SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henrietta Maria"/1) | (@(roleclean,performerclean) "Henrietta Maria")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 539 matches on Performance Comments, 61 matches on Event Comments, 13 matches on Author, 12 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Afterpiece alter'd from Beaumont & Fletcher (Cross) being a sequel to Catherine and Petruchio; or, The Taming of the Shrew (Public Advertiser). Benefit for Pritchard. Tickets of Pritchard in Great Queen St.; Lincoln's Inn Fields; and at Pritchard's Warehouse in Tavistock St. [The Larpent MS 133 lists the characters: Sophocles, Tranio, Maria, Bianca, Jaques, Petruchio, Petronius, Pedro, Citizens, Countrymen, Doctor, Apothecary, 1st Watch, 2nd Watch.] Receipts: #140 (Cross)

Performances

Mainpiece Title: Creusa

Afterpiece Title: The Tamer Tam'd

Song: Beard

Event Comment: Music of Afterpiece entirely new Composed by Dibdin. [An adaptation of Goldoni's Il Filosofo di Campagna.] Book of Songs to be had at Theatre (playbill). The Wedg R. a Comic Opera of Two Acts wrote & composed by Mr Dibdin. The Music very pretty--as the Author was kept a Secret The Town fancy'd that is one of Mr Bickerstaff & call'd out to know who was the Author. Mr Garrick inform'd them that he had no power to declare who the Author was but he could assure them that it was not Mr Bickerstaffs this did not Satisfy them at last Mr Dibdin went on & declard himself to be the Author & made an Affidavit of it & then the Farce went on with Applause (Hopkins Diary). [Account of The Wedding Ring in Westminster Magazine for Feb. 1773.] Paid #4 4s. for licensing The Wedding Ring and Alonzo (Treasurer's Book). [Maria Macklin, in a MS letter to her father, 3 Feb. 1773, commented fully on this night's performance: "Written as it was suppos'd by Bickerstaffe. The music by Dibdin. I went with a party into the Gallery to see the event as there was a great riot expected, & indeed never did I see an audience more inflamed. They would not suffer them to begin the piece. At last Mr King came on with a written paper in his hand, which he said he was desir'd to read in the name of the managers. After a great noise they let him read it. He said just before the play began the managers had receiv'd a letter from Mr Dibdin in which he declared that Bickerstaff was not the author of that piece, that he had made oath of it, and was ready to do the same again, but that for very particular reasons the author could not be given up. Then they stopp'd him & roar'd out that the author should be given up then. He continued as loud as he possibly could, reading on that 'but that if Mr Dibdin did not very soon given up the author he never should be suffered to appear again on that stage or any other.' Very luckily that turn'd them as I believe the House would have come down. The piece then began. Before the end of the first act one of Bannister's songs were encor'd. The other party were against it and would not let it go on. They all stood up and insisted that the author should be known then. After some time the house being nothing but confusion, Dibdin was push'd upon the stage ready to drop with fright, and declared that he was the author himself. Then they were as noisy the other way. Made them finish the piece, but how you may guess in a storm. It is like the Padlock, but the songs not so good." (Brander Matthews, Actors and Actresses, extra illustrated, Vol. I. Harvard Theatre Collection.). Westminster Magazine this month included in parallel columns flattering "Characters of Mr Garrick and Mr Colman," the Rival managers. The article especially praised Garrick's acting.] Receipts: #252 3s. 6d

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Wedding Ring

Event Comment: Benefit for Brereton. [Afterpiece not printed. Larpent MS lists characters: Widow Watchem, Harriet, Maria, Bluster, Swallow, Truman, Juggle (MacMillan).] This Farce was written by Mr Andrews it was receiv'd with Applause (Hopkins Diary). Paid tallow chandler's 8th Bill #37 13s. 2d.; half years Land & Window Tax to Lady Day last for St Martin's #38 4s. 4d.; Easter Offering 10s. 6d.; Chorus 2 nights (this incl.) #3 11s. (Treasurer's Book). Receipts: #216 8s. Charges: #67 6s. 6d. Profits to Brereton: #149 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Conjuror

Dance: V: The Mountaineers, as17730930

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Sir John Brute-Digges; Constant-Dimond; Lord Rake-Egan; Colonel Bully (with a song in character)-Bannister; Justice-Massey; Constable-Stevens; Watchmen-Jackson, Peirce; Razor-R. Palmer; Tailor-Blissett; Heartfree-Aickin; Lady Fanciful-Miss Farren; Belinda-Mrs Hitchcock; Mademoiselle-Miss Walton; Lady Brute-Mrs Lloyd (who performed Maria in The Citizen [on 15 July]).on 15 July]).

Afterpiece Title: The Son-in-Law

Dance: End: new Dance, The Spanish Lovers-Master and Miss Byrn

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: Primrose Green; or, Love in the Country

Performance Comment: Principal Characters-Incledon, Blanchard, Munden, Bernard, Williamson, Wilson, Mrs Harlowe, Miss Williams, Mrs Warrell. [Larpent MS lists the parts: Sir Jeremiah Laurel, Abram, Standard, Scipio, Rural, Collin, Lucy, Peggy, Maria.]Larpent MS lists the parts: Sir Jeremiah Laurel, Abram, Standard, Scipio, Rural, Collin, Lucy, Peggy, Maria.]

Dance: After Monologue: The Jockies, as17910507

Song: End II: Black Eyed Susan-Incledon

Entertainment: Monologue. End: Dissertation on Hobby@Horses: The Statesman's Hobby; The Soldier's Hobby; The Beau's Hobby; The Lady's Hobby; The Fidler's Hobby; Mrs Mountain's Hobby; The Manager's Hobby; and His Own Hobby-Bernard

Performances

Mainpiece Title: Alexander's Feast; Grand Selection 0

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Overture-(Ariadne); Captivity (supposed to be sung by the unfortunate Maria Antoinette, Queen of France, during her confinement in the Tower of the Temple) [composed by Storace]-Mrs Crouch; Jehovah crowned-Incledon; He comes-Chorus (Esther); Mad Bess (composed by Purcell)-Mme Mara; Disdainful of danger-Incledon, Kelly, Reynolds (Judas Maccabaeus); He layeth the beams-Bartleman (Ezio); But bright Cecilia, As from the power-Mme Mara; The dead shall live-Chorus (Dryden's Ode); God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

Music: End II oratorio: concerto on the violin-Mme Gautherot