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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hay"/1) | (@(roleclean,performerclean) "Hay")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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464 results for: Keyword - Hay
We found 252 matches on Event Comments, 135 matches on Performance Title, 68 matches on Performance Comments, 68 matches on Roles/Actors, and 0 matches on Author.

301
28 March 1778 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. [As afterpiece Genest, VI, 25, lists The Romp, "1st time," with partial cast. In an advance notice of Mrs Mattocks' benefit in Public Advertiser, 20 Mar., the farce advertised for 28 Mar. is The Romp, "1st time," with full cast; this appears to have been Genest's source. But in the same newspaper for 25, 26, 27 Mar. the farce advertised is Three Weeks after Marriage. The Romp was 1st acted at the Capel Street Theatre, Dublin, 23 Jan. 1771, and in London at the hay, 12 Nov. 1781. See also dl, 21 Nov. 1785.] Public Advertiser, 17 Mar.: Tickets to be had of Mrs Mattocks at her house in Covent Garden. Receipts: #160 9s. (101.19; tickets: 58.10) (charge: #64 10s.)

Performances

Mainpiece Title: Percy

Afterpiece Title: Three Weeks after Marriage

Dance: After Epilogue: All in the Downs; or, Farewell to Deal, as17780309but _Besford, Mrs White

302
18 May 1778 @ Haymarket Theatre

Event Comment: Mainpiece: Altered from [The Artful Wife, by William? Taverner. [1st time; C 3, by George Colman elder. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 20 May. Public Advertiser, 19 May, notes that the Prologue was the same as that spoken on 15 May 1777. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep Places are to be at the door in Suffolk-street by Five o'clock. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. On account of the Performers employed at other Theatres the second Night of Representation cannot be till Thursday, the 21st inst. [On this night, the 18th, Baddeley's name is in the playbills at both dl and hay.

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: Piety in Pattens

Dance: End I: The Merry Lasses-(see17780529); End: Provencalle Dance-Master and Miss Byrn

303
20 May 1778 @ Covent Garden

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets delivered for The Lady's Last Stake will be taken. Tickets sold at the doors will not be admitted. Public Advertiser, 16 May: Tickets to be had of Green, the corner of Norris-street, Hay-market; of Ansell, Davies-street, Berkley-square. Receipts: #290 14s. 6d. (40.19.6; tickets: 249.15.0) (charge: #105)

Performances

Mainpiece Title: Love Finds The Way

Afterpiece Title: The Commissary

Ballet: The Sailors' Revels at Portsmouth. As17780515

304
23 September 1778 @ Covent Garden

Event Comment: [Miss Farren was from the hay. And see dl, 8 Oct.

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Suspicious Husband

Afterpiece Title: The Wives Revenged

Dance: As17780921

305
25 September 1778 @ Covent Garden

Event Comment: [Digges was from the hay.

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Provokd Wife

Afterpiece Title: The Wives Revenged

Dance: End: The Merry Sailors-Aldridge

306
08 October 1778 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 2 years. Afterpiece: With Alterations and Additions; to conclude with a grand View of Greenwich Hospital, designed by DeLoutherbourg. [This was included in all subsequent performances. Miss Farren was from the hay. And see cg, 23 Sept.] Receipts: #190 4s. [161.6; 28.14; 0.4)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Queen Mab

Dance: End II: The Power of Love The Force of Love, as17781003

307
11 November 1778 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 3 Years. [Bannister Jun.'s 1st appearances on the stage were at the hay, 27 Aug. and 2 Sept. 1778.] Receipts: #165 18s. (139.12.0; 26.5.6; 0.0.6)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Camp

308
05 April 1779 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Afterpiece [1st time; F 2, by James Cobb, based on La Fausse Suivante; ou, Le Fourbe Puni, by Pierre Carlet de Chamblain de Marivaux. Prologue by the author (Knapp, 117). Larpent MS 476; not published. In 1780 this was acted at the hay as The Female Captain]. Part of the Pit will be laid into the Boxes. Public Advertiser, 15 Mar.: Tickets to be had of Miss Pope, Little Russel-street, Covent Garden. Receipts: #202 10s. (54.14; 17.6; 1.12; tickets: 128.18) (charge: #65 17s. 2d.)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Contract or The Female Captain

309
24 September 1779 @ Covent Garden

Event Comment: [Edwin (who was from the Hay) was "unintelligible and too rapid" (Morning Chronicle, 25 Sept.).] Receipts: #142 19s. 6d. (142.2.0; 0.17.6)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Midas

Dance: End I: The Dockyard-as17790922, but _Holland; V: a Dance of Foresters-

310
12 November 1779 @ Covent Garden

Event Comment: Afterpiece [1st time; PAST 2, by Richard Josceline Goodenough, altered from his unacted play The Cottagers]: The Overture and Music composed by Baumgarten. [Baumgarten used this overture again in Robin Hood (see cg, 17 Apr. 1784).] Books of the Pastoral to be had at the Theatre. [Wordsworth is identified in the playbill of 22 Dec. Mrs Webb was from the Hay.] Public Advertiser, 24 Nov. 1779: This Day is published William And Nanny (1s.). Receipts: #122 15s. (116.15.6; 5.19.6)

Performances

Mainpiece Title: The Duke Of Milan

Afterpiece Title: William And Nanny

311
27 November 1779 @ King's Theatre

Event Comment: A new Serious Opera [1st time; SER 3, by Pietro Metastasio; a pasticcio]. The Music by various eminent Composers [Anfossi, Myslivecek and Piccinni]. Amongst them several airs by Handel. Under the Direction of Bertoni. With entire new Scenes, Dresses and Decorations, both for the Opera and Dances. Pit 10s. 6d. 1st Gallery 5s. and 2nd Gallery 3s. By Their Majesties' Command no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [same throughtout season]. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their Servants to set down and take up with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. To prevent mistakes, Ladies who have not sent the names of the Subscribers to their Boxes are particularly requested to send them as early as possible to Johnson, at the office of the Theatre, in order to [permit] their Tickets being engraved. Subscriptions are received by Johnson in Union Court, Hay Market

Performances

Mainpiece Title: Alessandro Nelle Indie

Dance: End I: Indian Ballet (composed by Zuchelli), adapted to the Opera-Sg and Sga Zuchelli, Henry, young Miss Simonet; End II: new Pastoral Ballet (composed by Zuchelli and Slingsby)-Slingsby, Sg and Sga Zuchelli, Sga Tantini (1st appearance in England); End Opera: Grand Serious Ballet connected with the Opera (composed by Favre Guiardele, ballet master), in which the celebrated Chaconne of Jomelli's-Slingsby, Sga Tantini, Favre Guiardele (1st appearance in England)

312
24 January 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: Julius Caesar

Performance Comment: Mark Anthony-Smith; Cassius-Henry; Caska-read by Gardner [of hay]; Julius Caesar-Packer; Octavius Caesar-Farren; Trebonius-Chaplin; Decius Brutus-Wrighten; Metellus Cimber-Williams; Cinna-Norris; Pindarus-R. Palmer; Soothsayer-Fawcett; Servant to Anthony-Philimore; Lucius-Master Pulley; Plebians-Baddeley, Waldron, Burton, Holcroft; Brutus-Palmer; Calphurnia-Miss Sherry; Portia-Mrs Baddeley.

Afterpiece Title: Fortunatus

313
22 April 1780 @ Covent Garden

Event Comment: Benefit for Edwin. 1st piece: Never performed there. [Master Edwin was from the Hay.] Public Advertiser, 18 Apr.: Tickets to be had of Edwin, No. 76, the corner of Long Acre, Drury-lane. Receipts: #107 10s. 6d. (89.0.6; tickets: 18.10.0) (charge: #105)

Performances

Mainpiece Title: Buxom Joan

Afterpiece Title: Much Ado about Nothing

Afterpiece Title: The Flitch of Bacon

Song: End: Moderation and Alteration-Edwin

314
02 May 1780 @ Drury Lane Theatre

Event Comment: Benefit for Delpini and Sga Crespi. Morning Chronicle, 22 Apr.: Tickets to be had of Delpini, No. 1, Hay-Market [Sga Crespi not listed]. Afterpiece: With Storming of Fort Omoa, as 12 Jan. Receipts: #163 11s. (42.4.0; 15.10.6; 0.12.6; tickets: 105.4.0) (charge: #89 17s.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Fortunatus

Dance: End I: a new Comic Pantomime Dance, The Savoyards-Delpini, Sga Crespi, Henry, Miss Armstrong; End IV: Minuet, Allemande-Delpini, Sga Crespi

315
19 May 1780 @ Covent Garden

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets delivered for Know Your Own Mind (which is unavoidably obliged to be set aside) will be admitted this Evening. Public Advertiser, 11 May: Tickets to be had of Green, the corner of Norris-street, No. 55, Hay-market; of Ansell, Davies-street, Berkeley-square. Receipts: #277 9s. 6d. (29.12.6; tickets: 247.17.0) (charge: #105)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Deaf Lover

Ballet: End: The Humours of New-Market. As17800518

316
26 September 1780 @ Drury Lane Theatre

Event Comment: [Du-Bellamy was from the hay.] Receipts: #159 13s. (124.18; 34.13; 0.2)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Whos the Dupe

Dance: I: Country Dance- incident to the piece; [This was included in all subsequent performances.] End II: The Butterfly, as17800921; End I afterpiece: Minuet de la Cour, as17800919

317
10 October 1780 @ Drury Lane Theatre

Event Comment: [Palmer's 1st appearance as Comus was at the hay, 24 June 1780.] Paid Printer [of playbills] #8 8s.; Supernumeraries #3 12s. 6d. Receipts: #127 19s. 6d. (101.19.0; 25.10.0; 1.10.6)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Comus

Song: Afterpiece: Sweet Echo-Mrs Wrighten; accompanied-Parke. [This was sung, as here assigned, in all subsequent performances.

318
29 November 1780 @ Drury Lane Theatre

Event Comment: [Crawford was from the hay.] Receipts: #94 11s. 6d. (66.11.0; 26.8.6; 1.12.0)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Lyar

319
08 December 1780 @ Drury Lane Theatre

Event Comment: [Mrs Hedges, who is identified by MS annotation on Kemble playbill, was from the hay.] Receipts: #115 8s. (86.1; 27.17; 1.10)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Harlequins Invasion

Dance: End IV: The Irish Fair, as17800930

320
22 January 1781 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: Written by the celebrated Mrs Eliza Haywood. Not acted these 6 years. Afterpiece [1st time; F 2 (?)]: Written by a Comedian [unidentified. not in Larpent MS; not published]. The above Pieces have been a long Time in Rehearsal, and as no Expense has been spared in procuring respectable Performers from capital Theatres, there is no doubt (as the Comedies have sterling Merit) of their giving Satisfaction to the Audience. The Doors to be opened at 5:15. To begin at 6:15

Performances

Mainpiece Title: A Wife To Be Lett

Performance Comment: Graspall-Barrett (of hay); Captain Gaylove-Turner; Fairman-Stannard; Sneaksby-Digby; Sir Harry Beaumont-Lyon (from the Theatre Royal, Edinburgh); Shamble-Williams; Courtly-Johnson; Tim-Benson; Toywell-Russell (from the Theatre Royal, Norwich); Mrs Graspall-Mrs Harley (1st appearance); Dogwood-Mrs Gardner; Marilla (with a song)-Miss Green (1st appearance); Celemena-Miss Harrison; Widow Stately-Mrs Russell (from the Theatre Royal, Norwich); Amadea (with songs)-Miss Hemet.
Related Works
Related Work: A Wife to be Let Author(s): Eliza Haywood

Afterpiece Title: The Sharpers Last Shift

Song: End I: Stand to your Guns-Digby

Entertainment: Monologue. End: Bucks have at ye All-Benson

321
08 March 1781 @ King's Theatre

Event Comment: Benefit for Roncaglia. Opera: The Music composed by Gretry. Tickets to be had of Roncaglia, No. 2, Hay-market

Performances

Mainpiece Title: Zemira And Azor

Dance: End I: The Pert Country Maid, as17810113; End II: The Fortunate Escape, as17801216; End Opera: Les Amans Surpris, as17801216

322
28 April 1781 @ Covent Garden

Performances

Mainpiece Title: Seventeen Hundred And Eighty One Or The Cartel At Philadelphia

Afterpiece Title: Sir Courtly Nice or It Cannot Be

Afterpiece Title: Whod have Thought It

Performance Comment: Characters-Wilson, Whitfield, Wewitzer, Cubitt, Thompson, Booth, Lee Lewes, Mrs Wilson, Mrs Lewis, Mrs Webb; [Partial cast adjusted from hay playbill of 7 July 1781: Strap-Wilson; Ishmael-Wewitzer; Broadhem-Mrs Wilson; Caroline-Mrs Lewis; Mrs Strap-Mrs Webb; Larpent MS lists the other parts: Hawser, Spangle, Lord George Willmore, Clinker, Clod, Box, Frank, Pillage.] Prologue-Lee Lewes.

323
30 April 1781 @ Covent Garden

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: A Fete

Afterpiece Title: The Son in Law

Performance Comment: Principal Characters-Bannister (of dl), Edwin, Wilson, Egan, Cubitt, Fearon, Stevens, Quick, Mrs Davenett, Miss Satchell. Probable cast from hay playbill of 13 June 1780, and Genest, VI, 196: Signor Arionelli-Bannister; Bowkitt-Edwin; Cranky-Wilson; Idle-Egan; Vinegar-Cubitt; Bouquet-Fearon; John-Stevens; Orator Mum-Quick; Dolce-Mrs Davenett; Cecilia-Miss Satchell.

Entertainment: Monologue.End 1st piece: a Prologue written by S. Foote, Esq.,-Master Edwin

324
15 September 1781 @ Haymarket Theatre

Event Comment: The last Night of this Season. [On this night Bannister was also acting at dl; on his arrival at the hay he made the following apology, "The instant the opera was finished at Drury Lane I hastened with all possible expedition to execute my duty." But the performance of the 3rd piece was so long delayed that the final curtain did not fall until 12 o'clock (Morning Herald, 17 Sept.).

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Medea and Jason

325
21 September 1781 @ Covent Garden

Event Comment: [Miss Harper was from the HAY.] Receipts: #149 6s. 6d. (147/17/6; 1/9/0)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Three Weeks after Marriage

Dance: End of mainpiece The Merry Sailors by Aldridgc, &c