SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highness the Prince of Wales"/1) | (@(roleclean,performerclean) "His Royal Highness the Prince of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1695 matches on Event Comments, 1196 matches on Performance Title, 1009 matches on Performance Comments, 402 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Their Highnesses' Command. Written by the late Mr Wycherley

Performances

Mainpiece Title: The Plain Dealer

Event Comment: By Command of their Highnesses the Princess Amelia and Princess Caroline. [Daily Advertiser lists Granier instead of the Gentleman in The Frolick.]

Performances

Mainpiece Title: Arlequin Balourd

Afterpiece Title: La Serenade

Dance: The Frolick, as17341226. L'Allemande by Miss Chateauneuf

Event Comment: By Command of His Highness the Duke, and the Princesses Amelia, Caroline, and Louisa. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. Receipts: #81 11s. (Account Book); #100 (Rylands MS.). Rylands MS.: Barbarini Sick

Performances

Mainpiece Title: The Double Gallant

Dance: SScots Dance-Glover, Mlle Roland; Miller and His Wife-Mechell, Mlle Mechell; Comic Ballet-Villeneuve, Miss Oates; Grand Ballet-Glover, Mlle Roland; The Swiss-Mechell, Mlle Mechell

Event Comment: By Command of their Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: As17430120

Event Comment: Benefit for Macklin. Afterpiece: A New Dramtic Satire in two acts. N.B. As several of the Town have prejudged the Pit the Boxes and Galleries acting their own parts themselves for their diversion, to be of the same species of the Lick at the Town last year; and that it can mean only the ordinary Approbation or Disapprobation of the Audience, Signor Pasquin thinks it incumbent on himself to assure to Publick that all those conjectures are groundless; And farther, he assures them that the Pit, &c. acting their parts has no other meaning than the common literal sense; and that the Audience are really interwoven in the piece; and are to be bona fide part of the Dramatis Personae; and he makes no doubt but that he shall make them perform their parts to a numerous and polite audience, and with universal Applause. But he begs that those Ladies and Gentlemen who intend to perform in the Pit and Galleries will be at the Theatre betimes, for particular reasons; and those who are to act in the Boxes are requested to send their servants to keep their places by three o'clock. Signor Pasquin has received the letters sent by the Town and the Village, and they may depend upon having Places kept for them upon the Stage. The Hiss concerning the Robin Hood Society will be complied with (General Advertiser). [The parts were: Pasquin, Marforio, Sir Eternal Grinn, Sir Conjecture Positive, Sir Roger Ringwood, Bob Smart, Soloman Common Sense; Count Hunt Bubble, Sir John Ketch, hic and Hac (Scribblers), Hydra, Lady Lucy Loveit, Miss Diana Singlelife, Miss Brilliant, Miss Bashfull (Larpent MS 96).

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Covent Garden Theatre; or, Pasquin turn'd Drawcansir, Censor of Great Britain

Performance Comment: The parts of the Pit, Boxes, Galleries, Stage, and Town to be performed by themselves, for their diversion; the parts of several Dull, disorderly characters, in and about St Jame's to be performed by certain persons, for example; And the part of Pasquin@Drawcansir to be performed by his Censorial Highness;, for his interest. The Satire to be introduced by an Exordium;, and to conclude by a satirical@panegyrical@ironical@comical@original Peroration upon the Virtues, Vices, Wisdom and Folly, Judgment and Power of the Town. Both to be spoken from the Rostrum-Signor Pasquin.

Dance: GGrand Comic Ballet, as17511216

Event Comment: Words from Holy Writ...Music so admirable designed by Handel as to Beggar all description (Theatrical Review). Mr Ponta is Musician to his Serene Highness the Elector of Mentz. Tickets and places for boxes to be taken of Mr Sarjeant at the Stage Door. Box 5s. Pit 4s. First Gallery 3s. Upper Gallery 2s. Books of the performance sold at the Theatre. Doors to be opened at Five o'clock. To begin at half past Six (Account Book). [Messrs Toms and Arnold were putting on the Oratorios at Covent Garden this season.] Charges: #35 (Account Book)

Performances

Mainpiece Title: The Messiah

Music: Part I: Concerto on French Horn-Mr Ponta; End Part II: Concerto on Violin-Sga Lombardini Sirmen (Theatrical Review, 214)

Event Comment: The Duke's Company. The date of performance is uncertain. The play was entered in the Stationers' Register, 15 Feb. 1663@4, and its publication noted in The Newes, 3 March 1663@4. Katherine Philips, writing from Cardigan, Wales to Lady Temple in London, 24 Jan. 1663@4: I beleive er'e this you have seen the new Pompey either acted or written & then will repent your partiallity to ye other, but I wonder much what preparations for it could prejudice Will Davenant when I heare they acted in English habits, & yt so aprope yt Caesar was sent in with his feather & Muff, till he was hiss'd off ye Stage & for ye Scenes I see not where they could place any yt are very extra-ordinary, but if this play hath not diverted ye Cittizens wives enough Sr W: D: will make amends, for they say Harry ye 8th & some later ones are little better then Puppett-plays. I understand ye confederate-translators are now upon Heraclius, & I am contented yt Sr Tho. Clarges (who hath done that last yeare) should adorn their triumph in it, as I have done in Pompey (Harvard Theatre Collection)

Performances

Mainpiece Title: Pompey The Great

Performance Comment: Edition of 1664: wo actors' names. Prologue At the House-; Epilogue at the House-; Epilogue to the King at Saint James's-; Epilogue To the Dutchess at Saint James's-; [One Epilogue was written by Sir Edward Deering.] [At the end: After which a grand Masque [is Danc'd before Caesar and Cleopatra[, made (as well as the other Dances and the Tunes to them) by Mr John Ogilby-.
Event Comment: To all the Nobility, Gentlemen, and Ladies. At 7 p.m. Weekly Journal, 2 July: The Pleasure that our English People of Quality took, in being acquainted, that a Gentleman of ours, the curious Mr Abel, hath brought over hither all the most delicate Entertainments...made them last Thursday, for his Encouragement, flock in abundance to his Concert...among whom were the Princess of Wales, who went Incognito, besides several of the Nobility, and other Persons of Quality

Performances

Mainpiece Title: Concert

Music: A Consort of Musick in 14 Languages-Mr Abell (lately arriv'd from Italy); Instrumental accompaniment-a great Number of the best English Masters; with Sicilian Illuminationsv; The Songs are as follows: Greek, Latin, Spanish, Italian, English, Scotch, Irish, French, High-Dutch, Low-Dutch, Danish, Swedish, Lingua Franca, Turkish; The Sea/Compass to be Sung if desired-

Event Comment: Admission as 14 May. To be admitted on the Stage One Guinea. [The Princess of Wales and Princess Anne present.

Performances

Mainpiece Title: Numitor

Event Comment: [Music by Ariosti, Bononcini, Handel. Text by P. A. Rolli.] Admission as 19 Nov. 1720. De Fabrice to Flemming, 21 April (in Deutsch, Handel, p. 126): The Princess of Wales was safely delivered of a son last Saturday. The news was taken to the King by Lord Herbert during...Mutius Scevola, where there was a particularly large audience on account of its being the first performance. The audience celebrated the event with loud applause and huzzas. Each act of this opera is by a different composer, -the first by a certain Pipo, the second by Bononcini, and the third by Hendell, who easily triumphed over the others

Performances

Mainpiece Title: Mutius Scaevola

Event Comment: The Princess of Wales present

Performances

Mainpiece Title: The Conscious Lovers

Event Comment: PPrince of Wales present

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: Tom Thumb

Event Comment: [P$Prince of Wales and Princess Caroline present.

Performances

Mainpiece Title: Ptolemy

Event Comment: [P$Prince of Wales present.

Performances

Mainpiece Title: Athelwold

Event Comment: [P$Prince of Wales and Their Majesties present.

Performances

Mainpiece Title: Admetus

Performances

Mainpiece Title: The Careless Husband

Event Comment: [P$Prince of Wales present.

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Harlot's Progress

Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber
Event Comment: Benefit Turbutt and Mrs Pritchard. [Princess of Wales present.]

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: [P$Prince and Princess of Wales present.

Performances

Mainpiece Title: Porus

Event Comment: [P$Prince and Princess of Wales present.] London Daily Post and General Advertiser, 1 Feb. A great Disturbance made on Saturday last at Covent Garden

Performances

Mainpiece Title: Parthenope

Event Comment: [P$Prince and Princess of Wales present.

Performances

Mainpiece Title: Justin

Event Comment: PPrince and Princesses of Wales, Duke, and Princesses present

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Acis-Beard; Galatea-Signora Francescina; Polyphemus-Reinhold; Damon-The Boy (Deutsch, Handel, p. 492; Dean, Handel's Dramatic Oratorios, p.177); With two new Concertos for several Instruments-never perform'd before; The last New Ode of Mr Dryden's-; And a Concerto on the Organ-.
Event Comment: [Cast taken from 1st edn. The bill merely lists actors and notes "With proper Music, Scenes, and Decorations. Never acted before." It mentions no Prologue or Epilogue.] This Masque was wrote about eleven years ago, by Mr Malet & Mr Thomson, & play'd in the Garden at Clifden before the P. of Wales &c.--Mr Malet has now alter'd it, & it was play'd with great Applause, only some of the Dances, being too long were dislik'd, & some of the Songs had ye same reception (Cross). Receipts: #180 (Cross)

Performances

Mainpiece Title: Alfred, A Masque

Performance Comment: Alfred-Garrick; Earl of Devon-Lee; Hermit-Berry; Edwin-Burton; Corin-Blakes; Danish King-Sowdon; First Dane-Palmer; Eltruda-Miss Bellamy; Emma-Mrs Bennet; Vocal Parts-Mrs Clive, Miss Norris, Beard, Reinhold, Wilder, Master Vernon; Second Dane-Mozeen; Shepherdess-Miss Minors; Dances-Devisse, Mad Auretti, Mathews, Madam Camargo; Prologue-Garrick; Epilogue-Mrs Clive.
Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber
Event Comment: By His Majesty's Command. King, Duke, Princess, P. of Wales & P. Edward (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Way Of The World

Dance: Mad Auretti, Matthews, Mad Janeton Auretti

Related Works
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Related Work: Vertumnus and Pomona Author(s): Matthew Feilde
Related Work: The Castle-Spectre Author(s): Matthew Gregory Lewis
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