SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "J B Draghi"/1) | (@(roleclean,performerclean) "J B Draghi")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 907 matches on Performance Comments, 520 matches on Event Comments, 277 matches on Author, 99 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. The date of the first performance is not known, but Luttrell purchased his copies of the separately printed Prologue and Epilogue on 15 May 1682 (Huntington Library); hence, the premiere occurred before that date. The Prologue also refers to the feast which the Whigs attempted to hold at Haberdashers' Hall on 21 April 1682 but were restrained, pointing toward late April as a probable date for the first performance. The separately printed Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 77-79. A song, In Phyllis all vile jests are met, with music by Giovanni Draghi, is in Choice Ayres and Songs, The Fourth Book, 1683. Langbaine (English Dramatic Poets, 1691, p. 19): This Play had the luck to be well receiv'd in the Town

Performances

Mainpiece Title: The City Heiress Or Sir Timothy Treatall

Event Comment: The Duke's Company. Newdigate newsletters, 15 Aug. 1682: Thursday last being acted a play called the Tragedy of Romulus att the Dukes Theatre & the Epilogue spoken by the Lady Slingsby & written by Mrs Behn having reflected on ye Duke of Monmouth, ye Lord Chamberlaine thereupon has order[ed] them both in Custody to answer th[at] affront for ye same (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). See also True Protestant Mercury, 12-16 Aug. 1682, for essentially the same statement. The Prologue and Epilogue were printed separately, and Luttrell' copy (Huntington Library) bears his acquisition date of 8 Aug. 1682. They are reprinted in Wiley, Rare Prologues and Epilogues, pp. 132-34. The separately printed Prologue states that Mrs Behn also wrote it. A song, Where art thou god of love, the music by Giovanni Draghi, is in Theater of Music, The Third Book, 1686

Performances

Mainpiece Title: Romulus And Hersillia Or The Sabine War

Performances

Mainpiece Title: A Song For St Cecilias Day

Performance Comment: The Music by John Baptist Draghi.

Performances

Mainpiece Title: The Haunted Tower

Dance: End I: Telasco and Amgahi ; or, The Peruvian Nuptials. Principal Characters-Didelot, Laborie, Deshayes, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mme Hilligsberg; Pas de Quatre-Deshayes, Laborie, Mme Hilligsberg, Mlle Parisot

Ballet: End Opera: Atalante and Hyppomenus; or, The Foot Race. Grecian Princes Hyppomenus-Deshayes; Pelus-Didelot; Adrastus-Laborie; Atalante-Mlle Parisot; Sererine (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mme Laborie; Clitie (nymph of the Woods)-Mme Hilligsberg; Shepherdesses Mlles D'Egville, Denis, B.? Denis, Lupini, Cranfield; Nymphs of the Woods, Fauns, Shepherds-The whole corps de Ballet; In which the favourite Skipping@rope Pas de Deux-Didelot, Mme Hilligsberg

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Miss in Her Teens

Dance: End: Hornpipe-Walker

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Regulus

Afterpiece Title: The Amorous Goddess

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Triumph Of Time And Truth

Performances

Mainpiece Title: Judas Maccabeus

Performances

Mainpiece Title: The Distressed Mother

Afterpiece Title: The Capricious Lovers

Dance: IV: The Irish Lilt, as17670430 End: Linco's Travels, by Particular Desire-King as17670406

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The Ugly Club

Afterpiece Title: The Castle Spectre

Afterpiece Title: A Nosegay of Weeds or Old Servants in New Places

Performances

Mainpiece Title: The Miser

Afterpiece Title: Harlequin Grand Volgi

Music: A New Sett of Act Tunes composed by Mr Arne

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Virgin Unmaskd

Dance: [II: Savoyards, as17471215; V: Gondoliers-Cooke

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Dr Faustus With a New Additional Scene

Performances

Mainpiece Title: Concerto Spirituale Judas Maccabaeus

Music: First Violin, as17760223; After I: Concerto on German Flute, as17760223; End II: Concerto on Violin-Lamotte

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Critic or A Tragedy Rehearsd

Performances

Mainpiece Title: Hartford Bridge

Afterpiece Title: THE FOLLIES OF A DAY

Afterpiece Title: LOVE AND HONOR or Britannia in Full Glory at Spithead

Afterpiece Title: THE PRISONER AT LARGE

Dance: In 1st piece The Lucky Escape, as17930916, but omitted: Mrs Watts; In 3rd piece, by Byrn, Holland, Mme Rossi, &c

Song: In the course of the Evening Water parted from the Sea by Incledon, after the manner of a celebrated Italian Opera Singer; End of Act I of 4th piece Sally in our Alley by Incledon

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: AULD ROBIN GRAY

Performances

Mainpiece Title: Alceste Or Il Tronfo Dell Amor Conjugale

Dance: End Opera: Paul et Virginie, as17950411o other ballet listed]

Performances

Mainpiece Title: Evelina

Dance: End I: Divertissement-Didelot, Mme Rose, Mlle Parisot; End Opera: Apollon Berger-Mlle Parisot, Didelot, Mme Hilligsberg, Gentili, Mme Rose

Performances

Mainpiece Title: The Stranger

Afterpiece Title: Blue Beard

Music: As17980915

Dance: As17980915

Performances

Mainpiece Title: The Stranger

Afterpiece Title: Feudal Times

Music: As17980915

Dance: As17980915

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Feudal Times