SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "J Rich"/1) | (@(roleclean,performerclean) "J Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 921 matches on Performance Comments, 842 matches on Event Comments, 670 matches on Author, 123 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Rich's Company. Post Boy, No. 818, 4-6 July 1700: For the Benefit of Mrs Oldfield. This day at the Theatre Royal in Drury-Lane, will be presented, a Comedy call'd, The Pilgrim. Revis'd with Large Alterations, and a Secular Masque. With the Dialogue between the 2 mad Lovers. Being Acted this time at the desire of several Persons of Quality. And Entertainments of Singing and Dancing between the Acts and in particular, a new Entry Compos'd by the late Mr Eaglesfield, and perform'd by Mr Weaver, Mr Cottin, and Miss Campion. A Scotch Song with the Dancing of the Bonny Highlander; never done but once before on the English Stage

Performances

Mainpiece Title: The Pilgrim

Event Comment: Rich's Company. London Post, 5-8 July 1700: This day at the Theatre Royal in Drury-lane, will be presented a Play called, Sophonisba, or Hannibals Overthrow, not performed by the publick Actors but all by young Gentlemen and Ladies for their own Diversion. The Benefit for the young People of the House

Performances

Mainpiece Title: Sophonisba Or Hannibals Overthrow

Event Comment: Rich's Company. That this day was the premiere is implied by the Post Boy, 6-9 July 1700: This Day at the Theatre Royal in Drury-Lane, will be presented a New Comedy, never Acted before, called Courtship Alamode. Preface, Edition of 1700: This Play was so long expected e're it came into the World, that I'm oblig'd in Justice to my self, to excuse its appearance at at time when there were scarce Witnesses in Town of its Birth. It was enter'd in the other House [lif], where Mr Betterton did me all the Justice I cou'd indeed reasonably hope for. But that Example he gave, was not it seems to be follow'd by the whole Company, since 'tis known that Mr Bowman (I mention his Name to keep the reflection from other sharers) kept the first Character of my Play six weeks, and then cou'd hardly read six lines on't. How far that Way of management makes of late for the Interest and Honour of that House, is easie to be judg'd. Some who valu'd their reputations more, were indeed rarely or never absent. To these I gave my thanks; but finding that six or seven people cou'd not perform what was design'd for fifteen, I was oblig'd to remove it after so many sham Rehearsals, and in two days it got footing upon the other Stage [dl]. Where twas immediately cast to the best Advantage, and Plaid in less than twenty days. [In the Dedication Penkethman states that he saw the play into print after its being received well by the town.] A Comparison Between the Two Stages (1700), pp. 104-5: Ramble: Courtship Alamode, the Author, one Crawford, a Caledonian. Sullen: I remember it, and its Adventures; it was enter'd into the New-House, at the Recommendation of a certain Scotch Lord, and sojourning there six Months to no purpose, it travell'd afterwards to the Old-House, where it was with much ado Acted. Ramble: And Damn'd-there I was in with you

Performances

Mainpiece Title: Courtship A La Mode

Event Comment: Rich's Company. Post Boy, 11-13 July 1700: In consideration of the great Success of a Play, call'd, the Constant Couple, or a Trip to the Jubelee, and in Answer to a Scandalous Prologue spoken against it by the New House. At the Theatre Royal in Drury Lane this day, being the 13th of July, the said Play will be presented, for the Benefit of the Author, it being the last time of the Company's Acting this Summer. [The play, with the new Prologue, was published 20 Aug. 1700, according to the Post Man, 17-20 Aug. 1700.

Performances

Mainpiece Title: The Constant Couple

Event Comment: Rich's Register lists The Emperor Of The Moon as the mainpiece. Receipts: #22 6s. 6d

Performances

Mainpiece Title: Aurengzebe

Afterpiece Title: The Walking Statue

Dance: As17160629

Event Comment: Rich's Register: Dismiss'd

Performances

Mainpiece Title: King Lear And H1s Three Daughters

Afterpiece Title: The Rape of Proserpine

Event Comment: Rich's Register: Dismiss'd

Performances

Mainpiece Title: The Tragedy Of Tragedies

Afterpiece Title: Squire Basinghall

Song:

Dance: As I Aug

Event Comment: Rich's Register: Duke and Princess Amelia present

Performances

Mainpiece Title: Atalanta

Performances

Mainpiece Title: Don John

Afterpiece Title: The Amours of Billingsgate

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Adopted Child

Song: Mainpiece: Vocal Parts-Danby, Fisher, Maddocks, Trueman, Welsh, Master DeCamp, Master Gregson, Annereau, Atkins, Aylmer, Boyce, Bardoleau, Brown, Cook, Denman, Dixon, Dibble, Caulfield Jun., [J.] Fisher, Gallot, Tett, Walker, Willoughby, Miss Leak, Miss DeCamp, Miss Arne, Mrs Boimaison, Mrs Bramwell, Miss Chatterley, Miss Granger, Miss Jackson, Mrs Maddocks, Miss Menage, Miss Mellon, Mrs Butler, Miss Stuart

Performances

Mainpiece Title: Amadis

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Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Performances

Mainpiece Title: Amadis

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Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Performances

Mainpiece Title: Amadis

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Performances

Mainpiece Title: Amadis

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Performances

Mainpiece Title: Amadis

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Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Performances

Mainpiece Title: Amadis

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Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Dance:

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Performances

Mainpiece Title: Amadis

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Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Music: Two New Symphonies-

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Music: A New Symphony by the Famous Signor Atilio Ariosti-; in which he performs upon a New Instrument, call'd Viola D'Amour-Signor Atilio Ariosti

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Performances

Mainpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich