SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hallams Company of Comedians"/1) | (@(roleclean,performerclean) "Hallams Company of Comedians")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2010 matches on Event Comments, 926 matches on Performance Comments, 30 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Betterton's Company. The date of the first performance is not known, but Lucyle Hook, James Brydges Drops in at the Theatre, Huntington Library Bulletin, VIII (1945), 309, speculates that James Brydges' attendance at lif this day may have been prompted by his seeing this new play, as he stayed longer than he often did at a theatrical performance. The comedy was certainly acted before 12 March 1699@1700. James Brydges, Diary: I went to ye play in Lincolns inn fields, where I met Sr G. Coply, who set me down after it was ended (Huntington MS St 26). Downes, Roscius Anglicanus, p. 45: The Way of the World, a Comdey wrote by Mr Congreve, twas curiously Acted; Madam Bracegirdle performance her Part so exactly and just, gain'd the Applause of Court and City; but being too Keen a Satyr, had not the Success the Company Expected

Performances

Mainpiece Title: The Way Of The World

Event Comment: Betterton's Company. If this play had its premiere on 5 March and if the company acted on Wednesday in Lent, this play probably was acted daily (except perhaps Friday) during this week

Performances

Mainpiece Title: The Way Of The World

Event Comment: Rich's Company. Post Boy, 30 May-1 June 1700: The Opera of the Prophetess, being this day Commanded to be Acted, for the Entertainment of the two Alcaids, the Envoys from the Emperor of Morocco. [When this play was revived at lif on 3 Dec. 1715, but Rich's Company, the bill was headed: Not Acted these Sixteen Years.

Performances

Mainpiece Title: The Prophetess

Event Comment: Rich's Company. That this day was the premiere is implied by the Post Boy, 6-9 July 1700: This Day at the Theatre Royal in Drury-Lane, will be presented a New Comedy, never Acted before, called Courtship Alamode. Preface, Edition of 1700: This Play was so long expected e're it came into the World, that I'm oblig'd in Justice to my self, to excuse its appearance at at time when there were scarce Witnesses in Town of its Birth. It was enter'd in the other House [lif], where Mr Betterton did me all the Justice I cou'd indeed reasonably hope for. But that Example he gave, was not it seems to be follow'd by the whole Company, since 'tis known that Mr Bowman (I mention his Name to keep the reflection from other sharers) kept the first Character of my Play six weeks, and then cou'd hardly read six lines on't. How far that Way of management makes of late for the Interest and Honour of that House, is easie to be judg'd. Some who valu'd their reputations more, were indeed rarely or never absent. To these I gave my thanks; but finding that six or seven people cou'd not perform what was design'd for fifteen, I was oblig'd to remove it after so many sham Rehearsals, and in two days it got footing upon the other Stage [dl]. Where twas immediately cast to the best Advantage, and Plaid in less than twenty days. [In the Dedication Penkethman states that he saw the play into print after its being received well by the town.] A Comparison Between the Two Stages (1700), pp. 104-5: Ramble: Courtship Alamode, the Author, one Crawford, a Caledonian. Sullen: I remember it, and its Adventures; it was enter'd into the New-House, at the Recommendation of a certain Scotch Lord, and sojourning there six Months to no purpose, it travell'd afterwards to the Old-House, where it was with much ado Acted. Ramble: And Damn'd-there I was in with you

Performances

Mainpiece Title: Courtship A La Mode

Event Comment: [The transfer of the company from the queen's to dl was made without fanfare. On 6 Nov. Swiny, Wilks, Cibber, and Dogget had been granted a license to established a company; see Nicoll, pp. 275-76.

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Event Comment: At the Desire of several Persons of Quality. By the same Company who acted there last Summer. Note, the Company will continue acting every Monday, Wednesday, and Saturday during the Summer Season. At 6 p.m. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: Benefit J. and Ch. Rich. This Company will perform every Wednesday and Friday during the short stay they shall continue in England. Receipts: #147 14s. 6d

Performances

Entertainment: All the Entertainments on Friday last-

Performances

Mainpiece Title: Chit Chat

Afterpiece Title: The Island Princess (the Comedy in the last Act)

Performance Comment: Original Parts-Penkethman, Norris; Likewise a Prologue-Penkethman in Company of an Ass, Ground Landlord of the Place, upon a Writ of Ejectment.

Dance: Salle, Mlle Salle; Shepherdess-; Turkey Cock-; Mimic Song of an Old Woman-; The Irish Trot-Mrs Willis

Performances

Mainpiece Title: The Drummer; Or, The Haunted House

Performance Comment: Parts-a private company of Gentlemen and Ladies.

Performances

Mainpiece Title: The Miser

Dance: I: Scotch Dance by Mr and Mrs Davenport. III: Minuet by Mrs Grognet and Mrs Sanderson. V: Dutch Skipper by Mr and Mrs Davenport. Black Joak by Smith and Miss Mann

Song: II: Italian Song by Miss Young. IV: Italian Song by Mrs Mason

Event Comment: Benefit Carey. Afterpiece: Written by Mr Carey. Being the last of that kind he intends ever to compose. At Common Prices. 6:30 P.M. No one admitted into the Boxes but by Silver Tickets or printed Tickets from the Office. [Preface points out that DL had the copy nine months, promising to perform it and returning it at the end of the season. Then Cibber Jr requested it for his summer company; it was rehearsed and then the company forced to close.] The Airs by Porpora

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Honest Yorkshireman

Music: Concerto for Two Hautboys by Woodbridge and Neale. A fine Piece of Mr Handel's on the little Flute by a Friend of Carey

Dance: houvre and Minuet by Vallois and Mrs Anderson. V: Two Pierrots by Vallois and his Scholar

Song: By a Scholar of Carey's

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Afterpiece Title: Harlequin Restor'd; or, The Country Revels

Performance Comment: Harlequin-Le Brun; French Company-Davenport, Raftor, Cole, Mrs Cross, Miss Bennet; Lover-Taylor; Servant-Hough; Drawers-Janno, Towers; Yeoman-Wright; Conjuror-Turbutt; Milkmaids-Mrs Davenport, Miss Brett, Mrs Villeneuve, Mrs Dancey; Countryman-Sal way; Countrywoman-Mrs Cantrell; Colin-Essex; Phebe-Mrs Walter; Country Lads-Pelling, Davenport, Villeneuve, Rector; Country Lasses-Mrs Pelling, Mrs Anderson, Mrs Davenport, Miss Brett; Colombine-Miss Mann .

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: Harlequin Restor'd

Performance Comment: Harlequin-Le Brun; French Company-Davenport, Raftor, Cole, Mrs Cross, Miss Bennet; Lover-Taylor; Servant-Hough; Drawers-Janno, Towers; Yeoman-Wright; Conjurer-Winstone; Milkmaids-Mrs Davenport, Miss Brett, Mrs Villeneuve, Mrs Dancey; Colombine-Miss Mann; Colin-Dukes; Phebe-Mrs Walter; Country Lads-Pelling, Davenport, Villeneuve, Rector; Lasses-Mrs Pelling, Mrs Anderson, Mrs Davenport, Miss Brett, with Overture as17351117, but see17351117.

Dance: II: By Mlle Anne Roland. IV: Grand Ballet by Mlle Roland, Mlle Anne Roland, &c

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: Harlequin Restor'd

Performance Comment: Flash-Este; Longbib-Stoppelaer; John Trot-Hough; Harlequin-Philips; Colombine-Miss Mann; Mlle La Modestie-Harlequin Phillips; Ballad Qingers-Stoppelaer, Mrs Pritchard; Somerset-Roberts; Roundall-Hough; Equilibrist-Peters; With a New Burlesque Tragi-Comic-Farcical Interlude: Tiddi@Doll, Director of the Gingerbread Company-Master Green; Pistolet-Miss Cole; with a Comic Medley Overture by Arne-.
Event Comment: Mainpiece: a new Farce of Two Acts. [Author not known. Apparently not printed.]Afterpiece: (by a Company of Singers just imported) A new Musical Burlesque of two Acts, in a Grand Oratorio. [By Henry Carey.] The Musical Connoisseurs are desir'd do take Notice, that the Company keeps up strictly to the Italian Taste, the Notes being full of Grandeur and Harmony, and the Words full of low Nonsense; and as a further Indication of his Attachment, it is so contriv'd, that two powerful Parties are already form'd to support the two beautiful Rivals, Mauxalinda and Margeria; but which of them will carry their Point, Time alone must determine. It will be deem'd a lasting Obligation to any Chronologer, in what University soever presiding, if he will communicate the precise Century Moore of Moore-Hall liv'd in, so that the Hero may be dress'd in Character; but if the Recherche should prove too laborious, it is resolv'd he shall come as near the Figure of the Divine Farinello as possible. N.B. The Dragon was intended to have charm'd the City at Stationer's Hall; but from a Punctilio very common to Singers, he insisted on exerting his Musical Faculty at the Hay-Market. Admission: 5s., 3s., 2s. 7 p.m

Performances

Mainpiece Title: The Lordly Husband

Afterpiece Title: The Dragon of Wantley

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Devil to Pay

Performance Comment: As17380421 With a Prologue to the Farce, written by Aaron Hill, Esq-Miss Wright; in Boy's Cloaths. and an Epilogue to the Farce-Miss Wright, as Captain of the Lilliputians, at the Head of her Company.

Dance: I: Saraband-Miss Wright, Miss Morrison; II: French Peasant-Master Ferg, Miss Wright, Scholars to Leviez; AII: La Pieraite-Leviez, Mrs Thompson; IV: Grand Ballet in Comic Characters-the Lilliputians; V: Minuet-Leviez, Mrs Walter

Song: II: Beard

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Devil to Pay

Performance Comment: As17390403 but An Epilogue-Miss Wright , as Captain of the Lilliputians, at the Head of her Company.

Music: Second Musick:A Concertoby Henry Burgess Jr-; The Overture: The First Concerto of Signor Corelli-; Preamble on the Kettle Drums-Master Ferg

Dance: I: Punches-Master Ferg, Miss Wright; II: By Desire, French Peasants-Poitier, Mlle Roland; III: Pierots-Master Ferg, Miss Wright; IV: Wooden Shoe Dance-Master Ferg; V: A new dance-Miss Wright

Song: a G Grand Chorus-, out of Alexander's Feast, for Trumpets, French-Horns, Kettle-Drums

Event Comment: By particular Desire, benefit a Family under Misfortunes and in great Distress. Prices 2s. 6d., 1s. 6 p.m. Note, Those Gentlemen and Ladies that please to honour us with their Company, need not doubt of being well entertain'd and their Favours gratefully acknowledg'd by us, who are humbly petitioning for their Company and Interest, and for which we shall be in Duty ever bound to pray, etc

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Lying Valet

Event Comment: By Command of their Highnesses Prince George, Prince Edward, and the Lady Augusta, By A Company of Dutch children, join'd with the English, German and Italians. A Pantomime Entertainment. Boxes and Pit 5s. Gallery 2s. 6 p.m. We hear the Company of Dutch/Children join'd with the English, Germans and Italians, will perform this day, tomorrow, Thursday and Friday next, and will exhibit something new every night, and some people of Quality have engag'd Boxes for each night.--Daily Advertiser

Performances

Mainpiece Title: Arlequino Triumphante

Event Comment: WWalpole to Sir Horace Mann: We have operas but no company at them; the Prince and Lord Middlesex Impresarii. Plays only are in fashion; at one house the best company that perhaps ever were together, Quin, Garrick, Mrs Pritchard, Mrs Cibber: at the other Barry, a favorite young actor and the Violette, whose dancing our friends don't like: I scold them, but all the answer is "Lord! you are so English."-Horace Walpole's Correspondence with Sir Horace Mann, II, 42

Performances

Mainpiece Title: Othello

Dance: The German Camp, as17461204; The Vintage, as17461204

Performances

Mainpiece Title: The Orphan

Performance Comment: Monimia-Miss Cymber her second time on any stage; Castalio-(by desire) young Gentleman that played Hastings; parts-company that played Jane/Shore see17470324.

Afterpiece Title: Miss in Her Teens

Event Comment: LLondon Post: We hear that the French Players will (barring Accidents) open at the Little theatre in the Haymarket next Saturday. 'Tis added that the Italian Company of Comic Strolers will exhibit the Week after next; but as they have lost three of their ablest performers, the Connoisseurs are in great Pain about those who are to supply their Places. Possibly some Foreigners may think, that the worst Dramatic Offals are good enough for the vitiated Palates of the E-sh No-y and Gen-ry. 'Tis further expected, that the Company of Gallo-English Players, who made the Town laugh so heartily last Winter, are preparing to entertain them this. Why all these unnatural Fooleries?...and for what Y-ke are we preparing? [Schedule of Nights on which the Turkish Dancer Caratha rented the Haymarket in the fall of 1749: 1, 2, 3, 4, 6, 8, 10, 13, 16, 22, 23, November; 3 December. See Winston MS Calendar of the Haymarket, Harvard Theatre Collection.

Performances

Mainpiece Title: None

Event Comment: Three Brothers of ye Delavals play'd ye Eldest Othello, ye next Iago, ye next Cassio--+Brabantio & Lodovico Mr Pine Roderigo-Cap. Stevens and Wife Emelia $Mrs Quan did Desdemona, the performance was very decent & met with great applause the Audience from ye Boxes to the upper Gallery were fill'd with people of ye first rank & make a most brilliant appearance. & ye greatest Crowd at ye Doors I ever saw. their Agreement for ye House was a receipt of one of the Alfred Houses upon an Averidge. they had all new cloaths, & very nicely ornamented with Diamonds (Cross). [See eulogy and criticism in some detail concerning the acting, by John Hill, Inspector No 3.] All Gentlemen and Ladies who intend going in coaches this evening to Drury Lane Theatre, are desired to order their coachmen to drive thro' Covent Garden, and stop at Bridges St. Door, and as soon as they have set down the company to drive off directly towards the Strand.--Those who go in chairs, are requested to order the men to the New Door in Russel St., and to prevent the avenues being stopt up no person will be admitted to either passage without first showing their tickets at the outward door (General Advertiser). Tickets Lost. If any person has found three tickets (numbers forgot) for the private play this night at Drury Lane, and will be so kind as to bring them to the Bar of the Rainbow Coffee House, Ironmonger Lane, shall receive 15s. for the whole, or in proportion for one or two of them (General Advertiser). Tomorrow Morning at 8 o'clock will be published' (price 6d.) by Thomas Carnan, at Mr Newberry's, at the Bible and Sun in St Paul's Churchyard; An Occasional Prologue and Epilogue to Othello, as it will this night be acted at the theatre-Royal in Drury Lane, by Persons of distinction, for their diversion. Written by Christopher Smart, A.M., Fellow of Pembroke Hall in the University of Cambridge. To be had at the place above mentioned, and at the pamphlet shops at the Royal Exchange and Charing Cross. This Prologue and Epilogue will be entered in the Hall Book of the Company of Stationers, and whoever presumes to pyrate them, or any part of them, will be persecuted as the Law directs (General Advertiser). [Both pieces by Christopher Smart, according to the Daily Advertiser. See two exceedingly favorable critical comments and one derogatory reprinted in the Gentleman's Magazine, March 1751 (pp. 119-22): "The greatest part of the play was much better performed than it ever was on any stage before. In the whole, there was a face of nature that no theatrical piece, acted by common players ever came up to." Macklin was Delaval's dramatic coach, according to one of these articles.

Performances

Mainpiece Title: Othello, By Gentlemen

Performances

Mainpiece Title: The Old Woman's Oratory; Or, Henley In Petticoats

Performance Comment: Concerto on the Cermona Staccato , vulgarly call'd the Salt-Box-Antonio Ambrosiano; a Great Creature on a very uncommon Instrument-; a solo on the Viol d'Amore-; Candles snuffed to soft Musick-Claudio Molipitano; Oration in Favour of Matrimony-; solo on Violincello-; Song- to tune of The Roast Beef of Old England to which all the good Company are desir'd to join in chorus.