SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George Frederic Handel"/1) | (@(roleclean,performerclean) "George Frederic Handel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4195 matches on Author, 868 matches on Event Comments, 845 matches on Performance Comments, 379 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Holman; Cromwell-Lewis; Bishop of Winchester-Munden; Lord Sands-Fawcett; Duke of Buckingham-H. Johnston; Earl of Surry-Knight; Cranmer-Murray; Doctor Butts-Emery (1st and positively the Only Time of the above Performers appearing in those Characters); Duke of Norfolk-Whitfield; Duke of Suffolk-Waddy; Campeius-Davenport; Brandon, Usher-Claremont; Lord Chamberlain-Clarke; Sir George [recte Thomas] Lovel-Farley; Surveyor-Thompson; Chancellor-Whitmore; Porter-Rees; Capucius-Abbot; Porter's Man-Wilde; Cryer-Street; Serjeant-Lee; Abergavenny-Curties; Cardinal Wolsey-Pope; Anne Bullen-Miss Chapman; Patience (with a song, composed by Attwood)-Mrs Atkins; Queen Catherine (1st time)-Mrs Pope.

Afterpiece Title: Hartford Bridge

Song: In course of Evening: Black Ey'd Susan-Incledon; Tomorrow-Incledon

Music: Preceding: Grand Sonata on the Piano Forte-Master Parker; with a new Rondo-Master Parker (Haydn); End I: a celebrated Lesson of Nicolai-Master Parker

Entertainment: Monologues End II: Alexander's Feast-Master Parker; End: Grand Address to the Audience-Master Parker

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Jew and the Doctor

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

Performance Comment: James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells).
Event Comment: Benefit for Portal, Stevenson, Percey, George, Bowley, Woollams, Massingham, Edwards and Chumbley [box-keepers]. Mainpiece: In II a Masquerade. Receipts: #61 3s. (26.4.0; 24.4.0; 0.12.6; odd money: 10.2.6; tickets: none listed) (charge: #211 17s. 6d.)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: No Song No Supper

Performance Comment: As17981002, but Crop-Trueman; Frederick-Caulfield; Robin-Wathen; Margaretta-Miss Griffiths (By permission of the Proprietor of the Theatre Royal, Hay-Market; 1st appearance on this stage); Nelly-_.
Cast
Role: Frederick Actor: Caulfield
Event Comment: "...Richard III, which I saw performed at Drury-lane theatre at the beginning of the present season...The dresses of the characters which here make their appearance are in the usual half-and-half mode, made up from portraits of Charles I's reign, and from unrestrained fancy. Richard's habit, indeed, shews a faint hint, at the costume of his day; but how modernized! A fancy cap and feather,with a milliner's white-ribband rose, sewed thereon. A deep ruff, of that make not known until the reign of James I From the neck depends a ribband With the George: this decoration never seen in paintings till about the fashions of the abovementioned monarch's court. On his legs and feet, white silk stockings, white shoes, and red roses. These latter ornaments unknown before Elizabeth or James I's modes of dress prevailed; at any rate, they should have been white ones to have accorded with the party-badge in his cap." Writer signing himself "An Artist and an Antiquary" in Gentleman's Magazine, Apr. 1800, p. 319. Receipts: #225 16s. 6d. (178.3.6; 47.12.0; 0.1.0)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Embarkation

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by John Taylor; Epilogue by George Colman, ynger (see text)]: With new Scenes and Dresses. Morning Chronicle, 7 Dec. 1799: This day is published Management (2s.). Afterpiece: In 3 acts. Receipts: #259 18s. (254.3.6; 5.14.6)

Performances

Mainpiece Title: Management

Related Works
Related Work: Management Author(s): Frederick Reynolds

Afterpiece Title: The Miser

Performance Comment: Lovegold-Emery; Frederick-Whitfield; Ramille-Farley; Taylor-Wilde; James-Rees; Lawyer-J. Whitmore; Sparkle-Abbot; Satin-Lee; Upholsterer-Street; Mariana-Mrs Chapman; Mrs Wisely-Mrs Platt; Lappet-Mrs Davenport.
Cast
Role: Frederick Actor: Whitfield
Event Comment: The last time of the Company's performing this Season. Benefit for Portal, Stevenson, Percey, George, Bowley, Woollams, Massingham, J. Edwards, Chumbley [box-keepers]. Receipts: #54 3s. (32.2; 22.1; 0.0; tickets: none listed) (charge: none listed)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Follies of a Day

Song: In course evening: The Soldier tir'd of War's alarms-Miss Stephens; End I afterpiece: Crazy Jane-Mrs Bland

Event Comment: Mainpiece [1st time; CO 3, by Joseph George Holman]: The Overture and the whold of the Musick by Davy. Books of the Songs to be had at the Theatre. [Miss Wheatley was from cg.] Morning Chronicle, 20 Aug. 1800: This day at twelve o'clock is published What a Blunder! (2s.)

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: The Deaf Lover

Related Works
Related Work: The Deaf Lover Author(s): Frederick Pilon