SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highness the Prince of Wales"/1) | (@(roleclean,performerclean) "His Royal Highness the Prince of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1695 matches on Event Comments, 1196 matches on Performance Title, 1009 matches on Performance Comments, 402 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Command, The Prince of Wales. Receipts: #191 9s. Present Prince of Wales at #5 5s. and Prince Edward, Princess of Wales at #5 5s. and Princess Augusta

Performances

Mainpiece Title: Comus

Related Works
Related Work: Comus Author(s): George Colman, the elder
Event Comment: By Their Royal Highnesses' Command. The Prince and Princess present

Performances

Mainpiece Title: Sir Courtly Nice

Dance: The Hussars-Shaw, Mrs Booth; Tollet's Ground-Mrs Younger, Miss Tenoe; Highland Lilt-Mrs Bullock

Event Comment: By Their Royal Highnesses' Command. [The Prince and Princess present.

Performances

Mainpiece Title: Venice Preserv'd; Or, A Plot Discover'd

Event Comment: By Their Royal Highnesses' Command. Written by the late Mr Wycherly. [The Prince and Princess present.

Performances

Mainpiece Title: The Country Wife

Cast
Role: Alithea Actor: Mrs Heron
Event Comment: By Command of his Royal Highness. Mainpiece: Written by the late Mr Congreve. [Prince and Princesses Amelia and Carolina were present.

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Stage Coach

Event Comment: By Command of His Royal Highness. Benefit J. Rich. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: #177 7s. [The Prince present.

Performances

Mainpiece Title: Aesop

Afterpiece Title: Perseus and Andromeda

Cast
Role: Stheno Actor: Salway
Related Works
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald
Related Work: Perseus and Andromeda Author(s): Lewis Theobald
Related Work: The Medley; or, Harlequin At-All Author(s): Lewis Theobald
Event Comment: Benefit Mrs Bullock. By Command of His Royal Highness. Receipts: money #56 1s.; tickets #98 10s. [The Prince present.

Performances

Mainpiece Title: The Country Wife

Performance Comment: As17290919, but Alithea-Mrs Templer; Mrs Squeamish-Miss Holiday.
Cast
Role: Alithea Actor: Mrs Templer

Afterpiece Title: The What D'ye Call It

Music: A Preamble on the Kettle@Drums-Job Baker

Dance:

Event Comment: By Command of His Royal Highness. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: #76 17s. [The Prince and Princess Caroline present.

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald
Related Work: Apollo and Daphne Author(s): Theophilus Cibber
Event Comment: By Command of His Royal Highness. Receipts: #99 5s. [The Prince present.

Performances

Mainpiece Title: The Anatomist

Afterpiece Title: The Necromancer

Event Comment: By Command of His Royal Highness. Benefit Mrs Younger. Receipts: money #73 19s.; tickets #135 3s. [The Prince, Princess Caroline, and Lady Ann Lumley present.

Performances

Mainpiece Title: The Conscious Lovers

Dance:

Event Comment: Benefit the Author. By Command of His Royal Highness. Receipts: money #42 2s. 6d.; tickets #17 11s. [Prince present.

Performances

Mainpiece Title: Orestes

Related Works
Related Work: Orestes Author(s): Lewis Theobald
Event Comment: By Command of His Royal Highness. Receipts: #176 17s. [The Prince and the Duke of Lorrain present.

Performances

Mainpiece Title: Henry Iv, Part I

Afterpiece Title: The Rape of Proserpine

Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald
Event Comment: By Command of His Royal Highness. [Prince, Duke of Lorrain, and Count Kinski present]

Performances

Mainpiece Title: The Relapse; Or Virtue In Danger

Afterpiece Title: Cephalus and Procris

Event Comment: By Command of His Royal Highness. [Prince, Duke of Lorrain, and Count Kinski present.

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: Cephalus and Procris

Event Comment: By Command of His Royal Highness. Mainpiece: Written by Beaumont and Fletcher. [The Prince present.

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Jovial Crew

Dance: TThe Masques-

Event Comment: By Command of His Royal Highness. [Prince and Princess Caroline present.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Phebe

Dance: Denoyer, Essex, Lally, Thurmond, Houghton, Mrs Walter, Miss Robinson

Event Comment: By Command of His Royal Highness. [Prince, Duke, and Princesses present.

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Country Revels

Afterpiece Title: Harlequin Restor'd

Event Comment: By Command of His Royal Highness [Prince present.]

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: Cupid and Psyche

Event Comment: By Command of His Royal Highness. Mainpiece: Written by the late Mr Congreve. [The Prince present.]

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Lottery

Dance: I: Ballet by Mlle Anne Roland. III: Grand Ballet by Denoyer, &c. V: Le Badinage de Provence by Poitier, Mlle Roland, &c

Event Comment: By Command of his Royal Highness. Mainpiece: Written by the late J. Addison, Esq. [Prince present.]

Performances

Mainpiece Title: Cato

Afterpiece Title: The Mock Doctor

Music: Select Pieces

Dance: I: Comic Dance by Le Brun and Mrs Anderson. II: By Mlle Anne Roland. II: Revellers by Essex, Mrs Walter, &c. IV: Le Badinage de Provence by Poitier, Mlle Roland

Event Comment: By Command of their Royal Highnesses Prince George and the Lady Augusta. Benefit Desnoyer. Receipts: money #116 15s. 6d.; seals #105 17s. (Account Book); #230 (Rylands MS.). [According to the Account Book, Desnoyer received a Free Benefit, i.e., no deduction for the nightly charges.

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Dance: SSerious Dance to Favourite Tunes from the Opera of Lothario-Desnoyer; The Matelots-Mechel, Mlle Mechel; Italian Peasants-Desnoyer, Signora Barberini; By Command, The Comic Dance of the Old Woman-with Pierot in the Basket; Louvre, Minuet-Desnoyer, Signora Barberini

Event Comment: We are informed his Majesty's Company of Comedians will perform a few pieces this summer, at the Theatre Royal in Drury Lane, for the Entertainment of his Serene Highness the Prince of Hesse; the Director of that theatre having order'd several of the principal performers to remain in town to be ready for that purpose

Performances

Event Comment: Betterton's Company. The date of the first performance is not certain, but contemporary sources refer to the fact that William Smith, who died in the last week of December, fell ill on the fourth day of its run; hence, it probably was first presented in mid-December. One song, O take him gently from the pile, set by John Eccles and sung by Mrs Bracegirdle, is in Deliciae Musicae, The Fourth Book, 1696. Downes, Roscius Anglicanus, p. 44: The Grand Cyrus, wrote by Mr Banks; it was a good Play; but Mr Smith, having a long part in it, fell Sick upon the Fourth Day and Dy'd, upon that it lay by, and ne'er have bin Acted since. Gildon, English Dramatick Poets, p. 6: Tho' this Play had been formerly refus'd the Action, yet it held up its Head about Six Days together, and has been since Acted several Times. A Comparison Between the Two Stages: Sullen, p. 16: Banks's, which the Players damn'd and wou'd not Act of a great while, but at length it was acted, and damn'd then in manner and form

Performances

Mainpiece Title: Cyrus The Great; Or, The Tragedy Of Love

Performance Comment: Edition of 1696: Prologue to Her Royal Highness-; Cyrus the Great-Betterton; Cyaxares-Smith; Hystaspes-Kynaston; Craesus-Bowman; Abradatas-Hudson; Artabasus-Thurmond; Thoiyris-Mrs Bowtell; Panthea-Mrs Barry; Lausaria-Mrs Bracegirdle; Epilogue-the Boy, Girl by way of Dialogue.
Event Comment: Betterton's Company. The date of the first performance is not certain, but the evidence points toward this day. On Thursday 19 Nov. 1696, Robert Jennens reported that the two pieces had been acted four or five days together. If that day saw the fifth performance, the premiere probably occurred on 14 Nov. 1696. The Single Songs and Dialogue in Mars and Venus, set by John Eccles (Acts I and II) and Godfrey Finger (Act III), was published separately in 1697. The pieces for whom a performer is indicated are as follows: Prologue. The first Song Sung by Mrs Hudson, set by Finger: Come all, with moving songs [it is reproduced opposite page 300 in Wiley, Rare Prologues and Epilogues]. Love alone can here alarm me, sung by Mrs Ayloffe. Scorn tho' Beauty frowns to tremble, sung by Mrs Hudson. To double the sports, sung by Mrs Ayloffe. To treble the pleasures with regular measures, sung by Mrs Ayloffe. To meet her, May, the Queen of Love comes here, set by John Eccles and sung by Mrs Hudson. See Vulcan, Jealousie, Jealousie appears, set by Finger and sung by Mrs Hudson. Yield, no, no, sung by Mrs Bracegirdle and Bowman. Gildon, English Dramatick Poets, p. 115: This Play met with extraordinary Success having the Advantage of the excellent Musick of The Loves of Mars and Venus perform'd with it. Downes, Roscius Anglicanus, pp. 44-45: The Anatomist, or Sham Doctor, had prosperous Success, and remains a living Play to this Day; 'twas done by Mr Ravenscroft. A Comparison Between the Two Stages (1702), p. 20: I remember the success of that was owing to the Musick

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Performance Comment: Edition of 1697: Prologue-Mr Betterton by Mr Motteux; Old Mr Gerald-Bright; Young Mr Gerald-Hodson; The Doctor-Underhill; Wife to the Doctor-Mrs Leigh; Mrs Angelica-Mrs Bowman; Beatrice-Mrs Lawson; Martin-T. Harris; Crispus-Bowen; Simon-Trout; Waiting Woman-Mrs Robinson; Prologue to Her Royal Highness-Mr Motteux; Epilogue-Mr Motteux.

Afterpiece Title: The Loves of Mars and Venus

Event Comment: Post Boy, 2-4 Feb. 1696@7: On Monday the King visited the Princess of Denmark and invited her to Whitehall on Saturday next, it being her Royal Highnesses Birth Day, and his Majesty has been pleased to give the Right Honourable the Lord Chamberlaine Orders to have the Play called Love for Love, written by Mr Congreve, Acted there the better to Celebrate the Day. Post Boy, 6-9 Feb. 1696@7: Last Saturday being the Anniversary of her Royal Highness the Princess Ann of Denmark's birth...at night the King was pleased to Entertain her with a fine Comedy, call'd Love for Love, Written by Mr Congreve, Acted by his Majesty's servants at Whitehall, where the Court appeared very gay and splendid, suitable to the occasion. [Somewhat similar references appear also in Luttrell, A Brief Relation, IV, 180, and The Flying Post, 6-9 Feb. 1696@7.

Performances

Mainpiece Title: Love For Love