SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Christian Schickhard"/1) | (@(roleclean,performerclean) "John Christian Schickhard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9837 matches on Author, 1723 matches on Performance Comments, 1151 matches on Event Comments, 334 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Theodora

Performance Comment: But with "new Additions and Alterations by Mr Handel since it was last presented." Valens-; Didymus-; Septimus-; Theodora-; Irene-; Chorus of Christians-; Chorus of Heathens-.
Cast
Role: Chorus of Christians Actor:

Music: As17610206

Performances

Mainpiece Title: Theodora

Performance Comment: Parts were Valens-; Didymus-; Septimus-; Theodora-; Irene-; Chorus of Christians-; Chorus of Heathens-.
Cast
Role: Chorus of Christians Actor:

Music: As17670306

Performances

Mainpiece Title: Agmunda; Huniades

Performance Comment: As Huniades 18 Jan., but Christian Characters-Bensley; Kemble_; R._ Palmer; Barrymore_; Mahometan Characters-Phillimore; Epilogue-Bannister Jun., Suett.
Cast
Role: Christian Characters Actor: Bensley

Afterpiece Title: The Humourist

Cast
Role: John Actor: Banks.
Event Comment: Mr Skeete reported that John Honeycott, the master of the charity school at Clerkenwell, had yesterday [6 Feb.], with the children of the above school, publickly acted the play called Timon of Athens, and by Tickets signed by himself had invited several people to it (Minutes of the Society for Promoting Christian Knowledge, in Secretan, pp. 129-30)

Performances

Mainpiece Title: Timon Of Athens

Event Comment: Minutes of the Society for Promoting Christian Knowledge, 7 Feb.: Mr Skeate reported that John Honeycott the master of the Charity School at Clerkenwell had yesterday with the Children of the School publickly acted the play called Timon of Athens, and by Tickets signed by himself invited Several people to it

Performances

Mainpiece Title: Timon Of Athens

Event Comment: [This year was published The Companion to the Playhouse; or, An historical account of all the Dramatic Writers, and their works that have appeared in Great Britain and Ireland to the year 1764. Composed in the form of a Dictionary. for the more readily turning to any particular author or performance. Two vols. Dedicated to Garrick. (Who receives eleven and one-half columns of comment, more than any other dramatist.) This is the beginning of the Biographia Dramatica. This year was published Essays on Important Subjects intended to establish the Doctrine of Salvation by Grace, by John Witherspoon (President of Princeton). Vol. II, contained a Serious Enquiry into the nature and effects of the Stage," being an attempt to show that contributing to the support of a Public Theatre is inconsistent with the character of a Christian (112 pp).

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Queen Mab

Cast
Role: Cook Actor: Johnston.

Dance: III: The Medley, as17641120

Event Comment: [See Minutes of the Society for Promoting Christian Knowledge in Secretan, p. 107: "1703. Dec. 16: Also that at the bottom of the said paper a query might be put, whether acting the 'Tempest' upon the next Wednesday after the late dreadful storm, at the new play-house in Little Lincoln's Inn Fields, was proper or reasonable." See also The Terrible Stormy Wind and Tempest (1705), p. 24.

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden
Event Comment: Benefit the Widow and Children of Christian Steffkins. At 6 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Singing-New Italian Lady

Event Comment: Benefit Michael Christian Festing. Tickets 5s. 7 p.m

Performances

Mainpiece Title: Concert

Music: With several Pieces on the Chamber Horn-

Event Comment: Benefit Christian. By particular Desire of several Gentlemen and Ladies. Tickets 2s. 6d. 6:30 P.M. The Hampstead Song is printed, and will be given gratis at the Place of Performance

Performances

Mainpiece Title: Concert

Event Comment: To Macklin the Player: The Laity as well as Priests of all Religons are the same. Macklin, Thou mayst remember when thou wert learning the part of Shylock in the Merchant of Venice, thou camest daily to the Change, and artfully dids't introduce thyself into my company, till thou hads't stolen my Face, my Looks, and not content with the Index, thou did'st turn over the volume of my Mind, as it if thy Author had been wanting in the manner of his character, and dids't show me on the stage to the Disgrace of my Tribe, for which we wish thee not in Abraham's Bosom, thou may'st be sure. Now if thou hast a mind to compromise the Affair, and serve thyself at thy Benefit time, publicly delcare what Place thou did'st frequent, and what set of Christians thou did'st herd with, before thou playd'st the part of Iago in the Moor of Venice; Comply and our Rancor to thee will be turn'd into Love and Service. s@Zorobabel. PS I will call to thee tonight at thy Synagogue in the Hay-market, about the sixth Hour, as you players reckon, for intelligence.-Daily Advertiser

Performances

Mainpiece Title: Othello

Event Comment: Mainpiece Written by the late Mr Congreve. Benefit Mrs Mills. Tickets to be had of Mills at his house in Nassau St., Soho. To the Author of the General Advertiser: It is with great Pleasure I find by the Publick Papers that a tragedy founded on Voltaire's Mahomet is now in rehearsal at Drury Lane Theatre. The Original was by Authority forbid to be played in France on account of the free and noble sentiments with regard to Bigotry and Enthusiasm, which shine through it; and which that Nation found as applicable to itself, as to the bloody propagators of Mahomet's Religion. Indeed the Fable on which it is built demanded such sentiments; the design of it being to shew the dreadful effects of Bigotry and Enthusiasm, even upon minds naturally well inclined when work'd up to such a pitch, as a beautiful concurrence of amazing, yet probable Circumstances hath there carried them to: So that it was equally impossible for the poet, by cutting and mangling his play, to lop it to their standard of Orthodox poetry, as it were for their Inquisitors, by torturing and burning a poor Protestant, to convince him of their Christian love and charity....They foresaw that the most obvious Reflection, that every sensible Spectator could not but make, would be, that he every day saw the same effects produced from two the most different causes, Mahometanism and Christianity; and the consequence must be, either that they were both alike Imposters, or that a crafty, mercenary, and cruel Clergy had dared to add a spirit to Christianity, which Christianity never knew. It is not doubted but these every Sentiments, which in France, prevented the Representation of this piece, will, in England speak loudly in its favor (providdd our English poet is not unequal to his subject) especially since so audacious an attempt has been lately made by the Common Enemy of Europe to establish at once a Civil and Spiritual Tyranny over those injur'd Nations, by the old Mohametan and Roman Arguments of Fire and Sword. I am, &c

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Jovial Crew

Dance: Muilment, Mrs Auguste

Song: BBritons Strike Home-

Event Comment: At the New Theatre in the Haymarket (where Mr Foote lately appeared), an Orator's head will be dissected secundum artem. The Orators will be shewn lying in state with Heiroglyphicks and Monumental Inscriptions. The Question will be whether they will be allow'd Christian burial? If t'is granted, a funeral Oration will be pronounced by Martinus Scriblerus. Places for the Boxes to be taken at the theatre. Thus orator to orator succeeds@Another and another after him@and the last.

Performances

Mainpiece Title: A Course Of Comic Lectures

Event Comment: Went into the Pit...to see Tamerlane. Havard is too old and wants power for the character of Tamerlane, Moneses by Reddish, Dervis by Bransby. Holland excels in Bajazet and was the only character in proper dress. It hurt me to see Tartars in ancient Greek dresses with ridiculous modern periwigs, and Greek christians in English habits. Mrs Dancer as Arpasia, was as great (particularly in the last scene) as in any character in which I ever saw her and received that distinguished applause she deserved. The Entertainment was Harlequin's Invasion (Neville MS Diary)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Harlequin's Invasion

Event Comment: By Particular Desire. Before the King of Denmark. To being at 7:00 p.m. London Evening Post: Died Mrs Pritchard 20 August after an illness of 10 days. The pains she endured which were great indeed she bore with a fortitude and resignation which the true Christian could only support. She actually obtained a victory over Death, expressing in her last moment the utmost composure, felicity and firmest hope of a lofty change in life and death. She was in all a pattern of worthy immitation

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Daphne and Amintor

Event Comment: Benefit for Mrs Barry. Mainpiece: A Tragedy altered from Thomson [by Thomas Hull] never perform'd. Part of Pit laid into the Boxes. Servants who are to keep places are desired to be at the stage door by 4 o'clock, and those Ladies and Gentlemen who have taken seats in the Pit are requested to come early to prevent confusion in getting to their places. Epilogue by Sheridan. [This play had been refused a license on 26 March 1739, While Walpole was still Prime Minister, probably because of such speeches as: @Is there a cure on Humankind so fell@So pestilent, to Prince and People,@As the base servile vermin of a court;@Corrupt, Corrupting ministers and favourites?@How oft have such eat up the widow's morsel,@The Peasant's toil, the Merchant's far-sought gain,@And wantoned to the ruin of a nation!-Larpent MS, op. p. 65.@ Also the play equalizes Christianity and Mohammedanism before God, and gives a slight edge to the latter (Act IV, scene ii), suggesting the part politics play in Christian churches. An account of the alterations made for the present performance is given in the Westminster Magazine for March. The review concludes: The Play was got up altogether well, and reputedly acted, and is in its present state what the Ladies call "a very pretty tragedy."

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: The Padlock

Dance: End Epilogue: The Vintage Festival, as17741007

Event Comment: A new Serious Opera, with Grand Chorusses; the Music by Johann Christian? Bach

Performances

Mainpiece Title: Orione

Dance: End I: New Serious Ballet, as17770412; End II: La Paysane Distraite, as17770520, but Mme _Simonet; End Opera: Serious Ballet-Mons and Mme Simonet, Sg and Sga Zuchelli, Vallouy@le@cadet, Mlle DeCamp, Mlle Baccelli

Event Comment: A new Serious Opera [1st time; SER 3, librettist unknown]. With grand chorusses; the Music entirely new by Johann Christian? Bach

Performances

Mainpiece Title: La Clemenza Di Scipione

Dance: End I: Divertisement, as17780207; End Opera: new grand Serious Ballet, Les Amans unis par l'Hymen-Simonet, Mlle Baccelli, Sg and Sga Zuchelli, Vallouy@le@cadet

Song: II: an air-Sga Danzi; [accompanied on the violin-Cramer; violoncello-Cervetto; German flute-Florio; hautboy-LeBrun. [This was sung, as here assigned, in all subsequent performances.

Ballet: End II: La Surprize de Daphnis et Cephise. As17780331

Event Comment: Afterpiece: Not acted these 7 years [acted 1 Jan. 1781]. A Dramatic Entertainment of Singing, Dancing, and Dialogue, in Honour of Shakespeare. In which will be introduced a Pageant, the music by Dibdin. Books of the Songs to be had at the Theatre. "The Jubilee is now worn out and of no repute" (Public Advertiser, 21 Nov.). [For a complete account of the original production in 1769 see Christian Deelman, The Great Shakespeare Jubilee, 1964, pp. 280-86.] Receipts: #241 9s. (199/16/0; 39/8/6; 2/4/6)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Jubilee

Related Works
Related Work: Harlequin's Jubilee Author(s): John A. Fisher

Performances

Mainpiece Title: Huniades

Performance Comment: The Christian Characters by Kemble, R. Palmer, Wroughton, Barrymore, Aickin, Dignum, Whitfield, Maddocks, Packer, Bland, Jones, Cooke, Lyons, A Young Lady (Author of the Tragedy; 1st appearance on any stage), Miss Collins. The Mahometan Characters by Palmer, Benson, Webb, Sedgwick, Caulfield. Cast from London Chronicle, 21 Jan.: Hungarians: Huniades-Kemble; Vilach-R. Palmer; Corvinus-Wroughton; Count of Cilley-Barrymore; Campestran-Aickin; Zilugo-Whitfield; Old Officer-Packer; Agmunda-Miss Brand; Ella-Miss Collins; Turks: Mahomet II-Palmer; Mustapha-Benson; Zoganus-Webb; Aga-Sedgwick; Chusanes-Caulfield; Dignum, Maddocks, Bland, Jones, Cooke, Lyons; Prologue-Miss Farren; Epilogue-Bannister Jun.

Afterpiece Title: The Deaf Lover

Event Comment: In L. C. 5@139, p. 373, is a list of plays allowed to the Duke's Company: The Poetaster [by Ben Jonson]. Cupids Reuenge [by Francis Beaumont and John Fletcher. See 17 Aug. 1668]. Timon of Athens [by William Shakespeare]. Troyolus and Grisseida [by William Shakespeare]. Three parts of H. ye 6 [by William Shakespeare]. The honest mans fortune [by John Fletcher and others]. Woemen pleas'd [by John Fletcher]. Witt at Seuerall Weapons [by Francis Beaumont and John Fletcher]. The Woemen Hater or The hungry Courtier [by Francis Beaumont]. All fooles [by George Chapman]. Birons Conspiracy [by George Chapman]. Broken heart [by John Ford]. Bird in a Cage [by James Shirley]. Chabot Admirall of ffranse [by James Shirley, with George Chapman]. ffaithful Shepherd [possibly Guarini's Il Pastor Fido]. Herod and Antipater [by Gervase Markham with William Sampson]. Humor out of breath [by John Day]. Jealous Louers [by Thomas Randolph]. Loues Melancholy [Lover's Melancholy, by John Ford]. Muliasses the Turke [by John Mason]. Queene of Arragon [by William Habington]. Revenge of Bussy D'Ambois [by George Chapman]. Revenge for Honor [or The Parricide, by Henry Glapthorne]

Performances

Performances

Mainpiece Title: Esther

Performance Comment: Esther-John Randall; Assuerus-James Butler; Haman-John Moore; Mordecai-John Brown; Priest of the Israelites-John Beard; Harbonach-Price Cleavely; Persian Officer-James Allen; First Israelite-James Butler; Second Israelite-James Allen; Israelite Boy-John Brown; Israelites and Officers-Samuel Howard, ThomasBarrow, Robert Denham (Dean, Handel's Dramatic Oratorios, p. 204).
Cast
Role: Esther Actor: John Randall
Role: Haman Actor: John Moore
Role: Mordecai Actor: John Brown
Role: Priest of the Israelites Actor: John Beard
Role: Israelite Boy Actor: John Brown
Event Comment: Know all men by these presents, that Colley Cibber, Esq; of the Parish of St/James's in the County of Middlesex, for and in consideration of the sum of Eighty Pounds of lawful Mony of Great Britain to him in hand paid by John Watts of London, Stationer, he the said Colley Cibber, Esq; hath bargained, sold and assigned, and set over, and by these presents doth bargain, sell, assign and set over all that the full and sole right and title, of, in and to the copy of a Tragedy, intitled, Papal Tyranny in the Reign of King John, written by the said Colley Cibber, Esq; to have and to hold the said copy of the said tragedy unto the said John Watts, his heirs and assigns for ever, notwithstanding any act or law to the contrary: In witness whereof the said Colley Cibber, Esq; hath hereunto sett his hand and seal this twentieth day of February, 1744/5. [Signed] C. Cibber. [Witnesses] James Webster, John Mark Bimson. [Original Document in Folger Shakespeare Library, validated by three Sixpence stamps, and Cibber's seal. Case No. 993 among Cibber documents.

Performances

Mainpiece Title: Papal Tyranny

Cast
Role: King John Actor: Quin

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John Loverule-Beard; Jobson-Berry; Lady Loverule-Mrs Bennet; Nell-Mrs Clive; In the character of Sir John will be introduced the song Early Horn-Sir John.
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Song: Mattocks

Performances

Mainpiece Title: The Ghost

Related Works
Related Work: The Ghosts Author(s): John Holden

Afterpiece Title: The Widow of Malabar

Cast
Role: Little John Actor: Simmons
Role: Song by Irish Pilgrim Actor: Johnstone

Afterpiece Title: Merry Sherwood [and see17951221]

Performance Comment: Principal Vocal Characters: First Bowman, Friar Tuck-Bowden; Tinker-Knight; Cryer-Rees; Beggar Man-Townsend; Tanner-Richardson; Allen@o'@Dale-Gray; Martha-Mrs Mountain; Damsel-Mrs Clendining; Witch of Nottingham Well-Mrs Martyr; [Principal Pantomimic Characters: as17951221 Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; [Part I. Scene I. A View in Sherwood Forest; Archers regaling on Venison Song-Follett; [Robin entering, receives a challenge from Marian, the Sheriff of Nottingham's Daughter, to shoot the Deer. The Sheriff and Arthur-o'-Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-; [Scene III. A Hall in the Sheriff's House; Sheriff introduces Marian to Arthur-o'-Bradley, her [sic] intended Bride-Little John disguised, brings on a dead Buck as a present to Arthur-the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight; [seated at a Table, which changes to the Town Stocks in which they are confined-Harlequin's Leap over the Heads of his pursuers, from the Thatch of the Alehouse. Scene VI. The Pinfold of Wakefield Town. The story of the Pindar of Wakefield-the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining; [imploring Robin Hood's aid to rescue the Princess. Scene X. The Earl of Nottingham, his Daughter, and the Count discovered-Giants, Pigmies-Robin vanquishes the Prince of Arragon-- the Grand Dance of Warriors in the Field of Combat-; [Part II. Scene I. A View in Fountain Dale. Story of the Curtal Fryar Song-Bowden; [Robin's skill in Archery-Arthur-o'-Bradley changed to a Tree-shot at by Robin and his Party-enters transfixed with Arrows. Scene II. Fountain Abbey Wall. Beggar's Ballad-; [Robin procures his Garments to rescue Will Scarlet. Scene III. Nottingham Castle. Scarlet attended by the Sheriff, his Guards, led to Execution. Scene IV. Nottingham Market-Place, Gibbet, Ladder. Robin rescues Will Scarlet. The Sheriff suspended on the Gibbet, Arthur-o'-Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-; [the Marriage of Allen and Martha Martha's song to Allen o'Dale-Mrs Mountain; [Harlequin changes the Scene to Scene VI. A View of the Sea and Scarborough Cliffs, with a Cottage. Harlequin changes the Cottage to a Ship-a French Vessel appears in view, which he changes to a cart-and the Scene to a Plough Field-a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII [sic]. Birksley Monastery. The renovation of Robin by the Witch of Nottingham Well Witches Recitative-Mrs Martyr; [Scene VII [sic]. Clouds with Angels supporting Wreaths-which changes to Scene VIII. Representing the Triumphs of Archery, as17951228. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.