SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Page"/1) | (@(roleclean,performerclean) "John Page")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11035 matches on Author, 2125 matches on Performance Comments, 1289 matches on Event Comments, 323 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The United Company. This performance is known by one of the rare playbills extant from this period. It is in HMC, Verney MSS., 7th Report, p. 509, and reproduced opposite page 240 in Lawrence, Elizabethan Playhouse, 2d Series: Never Acted but once. At the Theatre Royal, in Drury-Lane, this present Wensday being the Nineth day of November, will be presented, A New Play called, Henry the Second King of England. No money to be return'd after the curtain is drawn. By their Majesties Servants. Vivant Rex & Regina. Lady Margaret Russell to Katherine Russell, 10 Nov. 1692: You will be surprised that Lady Cavendish has been hindered by a little sore throat from going yesterday to a new play of King Henry and Rosamond, which is much commended (HMC, 12th Report, Appendix, Part V, Rutland MSS., p. 124)

Performances

Mainpiece Title: Henry The Second

Event Comment: The United Company. The date of the first performance is not known, but it had been acted by the time the January 1692@3 issue of the Gentleman's Journal appeared in March (on page 1 of that issue, the editor states that We are now in March): Mr Southerne's New Comedy, call'd, The Maid's last Prayer, or Any rather than fail, was acted the 3d time this evening, and is to be acted again to morrow. It discovers much knowledge of the Town in its Author; and its Wit and purity of Diction are particularly commended (p. 28). The first song in the play, Tho you make no return to my passion, composed by Henry Purcell, was sung, according to the printed play, by Mrs Hodgson; by Mrs Dyer, according to Thesaurus Musicus, First Book, 1693. The second song, composed by Samuel? Akeroyd, was sung by Mrs Ayliff (Thesaurus Musicus, The First Book, 1693). Another song, No, no, no, no, resistance is but vain, written by Anthony Henley, composed by Henry Purcell, and sung by Mrs Ayliff and Mrs Hodgson, Act IV, is in Purcell's Works, Purcell Society, XX (1916), xiv-xv. A song, Tell me no more I am deceiv'd, written by William Congreve, set by Henry Purcell, and sung by Mrs Ayliff, is in Works, XX (1916), xv-xvi. According to the London Gazette, No. 2852, 9-13 March 1692@3, the play was published "this day" (13 March 1692@3)

Performances

Mainpiece Title: The Maids Last Prayer Or Any Rather Than Fail

Event Comment: The United Company. This performance is known from a playbill: At the Queens Theatre, in Dorset-Garden, this present Tuesday being the 12th of June, will be presented, A Play called, Theodosius, Or, The Force of Love. No money to be return'd after the Curtain is drawn. By their Majesties servants. Vivant Rex & Regina (reproduced opposite page 241, Lawrence, Elizabethan Playhouse, 2d Series)

Performances

Mainpiece Title: Theodosius Or The Force Of Love

Performances

Mainpiece Title: The Female Wits Or The Triumvirate Of Poets At Rehearsal

Performance Comment: [The author is not known, but the title page states that it was written by W. M.] Edition of 1704: Prologue-; Epilogue-; Mr Aw'dwell-Mills; Praiseall-Cibber; Fastin-Powell; Amorous-Pinkethman; Lord Whiffle-Thomas; Lord Whimsical-Verbruggen; Marsillia-Mrs Verbruggen; Patience-Mrs Essex; Mrs Wellfed-Mrs Powell; Calista-Mrs Temple; Isabella-Mrs Cross; Lady Loveall-Mrs Knight; Betty Useful-Mrs Kent; Players-Johnson, Pinkethman, Mrs Lucas, Miss Cross; Singers-Mrs Cross, Pate; Dancers-Mrs Cross, Mrs Lucas.
Event Comment: Rich's Company. Lady Morley attended this performance. Hotson, Commonwealth and Restoration Stage, p. 377: Lady Morley and one in the Box att Sham Lawyer 8s. [There is no certainty that this performance was the premiere, but the fact that the play was advertised in the Post Boy, 26-28 June 1697 (Luttrell's copy, Huntington Library, bears his acquisition date of 24 June 1697) suggests that its premiere occured in late May.] Title Page, Edition of 1697: As it was Damnably Acted at the Theatre-Royal in Drury Lane

Performances

Mainpiece Title: The Sham Lawyer Or The Lucky Extravagant

Performance Comment: Edition of 1697: Prologue-; Epilogue-Spade; Careless-Cibber; Friendly-Harland; Serj. Wrangle-Bullock; Homily-Johnson; Spade-Hains; Famine-Pinkeman; Olympia-Mrs Knight; Florella-Mrs Rogers; Mrs Vernish-Mrs Powel.
Cast
Role: Homily Actor: Johnson
Event Comment: Rich's Company. This performance is known by a playbill in the Folger Shakespeare Library: At the New Theatre, in Little Lincolns-Inn Fields, this present Wensday the 27th of October, will be presented, A Comedy call'd, The Committee, or The Faithful Irishman. No Persons to Stand on the Stage. Nor any Money to be after Return'd [sic] the Curtain is Drawn up. By his Majesties Servants. Vivat Rex. [The playbill is reproduced, opposite page 230, in William VanLennep, Some Early English Playbills, Harvard Library Bulletin, VIII (1954).

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Performances

Mainpiece Title: Fryar Bacon Or The Country Justice With The Humours Of tolfree The Miller And His Son ralph

Performance Comment: A playbill: At Parker's and Doggett's Booth near Hosier-Lane End, in Smithfield, during the Time of Bartholomew-Fair, will be presented a New Droll, called, Fryar Bacon; or, The Country Justice: With the Humours of Tolfree the Miller, and his Son Ralph, Acted by Mr Doggett. With Variety of Scenes, Machines, Songs and Dances. Vivat Rex. (See William VanLennep, Some Early English Playbills, Harvard Library Bulletin, VIII (1954), opposite page 237.) The London Spy, August 1699, describes a visit to Bartholomew Fair, including an account of Doggett's droll and another, Dwarf Comedy, Sir-nam'd a Droll' called The Devil of a Wife. In the Post Man, 15-17 Aug. 1699, is an advance notice of rope dancing and a booth run by Barnes and Appleby between the Crown Tavern and the Hospital Gate, next to Miller's Droll Booth.
Event Comment: Tom Brown, writing to George Moult, 30 Aug. 1699: As I have observ'd to you, this noble Fair is quite another thing than what it was in the last Age; it not only deals in the humble stories of Crispin and Crispianus, Whittington's Cat, Bateman's Ghost, with the merry Conceits of the Little Pickle-herring; but it produces Opera's of its own Growth, and is become a formidable Rival to both the Theatres. It beholds Gods descending from Machines, who express themselves in a language suitable to their dignity; it trafficks in Heroes; it raises Ghosts and Apparitions; it has represented the Trojan Horse, the Workmanship of the divine Epeus; it has seen St. George encounter the Dragon, and overcome him; In short, for Thunder and Lightning, for Songs and Dances, for sublime Fustian and magnificent Nonsense, it comes not short of Drury-Lane or Lincolns-Inn-Fields (in Thomas Brown, Works, 4th edition, 1715, I, 212-13). [For a colorful account of Bartholomew Fair at the turn of the century, see The London Spy Compleat, 1703, Parts X and XI, particularly pages 228-58.]

Performances

Event Comment: Thomas Brown to George Moult, 12 Sept. 1699: But tho' Bartholomew-Fair is dead and buried for a twelvemonth, yet it is some consolation to us, that it revives in both the play-houses. Poetry is so little regarded there, and the audience is so taken up with show and sight, that an author will not much trouble himself about his thoughts and language, so he is but in fee with the dancing-masters, and has a few luscious songs to lard his dry composition. One would almost swear, that Smithfield had removed into Drury-lane and Lincolns-Inn-Fields, since they set so small a value on good sense, and so great a one on trifles that have no relation to the play. By the by, I am to tell you, that some of their late bills are so very monstrous, that neither we, nor our forefathers, ever knew anything like them: They are as long as the title-pages to some of Mr Prynn's works; nay, you may much sooner dispatch the Gazette, even when it is most crowded with advertisements. And as their bills are so prodigious, so are the entertainments they present us with: For, not to mention the Bohemian women, that first taught us how to dance and swim together; not the famous Mr Clinch of Barnet, with his kit and organ; nor the worthy gentlemen that condescended to dance a Cheshirerounds, at the instance of several persons of quality; nor t'other gentleman that sung like a turky-cock; nor, lastly, that prodigy of a man that mimick'd the harmony of the Essex lions; not to mention these and a hundred other notable curiosities, we have been so unmercifully over-run with an inundation of Monsieurs from Paris, that one would be almost tempted to wish that the war had still continued, if it were for no other reason but because it would have prevented the coming over of these light-heel'd gentlemen, who have been a greater plague to our theatres, than their privateers were to our merchantmen. Shortly, I suppose, we shall be entertain'd here with all sorts of sights and shows, as, jumping thro' a hoop; (for why should not that be as proper as Mr Sympson's vaulting upon the wooden-horses?) dancing upon the high ropes, leaping over eight men's heads, wrestling, boxing, cudgelling, fighting at back-sword, quarter-staff, bear-baiting, and all the other noble exercises that divert the good folk at Hockley; for when once such an infection as this has gain'd ground upon us, who can tell where it will stop? What a wretched pass is this wicked age come to, when Ben. Johnson and Shakespear won't relish without these bagatelles to recommend them, and nothing but farce and grimace will go down? For my part, I wonder they have not incorporated parson Burgess into their society; for after the auditors are stupify'd with a dull scene or so, he would make a shift to relieve them. In short, Mr Collier may save himself the trouble of writing against the theatre; for, if these lewd practices are not laid aside, and sense and wit don't come into play again, a man may easily foretell, without pretending to the gift of prophecy, that the stage will be shortliv'd, and the strong Kentish man will take possession of the two play-houses, as he has already done of that in Dorset-Garden (The Works of Thomas Brown, 4th ed. [London, 1715], I, 216-18)

Performances

Event Comment: Benefit Miss Robinson, the Dancer, and Miss Robinson Jr, the Page in The Orphan. At the particular Desire of Persons of Quality. Written by Mr Congreve

Performances

Mainpiece Title: Love For Love

Cast
Role: Foresight Actor: Johnson

Dance: I: Passacaille-Miss Robinson; II: Peirette-Mrs Brett; III: Polonese-Miss Robinson, Rainton; IV: Harlequin-Rainton; V: Spanish Entry-Miss Robinson

Music: II: Serenade on Violin-Roger , to his Mistress in the Character of Pierot

Event Comment: DDaily Courant, 16 Feb., has a full page discussion of Achilles

Performances

Performances

Mainpiece Title: Henry Iv Part Ii

Performance Comment: As17331012, but Westmoreland, Mowbray, Humphrey, Hastings, Shadow, Wart, Mouldy, Bullcalf, Falstaff's Page omitted .
Cast
Role: Shallow Actor: Johnson

Dance: V: Mock Minuet, as17331027

Song: II: O Care Parollette by Miss Arne. IV: Vorei Poterti Amar by Miss Arne

Event Comment: Benefit Roberts, Stede, Mrs Mullart, and Page (Housekeeper). Receipts: #120 (Rylands MS.)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Damon and Phillida

Song: II: Roberts

Dance: III: Pierots-Richardson, Delagarde; IV: The Swiss-Mechel, Mlle Mechel

Music: V: Handel's Water@Musick, Preamble on the Kettle Drum-Jo. Woodbridge

Event Comment: Mainpiece: Written by Shakespear. Never acted there before. With all the decorations proper to the play. By Command of their Royal Highnesses, the Prince and Princess of Wales. Tickets and places for the Boxes to be taken of Mr Page, Housekeeper, at the stage door of the theatre. [This last announcement becomes a customary note on subsequent bills.

Performances

Mainpiece Title: The Winters Tale

Dance: Dubisson, Mlle Bonneval, being the 1st time of their appearing since their arrival from Paris

Event Comment: Benefit Mrs Porter. By Command of their Royal Highnesses the Prince and Princess of Wales. Servants will be allowed to keep places on the Stage, which (for the better accommodation of the Ladies) will be enclosed, and formed into an amphitheatre. Ladies are desired to send their servants by 3 o'clock. Tickets to be had and places to be taken of Mr Page at the stage door; none to be admitted Without printed Tickets. Part of the Pit will be rail'd in and added to the Frodt Boxes

Performances

Mainpiece Title: The Unhappy Favourite Or Earl Of Essex

Related Works
Related Work: The Unhappy Favourite; or, The Earl of Essex Author(s): John Banks

Dance: TThe Peasants, as17420210; Chacone, as17411230; La Provencale, as17420212

Event Comment: Benefit LaLauze. By Command of their Royal Highnesses the Prince and Princess of Wales. Tickets to be had and places to be taken of Page at the Stage Door. None to be admitted without printed tickets, which will also be deliver'd at the Office, and at LaLauze's lodgings, at the Widow Gwinn's, a Silk Dyer in Drury Lane, near the Castle Tavern. Servants will be allowed to keep places on the stage, which (for the better accommodation of the ladies) will be enclos'd and formed into an amphitheatre. N.B. As I had the Misfortune to break the great tendon of my leg, when dancing on the stage at the above theatre in January last, I think it highly incumbent on me to acquaint the public in general and my good friends in particular, that I am in a fair (but not speedy) way of recovery; and as Mr Rich has kindly granted me a benefit sooner than usual, towards supporting me in my unlucky situation, I take this opportunity to interest the good-natured town to dispense with my personal application, and favour me with their company as usual, which will add to the many obligations I have already received, and shall be ever acknowledged with a sincere sense of gratitude, by their most humble and obedient servant, LaLauze

Performances

Mainpiece Title: The Pilgrim

Related Works
Related Work: The Pilgrim Author(s): John Fletcher

Afterpiece Title: The School Boy

Dance: LLa Provencale, as17420212; Chacone, as17411230; Tyrolean Dance, By Command, as17420206

Event Comment: Benefit Mrs Pritchard. Tickets and Places to be had of Page at the stage door and of Mrs Pritchard at the Blue Door in Great Queen St., Lincoln's Inn Fields

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Honest Yorkshireman

Dance: LLa Provencale, as17420212; Chacone, as17411230; The Peasants, as17420210

Event Comment: Benefit Mrs Horton. Mainpiece: At the desire of Several Persons of Quality. Tickets to be had and places taken of Page at the stage door. None to be admitted into the Boxes, or upon the stage, without printed tickets, which will be deliver'd at the Box Office and stage door at 5s. each

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The King and Miller of Mansfield

Dance: TTambourine-Picq, Mlle Auguste; Les Maquignons, as17420309 The Peasants, as17420210

Event Comment: Benefit Bridgwater. All will be over at Nine at Night. Tickets delivered by Messing will be taken. Tickets of Page at the stage door and of Bridgwater at his house, the lower end of Water Lane in Fleet St.

Performances

Mainpiece Title: Love For Love

Dance: TThe Peasants, as17420210; Chacone, as17411230; Rigadone Provencale, as17420226; Hornpipe proper to the play-Vaughan

Event Comment: Benefit Macklin. Afterpiece: With Courtiers, Maids of Honour, Daggers, Poisons, Ghosts, Pages, Guards, Rebels, Trumpets, Kettle-drums, Thunder, Lightening, &c., and other Decorations proper to tragedy. Stage to be form'd into an amphitheatre. Tickets of Bradshaw, and at Macklin's, No. 12, in Wild Court, Lincoln's Inn Fields. Receipts: #123

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Tom Thumb

Song: I: Song with French Horns-Beard; II: Was ever Nymph like Rosamond-Lowe; IV: Bumper Squire Jones (By Desire)-Beard

Dance: III: (At particular desire of several persons of quality) Le Boufon, Italian Peasants-Mechel, Mlle Mechel after the manner of the Fausans

Event Comment: Benefit Desnoyer. Mainpiece: By Command of their Royal Highnesses the Prince and Princess of Wales. Tickets deliver'd for the Careless Husband, will be taken. Servants allow'd to keep Places on the stage, which will be form'd into an amphitheatre. Tickets to be had at M Desnoyer's House in Gloucester Court, St. James's St.; and of Page at the stage door

Performances

Mainpiece Title: The Amorous Widow Or The Wanton Wife

Dance: I: New Scots Dance-Desnoyer, Sga Barbarina; II: Tambourine-Desnoyer, Sga Barbarina; V: A Ball Dance call'd the Britannia, Louvre-; concluding with: a Minuet-Desnoyer, Sga Barbarina, By Command

Ballet: IV: Rural Assembly. See17420121, but only Chasseur-Desnoyer; Nymph-Sga Barbarina

Event Comment: Benefit Mlle Auguste. Tickets of Page at stage door and of Mlle Auguste at Mrs Butler's over against the Golden Fan in Hanover St., Long Acre

Performances

Mainpiece Title: Loves Last Shift

Afterpiece Title: The King and Miller of Mansfield

Dance: I: Musette, as17420405 II: Louvre-Picq; III: New Comic Dance Pantaloon and Enamorata=-Picq, Mlle Auguste; IV: Rigadone Provencale, as17420226; V: La Marie, Minuet-Picq, Mlle Auguste

Event Comment: Mainpiece: By Particular desire. Afterpiece: Never Acted Before. [The Farce by Fielding is a sequel to The Virgin Unmasked.] Forbidden soon by the Lord Chamberlain. It being supposed that a particular man of quality was pointed at in one of the characters. The prohibition short of duration (Genest, III, 652). See A Letter to a Noble Lord to whom it alone belongs, occasioned by a representation at Drury Lane of a Farce call'd Miss Lucy in Town (1742), [a 20 page pamphlet criticizing the Lord Chamberlain for allowing this farce. Author gives a scene by scene account emphasizing the bawdry and discounting the pious conclusion. He concludes with remarks on theatrical dancing]: As to Dances, I think your province of prohibition does not extend; so the Public cannot owe their gratitude to you for several. I appeal to those who have been on the coast of Malabar and the banks of the Ganges whether we have not had some that have exceeded on posture, or anything of that kind so common amongst the polite Indians of Indostan. Afterpiece: Mrs Clive mimics the Muscovita admirably, and Beard Amorevoli intolerably (H. Walpole to H. Mann, 26 May).-Horace Walpole Correspondence with Sir Horace Mann, I, 435. Receipts: #70

Performances

Mainpiece Title: Othello

Afterpiece Title: Miss Lucy in Town

Event Comment: Benefit Page (Housekeeper), Froment, and Mrs Stede

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: Rape of Proserpine

Song: OOld England forever, with the chorus-Leveridge

Dance: III: The Italian Peasants-Froment; V: Louvre, concluding with a Minuet-Froment, Mlle Auguste

Event Comment: Benefit Cashell. Mainpiece At the Desire of Several Persons of Quality. Tickets and places to be had of Cashell at his lodgings, at the Dial in Little Wild St; or of Page at the stage Door. No Tickets will be admitted that are sold about the playhouse Passage. Mr Cashell begs the favour of those Ladies who have taken Boxes of Places to send for tickets, and likewise to send their servants by four o'clock to keep their places

Performances

Mainpiece Title: Venice Preserved

Related Works
Related Work: Venice Preserv'd Author(s): John Philip Kemble

Afterpiece Title: The Toyshop

Dance: I: Dutch Skipper, as17421025; III: Peasants, as17421230; V: Le Rendezvous Gallant, as17421217