SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4519 matches on Event Comments, 4212 matches on Author, 2942 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: Benefit the Author. Egmont, Diary, I, 333: to the new play called The Miser, which is well translated from Moliere by Mr Fielding, and well acted

Performances

Mainpiece Title: The Miser

Event Comment: Whereas Thomas Arne, Jun. Proprietor of English Operas [at lif], has new set to Musick, after the Italian Manner, the Opera of Rosamond, Written by the late Mr Addison, Which is now in Rehearsal....This is to give Notice, that he...hoping to receive Encouragement from the Town, will (notwithstanding his Expences are considerably greater than any of the other English Theatres) Entertain the Town at the following Prices (viz) Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. 6d. And that he will give a private Rehearsal of the said Opera, to such Friends as shall oblige him with a Subscription...at One Guinea, to be paid on Receipt of a Ticket, which will admit the Bearer into the Boxes five Nights

Performances

Event Comment: The Prologue is in Daily Advertiser, 2 March

Performances

Mainpiece Title: The Tender Husband

Cast
Role: Aunt Actor: Mrs Wetherilt

Afterpiece Title: The Mock Doctor

Performance Comment: As17330227, but With a new Prologue on Her Majesty's Birth Day-.

Dance: II: Pierrot and Pierrate-de Vallois, J. DeLagarde; III: Chacone-Mrs Bullock; IV: Friendly Lasses-Miss Wherrit, Miss Sandham; V: Grand Dance of Masqueraders-Thurmond

Event Comment: [T$Their Majesties, Prince, and Three eldest Princesses present.] Daily Advertiser, 5 March: Signora Strada, on Account of whose Indisposition the Run of the new Opera of Orlando was interrupted, continues very ill

Performances

Mainpiece Title: Floridante

Event Comment: A New Tragedy. [By William Havard.] Boxes 3s. Boxes and Balconies on the Stage 4s. Pit 2s. Gallery 1s

Performances

Mainpiece Title: Scanderbeg

Performance Comment: Parts-Giffard, Delane, Hulet, W. Giffard, Rosco, Bardin, Huddy, Winstone, Mrs Giffard, Mrs Hamilton. The Prologue-the Author, but edition of 1733 lists: Amurat-Delane; Abdalla-Wm. Giffard; Orcan-Huddy; Selim-Winstone; Scanderbeg-Giffard; Lysander-Bardin; Hali@Vizem-Hulet; Heli-Rosco; Deamira-Mrs Giffard; Zaida-Mrs Hamilton; Prologue-the Author; Epilogue-Mrs Giffard.
Event Comment: Benefit Lampe. Afterpiece: a New Pantomime Entertainment. [Author not known. Apparently not published.] Pit or Boxes 5s. Gallery 2s. 6d. 6:30 p.m

Performances

Mainpiece Title: Dione

Afterpiece Title: Love Runs All Dangers

Performance Comment: Harlequin-Mons Lefronde, the first time of his appearing on any stage in England; Colombine-Miss Palmes; Country Squire (Guardian to Colombine)-Mynit; His Son-Hicks.

Dance: Between the Acts: Dancing-Jones Sr, Jones Jr; Concluding With a Grand Dance-

Event Comment: At the particular Desire of several Persons of Qulaity. Benefit Cibber Jr. Afterpiece: a new Farce of one Act. [Author not known. Apparently not published.] Part of the Seats on the Stage (for the better Accommodation of the Ladies) will be form'd into Side-Boxes

Performances

Mainpiece Title: The Constant Couple

Related Works
Related Work: The Constant Couple; or, A Trip to the Jubilee Author(s): George Farquhar

Afterpiece Title: The Mock Officer; or, The Captain's Lady

Performance Comment: Parts-Miller, Harper, Griffin, Stoppelaer, Oates, Berry, Mullart, Jones, Mrs Charke, Mrs Grace, Miss Atherton, Miss Mann.

Dance: Denoyer, Mrs Booth, Essex, Miss Robinson, Haughton, Mrs Walter

Event Comment: A New Tragedy. [By Lewis Theobald.] Preface, edition of 1735: But such was its Fate then, that, appearing in a Season when the Weather was warm, and the Town in a political Ferment, it was prais'd and forsaken. Receipts: #47 6s

Performances

Mainpiece Title: The Fatal Secret

Performance Comment: Parts-Ryan, Quin, Walker, Milward, Chapman, Hall, Aston, Paget, Mrs Hallam, Mrs Kilby, Miss Binks; but edition of 1735 lists: Ferdinand-Ryan; +Cardinal of Arragon-Walker; +Young Duke of Malfy-Miss Binckes; +Antonio-Milward; +Delio-Hale; +Marquise of Pescara-Chapman; +Bosola-Quin; +Flavio-Paget; +Urbino-Aston; +Dutchess of Malfy-Mrs Hallam; +Cariola-Mrs Kilby. Prologue by the Dutchess">Philip Frowde, Esq-; Epilogue for $the Dutchess-.
Cast
Role: the Dutchess Actor: .
Related Works
Related Work: The Fatal Secret Author(s): Lewis Theobald
Event Comment: Benefit Mrs Barbier. The Words by the late Mr Addison. And new set to Musick after the Italian Manner, by Mr Arne Jr

Performances

Mainpiece Title: Rosamond

Event Comment: Benefit of Two Brother Masons, Mr Fullwood and Mr Lee, Box-Keepers. The BrotherS are desir'd to come cloath'd

Performances

Mainpiece Title: The Mock Doctor

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Afterpiece Title: Love Runs All Dangers

Performance Comment: See17330326 but A new Prologue, Epilogue addressed to the Honourable Society of Free Masons-.

Dance: End Second Piece: Hornpipe-Jones; End Third Piece: Dutch Skippers-Jones Sr, Jones Jr

Music: End Third Piece: Mr Handel's Water Musick-; Accompany'd by Kettle Drums and Trumpets-

Event Comment: Benefit A. Hallam and Mrs Walter. Mainpiece: Alter'd from Shakespear. Afterpiece: A New Ballad Opera [Author not known. Apparently not published.

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Mock Countess

Dance: II: Dutchwoman-Miss Robinson; III: French Gardener and His Mistress-Haughton, Mrs Walter; IV: Saraband, Minuet-Lally Jr, Miss Mears; V: English Maggot-Haughton, Mrs Walter

Event Comment: Benefit Roberts and Jones. Afterpiece: A New Ballad Opera of one Act [by Edward Phillips]. [For a puff of the afterpiece, see Daily Advertiser, 25 April, and Daily Post, 2 May.

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Performance Comment: Marcian-Mills; Theodosius-A. Hallam; Varanes-Roberts; Atticus-Boman; Leontine-Mullart; Lucius-Fielding; Aranthes-Raftor; Pulcheria-Mrs Butler; Julia-Mrs Shireburn; Athenais-Mrs Horton.
Cast
Role: Theodosius Actor: A. Hallam
Role: Aranthes Actor: Raftor
Role: Athenais Actor: Mrs Horton.
Related Works
Related Work: The Weathercock Author(s): Theodosius Forrest

Afterpiece Title: The Livery Rake; or, The Intriguing Servants

Performance Comment: Phillis (Country Girl)-Miss Raftor; Tom (Footman)-Berry; Toby (Innkeeper)-Jones; Harry-Ridout; Lucy-Mrs Shireburn; Dorcas-Mrs Herle; Phillis (Chambermaid)-Mrs Mullart; but edition of 1733 lists as the cast: Tom-Berry; Toby-Harper; Harry-Ridout; James-E. Roberts; Dorcas-Mrs Sireburn; 1st Phillis-Mrs Pritchard; 2d-Miss Oates; Lucy-Miss Mann (possibly the cast for a later revival); Epilgoue-Miss Norris, Granddaughter of the late Mr Norris, commonly called Jubilee Dicky.

Dance: I: Drunken Peasant-LeBrun; II: Saraband, Minuet-Lally Jr, Miss Mears; IV: English Maggot-Haughton, Mrs Walter; V: The Watteau-Miss Robinson; End of Afterpiece: Bartholomew Fair-F. Tench, Mrs Delorme

Event Comment: Benefit the Author of the Afterpiece: A new Ballad Opera. [By John Breval.] Receipts: money #60 0s. 6d.; tickets #43 8s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Rape of Helen

Dance: TTambourine-Miss Rogers; Fingalian-Newhouse, Mrs Ogden; Mock Minuet, as17330511

Event Comment: A new Scene, representing the Ponte Real at Venice. [No receipts in Rich's Register.

Performances

Mainpiece Title: Othello, Moor Of Venice

Dance: PPeasant-Nivelon, Mrs Laguerre; Scotch Dance, as17330529

Event Comment: Set to Musick after the Italian Manner. The Habits and Decorations entirely New. [Probably by Eliza Haywood and William Hatchett, with music by Arne.] 7 p.m. 5s., 3s., 2s

Performances

Mainpiece Title: The Opera Of Operas; Or, Tom Thumb The Great

Event Comment: In a letter to the Daily Post. 4 June, the Patentees of Drury Lane-Mary Wilks, John Ellys, Hester Booth, and John Highmore-stated the cast of the Patentees. The gist of their statement is: (1) They operate under a Patent commencing 1 Sept. 1732 which, by Deaths and Legal Assignments, is the property of the four, with Highmore possessing one half, at an expence of #6,000 and upwards. (2) Several of the Players have threatened to desert the service of the Patentees and have contracted with some of the Trustees (the Sharers) to secure possession of the Theatre. (3) Drury Lane is let upon lease from the Duke of Bedford, granted to Thomas Kynaston and Francis Stanhope, Trustees for the Sharers (commonly called Renters) of Drury Lane at the rent of #50 annually upon a Fine of 1,000 guineas paid for the renewal of the lease. (4) The Players, under the Patentees, have acted at Drury Lane for twenty-one years without any interruption form the Trustees upon the sole contract that the Patentees pay the Trustees #3 12s. each acting night, besides the Liberty of seeing Plays. (5) At the beginning of this Season the manager's office received a letter from a few of the Renters demanding an Advance of Rent. Highmore, being new, was concerned, and asked the managers to take care of the matter; and thereafter the signers (the Patentees) had heard of no further discontent among the Renters. (6) To defend themselves against stories of hardship or complaint by the actors, the Patentees point out that the following weekly salaries had been paid: Colley Cibber #12 12s.; Theophilus Cibber #5; Mills Sr, #1 daily for 200 days certain, and a benefit, clear of all charges; Mills Jr #3; Johnson #5; Miller #5; Harper #4; Griffin #4; Shepard #3; Hallam, for himself and his father, the latter of little or no service, #3; Mrs Heron #5; Mrs Butler #3. For these charges and others, the Patentees stand a daily expence of #49 when the theatre is open. (7) Further, the Patentees paid Cibber Jr his wife's whole salary without her being able to act the greater part of the winter, #9 weekly for the two; Mills Jr, in the same circumstances with his wife, #5 10s. weekly for the two; Miller a salary (amounting to #40) for eight weeks before he acted, and a gratuity of ten guineas; Griffin a present of ten guineas; Harper a present, amount not specified; Mrs Heron an increase form 40s. to #5 weekly, although she refused afterward to play several parts assigned her and acted but seldom

Performances

Event Comment: CCraftsman, 9 June: We hear...that the Rebel Players are not yet reduced to their Obedience, but it is thought that They will soon be obliged to surrender at Discretion. In that mean Time, the Publick waits with Impatience to see the Manifesto of their doubty Chief, Mr Theophilus Cibber, which He hath promised in the News-Papers. It is expected that, in this Manifesto, the young Captain will endeavour to prove that the King's Patent, after a solemn Adjudgment in the Court of Chancery, is of no Validity; and that picking a Gentleman's Pocket of Six Thousand Pounds is perfectly consistent with the Principles of Liberty. In the Daily Post, 11 June, Benjamin Griffin, Comedian, published his Humble Appeal to the Publick.The gist of his statement is: (1) Griffin had been under the management of Rich at Lincoln's Inn Fields, without any intention of leaving him, when, at the beginning of the season of 1721, the managers at Drury Lane sent him messages by Thurmond Sr and Shaw, seeking Griffin to treat with them. Griffin at first refused, but Steede, then the prompter of Drury Lane, prevailed upon him. Wilks immediately offered the same conditions Griffin had under Rich: #4 weekly and a benefit before 15 April, at the certain incident charge of #40. Wilks also offered him articles for three years, with a promise of an advance in salary and better terms at that time. (2) No sooner had Griffin agreed than the masters of both companies entered into a private agreement not to receive any one of the other's company, though discharged, without a private agreement to that purpose. (3) At the end of three years, under date of 12 December 1724, R. Castleman, the treasurer of Drury Lane, sent Griffin a note to the effect that the managers were willing to continue him at 10s. nightly (#3 weekly); as Griffin could not return to Rich, he had to accept the reduction in pay as well as a delay of his benefit to May and a payment of #50 for the charges. (4) He remained so until 1729, losing in salary #147 besides the #10 extra benefits. At Norris' illness and death, the managers returned him to #4 weekly but kept the charges at #50. (5) Under date of 4 June 1733, by the signatures of Mary Wilks, Hester Booth, John Highmore, and John Ellys, Griffin received a discharge from Drury Lane and full Liberty to treat with Rich or any one else. He asserts that he had no previous notice and received no reason for his discharge

Performances

Event Comment: See Daily Advertiser, 22 June, for a poem: To Mr Giffard, Master of the New Theatre in Goodman's-Fields, on closing the Season

Performances

Event Comment: With Scenes and new Decorations proper to the Play. 6:30 p.m

Performances

Mainpiece Title: Sophonisba; Or, Hannibal's Overthrow

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: A new Comedy. [Author not known. Apparently not published.] Benefit the Author

Performances

Mainpiece Title: The Amorous Lady; Or, The Biter Bit

Song: III: Mrs Bennet

Event Comment: Afterpiece: A new Ballad Opera. Edition of 1733: By a Gentleman late of Trinity-College, Cambridge

Performances

Mainpiece Title: The Fatal Extravagance

Afterpiece Title: The Stage-Mutineers; or, A Playhouse To Be Lett

Performances

Mainpiece Title: The Fancy'd Queen

Performance Comment: As17330814 With a New Prologue.

Afterpiece Title: The Stage-Mutineers

Dance: SScotch Dance-Davenport, Miss Baston; Irish Trot-Bethen

Event Comment: Benefit: The Deceas'd Author's Friend or The Author [the bills vary]. A new Tragedy. [By William Bond. For a discussion of the play, see a letter from Hill to Victor, in Victor, History of the Theatres, II, 196-97. Hill states that the youth who speaks the Prologue is Harvey, a young man of eighteen or nineteen.

Performances

Mainpiece Title: The Tuscan Treaty; Or, Tarquin's Overthrow

Performance Comment: Edition of 1733 lists: Porsenna-Walker; Tarquin-Mullart; Aruns-Mrs Mullart , in Men's Clothes; Palmenio-Cole; Quintus-Lyon; Scaevola-Giles; Vario-Hale; Valeria-Mrs Bullock; Clelia-Mrs Cantrell; Drusilla-Mrs Norsa; Prologue by Aaron Hill to be spoken-a young Gentleman, a Student, at the particular Desire of the Person who brings out the Tragedy; Ephlogue-.

Afterpiece Title: The Stage-Mutineers

Dance: As17330814

Event Comment: Benefit Bickham. Written by the late Mr Addison. The Dresses are entirely New. 6 p.m. 5s., 3s., 2s

Performances

Mainpiece Title: Cato

Performance Comment: With a Prologue, Epilogue- proper to the Occasion.

Music: Solo on the Violin-a Gentleman lately arrived from Italy

Event Comment: At the Noted Yeates' Senior and Junior? Booth, the Upper End of Cow-Lane. A new Ballad Opera

Performances

Mainpiece Title: The Harlot's Progress; With The Comical Humours Of The Yorkshire Waggoner

Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber