SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Jean Pierre de Ours de Mandajors"/1) | (@(roleclean,performerclean) "Jean Pierre de Ours de Mandajors")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1040 matches on Performance Title, 657 matches on Performance Comments, 403 matches on Event Comments, 297 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Jaffier-Baker; Priuli-Silvester; Bedamour-Martin; Duke-Johnson; Renault-Lennet; Elliot-Tomlins; Spinosa-Richards; Officer-Scott; Pierre-Wilkinson; Belvidera-Mrs Roberts (1st appearance on this stage).
Cast
Role: Pierre Actor: Wilkinson

Afterpiece Title: Taste; or, Diversion in the Morning

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

Performances

Mainpiece Title: Venice Preserved

Performance Comment: Duke of Venice-Maddocks; Priuli-Aickin; Bedamar-R. Palmer; Jaffier-Kemble; Pierre-Bensley; Renault-Packer; Elliot-Fawcett; Spinosa-Benson; Theodore-Alfred; Durande-Cooke; Mezzano-Caulfield; Officer-Phillimore; Belvidera-Mrs Siddons.
Cast
Role: Pierre Actor: Bensley

Afterpiece Title: The Englishman in Paris

Dance: In II afterpiece: a Minuet-Hamoir, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: At Hay Venice Preserv'd

Performance Comment: Duke of Venice-Maddocks; Priuli-Aickin; Bedamar-R. Palmer; Jaffier-Kemble; Pierre-Bensley; Renault-Packer; Elliot-Fawcett; Spinosa-Benson; Theodore-Alfred; Durande-Cooke; Mezzano-Caulfield; Officer-Phillimore; Belvidera-Mrs Siddons.
Cast
Role: Pierre Actor: Bensley

Afterpiece Title: The Cheats of Scapin

Performances

Mainpiece Title: Venice Preserved

Performance Comment: Jaffier (1st time)-Holman; Priuli-Hull; Renault-Powel; Bedamar-Davies; Duke-Thompson; Spinosa-Cubitt; Elliot-Macready; Pierre (1st time)-Harley; Belvidera (1st time [in London])-Mrs Esten.
Cast
Role: Pierre Actor: Harley

Afterpiece Title: A Divertisement

Dance: In afterpiece: Dancing-Byrne, Mrs Goodwin

Performances

Mainpiece Title: Venice Preserved

Performance Comment: Jaffier-Holman; Priuli-Hull; Renault-Powel; Bedamar-Davies; Duke-Thompson; Spinosa-Cubitt; Elliot-Macready; Pierre-Harley//Belvidera-A Lady (1st appearance [The Hon. Mrs Twistleton]) .The Hon. Mrs Twistleton]) .

Afterpiece Title: ROSINA

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Duke of Venice-Maddocks; Priuli-Aickin; Bedamar-Whitfield; Jaffier-Kemble; Pierre-Bensley; Renault-Packer; Elliot-Caulfield; Spinosa-Benson; Theodore-Cooke; Mezzana-Roffey; Durand-Boimaison; Capt. of the Guard-Phillimore; Officer-Trueman; Belvidera-Mrs Siddons; Attendants-Miss Tidswell, Mrs Jones.
Cast
Role: Pierre Actor: Bensley

Afterpiece Title: The Prize

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: As17951021, but Pierre-Palmer.
Cast
Role: Pierre Actor: Palmer.

Afterpiece Title: No Song No Supper

Event Comment: "After the 3rd night this play was obliged to be laid aside on account of the improper application of some of the political passages; when Pierre said, "Curs'd be your Senate-curs'd your Constitution," he was rapturously applauded" (Genest, VII, 229). Receipts: #290 8s. (233.9.6; 56.6.6; 0.12.0)

Performances

Mainpiece Title: Venice Preserv'd

Cast
Role: Pierre Actor: Palmer.

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

Performances

Mainpiece Title: Tu Quoque

Performances

Mainpiece Title: The Widow Ranter; Or, The History Of Bacon In Virginia

Performances

Mainpiece Title: The World In The Moon

Event Comment: To all the Nobility, Gentlemen, and Ladies. At 7 p.m. Weekly Journal, 2 July: The Pleasure that our English People of Quality took, in being acquainted, that a Gentleman of ours, the curious Mr Abel, hath brought over hither all the most delicate Entertainments...made them last Thursday, for his Encouragement, flock in abundance to his Concert...among whom were the Princess of Wales, who went Incognito, besides several of the Nobility, and other Persons of Quality

Performances

Mainpiece Title: Concert

Music: A Consort of Musick in 14 Languages-Mr Abell (lately arriv'd from Italy); Instrumental accompaniment-a great Number of the best English Masters; with Sicilian Illuminationsv; The Songs are as follows: Greek, Latin, Spanish, Italian, English, Scotch, Irish, French, High-Dutch, Low-Dutch, Danish, Swedish, Lingua Franca, Turkish; The Sea/Compass to be Sung if desired-

Performances

Mainpiece Title: The Prophetess

Event Comment: Benefit all the Lilliputians. As there will be no Tickets printed on this Occasion, we hope that our Friends will be so kind as to encourage our Endeavours, and favour us with their Companies. Receipts: #85 16s. 6d. Probable attendance: boxes, 126 paid; stage, 5 paid; pit, 200 paid; slips, 20 paid; first gallery, 135 paid; second gallery, 129 paid

Performances

Mainpiece Title: The Beggar's Opera

Performances

Mainpiece Title: Esther

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Art of Management; or, Tragedy Expell'd

Entertainment:

Performances

Mainpiece Title: Richard Iii

Dance: two Mwo Masters and Miss Granier

Performances

Mainpiece Title: Samson

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The School Boy

Song: Lowe

Dance: Muilment

Event Comment: Prologue written by Macklin: (Cooke, Memoirs of Charles Macklin, pp. 150-51.) From scheming, pelting, famine, and despair, Behold to grace restored an exil'd Play'r: Your Sanction yet his fortune must compleat, And give him privilege to laugh and eat. No revolution plots are mine again; You see, thank Heaven, the quietest of men. I pray that all domestic feuds might cease; And beggar'd by the war, solicit peace; When urg'd by wrongs, and prompted to rebel; I sought for freedom, and for freedom fell; What could support me in the sevenfold dame? I was no Shadrak and no angel came. Once warn'd, I meddle not with state affairs; But play my part, retire and say my pray'rs. Let nobler spirits plan the vast design, Our green-room swarms with longer heads than mine; I take no part-no private jars foment, But hasten from disputes I can't prevent; Attack no rival brother's fame, or ease; And raise no struggle, but who most shall please. United in oursdlves, by you approv'd. Tis ours to make the slightest muse belov'd; So may the stage again its use impart, And ripen Virtue, as it warms the heart. May discord, with her horrid trump, retreat, Nor drive the frighted Beauty from her seat; May no contending parties strive for sway, But judgmemt govern, and the stage obey

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Devil to Pay

Dance: III: Leonardi, Sga Bettini; IV: Grand Dance, as17441217

Event Comment: BBarry's Occasional Prologue printed in the General Advertiser.@ When Vice or Folly over-runs a State@Weak Politicians lay the blame on Fate.@When Rulers useful subjects cease to prize,@'And damn for arts that caus'd themselves to rise:'@When jealousies and fears possess the throne,@And kings allow no merit--but their own,@Can it be strange that men for flight prepare,@And strive to raise a Colony elsewhere?@This custom has prevail'd in every Age,@And has been sometime practis'd on the Stage.@ For--Entre Nous--these Managers of Merit,@Who fearless arm,--"and take the Field with Spirit,"@Have curb'd as Monarchs with their haughty Mien,@And Herod--have out Heroded--within (Pointing to the Green Room)@O! they can torture twenty-thousand ways:@Make bouncing Bajazet retreat from Bayes.@The Ladies too with every power to charm@Whose face and fire an anchorite might warm@Have felt the fury of the Tyrant's arm.@By selfish arts expell'd our ancient Seat,@In search of Candour--and in search of Meat,@We, from your favour, hope for this retreat.@If Shakespear's passion, or if Johnson's art@Can fire the Fancy, or can warm the heart,@That task be ours;--But if you damn their scenes@And heroes must give way to Harlequins,@We too, can have recourse to mime and dance,@Nay, there I think, we have the better chance,@And should the Town grow weary of the Mute,@Why--we'll produce a Child upon the flute.@But be the food as 'twill, 'tis you that treat!@Long have they feasted--permit us now to eat!

Performances

Mainpiece Title: Romeo And Juliet