Event Comment: Mainpiece: By Particular Desire. Receipts: #150 13s. 6d. Paid Ledley for 20 dozen Wax Candles #31; Paid Mr Richards for painting the Slaughter House, Ox &c. [See The Fair, 10 Dec. 1759] #10 10s

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Event Comment: The Duke's Company. This play is on the L. C. list at Harvard. See VanLennep, "Plays on the English Stage," p. 14

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 16

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@145, p. 120: The King at ye Tempest. See also Nicoll, Restoration Drama, p. 349

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p.162. See also Nicoll, Restoration Drama, p. 349. The Diary of Edward Lake, 16 Nov. 1677: This day the court began to whisper the prince's sullennesse, or clownishnesse, that hee took no notice of his princesse at the playe and balle (Camden Miscellany, 1847, I, 9)

Event Comment: Benefit Pullen and Mrs Pullen. Afterpiece: a Ballad Opera of Three Acts. [Author unknown.] This Opera, relating to the Affair of Father Girard with Miss Cadiere, &c. is entirely new, being a faithful Translation from the French Original, as it was forbid in Paris

Event Comment: LLondon Evening Post, 1 Jan. 1737: Last Night the Beggar's Opera (about the Playing of which, as much Noise has been made, as about several of our Modern Treaties) was perform'd...to a crowded Audience; the House being full by Four. There was a prodigious uproar, with Clappin, Hissing, Catcalls, &c. Mrs Clive, who play'd the Part of Polly, when she came forward, address'd herself to the House, saying, Gentlemen, I am very sorry it should be thought I have in any Manner been the Occasion of the least Disturbance; and then cry'd in so moving a Manner, that even Butchers wept. The she told them, She was almost ready with the Part of Lucy, and at all Times shou'd be willing to play such Parts as the Town should direct, and desir's to know if they were willing she should go on with the Part of Polly; she behaving in so humble a Manner, the House approv'd of her Behavious by a general Clap. [For Occasional Prompter XI, see Daily Journal, 31 Dec.

Event Comment: Benefit I. Sparks. Tickets deliver'd out by Lloyd, Mason, Caustin, &c will be taken, and tickets deliver'd out by Brooks, Bride, Mrs Barclay, Mrs Fenn, and others for the Country Wife for Thursday last will be taken this night. Being the last time of the Company's performing this season. [The advance notice of this night had included the Musical Entertainment of Neptune and Amphitrite (compos'd by Arne), but this is omitted from the notice of the day.

Event Comment: Benefit for Burton, Raftor, I. Sparks (Cross). Last week Mr Garrick Paid to Mr Belchier, Banker in Lombard St., #208 1s., being the whole money receiv'd at the Benefit Play of King Lear, which he most generously gave for the relief of the unhappy sufferers by the late most dredful fire in Cornhill, &c., whithout deducting any charges whatsoever. [See note, 3 May] Receipts: #180 (Cross); house charges, #63 (Powel); cash, #56 19s. tickets, #128 10s. (Clay MS)

Event Comment: [M$Murphy in caustic comment in the Gray's Inn Journal this date laid out a set of rules for actor decorum for both Managers, but apparently directed it mostly towards Rich]: I. That no player shall during the performance stand with a vacant face, making a tour with his eyes around the House, or ogling the ladies in the Green Boxes, but that he shall to the best of this power, be attentive to the business of the scene in which he is engag'd. II. That no player shall come on imperfect in his part, or take liberties to insert his own jokes and witticisms in the Productions of those Geniuses, for whom he should have the proper respect due to the superiority of their parts. III. That no one shall mistake bawling for Expression; strutting and swaggering for deportment; twisting the body and looking cunning for sprightliness; pinching of hats and standing on tiptoe for graceful attitude; wry faces for Humour, &c., but that each player who cannot arrive at excellence, shall at least pay some regard to decency. IV. That Murder shall always be committed on stage without being comical

Event Comment: Compos'd by Mr Smith--the Introduction, which was a Dialogue in Prose, between Mr Havard & Yates, Much hiss'd & dislik'd. The Opera had great Applause. Miss Young recover'd (Cross). The Opera never performed before with songs from Shakespear, Dryden, &c. The Music by Mr Smith. [The Bill lists no cast or actors. The cast has been retrieved by Hogan from the 1756 ed. plus the musical score published by J. Walsh. Note some parts were doubled. See "Shakespeare's Tempest at Drury Lane During Garrick's Management", G. W. Stone Jr, Shakespeare Quarterly, Winter 1956.] Receipts: #180 (Cross)

Event Comment: BBarry play'd at C. Garden some little Noise, on Account of his being ye occasion of ye late Riot, & demanding more Money than usual-but his speech declaring his Innocence; King Lear went on in quiet (Cross). It is hoped that the Ladies and Gentlemen who took places for the Fatal Marriage this evening will excuse its not being acted 'till tomorrow, as it is impossible for Mrs Cibber to perform the character of Isabella without proper respit. The Old Comedy alter'd from Shirley [The Gamesters] will be reviv'd next week (Public Advertiser). Receipts: #160 (Cross)

Event Comment: Benefit for Clough, Cautherly, &c. Tomlinson? and Watkins had tickets. Tickets deliver'd for This Night will be taken