30 August 1699

Event Information
Theatre: Bartholomew Fair
Theatrical Season: 1698-1699
Volume: 1
Comments: Tom Brown, writing to George Moult, 30 Aug. 1699: As I have observ'd to you, this noble Fair is quite another thing than what it was in the last Age; it not only deals in the humble stories of Crispin and Crispianus, Whittington's Cat, Bateman's Ghost, with the merry Conceits of the Little Pickle-herring; but it produces Opera's of its own Growth, and is become a formidable Rival to both the Theatres. It beholds Gods descending from Machines, who express themselves in a language suitable to their dignity; it trafficks in Heroes; it raises Ghosts and Apparitions; it has represented the Trojan Horse, the Workmanship of the divine Epeus; it has seen St. George encounter the Dragon, and overcome him; In short, for Thunder and Lightning, for Songs and Dances, for sublime Fustian and magnificent Nonsense, it comes not short of Drury-Lane or Lincolns-Inn-Fields (in Thomas Brown, Works, 4th edition, 1715, I, 212-13). [For a colorful account of Bartholomew Fair at the turn of the century, see The London Spy Compleat, 1703, Parts X and XI, particularly pages 228-58.]

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  • Original Data

    Source: London Stage Information Bank

    *p<?bf Comment. *c<?bf $Tom Brown=, writing to $George Moult=, 30 Aug. 1699: As I have observ'd to you, this noble Fair is quite another thing than what it was in the last Age; it not only deals in the humble stories of <i>Crispin and Crispianus</i>, <i>Whittington's Cat</i>, <i>Bateman's Ghost</i>, with the merry Conceits of the Little Pickle-herring; but it produces Opera's of its own Growth, and is become a formidable Rival to both the Theatres. It beholds Gods descending from Machines, who express themselves in a language suitable to their dignity; it trafficks in Heroes; it raises Ghosts and Apparitions; it has represented the <i>Trojan Horse</i>, the Workmanship of the divine <i>Epeus</i>; it has seen <i>St. George</i> encounter <i>the Dragon</i>, and overcome him; In short, for Thunder and Lightning, for Songs and Dances, for sublime Fustian and magnificent Nonsense, it comes not short of <i>Drury-Lane</i> or <i>Lincolns-Inn-Fields</i> (in Thomas <i>Brown, Works</i>, 4th edition, 1715, I, 212-13). [For a colorful account of <i>Bartholomew Fair</i> at the turn of the century, see <i>The London Spy Compleat</i>, 1703, Parts X and XI, particularly pages 228-58.].
  • Cleaned Data

    *p1699 08 30 bf Comment.*c1699 08 30 bf $Tom Brown=, writing to $George Moult=, 30 Aug. 1699: As I have observ'd to you, this noble Fair is quite another thing than what it was in the last Age; it not only deals in the humble stories of <i>Crispin and Crispianus</i>, <i>Whittington's Cat</i>, <i>Bateman's Ghost</i>, with the merry Conceits of the Little Pickle-herring; but it produces Opera's of its own Growth, and is become a formidable Rival to both the Theatres. It beholds Gods descending from Machines, who express themselves in a language suitable to their dignity; it trafficks in Heroes; it raises Ghosts and Apparitions; it has represented the <i>Trojan Horse</i>, the Workmanship of the divine <i>Epeus</i>; it has seen <i>St. George</i> encounter <i>the Dragon</i>, and overcome him; In short, for Thunder and Lightning, for Songs and Dances, for sublime Fustian and magnificent Nonsense, it comes not short of <i>Drury-Lane</i> or <i>Lincolns-Inn-Fields</i> (in Thomas <i>Brown, Works</i>, 4th edition, 1715, I, 212-13). [For a colorful account of <i>Bartholomew Fair</i> at the turn of the century, see <i>The London Spy Compleat</i>, 1703, Parts X and XI, particularly pages 228-58.].
  • Parsed Data

    Event: 2256 | 16990830 | bf | $Tom Brown=, writing to $George Moult=, 30 Aug. 1699: As I have observ'd to you, this noble Fair is quite another thing than what it was in the last Age; it not only deals in the humble stories of <i>Crispin and Crispianus</i>, <i>Whittington's Cat</i>, <i>Bateman's Ghost</i>, with the merry Conceits of the Little Pickle-herring; but it produces Opera's of its own Growth, and is become a formidable Rival to both the Theatres. It beholds Gods descending from Machines, who express themselves in a language suitable to their dignity; it trafficks in Heroes; it raises Ghosts and Apparitions; it has represented the <i>Trojan Horse</i>, the Workmanship of the divine <i>Epeus</i>; it has seen <i>St. George</i> encounter <i>the Dragon</i>, and overcome him; In short, for Thunder and Lightning, for Songs and Dances, for sublime Fustian and magnificent Nonsense, it comes not short of <i>Drury-Lane</i> or <i>Lincolns-Inn-Fields</i> (in Thomas <i>Brown, Works</i>, 4th edition, 1715, I, 212-13). [For a colorful account of <i>Bartholomew Fair</i> at the turn of the century, see <i>The London Spy Compleat</i>, 1703, Parts X and XI, particularly pages 228-58.]

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