SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Home"/1) | (@(roleclean,performerclean) "John Home")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9825 matches on Author, 1720 matches on Performance Comments, 1218 matches on Event Comments, 424 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Eighth Concerto-(Corelli); How willing-Bartleman [Samson]; Hear us O God-Chorus Coronation Anthems]; Deeper and deeper still, Waft her angels to the skies-Kelly [Jephtha]; From harmony-Chorus [Dryden's Ode]; The Captive Kings-Incledon, Chorus [, as17930306 Captivity-Mrs Crouch [, as17930220; Let the Bright seraphim-Mme Dussek; Let their celestial concerts-Chorus [Samson]; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).
Cast
Role: Britons strike home Actor: Chorus

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Cast
Role: Britons strike home Actor: Chorus

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe Concerto-; The trumpet's loud clangour-Kelly, Chorus [Dryden's Ode]; Every day will I give thee thanks-Mrs Crouch Chandos Anthems]; I feel the Diety within-Bartleman; Arm, arm, ye brave-Bartleman; We come-Chorus [Judas Maccabaeus]; The Captive King- [as17930306ncledon, Chorus; Captivity- [as17930220Mrs Crouch; The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Mrs Crouch; The horse and his rider-Double Chorus [Israel in Egypt]; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).
Cast
Role: Britons strike home Actor: Chorus

Performances

Mainpiece Title: The Messiah; Grand Selection 0

Performance Comment: As17930313but Principal Vocal Parts-_Incledon; To conclude with God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).
Cast
Role: Britons strike home Actor: Chorus

Music: End Part II: concerto on the Grand Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Overture from Berenice-; The Captive King-Incledon, Chorus; Dead is the dream, Adieu thou partner-Incledon; Go injur'd King-Chorus; Captivity-Mrs Crouch; Jehovah crown'd-Incledon; He comes-Chorus [Esther]; Have mercy upon me-Mrs Crouch, Kelly, Bartleman (Pergolesi); Together let us range-Kelly, Mrs Crouch (Boyce); Mad Bess-Mrs Crouch (Purcell); Gloria Patri-; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).
Cast
Role: Britons strike home Actor: Chorus

Music: End Part II: a trio for violin viola and violoncello-G. and R. and C. Ashley

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Cast
Role: Britons strike home Actor: Chorus

Afterpiece Title: Grand Selection 2

Cast
Role: Britons strike home Actor: Chorus

Afterpiece Title: Grand Selection 3

Performance Comment: Second Oboe Concerto-; The trumpet's loud clangour-Kelly, Chorus [Dryden's Ode]; Mad Bess-Mrs Crouch; Arm arm ye brave-Bartleman; We come-Chorus [Judas Maccabaeus]; The Captive King-Incledon; Dead is the dream, Adieu my partner-Incledon; Go injur'd King-Chorus; Captivity-Mrs Crouch; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell); Hallelujah! for the Lord God omnipotent [The Messiah]-Chorus.
Cast
Role: Britons strike home Actor: Chorus

Music: End Part I: Sixth concerto of Geminiani on the violin-G. Ashley

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Performance Comment: In which How stands the Glass around? (General Wolfe's favorite Song)-Incledon; Irish Drinking song [Song [Of the ancients it's speaking]-Johnstone; How merrily we live that soldiers be-Darley, Incledon, Johnstone; To arms Britons strike home (composed by Purcell)-Incledon, Darley, Follett, Blurton, Linton, Rees[; The whole to conclude with a View of Quebec, and the Death of General Wolfe .; The whole to conclude with a View of Quebec, and the Death of General Wolfe .

Afterpiece Title: The Reprisal; or, The Tars of Old England

Song: In the course of 3rd piece: The Mid Watch, Rule Britannia-Incledon; and to conclude with God save the King in Full Chorus-

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: THE SOLDIER'S FESTIVAL; or, The Night before the Battle

Performance Comment: To open with a Favorite Overture. The Royalist's March (composed by James Worgan). General Wolfe's favorite song, How stands the Glass around, by Incledon. The Siege of Troy by Johnstone. How merrily we live that Soldiers be by Incledon, Richardson, Johnstone. Hark! the Drum beats to Arms!, a new song, by Incledon, and Glee, with a Full Chorus (composed by James Worgan). To Arms and Britons strike home (composed by Purcell) by Incledon, Richardson, Follett, Blurton, Linton, Rees. To conclude with an exact Representation of the Siege of Quebec, and the Death of General Wolfe. General Wolfe-Cranfield .

Afterpiece Title: THE SPRIGS OF LAUREL

Cast
Role: Lenox Actor: Johnstone
Related Works
Related Work: Sprigs of Laurel Author(s): John O'Keeffe

Performances

Mainpiece Title: Speculation

Afterpiece Title: Lord Mayor's Day

Performance Comment: Act I. Scene I. A View in Laplandv; The Death and Renovation of the Elk-; Harlequin-Farley; Whalebone-Follett; Ulan Shmolinski Czernsdorff [, the Gynosophist-Thompson; Columbine-Mlle St.Amand; Aerial Spirit-Mrs Martyr; [Scene II. Cornhillv-Mr Deputy Gobble's Housev; The False Step-O'Flanagan's Blunders-The Desponding Maiden-The Sailor's Return-Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone; Sailor-Townsend; Polly-Mrs Mountain (with the Duetto, Oh! welcome home, my dearest Jack, composed by Shield); English Amazonians-Mrs Platt, Miss Logan, Miss Walcup, Mrs Blurton, Mrs Crowe, Mrs Cranfield, Miss Kirton, Miss Cox, Miss Coombs, Mrs Norton, Mrs Rowson; [Scene III. Inside of Gobble's Housev. The Widow Bewitched-How to restore a Deputy Common Council-Man. Scene IV. Outside of Dancing, Shaving and Hair-dressing Academyv; Scene V. Inside of Dancing Academyv; In which The Long Minuet-(Taken from the Caricature Print [see17951109]); Principal Dancers-Cranfield, King, Bayzand, Jackson, Coombs, Price, Rayner, Noble, Mrs Watts, Mrs Follett, Miss Ives, Mrs Castelle, Mrs Masters, Miss Webb, Miss Smith, Mrs Bayzand; Dancing Master-Simmons; [Scene VI. Inside of Hair-dressing Academyv; Shaving made easy to the meanest Capacity. Master of the Academy-Wilde; Irish Song-Johnstone; [To conclude with a Dance of Block Heads-; [Act II. Scene I. Cornhillv; Lord Mayor's Coach returning to Guildhall. I sup with Gobble, My names's O'Flanagan-Johnstone?; [Scene II. A Streetv; A Balcony on each side of the Stage. The Lover's Leap-Harlequin's Flight across the Theatre. Scene III. Inside of Gobble's Housev; The Power of Harmony. Music hath Charms-O'Flanagan's performance on the Violin-Water parted from the Sea-The Lads of the Village-Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv; A Meeting of the Council-Men. Most Learned Debates!!-The Magical Nosegay-with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot; [Scene the Last. A View of Londonv; taken from the Surrey Shorev, with an exact Representation of the Lord Mayor's Show on the Water. To conclude with a Dance-; a Finale-[composed by Shield.composed by Shield.
Event Comment: [Mainpiece in place of Abroad and at Home, advertised on playbill of 28 Dec.] Receipts: #180 0s. 6d. (165.1.0; 14.19.6)

Performances

Mainpiece Title: Fortune's Fool

Afterpiece Title: Harlequin and Oberon

Related Works
Related Work: Harlequin and Oberon; or, The Chace to Gretna Author(s): John Follett
Event Comment: On account of Indisposition of a Principal Performer, Abroad and at Home [advertised on playbill of 16 Feb.] cannot be represented till Wednesday next. Account-Book: Paid Enderby, oil merchant, in full for last season #402 13s. 9d. Receipts: #202 0s. 6d. (198.8.6; 3.12.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Harlequin and Oberon

Related Works
Related Work: Harlequin and Oberon; or, The Chace to Gretna Author(s): John Follett

Performances

Mainpiece Title: A Grand Sacred Selection 0; Messiah 0

Afterpiece Title: A Grand Sacred Selection 1

Afterpiece Title: A Grand Sacred Selection 2

Afterpiece Title: A Grand Sacred Selection 3

Performance Comment: As17970310but Happy Iphis-Master Elliot [Jephtha]; Great Jehovah's awful-_; Conclude with Rule Britannia-; Britons strike home-; God save the King-.
Cast
Role: Britons strike home Actor:

Music: End II: concerto on Piano Forte-Miss MacArthur

Performances

Mainpiece Title: Cato

Related Works
Related Work: Cato Author(s): John Ozell

Afterpiece Title: Cambro' Britons; or, Fishguard in an Uproar

Afterpiece Title: Animal Magnetism

Song: In 2nd piece: Together let us range the fields-Incledon, Mrs Mountain; Gallant Soldiers born to Arms, Old England will be England still-Incledon; To arms! Britons strike Home!-Incledon, Bowden

Performance Comment: Britons strike Home!-Incledon, Bowden.

Performances

Mainpiece Title: L'allegro [ed] Il Pensieroso 0; Messiah

Afterpiece Title: L'Allegro Il Pensieroso 3

Performance Comment: [i.e. oratorio in 2 parts]. Fourth Oboe Concerto-; Oh had I Jubal's Lyre-Miss Poole (Joshua); The Thanksgiving Anthem-I will give thanks unto thee (London Chronicle, 20 Dec. 1797)][, performed by Command of His Majesty, at St. Paul's, on the 19th of December [1797], in Honour of the Victory obtained by Lord Duncan [at Camperdown, 11 Oct. 1797] over the Dutch Fleet; Bravura Agitata-Mme Mara; Genius of England-; Come if you dare-; To arms-; Britons strike home-; Chorus-(Purcell).
Cast
Role: Britons strike home Actor:

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Overture and Dead March-; In sweetest harmony-Mme Mara; O fatal day-Chorus (Saul); Ye men of Gaza-Miss Poole (Samson); Softly rise-Incledon; accompanied on the bassoon-Parkinson (Boyce's Solomon); Mad Bess, Let them come if they dare, Genius of England from thy pleasant bower of bliss arise-Mme Mara, Chorus (Purcell); To arms Britons strike home-Incledon, Reinhold, Full Chorus.

Music: End I: concerto on violin-Master Pinto; End II: concerto on the Piano Forte-Dussek

Event Comment: "I did not act this Night, being at Home to receive the 4th & 5th Acts of my Part in the new Play [see 24 May]" (Kemble Mem). Tickets delivered [Account-Book: by Miss Briggs, Miss Clarke, Rhodes] for Thursday will be admitted. Receipts: #187 13s. 6d. (123.12.6; 62.10.0; 1.11.0; tickets: none listed)

Performances

Mainpiece Title: The Castle Of Montval

Afterpiece Title: The Adopted Child

Performances

Mainpiece Title: Inkle And Yarico

Cast
Role: Inkle Actor: Johnstone

Afterpiece Title: The Child of Nature

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Performance Comment: How stands the glass around-Incledon; Irish Song-Johnstone; How merrily we live that Soldiers be-Incledon, Linton, Johnstone; To arms! Britons strike home-Incledon, Linton, Blurton, Lee, Rees; To conclude The Siege of Quebec and the Death of General Wolfe-; General Wolfe-Farley; Brigadier Moncton-Atkins; Brigadier Townsend-Lewiss; Brigadier Murray-Thompson; Adjutants-Lee, Curties; Serjeant Adair-Abbot; Aid@de@camp-King; Indian Chief-Bologna Jun.

Dance: In II: Negro Dance-Bologna, King, Platt, Blurton

Related Works
Related Work: A King and No King Author(s): John Fletcher
Related Work: King and No King Author(s): John Fletcher
Related Work: King Arthur; or, The British Worthy Author(s): John Dryden
Related Work: King Edward the Third: With the Fall of Mortimer, Earl of March Author(s): John Bancroft
Related Work: King Lear Author(s): John Philip Kemble
Related Work: Oedipus, King of Thebes Author(s): John Dryden

Song: End: The Tight Little Island-Townsend

Event Comment: Benefit for Fawcett. "We were careful to repair to the Theatre at an early hour. But, to see the whole street lined with carriages and blockaded on both sides with pedestrians vainly pressing for admittance, was more than we had anticipated. Hundreds, who had purchased tickets, were under the necessity of returning home, without passing the threshold of the Theatre...Fawcett exerted the whole scope of his abilities, in grateful return for the patronage with which he was so profusely honoured...Whenever Fawcett moves in his proper sphere, as a comic actor, he is never known to fail" (Dramatic Censor, III, 129). Morning Chronicle, 6 Sept.: Tickets to be had of Fawcett, No. 3, Tanfield-court, Temple

Performances

Mainpiece Title: The Review

Afterpiece Title: A Mogul Tale

Performance Comment: Johnny Atkins-Fawcett; The Mogul-Barrymore; Fanny-Mrs Gibbs.
Cast
Role: Johnny Atkins Actor: Fawcett

Afterpiece Title: Obi

Related Works
Related Work: Obi; or, Three-Finger'd Jack Author(s): John Fawcett

Song: End 1st piece: Half and Half (never before sung)-Fawcett; End of 2nd piece: Paddy's Description of Pizarro, as18000829

Event Comment: In L. C. 5@139, p. 373, is a list of plays allowed to the Duke's Company: The Poetaster [by Ben Jonson]. Cupids Reuenge [by Francis Beaumont and John Fletcher. See 17 Aug. 1668]. Timon of Athens [by William Shakespeare]. Troyolus and Grisseida [by William Shakespeare]. Three parts of H. ye 6 [by William Shakespeare]. The honest mans fortune [by John Fletcher and others]. Woemen pleas'd [by John Fletcher]. Witt at Seuerall Weapons [by Francis Beaumont and John Fletcher]. The Woemen Hater or The hungry Courtier [by Francis Beaumont]. All fooles [by George Chapman]. Birons Conspiracy [by George Chapman]. Broken heart [by John Ford]. Bird in a Cage [by James Shirley]. Chabot Admirall of ffranse [by James Shirley, with George Chapman]. ffaithful Shepherd [possibly Guarini's Il Pastor Fido]. Herod and Antipater [by Gervase Markham with William Sampson]. Humor out of breath [by John Day]. Jealous Louers [by Thomas Randolph]. Loues Melancholy [Lover's Melancholy, by John Ford]. Muliasses the Turke [by John Mason]. Queene of Arragon [by William Habington]. Revenge of Bussy D'Ambois [by George Chapman]. Revenge for Honor [or The Parricide, by Henry Glapthorne]

Performances

Performances

Mainpiece Title: Esther

Performance Comment: Esther-John Randall; Assuerus-James Butler; Haman-John Moore; Mordecai-John Brown; Priest of the Israelites-John Beard; Harbonach-Price Cleavely; Persian Officer-James Allen; First Israelite-James Butler; Second Israelite-James Allen; Israelite Boy-John Brown; Israelites and Officers-Samuel Howard, ThomasBarrow, Robert Denham (Dean, Handel's Dramatic Oratorios, p. 204).
Cast
Role: Esther Actor: John Randall
Role: Haman Actor: John Moore
Role: Mordecai Actor: John Brown
Role: Priest of the Israelites Actor: John Beard
Role: Israelite Boy Actor: John Brown
Event Comment: Know all men by these presents, that Colley Cibber, Esq; of the Parish of St/James's in the County of Middlesex, for and in consideration of the sum of Eighty Pounds of lawful Mony of Great Britain to him in hand paid by John Watts of London, Stationer, he the said Colley Cibber, Esq; hath bargained, sold and assigned, and set over, and by these presents doth bargain, sell, assign and set over all that the full and sole right and title, of, in and to the copy of a Tragedy, intitled, Papal Tyranny in the Reign of King John, written by the said Colley Cibber, Esq; to have and to hold the said copy of the said tragedy unto the said John Watts, his heirs and assigns for ever, notwithstanding any act or law to the contrary: In witness whereof the said Colley Cibber, Esq; hath hereunto sett his hand and seal this twentieth day of February, 1744/5. [Signed] C. Cibber. [Witnesses] James Webster, John Mark Bimson. [Original Document in Folger Shakespeare Library, validated by three Sixpence stamps, and Cibber's seal. Case No. 993 among Cibber documents.

Performances

Mainpiece Title: Papal Tyranny

Cast
Role: King John Actor: Quin

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John Loverule-Beard; Jobson-Berry; Lady Loverule-Mrs Bennet; Nell-Mrs Clive; In the character of Sir John will be introduced the song Early Horn-Sir John.
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Song: Mattocks

Performances

Mainpiece Title: The Ghost

Related Works
Related Work: The Ghosts Author(s): John Holden

Afterpiece Title: The Widow of Malabar

Cast
Role: Little John Actor: Simmons
Role: Song by Irish Pilgrim Actor: Johnstone

Afterpiece Title: Merry Sherwood [and see17951221]

Performance Comment: Principal Vocal Characters: First Bowman, Friar Tuck-Bowden; Tinker-Knight; Cryer-Rees; Beggar Man-Townsend; Tanner-Richardson; Allen@o'@Dale-Gray; Martha-Mrs Mountain; Damsel-Mrs Clendining; Witch of Nottingham Well-Mrs Martyr; [Principal Pantomimic Characters: as17951221 Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; [Part I. Scene I. A View in Sherwood Forest; Archers regaling on Venison Song-Follett; [Robin entering, receives a challenge from Marian, the Sheriff of Nottingham's Daughter, to shoot the Deer. The Sheriff and Arthur-o'-Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-; [Scene III. A Hall in the Sheriff's House; Sheriff introduces Marian to Arthur-o'-Bradley, her [sic] intended Bride-Little John disguised, brings on a dead Buck as a present to Arthur-the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight; [seated at a Table, which changes to the Town Stocks in which they are confined-Harlequin's Leap over the Heads of his pursuers, from the Thatch of the Alehouse. Scene VI. The Pinfold of Wakefield Town. The story of the Pindar of Wakefield-the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining; [imploring Robin Hood's aid to rescue the Princess. Scene X. The Earl of Nottingham, his Daughter, and the Count discovered-Giants, Pigmies-Robin vanquishes the Prince of Arragon-- the Grand Dance of Warriors in the Field of Combat-; [Part II. Scene I. A View in Fountain Dale. Story of the Curtal Fryar Song-Bowden; [Robin's skill in Archery-Arthur-o'-Bradley changed to a Tree-shot at by Robin and his Party-enters transfixed with Arrows. Scene II. Fountain Abbey Wall. Beggar's Ballad-; [Robin procures his Garments to rescue Will Scarlet. Scene III. Nottingham Castle. Scarlet attended by the Sheriff, his Guards, led to Execution. Scene IV. Nottingham Market-Place, Gibbet, Ladder. Robin rescues Will Scarlet. The Sheriff suspended on the Gibbet, Arthur-o'-Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-; [the Marriage of Allen and Martha Martha's song to Allen o'Dale-Mrs Mountain; [Harlequin changes the Scene to Scene VI. A View of the Sea and Scarborough Cliffs, with a Cottage. Harlequin changes the Cottage to a Ship-a French Vessel appears in view, which he changes to a cart-and the Scene to a Plough Field-a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII [sic]. Birksley Monastery. The renovation of Robin by the Witch of Nottingham Well Witches Recitative-Mrs Martyr; [Scene VII [sic]. Clouds with Angels supporting Wreaths-which changes to Scene VIII. Representing the Triumphs of Archery, as17951228. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. There is no certainty that this performance is the premiere, but as the play was licensed for printing on 9 Jan. 1676@7, this performance may well be the first one. Downes (Roscius Anglicanus, pp.9-10) lists the same cast except for the ommission of Letice. It is not certain which Mrs Knight played Letice. Possibly it was Frances Maria Knight (see Wilson, All the King's Ladies, where she is tentatively listed for that role), but the presence of Mrs Ursula Knight on an undated L. C. list, 3@24, with the date of her swearing into the company given as 12 March 1676@7, it is quite likely that she played this role. (I owe this reference to Ursula Knight to Professor John Harold Wilson.) John Dennis: And when upon the first representations of the Plain Dealer, the Town, as The Authour has often told me, appeard Doubtful what Judgment to Form of it; the foremention'd gentlemen [The Duke of Buckingham, Earl of Rochester, Earl of Dorset, Earl of Mulgrave, Savil, Buckly, Sir John Denham, Waller] by their loud aprobation of it, gave it both a sudden and a lasting reputation (Defense and Defects of Dramatick Poetry, 1725, in The Works of John Dennis, ed. Hooker, II, 277)

Performances

Mainpiece Title: The Plain Dealer

Related Works
Related Work: The Plain Dealer Author(s): John Philip Kemble
Event Comment: Paid John Doe and John Claridge 12s. 6d. each for performing 5 nights in the Ass [in Mother Shipton] to the 2nd inst. Paid John Smith 12s. 6d. for performing in the Hog in the same. Paid Younger for writing parts as per bill #7 4s. 10d. (Account Book). [N.B. The three Johns receiv'd 2s. 6d. each for making up in the ass and hog each night Mother Shipton was played for the rest of the season. No further notation will be transcribed of this payment.] Receipts: #152 8s. (Account Book)

Performances

Mainpiece Title: Rule A Wife

Related Works
Related Work: Rule a Wife and Have a Wife Author(s): John Fletcher

Afterpiece Title: Comus

Related Works
Related Work: Comus Author(s): John DaltonJohn Milton

Performances

Mainpiece Title: The Disappointment; Or, The Mother In Fashion

Performance Comment: Edition of 1684: Alphonso-Betterton; Lorenzo-Smith; Alberto-Wilshire; Lesbino-Carlisle; Rogero-Leigh; Erminia-Mrs Cook; Juliana-Mrs Percival; Angelline-Mrs Knight; Her Supposed Mother-Mrs Corey; Clara-Mrs Leigh; The Prologue by Mr John Dryden-Mr Betterton; The Epilogue by the Honourable John Stafford, Esq-.
Cast
Role: Mr John Dryden Actor: Mr Betterton