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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hallams Company of Comedians"/1) | (@(roleclean,performerclean) "Hallams Company of Comedians")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2886 results for: Keyword - Hallam's Company of Comedians
We found 2010 matches on Event Comments, 926 matches on Performance Comments, 30 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

601
20 June 1675 @ no theater listed

Performances

602
05 February 1677 @ Whitehall or St. James's

Event Comment: In L. C. 5@141, p. 528, is an order for altering the stage in the theatre in Whitehall for the French comedians. See Nicoll, Restoration Drama, p. 380

Performances

603
November 1677 @ Whitehall or St. James's

Event Comment: A new band of French Comedians came to London, probably in this month (see Treasury Books, 1672-1675, p. 803), and remained until early 1678. See also Nicoll, Restoration Drama, p. 253. See also 5 and 17 Dec. 1677

Performances

604
04 December 1677 @ Whitehall or St. James's

Event Comment: See L. C. 5@142, p. 160 (in Nicoll, Restoration Drama, p. 380) for an order for altering the stage for the French comedians. Boswell (Restoration Court Stage, p. 160) believes that the first performance by the French troupe occurred on 5 Dec. 1677

Performances

605
12 April 1678 @ Whitehall or St. James's

Event Comment: On this date an order for the Customs Commissions to examine belongings of the French comedians and allow their free export suggests that they left London about this time. See Calendar of Treasury Books, 1676-1679, p. 962, and Boswell, Restoration Court Stage, p. 124

Performances

606
August 1683 @ Windsor Castle

Event Comment: For the King's intention of securing Italian comedians to perform at Windsor, see mid-April 1683, and Nicoll, Restoration Drama, p. 239

Performances

607
August 1684 @ no theater listed

Performances

608
21 December 1692 @ no theater listed

Performances

609
09 May 1693 @ no theater listed

Performances

610
08 September 1696 @ no theater listed

Performances

611
14 January 1707 @ Queen's Theatre

Event Comment: For the Encouragement of the Comedians Acting in the Hay-Market, and to enable them to keep the Diversion of Plays under a separate Interest from the Opera. By Subscription. The Boxes to be open'd to the Pit, and none to be admitted but by the Subscription Tickets. First Gallery 2s. Upper Gallery 1s. [Cibber (II, 4-5) states that each subscriber received three tickets for the first day of each of three plays offered by subscription for a payment of three guineas.

Performances

Mainpiece Title: Julius Caesar

612
03 April 1707 @ Drury Lane Theatre

Performances

Mainpiece Title: Tunbridge Walks; Or, The Yeoman Of Kent

Afterpiece Title: A Visiting Scene of 4 Aldermen's Ladies

Performance Comment: 4 Men Comedians.

Song: The Mad Dialogue, other songs-Leveridge, Mrs Lindsey

Dance: duRuel, Cherrier, duBargues, Miss Santlow; particularly the Union Dance, as twas perform'd before Her Majesty at St. James's-Mrs Santlow, duBargues

613
03 June 1709 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

614
12 May 1710 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

615
22 November 1710 @ Queen's Theatre

Event Comment: Receipts: #173 3s. [When the comedians on 6 Nov. received a license to act, Collier became director of the opera, an enterprise which he farmed out to Aaron Hill. See Cibber, Apology, II, 101-6.

Performances

Mainpiece Title: Hydaspes

616
09 April 1716 @ Drury Lane Theatre

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Song: As17151028

Dance: Dupre, Boval, Dupre Jr, Prince, Birkhead, Mrs Santlow, Mrs Bicknell; particularly The Original Dance of Linkmen-

617
05 October 1717 @ Lincoln's Inn Fields

Event Comment: Not acted these Twenty Years. Written by Shakespear, and since revis'd with several Alterations. The whole Play being new dress'd. N.B. The Play will begin exactly at Six a-Clock. Weekly Journal or Saturday's Post, 5 Oct., reports a rumor that J. J. Heidegger has sent to France to recruit a set of comedians to act French plays at the king's

Performances

Mainpiece Title: Cimbeline; Or, The Fatal Wager

Dance: Thurmond Jr, Cook, Mrs Bullock, Mrs Schoolding, Miss Smith

618
30 August 1718 @ Richmond

Event Comment: At the Desire of several Persons of Quality. N.B. The Tickets deliver'd to Subscribers will be taken at this Play, or on Monday Night, which is the last time of Acting till after Southwark Fair. Original Weekly Journal, 30 Aug.: The King hath order'd the Comedians gf the Theatre Royal in Drury-Lane to perform at Hampton-Court, during his Majesty's stay there, for which Service they are to be allow'd 100l. extraordinary each Night they Act

Performances

Mainpiece Title: Oroonoko

Dance: As17180802

Entertainment: The diverting Entertainment of the Dancing Dogs, newly arriv'd from France, who had been shewn at Court with much success

619
26 November 1718 @ Lincoln's Inn Fields

Event Comment: Benefit the French Comedians. [#40 paid to Bullock presumably the house charges]. By His Majesty's Command. Tickets given out for Pasquin and Marforio taken at this play. [His Majesty Present.] Original Weekly Journal, 29 Nov.: And we hear, his Majesty gave a 100 Guineas

Performances

Mainpiece Title: Le Maitre Etourdi

Afterpiece Title: Le Tombeau de Maitre Andre

Entertainment: Several new Entertainments which were never perform'd in England before-

620
10 December 1718 @ Lincoln's Inn Fields

Event Comment: Benefit the French Comedians [Bullock paid #40]. Written by Mons le Noble

Performances

Mainpiece Title: Les Deux Arlequins

Entertainment:

621
23 May 1719 @ Drury Lane Theatre

Event Comment: Weekly Journal or Saturday's Post, 30 May: On Saturday last died Mr Francis Leigh, one of the Comedians of Drury-Lane Playhouse, and Partner with Mr Bullock in the Entertainments of Southwark Fair, &c. He was Son of the Celebrated Tony Leigh, so fam'd heretofore for his Mastership in Comick Performances

Performances

622
05 September 1719 @ Bullock-Leigh Booth

Event Comment: By the Comedians from the Theatre in Lincoln's Inn Fields. An excellent new Dramatick Opera

Performances

Mainpiece Title: The Noble Soldier; Or, Love In Distress

Dance: Comical Scene-Mr Harper , Mimicking a Drunken Man; Newhouse, Pelling, Mrs Willis, Miss Francis

623
12 March 1720 @ King's Theatre

Event Comment: Admission as 10 March. N.B. The Noble and Honorable Subscribers to the French Comedians, are humbly intreated to pardon the Omission of sending them Tickets on Thursday last, it having proceeded merely from a Mistake, which shall be prevented for the future, and each one shall have a perpetual Ticket sent to him on Tuesday next

Performances

Mainpiece Title: Harlequin In Constantinople

Dance: Dancing After the Italian Manner betwixt Pantaloon and his Wife-

624
04 April 1720 @ Lincoln's Inn Fields

Event Comment: By the French Comedians

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The School of Lovers

Dance: Entry-Danjeville; Tumbling-

625
29 April 1720 @ King's Theatre

Event Comment: At the Desire of several Persons of Quality. Written by the famous Molliere. Daily Courant, 2 May: Monsieur deGrimbergue, Director of the French Comedians, hereby gives Notice, that he is extreamly sorry he could not give on Friday last all the Entertainment he had promised in his Publick Bills, by reason that Signora Violenta unluckily fell sick that very day; and Mons Dangeville refused to Dance, being puft up by the Applause he had the good Fortune to meet with; fancying he hath a Right to do so whenever he pleases

Performances

Mainpiece Title: Le Bourgeois Gentilhomme

Entertainment: The Great Turkish Ceremony-; Dancing-Danjeville; Tumbling-; particularly a lame tumbler (who never performed before in England); The Flourishing of the Colors-Signora Violenta