SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Grand Master"/1) | (@(roleclean,performerclean) "Grand Master")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2328 matches on Performance Title, 1576 matches on Performance Comments, 651 matches on Event Comments, 1 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Cambro-britons

Performance Comment: Llewellyn-Barrymore; Shenkin-Emery; Cadwall-Palmer; Gwyn-Suett; O'Turloch-Johnstone; Bard-J. Palmer; King Edward-Caulfield; Prince David-A Gentleman (1st appearance [Forster]); Dynevor-Trueman; Mortimer-Klanert; Herefore-Davenport; Edwin-Abbot; Elinor-Miss DeCamp; Lady Griffith's Shade-Mrs Gibbs; Winifred-Mrs Bland; Chorus of Bards and Peasants-Sawyer, Little, Kenrick, Caulfield Jun., Dibble, Aylmer, Willoughby, Thomas, Ms Hale, Ms Masters, Ms Gaudry, Ms Butler, Ms Leserve, Ms Norton.

Afterpiece Title: The Agreeable Surprise

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

Event Comment: [The edition of 1662 suggests that this was a ballet, the text offering description or synopses of the entries. Edition of 1662: Being part of that Magnificent Entertainment by the Noble Prince, DelaGrange, Lord Lieutenant of Lincolns Inn. Presented to the High and Mighty Charles II, Monarch of Great Britain, France and Ireland. On Friday 3 of January 1662. Evelyn, Diary: After Prayers I went to Lond: invited to the solemn foolerie of the Prince de la Grange at Lincolne Inn: where came also the King, Duke, &c.: beginning with a grand Masquev and a formal Pleading before the mock-princes (Grandes), Nobles & Knights of the Sunn: He had his L. Chancelor, Chamberlaine, Treasurer, & other royal officers gloriously clad & attended, which ended in a magnificent Banquet: one Mr John? Lort, being the young spark, who maintained the Pageantrie. Pepys, Diary: While I was there, comes by the King's life-guard, he being gone to Lincoln's Inn this afternoon to see the Revells there; there being, according to an old custom, a prince and all his nobles and other matters of sport and charge. John Ward (notebooks, 6 Jan.): I saw a Leopard and the same day as strange a sight which was the mock prince of Lincolnes' Inne his Nobels his Knights of the Garter and his other officers (Shakespeare Quarterly, XI [1960], 494)

Performances

Mainpiece Title: Greek Words Universal Motion

Performances

Mainpiece Title: Pompey The Great

Performance Comment: Edition of 1664: wo actors' names. Prologue At the House-; Epilogue at the House-; Epilogue to the King at Saint James's-; Epilogue To the Dutchess at Saint James's-; [One Epilogue was written by Sir Edward Deering.] [At the end: After which a grand Masque [is Danc'd before Caesar and Cleopatra[, made (as well as the other Dances and the Tunes to them) by Mr John Ogilby-.
Event Comment: The King's Company. For the identification of this play and details of its performance, see W. J. Lawrence, "Foreign Singers and Musicians at the Court of Charles II," Musical Quarterly, IX (1923), 217-25, and James G. McManaway, "Entertainment for the Grand Duke of Tuscany," Theatre Notebook, XVI (1961), 20-21. The Travels of Cosmo the Third [Monday 3 June 1669 NS; Monday 24 May 1669 OS]: In the afternoon his highness left home earlier than usual to make his visits, that he might be at the King's Theatre in time for the comedy, and a ballet set on foot and got up in honor of his highness by my Lord Stafford, uncle of the Duke of Norfolk. On arriving at the theatre, which was sufficiently lighted on the stage and on the walls to enable the spectators to see the scenes and the performances, his highness seated himself in a front box, where, besides enjoying the pleasure of the spectacle, he passed the evening in conversation with the Venetian ambassador, the Duke of Norfolk, Lord Stafford, and other noblemen. To the story of Psyche, the daughter of Apollo, which abounded with beautiful incidents, all of them adapted to the performers and calculated to express the force of love, was joined a well-arranged ballet, regulated by the sound of various instruments, with new and fanciful dances after the English manner, in which different actions were counterfeited, the performers passing gracefully from one to another, so as to render intelligible, by their movements, the acts they were representing. This spectacle was highly agreeable to his highness from its novelty and ingenuity; and all parts of it were likewise equally praised by the ladies and gentlemen, who crouded in great numbers to the theatre, to fill the boxes, with which it is entirely surrounded, and the pit, and to enjoy the performance, which was protracted to a late hour of the night (pp. 347-48). In BM Add. Mss. 10117, folio 230, Rugge's Diurnall states that towards the end of May 1669 Cosmo, Prince of Tuscany had several plays acted for him

Performances

Mainpiece Title: Psyche; Or, Love's Mistress

Event Comment: The King's Company. The Diary of Robert Hooke, 27 Aug. 1675: Saw Psyche Grand foppery

Performances

Mainpiece Title: Psyche Debauched

Event Comment: Betterton's Company. The date of the first performance is not certain, but contemporary sources refer to the fact that William Smith, who died in the last week of December, fell ill on the fourth day of its run; hence, it probably was first presented in mid-December. One song, O take him gently from the pile, set by John Eccles and sung by Mrs Bracegirdle, is in Deliciae Musicae, The Fourth Book, 1696. Downes, Roscius Anglicanus, p. 44: The Grand Cyrus, wrote by Mr Banks; it was a good Play; but Mr Smith, having a long part in it, fell Sick upon the Fourth Day and Dy'd, upon that it lay by, and ne'er have bin Acted since. Gildon, English Dramatick Poets, p. 6: Tho' this Play had been formerly refus'd the Action, yet it held up its Head about Six Days together, and has been since Acted several Times. A Comparison Between the Two Stages: Sullen, p. 16: Banks's, which the Players damn'd and wou'd not Act of a great while, but at length it was acted, and damn'd then in manner and form

Performances

Mainpiece Title: Cyrus The Great; Or, The Tragedy Of Love

Event Comment: Flying Post, 18-21 May 1700: The Grand Jury of London, made a presentation last Sessions against frequenting the Play-houses, as a publick Nuisance and a dangerous and growing Evil, corrupting the Morals and Principles of the Youth, and desir'd that Play-house Bills might not be henceforth Posted up in the City. [See also Luttrell, A Brief Relation, IV, 647.

Performances

Event Comment: For the Entertainment of several Foreigners. Mainpiece: With an Additional Grotesque Scenev, and the Grand Machinev, both taken out of the Opera of Dioclesian

Performances

Mainpiece Title: The Emperor Of The Moon

Dance: DuRuel, Mrs Campion, Devonshire Girl, Claxton, others

Event Comment: By Subscription. With a new Prologue and Epilogue. Admission as 14 Dec. 1703. [A Folger Library broadside appears to be a program for this concert. It lists in Act I The Druid's Song from Bonduca, two songs by Mrs Tofts, a song from The Fairy Queen, and a dance; in Act II The Frost Music from King Arthur, two dances, and a song by Mrs Tofts; in Act III an Ode on the Glorious Beginning of Her Majesty's Reign, set by Daniel Purcell and performed by Leveridge, Hughes, Mrs Lindsey, and Mrs Campion; a song by Mrs Tofts, The Sacrifice from King Arthur, and a Grand Dance.

Performances

Mainpiece Title: Concert

Music: Wherein several Songs in Italian and English-Mrs Tofts; With several select Pieces of Musick- (compos'd by the late famous Mr Henry Purcell) taken out of the Operas of The Fairy Queen, King Arthur, Dioclesian, and Bonduca; And an Ode upon the Happy Accession of Her Majesty to the Throne- set to Musick by Mr Daniel Purcell, never perform'd before

Dance: L'Abbe, DuRuell, Cherrier, Mrs Elford, Mrs Campion, Devonshire Girl

Event Comment: The first of Twelve Grand Concerts. In Daily Courant, 9 Jan., proposals had been issued for setting up by subscription a monthly concert for the first Wednesday of each month. There were never to be fewer than three of the best singers and nineteen performers in all. Each subscriber was to pay to Trustees John Shipton and Thomas Ives one guinea for a year. The concerts were to begin when there were 350 subscribers. On this date 100 subscriptions had been received

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Event Comment: The Second of the 12 Grand Concerts [See 27 Feb.]. N.B. No Footmen to be admitted, nor any Wine to be drank there

Performances

Mainpiece Title: Concert

Music: Singing-Hughes, Weely, Mrs Fitzgerald

Event Comment: Afterpiece: [By John Thurmond.] A new Grotesque Entertainment...in the Character of Harlequin, Mephostophilus, Scaramouch, Pierrot, Punch, and the Spirit of Helen. The whole concluding with a grand Masque of the Heathen Deities, (viz), Apollo, Mars, Bacchus, Mercury, Diana, Ceres, Flora, and Iris. All the Scenes, Machines, Habits, and other Decorations being entirely New. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. N.B. No Money (under the full Price) will be taken during the Time of the Play

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Harlequin Doctor Faustus

Event Comment: Daily Post, 30 Nov.: Harlequin Doctor Faustus...meets with universal Approbation. The Incidents are taken from the old History of the doctor and several Tricks supposed to be done by the Power of the Black Art, art executed in a very surprising Manner, and the last Grand Scene is superior in Magnificence to any thing that has ever yet appeared on the British Stage

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Harlequin Doctor Faustus

Event Comment: Afterpiece: Concluding as usual with a Grand Masque of the Heathen Deities. No Money (under the full Price) will be taken during the Time of the Play

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Harlequin Doctor Faustus

Event Comment: Afterpiece: In the Characters of Harlequin, Mephistophilus, Scaramouch, Pierrot, and Punch. Concluding as usual with a Grand Masque of the Heathen Deities, viz. Mars, Bacchus, Mercury, Diana, Ceres, Flora, and Iris

Performances

Mainpiece Title: King Henry The Iv; With The Humours Of Sir John Falstaffe

Afterpiece Title: Harlequin Doctor Faustus

Performances

Mainpiece Title: The Tempest

Performance Comment: Parts-Mills, Johnson, Miller, Harper, Norris, Shepard, W. Mills, Cibber, Miss Teno, Miss Lindar; The Dance of the Winds-Roger, Lally, Essex, Boval; The Grand Devils Dance: Chief Fury-Houghton; The Dance of Watermen-Harper, others; With a Masque of Neptune and Amphitrite-.

Afterpiece Title: The Strolers

Dance: End I: The Muzette-Young Rainton, Miss Robinson; III: Whitson Holidays-Boval, Miss Tenoe

Ballet: End Farce: The Cobler's Jealous Wife. As17270505

Performances

Mainpiece Title: Don John; Or, The Libertine Destroyed

Afterpiece Title: Harlequin Doctor Faustus

Performance Comment: Harlequin-Thurmond; Pierot-Roger; Punch-Burney; Scaramouch-Houghton; Statue-Cibber Jr; Bawd-Harper; Mephostophilus-Rainton; Death-Ray; Time-Rainton Sr; Usurer-Norris; Shopkeeper and Wife-Hallam, Mrs Wetherilt; Doctor's Man-Wetherilt; Countrymen-Miller, Bridgwater, Oates, Wright; Grand Masque of Heathen Deities-; Diana-Miss Robinson; Mars-Thurmond; Mercury-Lally; Bacchus-Boval; Ceres-Mrs Mills; Iris-Miss Lindar; Flora-Mrs Walter.

Performances

Mainpiece Title: The Indian Emperor

Afterpiece Title: Harlequin Doctor Faustus

Performance Comment: Harlequin-Surel; Pierot-Rainton; Scaramouch-Haughton; Statue-Roger; Bawd-Harper; Mephistophilus-Rainton; Death-Chark; Time-Rainton; Usurer-Norris; Shopkeeper and Wife-Hallam, Mrs Wetherilt; Doctor's Man-Young Wetherilt; Countrymen-Miller, Bridgwater, Oates, Wright; With Grand Masque of the Heathen Deities-; Diana-Mrs Booth; Mars-Thurmond; Mercury-Lally; Bacchus-Boval.

Performances

Mainpiece Title: The Rover

Afterpiece Title: The Beggar's Wedding

Dance: End I: Dutch Dance-Miss Robinson; a Scholar of Mr Essex. II: Tambour Dance of Moors-Essex, Lally, Thurmond, Rainton, Haughton; III: La Pieraite-Roger, Mrs DeLorme; IV: A New Dance-Miss Robinson; in which will be expressed all the different Movements in Dancing. V: A New Grand Dance-Essex, Roger, Thurmond, Lally, Rainton, Houghton, Mrs Walter, Mrs DeLorme, Miss Williams

Performance Comment: II: Tambour Dance of Moors-Essex, Lally, Thurmond, Rainton, Haughton; III: La Pieraite-Roger, Mrs DeLorme; IV: A New Dance-Miss Robinson; in which will be expressed all the different Movements in Dancing. V: A New Grand Dance-Essex, Roger, Thurmond, Lally, Rainton, Houghton, Mrs Walter, Mrs DeLorme, Miss Williams.

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Flora

Dance: End I: Saraband-Delagarde, Miss Wherrit; Scholar to Newhouse, being the first Time of her appearing in that Character on the Stage. II: Comic Dance-Nivelon; in which he will introduce the Flag. III: Numidian Dance-Glover, Miss LaTour; IV: Fingalian Dance-Newhouse, Mrs Ogden; V: French Peasant-Newhouse, Miss Wherrit; Act I of Opera: Grand Comic Dance in Camilla-Nivelon, Miss LaTour, Pelling, Mrs Ogden, Mrs Pelling; In afterpiece: Added to Flora: Wrestling Dance-Newhouse, Lanyon

Performance Comment: II: Comic Dance-Nivelon; in which he will introduce the Flag. III: Numidian Dance-Glover, Miss LaTour; IV: Fingalian Dance-Newhouse, Mrs Ogden; V: French Peasant-Newhouse, Miss Wherrit; Act I of Opera: Grand Comic Dance in Camilla-Nivelon, Miss LaTour, Pelling, Mrs Ogden, Mrs Pelling; In afterpiece: Added to Flora: Wrestling Dance-Newhouse, Lanyon.
Event Comment: DDaily Journal, 9 Oct.: There are Grand Preparations making at the Opera-House in the Hay-Market by New Cloaths, Scenes, &c. And, Senesino being arrived, they will begin to perform as soon as the Court comes to St. James's

Performances

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Afterpiece Title: Perseus and Andromeda; or, The Cheats of Harlequin

Performance Comment: Perseus-Rochetti; Cepheus-Leveridge; Mercury-Laguerre; Cassiope-Mrs Seedo; Andromeda-Mrs Carter; Medusa-Mrs Wright; Stheno-Salway; Euryale-Papillion; 1st Ethiopian-Thompson; 2d Ethiopian-Salway; Cyclops-Hall, Delagarde, DuPre Jr, Smith; Amazons-Mrs Cantrel, Mrs Laguerre, Mrs Pelling, Mrs Bullock, Mrs Ogden, Miss LaTour; Infernals-Papillion, Salle, Poitier, DuPre, Pelling, Glover, Newhouse; Hussar-Nivelon; Harlequin-Lun; Petit Maitre-Poitier; Hussar's Servant-Hippisley; Valet-Ray; Colombine-Mrs Younger concluding with Grand Dance of Momus.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Necromancer

Performance Comment: In which will be introduced the last Grand Scene of the Sorcerer, of the Flight of the Stage. See17311015.
Event Comment: At the Particular Desire of several Persons of Quality. Daily Advertiser, 9 Feb.: Last Monday Night Mr Alderman Parsons made a Grand Entertainment at his House in St. Katherine's, whereat were present a great Number of Persons of Quality and Distinction, and last Night oblig'd them with a Play [at gf]

Performances

Mainpiece Title: The Committee

Afterpiece Title: Father Girard the Sorcerer

Event Comment: Benefit Lady Flame. With an Additional Scene of the Ceremony of Lady Flame's being made a Free Masonv, wherein the Grand Mystery is discover'd

Performances

Mainpiece Title: The Blazing Comet

Song: Song on the Privilege and Happiness of Free@Masonry A very humorous Song on the Charitable Corporation, sent by George Robinson, Esq. late Treasurer, from Italy to his Friends in London-