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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highness the Duke"/1) | (@(roleclean,performerclean) "His Royal Highness the Duke")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4635 results for: Keyword - His Royal Highness the Duke
We found 2115 matches on Event Comments, 1466 matches on Performance Comments, 1017 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.

126
06 April 1741 @ Drury Lane Theatre

Event Comment: Benefit Mills. By Command of his Royal Highness the Duke. The Stage formed into Side Boxes

Performances

Mainpiece Title: King Henry The Fourth, Part I

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: II: L'Allemande-Muilment, Mlle Chateauneuf; IV: Shepherds and Shepherdesses-Muilment, Mlle Chateauneuf; V: A new Tambourine-Muilment, Mlle Chateauneuf; end Afterpiece: Grand Ballet-Maltere, Mlle Maltere

Song: III: Mary Scot-Mrs Clive

127
04 February 1742 @ Drury Lane Theatre

Event Comment: By Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa. Receipts: #100

Performances

Mainpiece Title: The Double Gallant

Performance Comment: As17411207, but Lady Sadlife-Mrs Clive; Strut-_; Dr Bolus-_; Apothecary-_; Supple-_; Situp-_; China Woman-_.
Cast
Role: Apothecary Actor: Gray

Song: I: a Ballad-Lowe; III: Song-Mrs Arne; IV: See from the Silent Groves-Beard

Dance: II: Le Petit Scaramouche, as17420201; V: Le Genereux Corsaire, as17420120;

128
18 February 1742 @ Drury Lane Theatre

Event Comment: By Command of their Royal Highnesses the Duke and the Princess Amelia, Caroline and Louisa. Receipts: #80

Performances

Mainpiece Title: The Tender Husband

Song: I: Was Ever Nymph like Rosamond-Beard; IV: Happy Pair-Beard

Dance: II: Les Arlequins, as17420212; V: Le Genereux Corsaire, as17420120, but Desse, +Baudoin, _Delemain, Miss _Rayner, Miss _Wright

129
25 March 1742 @ Drury Lane Theatre

Event Comment: By Command of their Royal Highnesses the Duke and the Princesses Amelia, Caroline, and Louisa. Rylands: Hill Play'd Carlos. Receipts: #80

Performances

Mainpiece Title: Love Makes A Man

Song: I: Song-Beard; III: Ballad-Lowe; IV: Mrs Arne

Dance: II: A Concerto, as17420105; V: Le Boufon-the Mechels

130
04 November 1742 @ Drury Lane Theatre

Event Comment: By Command of Their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa

Performances

Mainpiece Title: Tamerlane

Performance Comment: Bajazet-Delane; Tamerlane-Berry; Moneses-Havard; Axalla-Mills; Arpasia-Mrs Roberts; Selima-Mrs Mills; Prince of Tanais-Blakes; Omar-Turbutt; Haly-Green; Dervise-Winstone; Stratocles-Woodburn; Zama-Ray; With the Usual Prologue-.
Cast
Role: With the Usual Prologue Actor: .

Afterpiece Title: The Mock Doctor

Dance: IV: Grand Serious Ballet, as17421005

Music: IV: Concerto-Veracini

131
16 November 1742 @ Drury Lane Theatre

Event Comment: By Command of Their Royal Highnesses the Duke, and Princesses Amelia, Caroline, Louise. Mainpiece: Written by Shakespear,

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Song: II: Song-Beard

Music: Concerto-Piantinada

Dance: IV: Grand Serious Ballet, as17421005

132
24 November 1742 @ Drury Lane Theatre

Event Comment: By Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa

Performances

Mainpiece Title: King Lear

Dance: II: Grand Comic Dance, as17421117; IV: Les Moisoneurs de la Styrie, as17421122

133
08 December 1742 @ Drury Lane Theatre

Event Comment: By Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa

Performances

Mainpiece Title: Love Makes A Man

Dance: II: Grand Comic Dance, as17421117; IV: Les Moisoneurs de la Styrie, as17421201

134
31 December 1742 @ Drury Lane Theatre

Event Comment: BY Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa. New Habits and decorations for the dances

Performances

Mainpiece Title: The Stratagem

Dance: II: a New Comic Dance call'd Neopolitan Punch-Checo Torinese, Sga Chiaretta Aquilanti, Boromeo, Mlle Bonneval; IV: A New Comic Dance call'd Italian Gardeners-Checo, Chiaretta

135
05 January 1743 @ Drury Lane Theatre

Event Comment: By Command of Their Royal Highnesses the Duke and the Princesses Amelia, Carolina, and Louisa

Performances

Mainpiece Title: Hamlet

Song: As17430103

Music: III: Concerto on Violincello-Cervetti

136
01 March 1743 @ Drury Lane Theatre

Event Comment: Benefit for a Gentleman in Distress, and by Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Mock Doctor

Dance: As17430120

137
30 March 1744 @ Covent Garden

Event Comment: Benefit Hippisley. Both pieces By Command of his Royal Highness the Duke

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Song: Song-Beard; To Arms, Britons Strike Home-Leveridge, Reinhold, Bencraft

Dance: SScotch Dance, as17431124; Dance-Cooke

138
07 January 1746 @ King's Theatre

Event Comment: A Musical Drama, in Two Parts...with Dances and other Decorations Entirely new. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be delivered this Day, at the Opera Office in the Haymarket, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Persons whatsoever to be admitted behind the Scenes. The Gallery to be open'd at Four o'Clock. Pit and Boxes at Five. To begin at Six o'clock. A New Opera [composed by Gluck; text by F. Vanneschi]. The Subscribers to the Opera are desired to make the last Payment of their Subscription Money to the Treasurer, at the Opera Office in the Haymarket, where Attendance will be given this and every Day, from Ten till Two, to receive the same, and deliver out the Silver Tickets. [Repeated until 28 Jan.] The new Musical Italian Drama; entitled La Caduta de Giganti, or the Fall of the Giants, writ on Occasion of the expulsion of the Rebels, was perform'd last Night at King's Theatre in the Haymarket. The performance was received and carried on with great Attention, Tranquility, and Applause: and not a little enliven'd by the Presence of his Royal Highness the Duke of Cumberland.--Daily Advertiser, 8 Jan

Performances

Mainpiece Title: La Caduta De Giganti; Or, The Fall Of The Giants

Performance Comment: Singers-Monticelli, Jozzi, Ciacchi, Signora Imer, Signora Pompeati (or Mrs Cornelie), Signora Frasi (Burney, History of Music, IV, 452). [See program of 25 March where Jozzi, Ciacchi, Imer and Pompeati are listed as singing in this opera.]See program of 25 March where Jozzi, Ciacchi, Imer and Pompeati are listed as singing in this opera.]

139
02 November 1767 @ Drury Lane Theatre

Event Comment: The Corpse of His Royal Highness the Duke of York arrived at Greenwich, and was buried the next day

Performances

Mainpiece Title: None

140
10 March 1796 @ King's Theatre

Event Comment: Under the Patronage of Their Royal Highnesses the Duke and Duchess of York. Benefit for Roselli. Tickets, 10s. 6d. each, to be had of Roselli, No. 6, King-street, St. James's-square

Performances

Mainpiece Title: La Bella Arsene

Dance: End I: Divertissement- [see17960308 End Opera: Les Trois Sultanes-Didelot, Onorati, Gentili, Mme Rose, Mlle Parisot, Mme Bossi, Mlle Berry, Mme Hilligsberg

Song: In Opera: a new trio by Mazzinghi-Mme Banti, Rovedino, Roselli; In I: an Air-Mme Banti which was erased on account of the length of the Opera; a new additional Air-Roselli

Music: End II: a concerto on the violin composed by Jarnowick,-Master Juliano (a child of only 8 years old, patronised by the Duchess of York.

141
24 January 1799 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Choral Fund, instituted for the Relief of their decayed Members, Widows and Orphans, under the Patronage of his Royal Highness the Duke of Clarence. The Band and Chorus will be select, and the Young Gentlemen of the Westminster Choir will assist. A New Organ, built by Lincoln, will be opened on this occasion. Boxes #S. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Performers-Leete, Page, Friend, Walker, Sale, Master Elliot, Miss Leak, Miss Poole; Conductor-Dr Arnold; Leader of the Band-Barthelemon; Organ-Jacob.
Cast
Role: Leader of the Band Actor: Barthelemon

Music: Previous to The Messiah: An Ode, written by W. T. Fitzgerald, Esq., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon

Performance Comment: T. Fitzgerald, Esq=., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon.
Cast
Role: Concerto on the violin Actor: Barthelemon.

142
09 May 1667 @ Whitehall or St. James's

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125: The Schoole of Complements at Court. See also Nicoll, Restoration Drama, p. 346. The edition of 1667 was licensed 24 May 1667. Gildon, Life of Betterton (1710), states that Betterton had a role in it

Performances

Mainpiece Title: The Schoole Of Complements

Performance Comment: [Love Tricks, by James Shirley.] Edition of 1667: The Prologue-; [No actors' names. Epilogue-. [As it is now Acted by His Royal Highnesse the Duke of York's Servants at the Theatre in Little Lincolns Inn Fields.As it is now Acted by His Royal Highnesse the Duke of York's Servants at the Theatre in Little Lincolns Inn Fields.
Cast
Role: The Prologue Actor:

143
03 June 1715 @ Drury Lane Theatre

Event Comment: Benefit D'Urfey. By His Royal Highness's Command

Performances

Mainpiece Title: Court Gallantry; Or, Marriage A La Mode

Performance Comment: With an Oration [before it, address'd to his Majesty, and their Royal Highnesses the Prince and Princess of Wales, on the glorious Advantages of Unity and Amity amongst us; Written-D'Urfey [D'Urfey].D'Urfey].

Song: Several New Songs by D'Urfey-

Dance: Mrs Santlow

144
13 March 1746 @ Covent Garden

Event Comment: Benefit Mrs Pritchard. Mainpiece: Written by Shakespear. Servants admitted to keep places on the stage, which will be fram'd into Front and side boxes, and entirely enclosed after the manner of an Oratorio. Ladies are desired to send servants to keep places to prevent mistakes. Tickets and places to be had at Mrs Pritchard's in Duke's late Earl's Court, Bow St.; At Mr Vaughan's, the Royal Exchange, Cornhill, and at the stage door

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Duke and no Duke

Dance: PPeasant-Cooke; Comic Ballet-Cooke, Signora Campioni

Song: SSong of Diana from Dryden's Secular Masque,-Beard (set by Mr Boyce); Genius of England-Beard

145
03 May 1784 @ Drury Lane Theatre

Event Comment: Benefit for Suett and R. Palmer. Public Advertiser, 30 Apr.: Tickets to be had of Suett, No. 230, High Holbourn, and of R. Palmer, No. 3, Cecil Street, Strand. Afterpiece: Not acted these 20 years [not acted since 4 Nov. 1762]. Receipts: #227 18s. (29/18/0; 31/14/6; 0/5/6; tickets: 166/0/0) (charge: #107 0s. 9d.)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Sir Andrew Ague-cheek-Dodd; Sir Toby Belch-Palmer; Orsino-Brereton; Sebastian-Bannister Jun.; Fabian-R. Palmer; Antonio-Wrighten; Clown (with the original Epilogue Song)-Parsons; Malvolio-Bensley; Viola-Mrs Bulkley; Maria-Mrs Brereton; Olivia (with songs)-Miss Phillips (1st appearance in that character) .

Afterpiece Title: A Pasticcio

Performance Comment: Scene I. A favourite Catch and Glee by Suett, Williames, Barrymore. Scene II. A favourite song by Miss George. Scene III. As Scene III, 26 Apr. Scene IV. Gramachree Molly by Miss Phillips. To conclude with The Sportsmen's Return, as17840311athi .

Afterpiece Title: Duke and No Duke

Performance Comment: Trappolin (an Usurper transformed by Magic to the Duke of Florence)-Palmer; Brunetto (Prince of Savoy)-R. Palmer; Barbarino and Alberto (Lords and Counsellors to the Duke)-Wilson and Phillimore; Officer-Spencer; Captain of the Guards-Alfred; Count Gulcardi (under the Character of Magosa Magician)-Wrighten; Puritan-Suett; Mason-Fawcett; Whip (the Coachman)-Chaplin; Jailer-Kenny; Supernatural Agents, Attendants upon Trappolin: Eo-Master Whitty; Meo-Master Purser; and Little Fred-Master J. Whitty; Lavinio (the Grand Duke of Tuscany)-Staunton; Officer's Widow-Mrs Love; Old Woman-Mrs Booth; Flametta (Mistress to Trappolin)-Miss Barnes; Prudentia (sister to the Duke)-Miss Tidswell; Isabella (Duchess of Tuscany)-Mrs Hedges .
Cast
Role: Captain of the Guards Actor: Alfred

146
04 July 1724 @ Richmond

Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: Duke And No Duke; Or, Trapolin Suppos'd A Prince

Performance Comment: Trapolin-Harper; Duke-Bridgwater; Brunetto-Williams; Alberto-Chapman; Barberino-Roberts; Prudentia-Mrs Houghton; Isabella-Mrs Orfeur; Conjuoro-Orfeur; Flametta-Mrs Roberts; Dustress'd Women-Mrs Willis, Mrs Davison; Puritan-Norris.
Cast
Role: Duke Actor: Bridgwater

Afterpiece Title: Hob; or, The Country Wake

Song: A Quaker's Song-Mrs Willis

Dance: Highland Lilt-Mrs Willis; Running Footman-Houghton; Union Dance-Houghton, Mrs Willis

147
08 April 1797 @ Covent Garden

Event Comment: Benefit for Lewis. 1st piece: In 3 Acts. 2nd piece: Not acted these 12 years [acted 13 Dec. 1788]. 3rd piece: With all original Scenery, Machinery, Dresses and Decorations. New Music composed, and ancient Scots Music selected and adapted, by Shield. The Overture by Reeve. With Harp Accompaniment by Weippert. True Briton, 27 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #519 1s. 6d. (386.10.0; 6.0.0; tickets: 126.11.6)

Performances

Mainpiece Title: The Double Gallant; Or, A Sick Lady's Cure

Afterpiece Title: Duke and No Duke; or, Trapolin's Vagaries

Performance Comment: Trapolin (for that night only)-Lewis (1st appearance in that character); Duke of Tuscany-Macready; Alberto-Thompson; Barbarino-Powel; Brunetto-Claremont; Mago-Davenport; Puritan-Simmons; Three Young Devils-Masters Standen, Goodwin, Griffiths; Flametta-Miss Logan; Prudentia-Mrs Watts; Rogera-Mrs Platt; Algera-Miss Leserve; Duchess of Tuscany-Mrs Follett.
Cast
Role: Duke of Tuscany Actor: Macready

Afterpiece Title: Oscar and Malvina

148
07 November 1746 @ Covent Garden

Event Comment: Present The Duke, Princess Amelia, and Princess of Hesse (Account Books, Egerton 2268). Receipts: #161 3s

Performances

Mainpiece Title: The Rehearsal

Cast
Role: Serjeants at Arms Actor: the rest of the comedians
Role: With all the Music Actor:
Role: The vocal parts Actor: Leveridge, Bencraft, Roberts, Mrs Lampe, Miss Young
Related Works
Related Work: The Rehearsal Author(s): George Villiers, Duke of Buckingham
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: Duke and No Duke

149
12 November 1746 @ Covent Garden

Event Comment: Mainpiece: By Command. Present the Duke, Princess Amelia, The Princess of Hesse. Paid Mr Day for the use of a Turkish Vase 2 nights in Tamerlane for Mr Bencraft #1 1s. Receipts: #144 12s. 6d

Performances

Mainpiece Title: The Stratagem

Cast
Role: To conclude with a Country Dance Actor: the characters of the Play to the Tune of Whap'em Aw Wully.

Afterpiece Title: Duke and no Duke

150
02 April 1733 @ Covent Garden

Performances

Mainpiece Title: The Royal Merchant; Or, Beggar's Bush

Performance Comment: Royal Merchant-Ryan; Clause-Quin; Woolfort-Milward; Hubert-Walker; Vandunck-Bullock; Hemskirk-Paget; Bertha-Mrs Bullock; Jaqueline-Mrs Laguerre; Higgen-Hippisley; Prig-Chapman.
Cast
Role: Royal Merchant Actor: Ryan

Afterpiece Title: A Journey to Bristol; or, The Honest Welshman

Dance: TTwo Pierrots-Nivelon, Pelling; Scottish Dance-Glover, Mrs Laguerre, DuPre, Mrs Pelling, Delagarde, Mrs Ogden; (by Desire) Hippisley's Medley; or, Drunken Man-