniversary Feast of St Cecilia

Performance Comment: Compos'd by Dr John Blow, for the late Anniversary Feast of St Cecilia.

11381
16 April 1703 @ Girdlers Hall

Event Comment: Benefit John Wilford. The Hall is in Basinghall Street. At 8 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-several Eminent Masters

11382
28 April 1704 @ York Buildings

Event Comment: Benefit John Banister Jr. At the usual hour

Performances

Mainpiece Title: Concert

Music: Newly composed by Keller, with vocal Music-Signora Maria Gallia; instrumental Music-Paisible, Gasperini, laTour, Banister, others Masters

Related Works
Related Work: Like Master Like Man Author(s): John Vanbrugh
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): John Rich

11383
09 May 1704 @ Lincoln's Inn Fields

Event Comment: Genest, II, 309, lists Don John; or, The Libertine Destroy'd, probably as a mistake for 1 May

Performances

11384
02 October 1704 @ Lincoln's Inn Fields

Event Comment: A new Farce, never acted but twice. [By John Corey. Date of premiere unknown.

Performances

Mainpiece Title: The Metamorphosis; Or, The Old Lover Outwitted

Performance Comment: Edition of 1704 lists no actors' names; Prologue by C. Johnson designed for Verbruggen, in the Astrologer's Habit. Prologue-Mrs Bradshaw; Epilogue written by C. Johnson-Booth.
Cast
Role: Johnson Actor: Booth.
Related Works
Related Work: Apollo and Daphne; or, Harlequin's Metamorphosis Author(s): John Thurmond

11385
01 February 1707 @ Drury Lane Theatre

Event Comment: Philip Perceval to Sir John Perceval, 1 Feb.: The opera of Camilla has been one of the chief diversions of the town this long time, and business is forgot. Next week we expect a new one, and soon after another. One goes by Mr Addison's name; I think they call it Fair Rosamond, the other is Mr Clayton's undertaking. Great things are expected of them both. (Egmont MS, II, 215.

Performances

Mainpiece Title: Camilla

11386
07 September 1708 @ Drury Lane Theatre

Event Comment: [In Daily Courant, 4 Sept., The Heir of Morocco had been announced for this day.] The Playhouse in Little-Lincoln's-Inn-Fields is to be Let for a Tennis-Court, or for any other use, (except a Playhouse). Enquire of Mr John Hall next Door to the Sign of the Angel in Little-Russell street

Performances

Mainpiece Title: The Recruiting Officer

11387
19 January 1709 @ Queen's Theatre

Event Comment: Benefit Cavaliero Nicolini Grimaldi. And (at the Desire of several Persons of Quality) the Boxes are to be open'd to the Pit, and none to be admitted but by printed Tickets, which are deliver'd by him. [Ch. Dering, writing to John Percival, stated that Nicolini got 800 guineas.-Egmont MS, p. 246.

Performances

Mainpiece Title: Pyrrhus And Demetrius

11388
15 September 1709 @ Queen's Theatre

Event Comment: Sir John Perceval to Elizabeth Stockwell, 20 Sept.: We should have languished for want of diversion but for Othello, which drew all the stragglers in town together, and our number was greater than I imagined....Meanwhile I declare that they who cannot be moved at Othello's story so artfully worked up by Shakespeare, and justly played by Betterton, are capable of marrying again before their husbands are cold, of trampling on a lover when dying at their feet, and are fit converse with tigers only (Egmont MS, II, 240)

Performances

Mainpiece Title: Othello, Moor Of Venice

11389
04 February 1710 @ Drury Lane Theatre

Event Comment: At the Desire of Isaac Bickerstaffe, Esq.; for the Benefit of his cousin John Bickerstaffe

Performances

Mainpiece Title: Don Quixote, Part Ii

Related Works
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden

Dance: Harlequin-Layfield, Miss Santlow; With other comical Dances originally in the play-

Entertainment: As17100202

11390
24 February 1710 @ Couch's Drawing Room

Event Comment: Benefit James Graves and John Garee. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Several Eminent Masters

11391
11 January 1711 @ Stationer's Hall

Event Comment: Benefit John Geree. At 6 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-several Eminent Masters

11392
06 February 1711 @ Clerkenwell

Event Comment: Mr Skeete reported that John Honeycott, the master of the charity school at Clerkenwell, had yesterday [6 Feb.], with the children of the above school, publickly acted the play called Timon of Athens, and by Tickets signed by himself had invited several people to it (Minutes of the Society for Promoting Christian Knowledge, in Secretan, pp. 129-30)

Performances

Mainpiece Title: Timon Of Athens

11393
25 April 1711 @ Queen's Theatre

Event Comment: At the Desire of several Ladies of Quality. Lady Hervey to John Hervey, 26 April: Yesterday I dined with Lady Dalkeith, and she and Lady Katt: supd with me after the Opera, which was as full as ever I saw it at a subscription, but that was by way of party, in order to get it empty on Saturday (Hervey, I, 301)

Performances

Mainpiece Title: Rinaldo

Related Works
Related Work: Rinaldo and Armida Author(s): John Dennis

11394
20 December 1711 @ Coachmaker's Hall

Event Comment: Benefit Thomas and John Baston. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; several Pieces on the French and Arch Lutes- the famous Henricus Fonthornoycts

Dance: An Entry-Mr Thurmond Jr, who hath so often perform'd with the greatest Applause

11395
06 February 1712 @ Clerkenwell Charity School

Event Comment: Minutes of the Society for Promoting Christian Knowledge, 7 Feb.: Mr Skeate reported that John Honeycott the master of the Charity School at Clerkenwell had yesterday with the Children of the School publickly acted the play called Timon of Athens, and by Tickets signed by himself invited Several people to it

Performances

Mainpiece Title: Timon Of Athens

11396
07 February 1712 @ Stationer's Hall

Event Comment: Benefit John Geree. Postponed from 25 Jan

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

11397
05 April 1712 @ Queen's Theatre

Event Comment: Benefit Signora Elizabetta Piloti Schivaonetti. Admission to pit and boxes by ticket only at half a guinea. At 6 p.m. Lady Hervey to John Hervey, 5 April: Yet I venture to the Opera, because poor Pilota has great faction made against her (Hervey, I, 323)

Performances

Mainpiece Title: Antiochus

Related Works
Related Work: Antiochus Author(s): John Mottley

Afterpiece Title: Thomyris (the famous Scene only)

11398
08 December 1712 @ Stationer's Hall

Event Comment: Benefit Thomas and John Baston. At 6 p.m. Tickets 2s. 6d. [The discontinuance of The Spectator on 6 Dec. caused an interruption in the advertisement of plays until 10 Dec.

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Where will be perform'd several select Songs with Symphonies out of the Operas-; that celebrated Sonata for the Violin and Lute, so often performed on the Stage-Signior Gasperini, Mr Pasiable

Dance: Spanish Entry, Dutch Skipper-a scholar of DuRuel

11399
14 April 1713 @ Drury Lane Theatre

Event Comment: [By Joseph Addison.] Never Acted before. G. Berkeley to Sir John Percival, 16 April: On Tuesday last...Cato was acted the first time. I am informed the front boxes were all bespoke for nine days, a fortnight before the play was acted. I was present with Mr Addison, and two or three more friends in a side box, where we had a table and two or three flasks of burgundy and champagne, with which the author (who is a very sober man) thought it necessary to support his spirits in the concern he was then under, and indeed it was a pleasant refreshment to us all between the acts....The actors were at the expence of new habits, which were very magnificent. (Rand, p. 113. See also Victor, II, 29-31, and Cibber, I, 122-23, II, 127-33)

Performances

Mainpiece Title: Cato

Related Works
Related Work: Cato Author(s): John Ozell

11400
07 May 1713 @ Drury Lane Theatre

Event Comment: G. Berkeley to Sir John Percival: Mr Addison's play has taken wonderfully, they have acted it now almost a month, and would I belive act it a month longer were it not that Mrs Oldfield cannot hold out any longer, having had for several nights past, as I am informed, a midwife behind the scenes (Rand, p. 115)

Performances

Mainpiece Title: Cato

Related Works
Related Work: Cato Author(s): John Ozell