SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "J and C M Rich"/1) | (@(roleclean,performerclean) "J and C M Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2081 matches on Event Comments, 1680 matches on Performance Comments, 682 matches on Author, 233 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The King's Company, This performance is on the L. C. lists 5@139, p. 129, and 5@12, p. 17. The latter states: The King here. See also Nicoll, Restoration Drama, p. 344. Elkanah Settle's Prologue to his revision of Philaster (1695): @The good old Play Philaster ne're can fail@But we Young Actors, how shall we prevail?@Philaster and Bellario, let me tell ye,@For these Bold Parts we have no Hart, no Nelly;@Those Darlings of the Stage, that charm'd you there.

Performances

Mainpiece Title: Philaster Or Love Lies A Bleeding

Performances

Mainpiece Title: The Rivals

Performance Comment: For a previous cast, see Sept. 1664 and 2 Dec. 1664.
Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The former states: The Goblins at ye Theatre. The latter adds: The King here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Goblins

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The former states: The Maydes Tragedie at ye Theatre. The second adds: The King here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Maids Tragedy

Performances

Mainpiece Title: Tu Quoque

Event Comment: The King's Company. See Nicoll, Restoration Drama, p. 322, for an L. C. order concerning Mohun's not acting for some time past. Pepys, Diary: With my wife to the King's playhouse, and there saw The Surprizall; which did not please me to-day, the actors not pleasing me; and especially Nell's acting of a serious part, which she spoils

Performances

Mainpiece Title: The Surprizal

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The Mayden Queene at the Theatre. The second list adds: King here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

Related Works
Related Work: The Virgin Queen; or, The Captive Princess Author(s): Richard Barford

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The second list states: King & Queene [present]. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Indian Emperour

Event Comment: The King's Company. This play is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

Related Works
Related Work: The Virgin Queen; or, The Captive Princess Author(s): Richard Barford

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace

Performances

Mainpiece Title: She Would If She Could

Event Comment: The King's Company. This play is on the L. C. list 5@139, p. 125, for 20 March, possibly a mistake, as 20 March is a Friday in Lent In addition, the second list, 5@12, p. 17, reads: 2 March: king here. Pepys, Diary: So with my wife, her and the girl, to the King's house to see the Virgin Martyr again, which do mightily please me, but above all the musique at the coming down of the angel, which at this hearing the second time, do still commend me as nothing ever did, and the other musique is nothing to it

Performances

Mainpiece Title: The Virgin Martyr

Performances

Mainpiece Title: She Would If She Could

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Performances

Mainpiece Title: She Would If She Could

Performances

Mainpiece Title: The Mans The Master

Event Comment: The Duke's Company. This play is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347. Pepys, Diary, 31 May: At the play at court the other night, Mrs Davis was there; and when she was to come to dance her jigg, the Queene would not stay to see it, which people do think it was out of displeasure at her being the King's whore, that she could not bear it

Performances

Mainpiece Title: She Would If She Could

Event Comment: [The King's Company. Settings by Alphonso Marsh the Elder of two of the songs are in Choice Songs and Ayres, 1673. This performance, which may have been the first one, is one the L. C. list 5@139, p. 129: An Evening Love his Mate and the Queene at the Theatre. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: An Evenings Love Or the Mock Astrologer

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The second list adds: the king here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: Hyde Park

Event Comment: The King's Company. This play was apparently acted by 1665--see Dec. 1664--and was now revived, although it was not published until 1672. This play is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The second list adds: king here. Pepys, Diary: To the King's house, to see the first day of Lacy's Monsieur Ragou, now new acted. The King and Court all there, and mighty merry--a farce

Performances

Mainpiece Title: The Old Troop Or Monsieur Raggou

Event Comment: The Duke's Company. L. C. list 5@139, p. 125, lists this play for 9 August, a Sunday; possibly "9" is an error for "5". Pepys, Diary: To the Duke of York's playhouse, and there saw The Guardian; formerly the same, I find, that was called Cutter of Coleman Street; a silly play

Performances

Mainpiece Title: The Guardian

Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini
Event Comment: In L. C. 5@139, p. 373, is a list of plays allowed to the Duke's Company: The Poetaster [by Ben Jonson]. Cupids Reuenge [by Francis Beaumont and John Fletcher. See 17 Aug. 1668]. Timon of Athens [by William Shakespeare]. Troyolus and Grisseida [by William Shakespeare]. Three parts of H. ye 6 [by William Shakespeare]. The honest mans fortune [by John Fletcher and others]. Woemen pleas'd [by John Fletcher]. Witt at Seuerall Weapons [by Francis Beaumont and John Fletcher]. The Woemen Hater or The hungry Courtier [by Francis Beaumont]. All fooles [by George Chapman]. Birons Conspiracy [by George Chapman]. Broken heart [by John Ford]. Bird in a Cage [by James Shirley]. Chabot Admirall of ffranse [by James Shirley, with George Chapman]. ffaithful Shepherd [possibly Guarini's Il Pastor Fido]. Herod and Antipater [by Gervase Markham with William Sampson]. Humor out of breath [by John Day]. Jealous Louers [by Thomas Randolph]. Loues Melancholy [Lover's Melancholy, by John Ford]. Muliasses the Turke [by John Mason]. Queene of Arragon [by William Habington]. Revenge of Bussy D'Ambois [by George Chapman]. Revenge for Honor [or The Parricide, by Henry Glapthorne]

Performances