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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hay Market"/1) | (@(roleclean,performerclean) "Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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515 results for: Keyword - Hay-Market
We found 320 matches on Event Comments, 162 matches on Performance Title, 73 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

401
07 October 1777 @ Drury Lane Theatre

Event Comment: [For Henderson as King Richard see hay, 7 Aug. 1777.] Afterpiece: The Music composed by Dibdin. With New Scenes and Dresses. Books of the Songs, &c. to be had at the Theatre. [The text erroneously assigns: Gillian-$Mrs Wrighten; Floretta-$Miss Walpole, but see Public Advertiser, 8 Oct., which in a review, gives the correct assignment; see also 6 Oct. 1778.] Receipts: #260 7s. (241.14; 17.17; 0.16)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Quaker

402
14 October 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 2 years. [Henderson had 1st acted Shylock at Bath, 21 Dec. 1774; and 1st in London at hay, 11 June 1777.] Paid Printers Bills to the 11th Inst. #32 8s. Receipts: #234 6s. 6d. (209.7.0; 23.19.6; 1.0.0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Quaker

Dance: End III: Rural Grace, as17771002

403
17 October 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 7 years. No joke ever raised such loud and repeated mirth, in the galleries, as Sir John 's labour in getting the body of Hotspur on his back...At length this upper-gallery merriment was done away [with] by the difficulties which Henderson encountered in getting Smith on his shoulders. So much time was consumed in this pick-a-pack business that the spectators grew tired, or rather, disgusted. It was thought best, for the future, that some of Falstaff 's ragamuffins should bear off the dead body" (Davies, I, 273-75). [For Henderson as Falstaff see hay, 24 July 1777.] Receipts: #207 10s. 6d. (185.6.0; 20.7.0; 1.17.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Quaker

Dance: End II: Comic Dance-the Miss Stageldoirs

404
04 December 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 3 years. Afterpiece: With a Grand Procession. [Both the dance and the procession were included in all subsequent performances, except on 23 Apr. 1778. For Henderson as Don John see hay, 19 Aug. 1777.] Receipts: #153 11s. 6d. (125.19.0; 18.0.6; 9.12.0)

Performances

Mainpiece Title: The Chances

Afterpiece Title: A ChristmasTale

Dance: In afterpiece: a Dance of Evil Spirits-

405
13 December 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 2 years. [For Henderson as Bayes see hay, 25 Aug. 1777.] Receipts: #113 16s. (91.5; 22.7; 0.4)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: A ChristmasTale

406
08 January 1778 @ Covent Garden

Event Comment: [Miss Twist is identified in Morning Post, 9 Jan.; she was from the hay.] Receipts: #190 13s. (189.13; 1.0)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Norwood Gypsies

Dance: As17771229

407
28 March 1778 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. [As afterpiece Genest, VI, 25, lists The Romp, "1st time," with partial cast. In an advance notice of Mrs Mattocks' benefit in Public Advertiser, 20 Mar., the farce advertised for 28 Mar. is The Romp, "1st time," with full cast; this appears to have been Genest's source. But in the same newspaper for 25, 26, 27 Mar. the farce advertised is Three Weeks after Marriage. The Romp was 1st acted at the Capel Street Theatre, Dublin, 23 Jan. 1771, and in London at the hay, 12 Nov. 1781. See also dl, 21 Nov. 1785.] Public Advertiser, 17 Mar.: Tickets to be had of Mrs Mattocks at her house in Covent Garden. Receipts: #160 9s. (101.19; tickets: 58.10) (charge: #64 10s.)

Performances

Mainpiece Title: Percy

Afterpiece Title: Three Weeks after Marriage

Dance: After Epilogue: All in the Downs; or, Farewell to Deal, as17780309but _Besford, Mrs White

408
18 May 1778 @ Haymarket Theatre

Event Comment: Mainpiece: Altered from [The Artful Wife, by William? Taverner. [1st time; C 3, by George Colman elder. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 20 May. Public Advertiser, 19 May, notes that the Prologue was the same as that spoken on 15 May 1777. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep Places are to be at the door in Suffolk-street by Five o'clock. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. On account of the Performers employed at other Theatres the second Night of Representation cannot be till Thursday, the 21st inst. [On this night, the 18th, Baddeley's name is in the playbills at both dl and hay.

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: Piety in Pattens

Dance: End I: The Merry Lasses-(see17780529); End: Provencalle Dance-Master and Miss Byrn

409
23 September 1778 @ Covent Garden

Event Comment: [Miss Farren was from the hay. And see dl, 8 Oct.

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Suspicious Husband

Afterpiece Title: The Wives Revenged

Dance: As17780921

410
25 September 1778 @ Covent Garden

Event Comment: [Digges was from the hay.

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Provok'd Wife

Afterpiece Title: The Wives Revenged

Dance: End: The Merry Sailors-Aldridge

411
08 October 1778 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 2 years. Afterpiece: With Alterations and Additions; to conclude with a grand View of Greenwich Hospital, designed by DeLoutherbourg. [This was included in all subsequent performances. Miss Farren was from the hay. And see cg, 23 Sept.] Receipts: #190 4s. [161.6; 28.14; 0.4)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Queen Mab

Dance: End II: The Power of Love The Force of Love, as17781003

412
11 November 1778 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 3 Years. [Bannister Jun.'s 1st appearances on the stage were at the hay, 27 Aug. and 2 Sept. 1778.] Receipts: #165 18s. (139.12.0; 26.5.6; 0.0.6)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Camp

413
05 April 1779 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Afterpiece [1st time; F 2, by James Cobb, based on La Fausse Suivante; ou, Le Fourbe Puni, by Pierre Carlet de Chamblain de Marivaux. Prologue by the author (Knapp, 117). Larpent MS 476; not published. In 1780 this was acted at the hay as The Female Captain]. Part of the Pit will be laid into the Boxes. Public Advertiser, 15 Mar.: Tickets to be had of Miss Pope, Little Russel-street, Covent Garden. Receipts: #202 10s. (54.14; 17.6; 1.12; tickets: 128.18) (charge: #65 17s. 2d.)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Contract; or, The Female Captain

414
24 September 1779 @ Covent Garden

Event Comment: [Edwin (who was from the Hay) was "unintelligible and too rapid" (Morning Chronicle, 25 Sept.).] Receipts: #142 19s. 6d. (142.2.0; 0.17.6)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Midas

Dance: End I: The Dockyard-as17790922, but _Holland; V: a Dance of Foresters-

415
12 November 1779 @ Covent Garden

Event Comment: Afterpiece [1st time; PAST 2, by Richard Josceline Goodenough, altered from his unacted play The Cottagers]: The Overture and Music composed by Baumgarten. [Baumgarten used this overture again in Robin Hood (see cg, 17 Apr. 1784).] Books of the Pastoral to be had at the Theatre. [Wordsworth is identified in the playbill of 22 Dec. Mrs Webb was from the Hay.] Public Advertiser, 24 Nov. 1779: This Day is published William And Nanny (1s.). Receipts: #122 15s. (116.15.6; 5.19.6)

Performances

Mainpiece Title: The Duke Of Milan

Afterpiece Title: William And Nanny

416
24 January 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: Julius Caesar

Performance Comment: Mark Anthony-Smith; Cassius-Henry; Caska-read by Gardner [of hay]; Julius Caesar-Packer; Octavius Caesar-Farren; Trebonius-Chaplin; Decius Brutus-Wrighten; Metellus Cimber-Williams; Cinna-Norris; Pindarus-R. Palmer; Soothsayer-Fawcett; Servant to Anthony-Philimore; Lucius-Master Pulley; Plebians-Baddeley, Waldron, Burton, Holcroft; Brutus-Palmer; Calphurnia-Miss Sherry; Portia-Mrs Baddeley.

Afterpiece Title: Fortunatus

417
22 April 1780 @ Covent Garden

Event Comment: Benefit for Edwin. 1st piece: Never performed there. [Master Edwin was from the Hay.] Public Advertiser, 18 Apr.: Tickets to be had of Edwin, No. 76, the corner of Long Acre, Drury-lane. Receipts: #107 10s. 6d. (89.0.6; tickets: 18.10.0) (charge: #105)

Performances

Mainpiece Title: Buxom Joan

Afterpiece Title: Much Ado about Nothing

Afterpiece Title: The Flitch of Bacon

Song: End: Moderation and Alteration-Edwin

418
26 September 1780 @ Drury Lane Theatre

Event Comment: [Du-Bellamy was from the hay.] Receipts: #159 13s. (124.18; 34.13; 0.2)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Who's the Dupe

Dance: I: Country Dance- incident to the piece; [This was included in all subsequent performances.] End II: The Butterfly, as17800921; End I afterpiece: Minuet de la Cour, as17800919

419
10 October 1780 @ Drury Lane Theatre

Event Comment: [Palmer's 1st appearance as Comus was at the hay, 24 June 1780.] Paid Printer [of playbills] #8 8s.; Supernumeraries #3 12s. 6d. Receipts: #127 19s. 6d. (101.19.0; 25.10.0; 1.10.6)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Comus

Song: Afterpiece: Sweet Echo-Mrs Wrighten; accompanied-Parke. [This was sung, as here assigned, in all subsequent performances.

420
29 November 1780 @ Drury Lane Theatre

Event Comment: [Crawford was from the hay.] Receipts: #94 11s. 6d. (66.11.0; 26.8.6; 1.12.0)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Lyar

421
08 December 1780 @ Drury Lane Theatre

Event Comment: [Mrs Hedges, who is identified by MS annotation on Kemble playbill, was from the hay.] Receipts: #115 8s. (86.1; 27.17; 1.10)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Harlequin's Invasion

Dance: End IV: The Irish Fair, as17800930

422
22 January 1781 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: Written by the celebrated Mrs Eliza Haywood. Not acted these 6 years. Afterpiece [1st time; F 2 (?)]: Written by a Comedian [unidentified. not in Larpent MS; not published]. The above Pieces have been a long Time in Rehearsal, and as no Expense has been spared in procuring respectable Performers from capital Theatres, there is no doubt (as the Comedies have sterling Merit) of their giving Satisfaction to the Audience. The Doors to be opened at 5:15. To begin at 6:15

Performances

Mainpiece Title: A Wife To Be Lett

Performance Comment: Graspall-Barrett (of hay); Captain Gaylove-Turner; Fairman-Stannard; Sneaksby-Digby; Sir Harry Beaumont-Lyon (from the Theatre Royal, Edinburgh); Shamble-Williams; Courtly-Johnson; Tim-Benson; Toywell-Russell (from the Theatre Royal, Norwich); Mrs Graspall-Mrs Harley (1st appearance); Dogwood-Mrs Gardner; Marilla (with a song)-Miss Green (1st appearance); Celemena-Miss Harrison; Widow Stately-Mrs Russell (from the Theatre Royal, Norwich); Amadea (with songs)-Miss Hemet.
Related Works
Related Work: A Wife to be Let Author(s): Eliza Haywood

Afterpiece Title: The Sharper's Last Shift

Song: End I: Stand to your Guns-Digby

Entertainment: Monologue. End: Bucks have at ye All-Benson

423
28 April 1781 @ Covent Garden

Performances

Mainpiece Title: Seventeen Hundred And Eighty One; Or, The Cartel At Philadelphia

Afterpiece Title: Sir Courtly Nice; or, It Cannot Be

Afterpiece Title: Who'd have Thought It

Performance Comment: Characters-Wilson, Whitfield, Wewitzer, Cubitt, Thompson, Booth, Lee Lewes, Mrs Wilson, Mrs Lewis, Mrs Webb; [Partial cast adjusted from hay playbill of 7 July 1781: Strap-Wilson; Ishmael-Wewitzer; Broadhem-Mrs Wilson; Caroline-Mrs Lewis; Mrs Strap-Mrs Webb; Larpent MS lists the other parts: Hawser, Spangle, Lord George Willmore, Clinker, Clod, Box, Frank, Pillage.] Prologue-Lee Lewes.

424
30 April 1781 @ Covent Garden

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: A Fete

Afterpiece Title: The Son-in-Law

Performance Comment: Principal Characters-Bannister (of dl), Edwin, Wilson, Egan, Cubitt, Fearon, Stevens, Quick, Mrs Davenett, Miss Satchell. Probable cast from hay playbill of 13 June 1780, and Genest, VI, 196: Signor Arionelli-Bannister; Bowkitt-Edwin; Cranky-Wilson; Idle-Egan; Vinegar-Cubitt; Bouquet-Fearon; John-Stevens; Orator Mum-Quick; Dolce-Mrs Davenett; Cecilia-Miss Satchell.

Entertainment: Monologue.End 1st piece: a Prologue written by S. Foote, Esq.,-Master Edwin

425
15 September 1781 @ Haymarket Theatre

Event Comment: The last Night of this Season. [On this night Bannister was also acting at dl; on his arrival at the hay he made the following apology, "The instant the opera was finished at Drury Lane I hastened with all possible expedition to execute my duty." But the performance of the 3rd piece was so long delayed that the final curtain did not fall until 12 o'clock (Morning Herald, 17 Sept.).

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Medea and Jason