SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Gentlemen of the Choir"/1) | (@(roleclean,performerclean) "Gentlemen of the Choir")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 989 matches on Performance Comments, 864 matches on Event Comments, 390 matches on Author, 200 matches on Performance Title, and 1 matches on Roles/Actors.
Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Cuyler. [Kean is identified on HAY playbill of 26 Aug. 1784.] 1st and 2nd pieces: Both written by George Colman, Esq. 3rd piece: Written by the late David Garrick. Not acted these 12 years. Tickets to be had of Mrs Cuyler, No. 7, St. Alban's-street; at the bar of George's Coffee-house; and of Rice, at the Theatre, where places for the boxes may be taken. Tickets delivered for the 15th will be admitted

Performances

Mainpiece Title: The Manager In Distress

Performance Comment: Gentleman in Balcony (for that night only; in the course of which a much greater Variety of Imitations than has ever yet been offered)-A Young Gentleman (1st appearance in publick [Kean]); Irishman in the Pit-Marriot; Lady in Balcony-Mrs Lefevre .
Cast
Role: Irishman in the Pit Actor: Marriot
Related Works
Related Work: The Manager in Distress Author(s): George Colman, the elder

Afterpiece Title: The English Merchant

Performance Comment: Spatter-Williamson; Sir William Douglas-Gardner; La France-Gaudry (all of the Theatre Royal, Hay-market); Lord Falbridge-Smith; Owen-Hunter; Frecport-Calvert (from the Theatre-Royal [Smock Alley], Dublin; 1st appearance in London); Amelia-Mrs Cuyler; Molly-Mrs Lefevre; Lady Alton-Mrs Lloyd (all of the Theatre Royal, Hay-market); Mrs Goodman-Mrs Bolton .
Cast
Role: from the Theatre Actor: Royal

Afterpiece Title: The Lying Valet

Monologue: 1784 03 22 End of 2nd piece Shuter's Post-haste Observations on his Journey to Paris by Dutton

Event Comment: Gentlemen are particularly entreated to observe that in consequence of the displeasure expressed by the Subscribers, as well as the Public, at the frequent interruption of the business of the Representation, by the pressure of people on the Stage, the Company will hereafter be admitted behind the Scenes, before and after the Opera, and during the intervals between the Opera and Ballets only; but while the Curtain is up, Gentlemen are earnestly entreated to withdraw from the Stage; otherwise the request of the Nobility and Gentry, in conformity also to the public opinion, of shutting entirely the doors between the audience part of the Theatre and the Stage, must at last be compiled with. Those persons entitled to Admissions previous to the year 1789, who may not have an opportunity of sending their Securities to be registered before the opening of the Theatre, are requested to produce them at the Door, as they pass. The Public are entreated to observe that Ladies dressed in Bonnets, and Gentlemen in Boots, cannot be admitted into the Pit of the Opera. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Doors to be opened at 6:30. To begin at 7:30 [same throughout opera season]. The Nobility are entreated to give direction to their Servants to set down and take up at the Theatre with the Horse's head toward Pall Mall. On account of the abuses practised in the names of the Subscribers, it is become necessary to require the production of the Subscription Ticket at the Doors and the Boxes. At the Chair-door in Market-Lane, Subscribers only will be admitted. "Braham sustained his part so well that we trust he will give us an example that shall induce us to chace from an English stage the degrading and distusting form of a Castrato" (Morning Chronicle, 28 Nov.). [The playbill omits Rovedino, but his performance is reviewed in True Briton, 28 Nov. The only other male part in the opera is that of Sandro. And see 14 Feb. 1797.

Performances

Mainpiece Title: Zemire Et Azor

Performance Comment: Azor-Braham (1st appearance at this Theatre); Sandro-Rovedino; Ali-Morelli; Zemire-Mme Banti.

Dance: With Dances [(composed by Didelot) incidental to the Opera,-Didelot, Mlle Parisot, Mme Hilligsberg, Mme Rose; End Opera: Flore et Zephire- (originally composed by Didelot and now obligingly revived by him, in the absence of the Ballet-Master [Gallet], who is not yet arrived)

Event Comment: Gentleman's Journal, February 1691@2 (licensed 12 Feb. 1691@2): Mr Dryden has compleated a new Tragedy, intended shortly for the Stage, wherein he hath done a great unfortunate Spartan no less justice than Roman Anthony met with in his All for Love. You who give Plutarch a daily reading, can never forget with what magninimity (under all his tedious misfortunes) Cleomenes behaved himself, in the Aegyptian Court. This Hero, and the last Scene of his Life, has our best Tragic Poet chose for his fruitful Subject....Mr Dryden makes his Spartans, in this, speak as manly heroic Lacedaemonians, those more than Romans ought to speak, and since I am certain of your assent, at least, to my faith, I shall be bold to add, That tho I cannot but grant that Cleomenes alone could be author of his own glorious performances, yet I am most confident that their intire lustre will be fully maintained by Dryden's lively description, and Mr Betterton's natural imitation

Performances

Event Comment: Gentleman's Journal, April 1692 (licensed 13 April): Mr Banks hath writ a Tragedy call'd the Innocent Usurper....However, there being some reasons which hinder it from appearing on the Stage, he designs to submit it to the Judgment of every Impartial Reader, and it will very speedily appear in print

Performances

Event Comment: Gentleman's Journal, May 1692 (licensed 14 May): We are promised Mr Crown's Regulus, before the Long Vacation; As also a Comedy by Mr Shadwell, whose Genius for that sort of Poetry, is sufficiently known to the Ingenious

Performances

Event Comment: Gentleman's Journal, July 1692 (20 July 1692): We have had no new Play since Regulus, and 'tis very likely that we shall have none till the next Term

Performances

Event Comment: Gentleman's Journal p. 26, August 1692 (licensed 24 Aug. 1692): The first of the three Songs which I send you is set by Mr Purcell the Italian way; had you heard it sung by Mrs Ayliff you would have owned that there is no pleasure like that which good Notes, when so divinely sung, can create. [The song, Ah me! Ah me! to many, many deaths, the words by John Crowne and the music by Henry Purcell, is in Crowne's Regulus. See Early June 1692.

Performances

Event Comment: Gentleman's Journal, November 16@2: In my first Journal I gave you a large account of the Musick Feast on St Cecilia's day; So, to avoid repetitions, I shall onely tell you that the last was no ways inferiour to the former....The following Ode was admirably set to Music by Mr Henry Purcell and perform'd twice with universal applause, particularly the second Stanza, which was sung with incredible Graces by Mr Purcell himself. [See Purcell's Works, Purcell Society, VIII, and Orpheus Britannicus, 1702, 1706, 1711. The Ode appears to have been written by Nicholas Brady.

Performances

Mainpiece Title: Concert

Event Comment: Gentleman's Journal, December 1692 (appearing not earlier than January 1693): We are like to be without new Plays this month and the next; the death of Mr Mountfort, and that of Mr Leigh soon after him being partly the cause of this delay. The first that is promised us is a Comedy by Mr Southern, whose Plays are written with too much Politeness and Wit, not to be read by you with uncommon pleasure

Performances

Event Comment: Gentleman's Journal, November 1693: An Ode upon His Majesty's Birth-day, Set to Musick by Dr Staggins; and Perform'd before Their Majesties, Nov. 4. 1693. The Words by N. Tate, Servant to Their Majesties. [The Ode was published separately as a broadside in 1693. A song, Gallic force, in vain, set by Staggins and sung to the King on his birthday, is in Comes Amoris, The Fifth Book, 1694.

Performances

Mainpiece Title: Concert

Event Comment: Gentleman's Journal, November 1693: A Song for St Cecilia's Day, By Mr Theo. Parsons. Set to Musick by Mr Finger

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Gentlemen performing for their own Diversion.

Afterpiece Title: The Lying Valet

Event Comment: Gentleman's Magazine, XLX, p. 147: The cause of Macklin against Clarke, Aldys, Lee, James, and Miles came on to be tried in the Court of the King's Bench. The Indictment consisted of two counts; the first specifying that on the 18th of November 1773 the defendents had been guilty of a riot; the other that they had been guilty of conspiracy....The jury withdrew and in a few minutes brought Clark in guilty of the riot and the others of conspiracy. Judgment was deferred till next term

Performances

Mainpiece Title: Love In A Village

Performances

Mainpiece Title: Concert

Music: Blow, Purcell; Vocal parts-The King's Choir

Event Comment: At the Desire of several Ladies of Quality. Written by the late Mr Farquhar

Performances

Mainpiece Title: The Constant Couple

Music: Second Musick: 4th Concerto of 2d Opera of Geminiani. Third Musick: Overture composed by Handel for Tamerlane

Dance: I: La Bagatelle (new) by Essex and Miss Latour, her first appearance on that stage. III: Mock Minuet by Nivelon, Miss Robinson, F. Tench, Holt, Miss La Tour, Miss Mann. V: Les Amants Constants, as17331025

Song: II: Hush, Ye Little Warbling Choir by Miss Arne. IV: Was Ever Nymph Like Rosamond by Miss Arne

Event Comment: Benefit Mills. Mainpiece: Written by the late Mr Congreve

Performances

Mainpiece Title: Love For Love

Performance Comment: As17330926. With the same Prologue and Epilogue which were spoken by Mills and Mrs Heron at the opening of the House .

Afterpiece Title: The Mock Doctor

Music: Select Pieces between the Acts

Dance: By Nivelon, Miss Mann, Essex, Miss Robinson

Song: Hush, Hush, ye little Warbling Choir by Miss Arne. Per le Porte del Tormento by Miss Arne and Master Arne

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Dance: I: Grand Serious Ballet, as17421005; III: Tyrolean Dance, as17420921

Song: II: Hark the little warbling Choir-Beard

Music: IV: Concerto-Veracini

Event Comment: At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Provok'd Husband

Song: Cantata of Mr Haydn's-a Gentleman that never appear'd on any Stage before; a Dialogue of Purcell's-that Gentleman, a Youth

Performances

Mainpiece Title: The Fatal Marriage

Related Works
Related Work: The Fatal Marriage Author(s): Thomas Southerne
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: A Duke and no Duke

Dance: IV: Drunken Peasant (Peasant-$Miles; Clown-$Bennet)-; V: The Villagers, as17560315

Song: II: School of Anacreon-a Gentleman who never appeared on any stage; V: A Cantata-the same Gentleman

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Mat o' the Mint Actor: Robson

Afterpiece Title: Tom Thumb

Song: End of Act I of mainpiece The Huntsman's street Halloo and The Death of the Stag by Miss Catley and a Young Gentleman (1st time [unidentified)); End of Act II The Early Horn by the same Gentleman; In afterpiece The Soldier tired of War's Alarms by Miss Catley

Event Comment: By Permission of the Lord Chamberlain. [Author of Address unknown.] 1st piece: By the Author of Love in a Village, &c. [Isaac Bickerstaffe]; not acted these 16 years [1st acted at DL, 24 Nov. 1770], by Veterans of the Stage. 2nd piece: By the late Samuel Foote, Esq. 3rd piece: By Garrick; not acted these 12 years. The Doors to be opened at 6:00. To begin at 7:00

Performances

Mainpiece Title: 'tis Well It's No Worse

Afterpiece Title: The Diversions of the Morning

Afterpiece Title: Lethe, -AEsop, Old Man, Mercury, Drunken Man, Charon, Bowman, Snip, Fine Gentleman, Frenchman, Lord Chalkstone to be performed, for that night only, by a Society of Gentleman; Mrs Riot-Mrs Dore

Related Works
Related Work: A Midsummer Night's Dream Author(s): George Colman, the elder

Monologue: 1785 04 25 Preceding the 1st piece an Address spoken by Brown

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 15

Performances

Mainpiece Title: The Gentleman Of Venice