SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highness the Duke of York"/1) | (@(roleclean,performerclean) "His Royal Highness the Duke of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2263 matches on Event Comments, 1567 matches on Performance Comments, 1035 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Poor Soldier

Performance Comment: Patrick-Johnstone; Fitzroy-Bannister; Dermot-Incledon (from the Theatre Royal, Bath; 1st appearance on this stage); Father Luke-Rock; Bagatelle (with a song in character)-Marshall (from the Theatre, Birmingham; 1st appearance at this theatre); Darby-Ryder; Kathlane-Mrs Martyr; Norah-Mrs Mountain.
Cast
Role: Father Luke Actor: Rock
Event Comment: By Command of Their Majesties. "There were not an hundred persons in the Pit when their Majesties entered, and there were not double the number at any part of the evening. The Royal box being in the centre, fronting the stage, their Majesties were invisible to the Gallery; and on their entrance solemn stillness prevailed, until the Orchestra, for the first time in an Opera-house, for the first time by the Professional Band, Struck up God save the King. Never, we will venture to say, in any Theatre during the present reign, was there so thin an audience when their Majesties were present; and we pretend not to divine the cause. Whether it is the failure of the Theatre as a musical room--the general poverty of the performance--the little notice that was given of their Majesties' intention to be present we know not" (Morning Chronicle, 23 Feb.)

Performances

Mainpiece Title: Armida

Ballet: Amphion et Thalie. As17910217

Event Comment: Account-Book: Tickets delivered by Follett, Warrell, A Gentleman, Miss Leserve will be admitted. Received of Their Majesties for the Box #80; for the Princess Royal's Box #40; for Her Majesty's Servants #6 6s. Receipts: #226 10s. 6d. (104.5.0; 4.3.6; tickets: 118.2.0)

Performances

Afterpiece Title: Tippoo Saib

Song: In 2nd Piece:as in 3rd piece, 10 June Poor Orra tink on Yanco dear-Mrs Mountain; The Gallant Soldier born to Arms-Incledon

Event Comment: "The farce waited some time for Bannister, who performed at Covent-Garden Theatre in The Woodman. An apology was made for his absence, and, in a few minutes after, he came" (Gazetteer, 14 June)

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Agreeable Surprise

Performance Comment: Sir Felix Friendly-Wilson (1st appearance on this stage these 6 years); Compton-Bannister; Eugene (1st time)-Bland; Chicane-Usher; Lingo-Cornellys (from the Theatre Royal, Dublin [1st appearance on this stage]); Thomas-Burton; John-Phillimore; Laura-Mrs Bannister; Mrs Cheshire-Mrs Webb; Fringe-Mrs Edwards; Cowslip-Mrs Wells.

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Austin-Harley; Theodore-Bloomfield (from the Theatre Royal, Bath; 1st appearance on this stage); Fabian-Thompson; Officers-Powel, Evatt; Raymond-Farren; Adelaide-Mrs Merry; Jaqueline-Mrs Platt; Countess-Mrs Pope.
Cast
Role: Theodore Actor: Bloomfield

Afterpiece Title: A Divertisement

Performance Comment: [The Speaking Characters-Johnstone, Wilson, Blanchard, Incledon, Darley, Cubitt, Rees, Mrs Martyr, Mrs Arnold. Cast adjusted from Songs (For the Author [1790]): Capt. Frederick-Johnstone; Sir Fidget Fearful-Wilson; Gregory-Blanchard; Squire Thicket-Incledon; Clueline-Darley; Flambeau-Cubitt; Whim-Rees; Peggy-Mrs Martyr; Sophia-Mrs Arnold; Female Indian-Mrs Mountain; [With Dialogue-; [to introduce the following favourite Songs, selected, written, and composed (with new accompaniments) by Dibdin: The Lamplighter[, I'm jolly Dick the Lamplighter-Cubitt; Peggy Perkins[, Let Bards elate-Blanchard; Irish Drinking Song[, Of the Ancients its speaking-Johnstone; The Greenwich Pensioner ['Twas in the good ship Rover], Tom Bowling [Here a shere Hulk lies poor Tom Bowling]-Darley; Comic Song[, How much I love thee-Wilson; Taffy and Griddy[, Abergavenny is fine-Mrs Martyr; Hunting Song[, To Batchelor's Hall-Incledon; Poor Jack[, Go patter to Lubbers-Incledon; The Portrait[, Come, Painter, with thy happiest flight-Incledon; [Conclude Rural Masquerade: Indian Song[, Dear Yanco say, and true he say-Mrs Mountain; Sea Song[, A Sailor's life's a life of woe-Mrs Arnold (1st time); The Masquerade[, Sure an't the World a Masquerade-Johnstone, Chorus.
Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Performance Comment: Merlin-Bannister; Cymon (1st time)-Kelly; Dorus-Parsons; Linco (1st time)-Bannister Jun.; Damon-Dignum; Dorilas-Cooke; Cupid-Master Gregson; Daemon of Revenge-Sedgwick; Urganda (1st time)-Mrs Crouch; Sylvia (1st time)-Miss Hagley; Fatima (1st time)-Mrs Jordan; Phebe-Miss DeCamp; Daphne-Mrs Bland; Dorcas (1st time)-Mr Suett; Spirits-Master D'Egville, Miss D'Egville, Miss Gawdry, Miss Edwin; In Tournament: Knights-Duranci (1st appearance), Fairbrother, Bourk, Giani; Queen of the Amazons-Miss Blanchet.

Afterpiece Title: All the World's a Stage

Cast
Role: The Seraskier Actor: Kelly
Role: Katherine Actor: Mrs Crouch

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Romp

Performance Comment: Watty Cockney-Blanchard; Capt. Sightly-Marshall; Old Cockney-Thompson; Barnacle-Cubitt; Penelope-Miss Stuart; Miss La Blonde-Miss Leserve; Priscilla Tomboy-Mrs Davis (from the Theatre Royal, Manchester; 1st appearance in London). 1st appearance in London).
Event Comment: Account-Book: Present Their Majesties. [Their attendance this night is not indicated on the playbill, but "Though the Royal Command was not communicated to this Theatre till late yesterday morning, and consequently but a small part of the public could have notice of the public could have notice of the intention of Their Majesties to honour the house with their presence, yet it was crouded in all parts" (Morning Herald, 16 Mar.).] Receipts: #347 12s. (344.3.6; 3.8.6)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Rosina

Event Comment: By Command of Their Majesties. "God save the King was sung by the audience, standing up, twice before the piece commenced, and twice after it was finished. At the end of the Divertisement, Rule Britannia was sung, the whole Royal Family joining" (London Chronicle, 17 Jan.). Receipts: #477 10s

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Hartford Bridge

Dance: End: A New Divertisement, as17921124, but _Byrn; In afterpiece: The Lucky Escape, as17921116

Event Comment: Double Drums by Ashbridge. Trombones by Flack, Dressler, Zwingham, Schubert. The Chorusses, which will be far more numerous than on any former occasion, will be supported by the Young Gentlemen of His Majesty's Chapel Royal, and the Choristers of St. Paul's. A Subscription of Two Guineas and a Half will receive Eleven Tickets for the Boxes, transferable either to a Lady or a Gentleman; any number of Tickets may be used nightly at the pleasure of the Subscriber. Books of the performance to be had at the Theatre, price #6d. Boxes 6s. Pit 3s. 6d. Gallery 2s. No Money to be returned. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: A Grand Selection 0

Performance Comment: Principal Vocal Parts-Harrison, Master Welsh, Master Hummell, Dignum, Sedgwick, Morelli, Miss Poole, Miss Leak (1st public performance), Mrs Harrison; Conductor-Linley? Sen., Arnold; Leader of the Band-Shaw.
Cast
Role: Leader of the Band Actor: Shaw.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture-(Samson); Arm ye brave-Sedgwick; We come in bright array-Chorus; O Lovely peace-Master Welsh, Master Hummell (Judas Maccabaeus); Guarda nel mio taddio-Morelli (Paisiello); What passion cannot musick raise-Miss Poole; accompanied on the violoncello-Mason [Dryden's Ode]; Total Eclipse-Harrison; O first created beam-Chorus (Samson); Pious orgies-Mrs Harrison (Judas Maccabaeus); God save Great George our King-Chorus; [with new accompaniments [by Dr Arnold-.

Afterpiece Title: Grand Selection 2

Performance Comment: Concerto on the Piano Forte-Dussek; Primroses deck the bank's green side-Dignum (Linley); Come unto these yellow sands-Miss Leak; Hark! the watch dogs bark-Chorus; Full fathom five-Miss Leak; Sea Nymphs hourly ring his knell-Chorus (The Tempest, by Purcell); Fair Rosale-Master Welsh (Linley); Vo sol cando-Miss Poole [Artaserse, by Vinci]; O come let us worship-Harrison [Coronation Anthems]; Thou didst blow-Mrs Harrison (Israel in Egypt); To arms your ensigns-Dignum, Sedgwick; Britons Strike Home-Chorus (Bonduca, by Purcell).

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); The Mansion of Peace-Harrison [Webbe]; My faith and truth-Miss Leak, Master Hummell [Samson]; Non piu andrai-Morelli [Le Nozze di Figaro, by Mozart]; Concerto on the violin-Janiewicz (1st public performance in this Kingdom); Let the bright seraphim-Mrs Harrison [Samson]; Angels ever bright and fair-Master Welsh [Theodora]; The prince unable-Miss Poole [Alexander's Feast]; When Britons first at Heaven's command-(Alternate Solos); Rule Britannia Rule the Waves-Full Chorus (Dr Arne).

Performances

Mainpiece Title: The Mountaineers

Related Works
Related Work: The Mountaineers Author(s): George Colman, the younger

Afterpiece Title: Rosina

Performance Comment: Belville-Bannister; Captain Belville-Davies; William-Bland; Rustic-Cooke; Irishmen-Benson, Waldron Jun.; Phoebe-Miss DeCamp; Dorcas-Mrs Powell; Rosina-Miss Copell [recte Gopell] (from the Theatre Royal, Bath; 1st appearance on this stage); Sweet Echo-Miss Copell; accompanied on the violin-Shaw.

Song: Mainpiece: Vocal Parts-Kenrick, Walker, Linton, Dorion, Dorion Jun., Miss Dall, Mrs Powell, Mrs Hatton, Mrs Masters, Mrs Bramwell, Mrs Edwin, Mrs Gaudry, Mrs Hale

Event Comment: Benefit for Bannister Jun. 2nd piece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Morning Herald, 23 Aug.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: The Prize; or, 2, 5, 3, 8

Performance Comment: Characters by Bannister Jun., Wewitzer, Barrymore, Suett, Miss DeCamp, Sga Storace (only appearance this season), Mrs Powell. Cast adjusted from text (Dublin: Patrick Conner, 1793): Lenitive-Bannister Jun.; Caddy-Wewitzer; Heartwell-Barrymore; Label-Suett; Juba-Miss DeCamp; Caroline-Sga Storace; Mrs Caddy-Mrs Powell.

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Lewis; Strickland-Farren; Bellamy-Davies; Jack Meggot-Bernard (1st time [i.e. appearance] these 2 [recte 3] years); Tester-Blanchard; Buckle-Thompson; Frankly-Holman; Mrs Strickland-Miss Chapman; Jacintha-Miss Hopkins (from the Theatre Royal, Edinburgh; 1st appearance on this stage); Lucetta-Mrs Mattocks; Milliner-Mrs Follett; Clarinda-Mrs Pope.

Afterpiece Title: Robin Hood

Event Comment: Mainpiece: With new Scenery, Dresses and Decorations. [This was the version, altered probably by Joseph George Holman, in which he appeared in Dublin on 29 July 1794, on which occasion the playbill reads, "Dressed in the Habits of the Times, and with other Alterations, adopted in its Representations 19 [recte 11] Nights last Winter, at the Theatre Royal, Covent Garden." It further states that the part of Ophelia would be performed "without the Airs, and with a considerable Restoration of the Text." No record of what these alterations consisted of has come to light. In III.iv Hamlet's father was represented by a life-sized portrait that hung over the chimney, and the Queen wore a large miniature of Claudius on her arm as a bracelet (London Chronicle, 10 Oct.). The words of the Dirge are printed in European Magazine, Nov. 1793, p. 393; they are stanza X of Shakespeare's Passionate Pilgrim. Miss Poole had appeared as a singer at king's and at Vauxhall in 1787 and at the cg oratories in 1791.] Afterpiece: Not acted these 2 years [and in place of The Prisoner at Large, advertised on playbill of 8 Oct.]. Receipts: #332 4s. (330.3; 2.1)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Three Weeks after Marriage

Song: In V: a Dirge set to music by Shield, the words from Shakespeare; Vocal Parts-Mrs Martyr, Mrs Mountain, Mrs Clendining, Miss Hopkins, Miss Stuart, Miss Barnett, Mrs Watts, Mrs Follett, Mrs Lloyd, Mrs Masters, Miss Paye, Mrs Blurton, Mrs Castelle, Miss Leserve, Williamson, Linton, Street, Gray

Event Comment: [The playbill announces the performances for this evening as by command of Their Majesties, but "The melancholy tidings of the death of the Queen of France prevented the royal visit" (Thespian Magazine, Dec. 1793, p. 357).) Receipts: #392 13s. (383/11; 9/2)

Performances

Mainpiece Title: Lovers' Quarrels

Afterpiece Title: HARTFORD BRIDGE

Afterpiece Title: HARLEQUIN'S CHAPLET

Entertainment: As17931002

Cast
Role: When in War on the Ocean Actor: Davies
Role: The Music Actor:
Role: The Dances Actor: Byrn, Holland
Role: The Scenery Actor: Hodgins, Walmsley, Phillips.

Performances

Mainpiece Title: The Siege Of Berwick

Afterpiece Title: ROBIN HOOD

Performance Comment: As17930920, but Robin Hood-Townsend (from the Theatre Royal, Norwich; 1st appearance on this stage) . 1st appearance on this stage) .

Dance: As17931015

Event Comment: By Command of Their Majesties. "God save the King was several times repeated, and other songs suitable to the circumstances of the night" (World, 21 Nov.). " As the taste of the Royal Family is well known to be equal to the delight they take in encouraging genius, it is, we presume, the Lord Chamberlain that so frequently orders, for their entertainment, a hash of old Pantomimes, which even children cannot relish more than once" (Morning Chronicle, 21 Nov.). Receipts: #521 11s. (514/17; 6/14)

Performances

Mainpiece Title: The School For Arroganc E

Cast
Role: Duke Actor: Davies

Afterpiece Title: MODERN ANTIQUES

Afterpiece Title: MOTHER SHIPTON TRIUMPHANT

Dance: As17931119

Song: As17931119

Event Comment: Benefit for Sga Storace. Mainpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Afterpiece [1st time; MF 2, by Prince Hoare, based partly on LE TABLEAU PARLANT, by Louis Anseaume]: The Music by Storace. "The songs are written with taste, and set to very lively and agreeable tunes by Storace's brother...[They are] calculated to afford her a complete opportunity of displaying that mixture of laughable levity, friskiness and merriment which on the stage give her so much attraction" (Public Advertiser, 18 Dec.). Tickets to be had of Sga Storace, No. 36, Howland Street, and of Rice at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: MY GRANDMOTHER

Performance Comment: Characters by Bannister Jun., Suett, Wewitzer, Waldron, Sedgwick, Bland, Lyons// Mrs Bland, Sga Storace. [Cast from text (No pub., 1794): Vapour-Bannister Jun.; Gossip-Suett; Souffrance-Wewitzer; Sir Matthew Medley-Waldron; Woodly-Sedgwick; Tom-Bland; Servant-Lyons// Charlotte-Mrs Bland; Florella-Sga Storace.] hathi. hathi.
Cast
Role: Sir Matthew Medley Actor: Waldron
Event Comment: Mainpiece: In Act I a Statute Scene. [Miss Leak had 1st appeared at the oratorios at King's on 15 Feb. 1793.]

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Dignum; Hawthorn-Bannister; Sir William Meadows-Aiclcin; Hodge-Wewitzer; Eustace-Caulfield; Justice Woodcock-Suett//Lucinda-Mrs Follett (of the Theatre Royal, Covent Garden); Margery-Mrs Bland; Deborah Woodcock-Mrs Hopkins; Rosetta-Miss Leak (1st appearance on any stage) .

Afterpiece Title: HARLEQUIN PEASANT

Performances

Mainpiece Title: The Life And Death Of King Richard The Iiid

Performance Comment: As17931223, but Richard-Pindar (from the Theatre Royal, Bath; 1st appearance on this stage); Sir James Tyrrel-Waldron Jun.; Lord Mayor-Burton .

Afterpiece Title: MY GRANDMOTHER

Cast
Role: The Baron Actor: Aickin
Role: Theodore Actor: Barrymore

Performances

Mainpiece Title: Alexander's Feast

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture. 'Twas at the royal. Happy pair. Timotheus plac'd. The song began. The list'ning croud. With ravish'd ears. The praise of Bacchus. Bacchus ever fair. Bacchus' blessings. Sooth'd with the sound. He chose a mournful. He sung Darius. With downcast looks. Behold Darius. The mighty master. Softly sweet, accompanied on the violoncello by C. Ashley. War, be sung. The many rend. The prince unable. PART II. Now strikes the golden. Break his bands. Hark, hark! Revenge, revenge. Behold a ghastly band. Give the vengeance. Thais led the way. The Princes applaud. Thus long ago. At last divine Cecilia. Your voices tune. Let's imitate her notes. Let old Timotheus. PART III. A GRAND MISCELLANEOUS ACT. Overture and March (SCIPIO). He measureth the waters and He layeth the beams by Bartleman (REDEMPTION). O let eternal Honors and From mighty Kings by Miss Parke (JUDAS MACCABAEUS). Softly rise O southern breeze by Incledon; Ye Southern breezes by Chorus (SOLOMON, by Boyce). Bravura Song by Mme Mara. The Lord shall reign by Chorus; And Miriam and Sing ye to the Lord by Mme Mara; The horse and his Rider by Double Chorus (ISRAEL IN EGYPT). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part I Giardini's Sixth Concerto on the Violin by G. Ashley

Event Comment: Advance broadside of 7 Apr.: The performance of Plays, in this Theatre, is unavoidably postponed on account of the extent of the Preparations for compleating the Scenery and Machinery in a Style suitable to the Theatre. But at the Request of Numbers of Ladies and Gentlemen, who have hitherto been disappointed of Places, there will be this Week Four Performances of Grand Selections of Music and Oratorios . . . After Saturday the Theatre will close till Compleat for Dramatic Representations. Receipts: #525 12s. 6d. (515/12/6; tickets: 2/2/0; 7/18/0)

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Miss Mason (1st appearance in public). Leader as17940312ART I. Overture (ATALANTA). Shall I in Mamre's? by Meredith; For all these Mercies by Chorus (JOSHUA). Come ever smiling liberty by Miss Leak (JUDAS MACCABAEUS). Together let us range by Harrison and Sga Storace (Boyce). How vain is man by Dignum (JUDAS MACCABAEUS). O Baal by Chorus (DEBORAH). Let the bright Seraphim by Sga Storace; Let their celestial Concerts all unite by Chorus (SAMSON). PART II. From L'ALLEGRO IL PENSEROSO. Hence! loathed melancholy by Harrison. Hence! vain deluding joys by Mrs Crouch. Come thou, goddess fair by Harrison. Come rather goddess, sage by Mrs Crouch. Haste thee nymph by Kelly and Chorus. Come and trip it by Mrs Bland and Chorus. Come pensive nun and Come, but keep thy wonted state by Mrs Bland. Join with thee calm peace and quiet by Chorus. Hence loathed melancholy and Mirth admit me of thy crew by Miss Leak. First and Chief and Sweet Bird, accompanied on the flute by Ashe, by Mrs Crouch. If I give thee honour due and Mirth admit me of thy crew by Meredith. Oft on a plat by Harrison. If I give thee honour and Let me wander by Master Welsh. And young and old by Chorus. PART III. The depths have covered them by Chorus (ISRAEL IN EGYPT). Ye men of Gaza by Mrs Crouch (SAMSON). 'Twas at the Royal Feast by Kelly; Happy, happy pair by Kelly and Chorus (ALEXANDER'S FEAST). Hope told a flattering tale by Miss Mason, accompanied on the harp by Meyer Jun. [Paisiello]. Pour forth by Meredith (JEPHTHA). When warlike Ensigns by Master Welsh (OCCASIONAL ORATORIO). From the Censer by Chorus (SOLOMON) .

Music: End of Part II concerto on the violin by Giornovichi

Event Comment: Benefit for Mrs Mountain. 1st piece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Morning Herald, 21 May: Tickets to be had of Mrs Mountain at Mr Greak's, No. 3 3 , Tavistock-street, Covent-Garden. Receipts: #274 3s. (109/7/6; 9/19/6; tickets: 154/16/0)

Performances

Mainpiece Title: The Gentle Shepherd

Performance Comment: Patie-Incledon; Bauldie-Fawcett; Glaude- Rock; Roger-Townsend; Symon-Powel; Sir William Worthy-Thompson//Jenny-Mrs Martyr; Peggy (with We shall live together, Laddie)-Mrs Mountain .

Afterpiece Title: LOVERS' QUARRELS

Afterpiece Title: THE IRISHMAN IN LONDON

Performance Comment: As17940505, but Louisa (for that night, with The Way to keep Him, composed by Hook)-Mrs Mountain .

Dance: In Act I of 1st piece a Highland Reel by Byrn, Mlle St. Amand, Mme Rossi

Song: End of Act II of 2nd piece (for that night only) a Selection of the most Favorite Catches and Glees from Harrison and Knyvett's Vocal Concert. What shall he have that killed the Deer by Incledon, Townsend, Richardson, Linton and Chorus Q. S. Smith). Ye spotted snakes by Mrs Clendining, Mrs Mountain, Townsend, Linton, Incledon (Stevens). The New Mariners by Incledon, Townsend, Linton and Chorus (Calicott). Where the bee sucks by Mrs Clendining, Mrs Mountain, Townsend, Linton (harmonized by Jackson). Water parted from the Sea by Incledon (Dr Arne). In 3rd piece a Planxty, descriptive of Ireland, by Johnstone, in character

Performance Comment: What shall he have that killed the Deer by Incledon, Townsend, Richardson, Linton and Chorus Q. S. Smith). Ye spotted snakes by Mrs Clendining, Mrs Mountain, Townsend, Linton, Incledon (Stevens). The New Mariners by Incledon, Townsend, Linton and Chorus (Calicott). Where the bee sucks by Mrs Clendining, Mrs Mountain, Townsend, Linton (harmonized by Jackson). Water parted from the Sea by Incledon (Dr Arne). In 3rd piece a Planxty, descriptive of Ireland, by Johnstone, in character .
Event Comment: Benefit for Bannister Jun. Mainpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Afterpiece [1st time; MD 2, by John Cartwright Cross]: The Overture and the Musick entirely new, by Reeve. Books of the Songs to be had at the Theatre. Morning Chronicle, 9 Sept. 1794: This day is published THE APPARITION (1s.). Morning Chronicle, 30 Aug.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho

Performances

Mainpiece Title: The Jew

Afterpiece Title: THE APPARITION

Monologue: 1794 09 03 End of mainpiece, as 30 Aug

Event Comment: Afterpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: THE PRIZE; or, 2, 5, 3, 8