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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry Man"/1) | (@(roleclean,performerclean) "Henry Man")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7372 results for: Keyword - Henry Man
We found 3489 matches on Author, 2621 matches on Performance Title, 1194 matches on Performance Comments, 837 matches on Event Comments, and 0 matches on Roles/Actors.

7176
02 March 1798 @ Covent Garden

Performances

Mainpiece Title: Acis And Galatea 0

Afterpiece Title: Acis and Galatea 3 i

Performance Comment: e. serenata in 2 parts]. Overture- (Ariadne); Pour forth no more-Sale (Jephtha); Lord what is man-Miss Poole [Semele]; How willing my paternal love-Reinhold; Then round about the starry throne-Chorus; Why does the God of Israel sleep-Incledon [Samson]; The soldier tir'd-Mme Mara [Dr Arne]; The Coronation Anthem-.
Cast
Role: Lord what is man Actor: Miss Poole

Music: End I: serenata concerto on violin-G. Ashley; End II: a new concerto, with a military rondo, on the Grand Piano Forte-Dussek

7177
08 October 1798 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Holman; Capulet-Powel; Benvolio-Whitfield; Friar Lawrence-Hull; Prince-Clarke; Paris-Klanert; Tibalt-Claremont; Montague-Davenport; Balthazar-Abbot; Peter-Farley; Apothecary-Simmons; Friar John-Thompson; Mercutio-Lewis; Lady Capulet-Mrs Platt; Nurse-Mrs Davenport; Juliet-Mrs Pope.
Cast
Role: Romeo Actor: Holman

Afterpiece Title: Robin Hood

Performance Comment: Robin Hood-Townsend; Little John-Munden; Ruttekin-Fawcett; Allen o'Dale-Gray; Bowman-Street; Fitzherbert- Powel; Scarlet-Farley; Edwin-Hill (from the Theatre Royal, Bath; 1st appearacne on this stage); Clorinda-Mrs Martyr; Annette-Miss Sims; Angelina-Miss Mitchell.
Cast
Role: Bowman Actor: Street

Song: End IV: The Funeral Procession of Juliet and a Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Townsend, Linton, Blurton, Street, Gray, Lee, Little, Sawyer, Tett, Dyke, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

7178
08 December 1798 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by Counsellor Moore (Monthly Mirror, Dec. 1798, p. 368). Epilogue by John Taylor (see text)]: With new Scenes and Dresses. "Lewis's Gossamer is one of those characters which no actor could play but himself, because no man has that happy freedom and facility, that fashionable playfulness and spirit, so joyous, free, and unrelaxing, which distinguish all his performances of this nature" (Monthly Mirror, ibid). Morning Chronicle, 8 Mar. 1799: This Day is published Laugh When You Can (2s.). Receipts: #268 10s. (263.17; 4.13)

Performances

Mainpiece Title: Laugh When You Can

Performance Comment: Principal Characters by Lewis, Holman, Munden, Fawcett, Miss Gilbert, Townsend, Whitfield, Thompson, Simmons, Wilde, Abbot, Curties, Platt, Mrs Pope, Mrs Gibbs, Miss Mansel, Mrs Mattocks. [Cast from text (T. N. Longman and O. Rees, 1799), and playbill of 16 Sept. 1799: Gossamer-Lewis; Mortimer-Holman; Bonus-Munden; Sambo-Fawcett; Charles Mortimer-Miss Gilbert; Costly-Townsend; Delville-Whitfield; Farmer Blackbrook-Thompson; Waiter-Simmons; Bailiff-Wilde; Gregory-Abbot; Mrs Mortimer-Mrs Pope; Dorothy-Mrs Gibbs; Emily-Miss Mansel; Miss Gloomly-Mrs Mattocks; unassigned-Curties, Platt; Prologue-Holman; Epilogue-Mrs Pope. [These were spoken, as here assigned, at the 1st 9 performances only, with the Epilogue again on 27 Dec. (see17981229).]These were spoken, as here assigned, at the 1st 9 performances only, with the Epilogue again on 27 Dec. (see17981229).]
Cast
Role: Mortimer Actor: Holman
Role: Emily Actor: Miss Mansel
Role: Prologue Actor: Holman

Afterpiece Title: The Spoild Child

7179
05 January 1799 @ King's Theatre

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): George Colman, the elder

Dance: As17981211

7180
28 January 1799 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for the large Infant Orphan Family of a Man of Fashion [Sir Richard Perrott]. The mother of these helpless, unprotected infants, in contemplating the benevolence of a humane Public, throws herself with implicit confidence on the commiserating patronage of those who are ever ready to afford it for the relief of suffering innocence. Tickets to be had of Lady Perrott, No. 28, Spring-street, Portman-square [and see 18 Sept. 1797]

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: Lady Townly-Lady Perrott; Lady Grace-A Young Lady (1st appearance on the stage [unidentified]). The rest of the principal characters by persons of respectable situations in life who have undertaken their several parts from motives of humanity. [No afterpiece] .unidentified]). The rest of the principal characters by persons of respectable situations in life who have undertaken their several parts from motives of humanity. [No afterpiece] .

7181
08 February 1799 @ Covent Garden

Event Comment: Among the principal instrumental performers are G. Ashley, leader of the band; C. Ashley, W. Parke, Boyce, R. Ashley, Parkinson, Woodham, Jenkinson, Bridgtower, the Munros, Purney, the Cantelos, Taylor, Lavenu, M'Intosh, Gwilliam, Nix, Cobham, Leffler, Betts, Piele, Flack, Dressler, Cornish, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Ware, Wood, G. Jones, Moorehead, Slezak, Francis, Jackson, Beale, Skillern, Abbot, &c. Organ-J. Ashley. The Band and Chorusses will be numerous and complete; and assisted by the trombones and double drums used at Handel's Commemoration at Westminster Abbey [in 1784]. The whole under the direction of Ashley, Sen. Places for the Boxes to be had of Brandon at the Stage Door. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Half Price will be taken at the end of the second part. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Books of the Performance (with the imprimatur of E. Macleish) to be had at the theatre, price 6d

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of handel

Performance Comment: Principal Vocal Performers-Master Elliot, Incledon, Sale, John Sale, Denman, Bartleman, Mme Mara, Miss Capper, Mrs Atkins.
Cast
Role: Principal Vocal Performers Actor: Master Elliot, Incledon, Sale, John Sale, Denman, Bartleman, Mme Mara, Miss Capper, Mrs Atkins.

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; Select Parts of the Funeral Anthem-; Lord what is man?-Miss Capper (Semele); Tears such as tender-Bartleman (Deborah); When his loud voice-Chorus (Jephtha); What though I trace-Mrs Atkins (Solomon); Angels ever bright and fair-Mme Mara (Theodora); March, The trumpet's loud clangour-Chorus (Dryden's Ode).
Cast
Role: Tears such as tender Actor: Bartleman

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe Concerto-; Farewell you limpid springs-; Deeper and deeper still-; Waft her angels-Mme Mara (Jephtha); From harmony-Chorus (Dryden's Ode); Softly sweet in Lydian measure-Master Elliot; accompanied on the violoncello-C. Ashley (Alexander's Feast); He layeth-Bartleman [Ezio]; O God who in-Chorus [Joseph]; O magnify the Lord-Mrs Atkins (Chandos Anthems); The Horse and his rider-Chorus (Israel in Egypt).
Cast
Role: He layeth Actor: Bartleman

7182
06 March 1799 @ Covent Garden

Performances

Mainpiece Title: Grand Selection 0 Of Scared Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Cast
Role: Tears such as tender Actor: Bartleman
Role: He layeth Actor: Bartleman

Afterpiece Title: Grand Selection 2

Performance Comment: As17990208, but added: Where e'er you walk-Miss Capper (Semele); He measureth the waters, He layeth the beams-Bartleman (Ezio); Lord what is man?-_; Tears such as tender-_; What though I trace-_.
Cast
Role: He layeth the beams Actor: Bartleman
Role: Tears such as tender Actor: Bartleman
Role: He layeth Actor: Bartleman

Afterpiece Title: Grand Selection 3

Cast
Role: Tears such as tender Actor: Bartleman
Role: He layeth Actor: Bartleman

Music: End II: the favourite Military Concerto on the Grand Piano Forte-Dussek

7183
23 January 1800 @ Drury Lane Theatre

Event Comment: "It constitutes a kind of literary paradox, by what strange fatality the man whose mental powers are competent to produce an original drama like the Wheel of Fortune could ever be the author, in any shape whatever, of such a vile, incongruous mass of absurdity as Joanna [cg, 16 Jan.]" (Dramatic Censor, I, 151). Receipts: #188 (146.1.6; 40.16.6; 1.2.0)

Performances

Mainpiece Title: The Wheel Of Fortune

Cast
Role: Jenkins Actor: Trueman
Role: Coachman Actor: Sparks

Afterpiece Title: Lodoiska

7184
25 March 1800 @ Covent Garden

Performances

Mainpiece Title: Speed The Plough

Cast
Role: Henry Actor: H. Johnston

Afterpiece Title: St

Performance Comment: David's Day. Principal Characters by Incledon, Munden, Fawcett, Townsend, Simmons, Miss Sims, Mrs Whitmore, Miss Leserve, Mrs Atkins. Cast from text (T. N. Longman and O. Rees, 1801): William Townly-Incledon; Old Townly-Munden; Peter Plimlimmon-Fawcett; Owen-Townsend; Dick-Simmons; Taffline-Miss Sims; Gwinneth-Mrs Whitmore; Welsh Girl-Miss Leserve; Ellen-Mrs Atkins; Welsh Men & Women-Gardner, Linton, Street, Denman, Abbot, Lee, Curties, Ms Trevor, Ms Castelle, Ms Iliff, Ms Norton, Ms Gilbert, Ms Sydney, Ms Burnett, Ms Masters, Ms Blurton, Ms Lloyd.
Cast
Role: Women Actor: Gardner, Linton, Street, Denman, Abbot, Lee, Curties, Ms Trevor, Ms Castelle, Ms Iliff, Ms Norton, Ms Gilbert, Ms Sydney, Ms Burnett, Ms Masters, Ms Blurton, Ms Lloyd.

Dance: In I afterpiece: A Dance-King; In II: Dance-Blurton, Platt, L. Bologna, Wilde, Klanert, Whitmore, Lewiss, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Mrs Dibdin, Mrs Watts. [These were danced, as here assigned, in all subsequent performances. For Harp see18000331

Performance Comment: Bologna, Wilde, Klanert, Whitmore, Lewiss, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Mrs Dibdin, Mrs Watts. [These were danced, as here assigned, in all subsequent performances. For Harp see18000331 .

7185
14 April 1800 @ Covent Garden

Performances

Mainpiece Title: Speed The Plough

Cast
Role: Henry Actor: H. Johnston

Afterpiece Title: St

Cast
Role: Women Actor: Gardner, Linton, Street, Denman, Abbot, Lee, Curties, Ms Trevor, Ms Castelle, Ms Iliff, Ms Norton, Ms Gilbert, Ms Sydney, Ms Burnett, Ms Masters, Ms Blurton, Ms Lloyd.

Afterpiece Title: The Hermione

Cast
Role: Manager Actor: Davenport
Role: Shepherds Actor: Linton, Denman, Whitmore, Platt, Curties, Street, Bologna, Lee, Hawtin, Blurton, Coombs, Thomas, Noble, Lewiss
Role: Officer Actor: Mansel
Role: Midshipman Actor: Rees
Role: unassigned Actor: Linton, Denman.

7186
14 August 1660 @ The Red Bull Theatre

Event Comment: In Herbert, Dramatic Records, p. 82, is a list of the plays acted by the Red Bull actors: The Humorous Lieutenant. Beggars Bushe. Tamer Tamed. The Traytor. Loves Cruelty. Wit without Money. Maydes Tragedy. Philaster. Rollo Duke of Normandy. Claricilla. Elder Brother. The Silent Woman. The Weddinge. Henry the Fourthe. Merry Wives of Windsor. Kinge and no Kinge. Othello. Damboys [Bussy D'Ambois]. The Unfortunate Lovers. The Widow. This list (see Hotson, Commonwealth and Restoration Stage, p. 203) apparently concerns plays revived by this company, some before 10 Sept. 1660, some afterward. (See also the list of plays at the opening of the season and also 6 and 23 June 1660.

Performances

7187
12 December 1660 @ Salisbury Court

Event Comment: On this day (L. C. 5@137,p. 343) Davenant was granted a warrant to act the following plays: Tempest, Measures for Measures, Much Adoe About Nothing, Romeo? and Juliet, Twelfe Night, The Life of King Henry the Eyght, The Sophy, Kinge Lear, The Tragedy of Mackbeth, The Tragedy of Hamlet Prince of Denmark, and The Dutchesse of Malfy. In addition, he was to have exclusive right for two months to The Mad Lover, The Mayde in Ye Mill, The Spanish Curate, The Loyall Subject, Rule a Wife and have a Wife, and [Pericles] Persiles Prince of Tyre. Davenant also received the right to act his own plays

Performances

7188
June 1663 @ Lincoln's Inn Fields

Event Comment: The Faithful Virgins (MS Bodleian Rawl. Poet. 195, ff. 49-78) bears a permit to be acted by the Duke's Company, a permit signed by Henry Herbert. Since Herbert retired in July 1663, the play, if performed, can be dated from about 1661 to June 1663

Performances

7189
10 December 1663 @ Lincoln's Inn Fields

Event Comment: Pepys, Diary: Calling at Wotton's...he tells me...that Harris is come to the Duke's house again; and of a rare play to be acted this week of Sir William Davenant's; the story of Henry the Eighth with all his wives

Performances

7190
27 January 1664 @ The (first) Drury Lane Theatre

Event Comment: Pepys, Diary: In the way observing the streete full of coaches at the new play, The Indian Queene; which for show, they say, exceeds Henry the Eighth

Performances

Mainpiece Title: The Indian Queen

7191
17 August 1664 @ Lincoln's Inn Fields

Event Comment: For a discussion of Henry V, whose run may still have been in progress, see Pepys, Diary, 17 Aug

Performances

7192
November 1664 @ no theater listed

Event Comment: On Herbert's list (Dramatic Records, p. 138) appears at the end Eluira [Elvira] which is characterised as "the last" of the sequence which begins with Floras Figarys on 3 Nov. 1663. As Henry V, The Generall, Parsons Wedding, and Macbeth were acted after that date-Macbeth on 5 Nov. 1664--it is possible that Elvira; or, The Worst Not Always True may have appeared in late November. Langbaine (English Dramatick Poets, p. 530) attributes it to Lord Digby

Performances

7193
13 February 1667 @ no theater listed

Event Comment: Pepys, Diary: Discoursed most about plays and the Opera, where, among other vanities, Captain Cooke had the arrogance to say that he was fain to direct Sir W. Davenant in the breaking of his verses into such and such lengths, according as would be fit for musick, and how he used to swear at Davenant, and command him that way, when W. Davenant would be angry, and find fault with this or that note--but a vain coxcomb I perceive he is, though he sings and composes so well. But what I wondered at, Dr Clerke did say that Sir W. Davenant is no good judge of a dramatick poem, finding fault with his choice of Henry the 5th, and others, for the stage, when I do think, and he confesses, The Siege of Rhodes as good as ever was writ

Performances

7194
10 August 1667 @ no theater listed

Event Comment: Pepys, Diary: Several good plays are likely to be abroad soon, as Mustapha and Henry the 5th

Performances

7195
04 September 1667 @ Bartholomew Fair

Event Comment: At Mr Croome's, at the Sign of the Shoe and Slap, near the Hospital Gate in West Smithfield, is to be seen, The Wonder of Nature, A Girl, above Sixteen Years of Age, born in Chesire, and not above Eighteen Inches long, having shed the Teeth seven several Times, and not a perfect Bone is any part of her, only the Head; yet she hath all senses to Admiration, and Discourses, Reads very well, Sings, Whistles, and all very pleasant to hear. Sept. 4, 1667. God Save the King. (Henry Morley, Memoirs of Bartholomew Fair, p. 189)

Performances

Mainpiece Title: Entertainments

7196
09 March 1671 @ Lincoln's Inn Fields

Event Comment: William Cartwright's The Lady Errant was licensed by Sir Henry Herbert to the Duke's Company on this date. See Bentley, Jacobean and Caroline Stage, III, 128-32

Performances

7197
09 March 1672 @ Dorset Garden Theatre

Event Comment: The Duke's Company. It is uncertain whether this performance and those for 13 and 28 March belong to 1670@1 or 1671@2. They are on the L. C. list, 5@141, p. 2 (see also Nicoll, Restoration Drama, p. 347), but VanLennep's discovery of an L. C. list for the Duke's Company covering March 1670@1 but not including these plays led him to believe that they Pertain to March 1671@2. See VanLennep, Plays on the English Stage, p. 19. On 9 March 1670@1 or 1671@2 Henry Herbert qranted permission to the Duke's Company to act The Lady Errant. See The Plays and Poems of William Cartwright, ed. G. Blakemore Evans (Madison, Wisc., 1951), p. 85

Performances

Mainpiece Title: Hannibal

7198
December 1673 @ Lincoln's Inn Fields

Event Comment: The King's Company. It is difficult to assign a date to this burlesque, but it is obviously a satiric thrust at Elkanah Settle's The Empress of Morocco, which had been acted on 3 July 1673, and on Macbeth, which had been most recently acted (probably) on 9 Aug. 1673. As the title page of Duffett's burlesque does not name a theatre, it is not known whether it was acted before the King's Company left Lincoln's Inn Fields for the new theatre in Drury Lane. But the fact that Settle's Empress of Morocco was acted again at Dorset Garden on 6 Dec. 1673 makes December 1673 a likely month (or the King's Company to play its burlesque, although it may have been given in the late summer or early autumn, as many lesser actors are in the cast

Performances

Mainpiece Title: The Empress Of Morocco

Performance Comment: . Edition of 1674: Prologue-Ghost of Labas, Morena; Muly Labas-Coysh; Muly Hamet-Kew [Cue?]; Grimalhaz-Watson; Hamet Alhaz-Powel; Abdrahaman-Bird; Abdelcador-Carlton; Messenger-Kempton; Eunch-Venner; Laula-Griffin; Mariamne-Goodman; Morena-Harris; Epilogue [being a new Fancy after the old, and most surprising way of Macbeth, perform'd with new and costly Machines...invented and managed by Henry Wright.-Hecate, Three Witches; Hecate-Powel; 1 Witch-Harris; 2 Witch-Adams; 3 Witch-Lyddal; Thunder-Goodman; Lightning-Kew; An Epilogue [an additional one]-.
Cast
Role: Abdrahaman Actor: Bird
Role: Mariamne Actor: Goodman
Role: Thunder Actor: Goodman

7199
19 February 1680 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The Dowager Countess of Sunderland to Henry Sidney, 19 Feb. 1679@80: The players have been disturbed again by drunken people's jokes. They called my Lord Arran a rogue; and one Fitzpatrick pointed at Mr Thinne, and called him that petitioning fool, and swore a hundred oaths; he said that he deserved #20,000 a-year, but that fool deserved nothing (R. W. Blencowe, Diary of the Times of Charles the Second [London, 1843], I, 279-80). See also 2 and 9 Feb. 1679@80

Performances

7200
20 February 1680 @ Whitehall or St. James's

Event Comment: The Duke's Company. This is another in the series of Court performances in L. C. 5@145, p. 120. See also Nicoll, Restoration Drama, p. 350, and 11 Feb. 1679@80. Mountstevens to Henry Stevens, 20 Feb. 1679@80: Upon Sunday the Court is to be in mourning for the death of the Princess Elizabeth, sister to Prince Rupert. (R. W. Blencowe, Diary of the Time of Charles the Second [London, 1843], I, 283)

Performances

Mainpiece Title: Epsom Wells