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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J and C M Rich"/1) | (@(roleclean,performerclean) "J and C M Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4231 results for: Keyword - J. and C. M. Rich
We found 2081 matches on Event Comments, 1680 matches on Performance Comments, 682 matches on Author, 233 matches on Performance Title, and 0 matches on Roles/Actors.

3301
31 January 1674 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Adventures Of Five Hours

3302
18 March 1674 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Sea Captains

3303
26 March 1674 @ Drury Lane Theatre

Event Comment: The King's Company. This performance, which marks the opening of the new Theatre Royal in Drury Lane, is on the L. C. list, 5@141, p. 73. See also Nicoll, Restoration Drama, p. 345. The Prologue and Epilogue were printed in Miscellany Poems, 1684. That the Prologue was spoken by Mohun is indicated in BM Sloane MSS. 4445

Performances

Mainpiece Title: The Beggar's Bush

3304
27 March 1674 @ Drury Lane Theatre

Performances

3305
23 April 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: Marriage A La Mode

3306
30 April 1674 @ Dorset Garden Theatre

Event Comment: This date of performance is not a certainty; for the evidence, see Spencer, Shakespeare Improved, p. 94. Neither is Shadwell's authorship of the alterations a certainty, for the contributions of other playwrights have never been fully determined. (See Nicoll, Restoration Drama, p. 43.) The instrumental music was composed by Matthew Lock, with new vocal music by James? Hart and Pietro Reggio. See Songs Set by Signior Pietro Reggio, 1680. And differing versions of the second Prologue and the second Epilogue are in BM Egerton MS. 2623, ff. 54-55. Downes (Roscius Anglicanus, pp. 34-35): The Year after in 1673. The Tempest, or the Inchanted Island, made into an Opera by Mr Shadwell, having all New in it; as Scenes, Machines; particularly, one Scene Painted with Myriads of Ariel Spirits; and another flying away, with a Table Furnisht out with Fruits, Sweetmeats and all sorts of Viands; just when Duke Trinculo and his Companions, were going to Dinner; all things Perform'd in it so Admirably well, that not any succeeding Opera got more Money

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performance Comment: Edition of 1674: Prologue-; Second Prologue-; Epilogue-; Second Epilogue-; According to L. C. 5@15, p. 3 (16 May 1674; see Nicoll, Restoration Drama, p. 356) Charles? Hart and Robert? Turner sang in The Tempest. Trinculo-Underhill?.

3307
11 May 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: The Changes; Or, Love In A Maze

3308
12 May 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: The Indian Emperour; Or, The Conquest Of Mexico By The Spaniards

3309
16 May 1674 @ Dorset Garden Theatre

Event Comment: It is possible that The Tempest had been acted regularly to this date and that it continued to be presented frequently in the following week. In L. C. 5@15, p. 3 (Nicoll, Restoration Drama, p. 356) there is an order directing Turner and Hart (and any other members of the His Majesty's Chapel Royal) who sing in The Tempest to remain in London during the week, going to Windsor (when the King was absent from Whitehall) on Saturdays and returning on Mondays

Performances

3310
16 May 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tragedy Of Nero, Emperour Of Rome

3311
20 October 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: The Traitor

3312
24 October 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: Philaster; Or, Love Lies A Bleeding

3313
03 November 1674 @ Whitehall or St. James's

Performances

Mainpiece Title: The Citizen Turned Gentleman

3314
09 November 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: Rollo, Duke Of Normandy

3315
09 November 1674 @ Dorset Garden Theatre

Performances

Mainpiece Title: Love And Revenge

Performance Comment: Edition of 1675: Prologue-; Epilogue-Nigrello in a Mans Habit, but in a white Wig, and her Face discover'd; Clotair-Smith; Lewis-Crosby; Brisack-Norris; Clarmount-Medbourn; Dumain-John Lee; Lamot-Gillow; Burbon-Purseval; Nigrello-Mrs Mary Lee; Fredigond-Mrs Osborn; Aphelia-Mrs Batterton.
Cast
Role: Epilogue Actor: Nigrello in a Mans Habit, but in a white Wig, and her Face discover'd

3316
10 November 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: The Indian Emperour; Or, The Conquest Of Granada By The Spaniards

3317
12 November 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: The Alchymist

3318
16 November 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: Aglaura

3319
17 November 1674 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Tempest

3320
18 November 1674 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Tempest

3321
19 November 1674 @ Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 116. See also Nicoll, Restoration Drama, p. 345. There is no certainty that this is the premiere, but the frequency of performance of The Tempest during September-October-November would make November 1674 a suitable time for a burlesque of this sort. A small quarto, The Songs & Masque in the New Tempest (in the Huntington Library, 122925), without a title page, contains what are apparently the songs and concluding masque of the play. It may have been issued during the run of the play and sold at the theatre. It does not name any performers. Langbaine (English Dramatick Poets, p. 177): This Play was to draw the Town from the Duke's Theatre, who for a considerable time had frequented that admirable reviv'd Comedy call'd The Tempest

Performances

Mainpiece Title: The Mock-tempest; Or, The Enchanted Castle

Related Works
Related Work: The Enchanted Castle Author(s): Miles Peter Andrews

3322
24 November 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: The Changes; Or, Love In A Maze

3323
26 November 1674 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 406. There is no indication as to whether this is the premiere; the play was not licensed for publication until 27 Nov. 1676. Preface to Settle's Ibrahim (licensed 4 May 1676): Having a Play, call'd the Triumphant Widow, given him [Thomas Shadwell] to bring into the Duke's Playhouse, he spitefully foists in a Scene of his own into the Play, and makes a silly Heroick Poet in it, speak the very words he had heard me say, and made reflexions on some of the very Lines he had so senselessly prated on before in his Notes [to The Empress of Morocco]

Performances

Mainpiece Title: The Triumphant Widow; Or, The Medley Of Humours

3324
28 November 1674 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Tempest

3325
30 November 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: Bartholomew Fair