SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Flight"/1) | (@(roleclean,performerclean) "Flight")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 446 matches on Roles/Actors, 24 matches on Event Comments, 21 matches on Performance Title, 14 matches on Performance Comments, and 0 matches on Author.

Performances

Mainpiece Title: British Fortitude And Hibernian Friendship

Afterpiece Title: Lock and Key

Performances

Mainpiece Title: The Chances

Afterpiece Title: TRISTRAM SHANDY

Afterpiece Title: A DIVERTISEMENT

Performance Comment: Speaking Characters by Johnstone, Powel, Blanchard, Incledon, Richardson, Bernard//Mrs Martyr, Miss Hopkins, Mr Rees. [Cast adjusted from playbill of 19 Sept. 1791: Capt. Frederick-Johnstone; Sir Fidget Fearful-Powel; Gregory-Blanchard; Thicket-Incledon; Clueline-Richardson; Flambeau-Bernard//Peggy-Mrs Martyr; Sophia-Miss Hopkins; Whim-Mr Rees.] With Dialogue to introduce the following favorite Songs, selected, written and composed (with new Accompaniments) by Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter, by Bernard; Peggy Perkins, Let Bards elate, by Blanchard; Irish Drinking Song, Of the Ancients its speaking, by Johnstone; The Greenwich Pensioner ['Twas in the good ship RoPer] and Tom Bowling [Here a sheer bulk:], by Richardson; Comic Song, How much I love thee, by Powel; Taffy and Griddy, Abergavenny is fine, by Mrs Martyr; Hunting Song, To Batchelor's Hall, and Poor Jack, Go patter to lubbers, and The Portrait, Come, painter, with thy happiest flight, all by Incledon. To conclude with a Rural Masquerade. Indian Song, Dear Yanco say, and true be say, by Mrs Mountain; Sea Song, A sailor's life's a life of woe, by Miss Hopkins; The Masquerade, Sure an't the World a Masquerade, by Johnstone and Chorus . With Dialogue to introduce the following favorite Songs, selected, written and composed (with new Accompaniments) by Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter, by Bernard; Peggy Perkins, Let Bards elate, by Blanchard; Irish Drinking Song, Of the Ancients its speaking, by Johnstone; The Greenwich Pensioner ['Twas in the good ship RoPer] and Tom Bowling [Here a sheer bulk:], by Richardson; Comic Song, How much I love thee, by Powel; Taffy and Griddy, Abergavenny is fine, by Mrs Martyr; Hunting Song, To Batchelor's Hall, and Poor Jack, Go patter to lubbers, and The Portrait, Come, painter, with thy happiest flight, all by Incledon. To conclude with a Rural Masquerade. Indian Song, Dear Yanco say, and true be say, by Mrs Mountain; Sea Song, A sailor's life's a life of woe, by Miss Hopkins; The Masquerade, Sure an't the World a Masquerade, by Johnstone and Chorus .

Dance: In 3rd piece a Ballet by Byrn, Mlle St. Amand, Mme Rossi

Song: In Act II of 1st piece a song by Mrs Mountain

Event Comment: Benefit for Simpson, Powel, Rees & Mrs Henley. 3rd piece [1st time; P 1]: Selected from The Rape of Proserpine, Lord Mayor's Day, Harlequin's Museum, Harlequin Skeleton, Harlequin Sorcerer, Aladin, &c. In the course of the Compilation will be introduced: The Birth and Emancipation of Harlequin from the Egg-shell-the Dying Scene-the Skeleton-His Renovation-the celebrated Gladiator Scene, &c. In particular, among many surprising Escapes, the Jump through the Tea-chest; Flight from one Balcony to the other; a Leap over twelve Soldiers with fixed Bayonets; the Flight back and Jump through a Tamborine-and (for that night only) Simpson will run perpendicular up the Wall of a House, 30 Feet High. To conclude with a View of the Grotto of Magic. There are some imitations which almost identify the originals, but [Rees's as Dromio] was a vile caricature, which would never have been recognized but for the specification in the play bills" (Monthly Mirror, June 1798, p. 371). Receipts: #269 19s. 6d. (48.19.0; 20.17.6; tickets: 200.3.0, of which Simpson took #72 5s. 6d., Powel #27 10s. 6d., Rees #36 11s., Mrs Henley #61 16s., leaving #2 to be accounted for)

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Waterman

Afterpiece Title: The Witches Revels; or, The Birth of Harlequin

Song: In III 1st piece: song in character-Mrs Henley; Old Towler-Incledon

Entertainment: Vaudeville.As17980528; In 2nd piece: new Imitations-Rees

Event Comment: The Duke's Company. The date of the first production is not known, but it was probably acted much earlier than November 1682, when it was entered in the Term Catalogues. The fact that the Epilogue refers to the Duke of York's "second Exile into Flanders" points to the possibility that it may have been acted near that time, i.e., between 24 Sept. 1679 and 14 Oct. 1679. It may have been first acted early as March 1679, when the political flights of the Duke of York were also a matter of public concern

Performances

Mainpiece Title: The Young King; Or, The Mistake

Event Comment: Rich's Company. The evidence for this date as the premiere of The Relapse is Jennens' report on 19 Nov. 1696 that Drury Lane expected to produce a new play on this date, coupled with the fact that Lady Morley saw this play on 25 Nov. 1696. The play was advertised in the Post Boy, 26-29 Dec. 1696. Preface, Edition of 1697: One word more about the Bawdy, and I have done. I own the first Night this thing was acted, some indecencies had like to have happen'd, but 'twas not my Fault. The fine Gentleman of the Play, drinking his Mistress's Health in Nants Brandy, from six in the Morning, to the time he wadled upon the Stage in the Evening, had toasted himself up, to such a pitch of Vigor, I confess I once gave Amanda for gone, and am since (with all due Respect to Mrs Rogers) very sorry she scap'd; for I am confident a certain Lady (let no one take it to herself that is handsome) who highly blames the Play, for the barenness of the conclusion, wou'd then have allowed it, a very natural Close. Gildon, English Dramatick Poets, p. 145: This Play was received with mighty applause. Cibber, Apology, I, 216: This Play (the Relapse) from its new and easy Turn of Wit, had great Success, and gave me, as a Comedian, a second Flight of Reputation along with it

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Event Comment: The Opera of Theseus composed by Mr Hendel will be represented in its Perfection, that is to say with all the Scenes, Decorations, Flights, and Machines. The Performers are much concerned that they did not give the Nobility and Gentry all the Satisfaction they could have wished, when they represented it on Wednesday last, having been hindered by some unforeseen Accidents at that time insurmountable

Performances

Mainpiece Title: Theseus

Event Comment: The Opera...Compos'd by Mr Hendel, will be Represented in its Perfection (that is to say) with all the Scenes, Decorations, Flights, and Machines

Performances

Mainpiece Title: Theseus

Event Comment: Compos'd by Mr Hendel. With all the Scenes, Decorations, Flights, and Machines

Performances

Mainpiece Title: Theseus

Event Comment: With all the Scenes, Decorations, Flights, and Machines. Boxes 8s. Pit 5s. Gallery 2s. 6d. Stage Boxes half a guinea. Colman's Opera Register: A thin House

Performances

Mainpiece Title: Theseus

Event Comment: Benefit Handel. [Admission as 2 March.] In all its former Perfection, viz. As Scenes, Flights, and Decorations. [Handel received #73 10s. 11d. See Deutsch, p. 59.

Performances

Mainpiece Title: Theseus

Music: With the Addition ofseveral New Songs-; particularly an Entertainment for the Harpsichord Compos'd by Mr Hendel on purpose for that Day-

Event Comment: By His Majesty's Command. At the Desire of several Persons of Quality. With Flights, Apparitions, and Transformations, entirely new and diverting

Performances

Mainpiece Title: Argentina A Sorceress For Complaisance: Personation The Gypsy, Florentine Lass, Armenian Merchant, Running Footman, French Lady, And Counsel At Law

Dance: The usual Entertainments in Grotesque Characters-

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Necromancer

Performance Comment: In which will be introduced the last Grand Scene of the Sorcerer, of the Flight of the Stage. See17311015.
Event Comment: Mainpiece: Written by Mr Dryden. Daily Advertiser, 2 Nov.: The Director of [dl] has resolv'd, for the future, to suffer no living Persons to be concern'd in any Flights, or hazardoUs Machinery, but to have Figures made for that Purpose

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Afterpiece Title: The Burgomaster Trick'd

Dance: II: English Maggot-Villeneuve, Mrs Walter; II: Revellers-Essex, Mrs Walter

Event Comment: Benefit Dance and Nicholson. Tom's Coffee House, Cornhill, Wednesday four o'Clock. Mr Bayes: By the unanimous Desire of a number of your Friends here assenbled, who intend to sit in judgment upon you on Friday, I take upon me to advise you in some Particulars, as to your present Undertaking. Let not any Success you might meet with at one End of the Town where the Audience must be composed of a different Class of People from what you may expect at Covent Garden, tempt you to think of mimicking an Actress whom the Town doats upon; and particularly avoid Puffing; a Scheme long ago worn threadbare, but lately quite demolish'd by an enterprizing Genius. Not even an Epilogue from the Gods would be of any Service now; and therefore if you have anything that's new, any fiery Flights of Fancy, and all that, let them lie dormant till the Time of Action, and then endeavour to elevate and surprize. Value these Hints.--Daily Advertiser

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Schoolboy

Dance: LLes Allemandes, as17460421 The Peasants, as17460405

Event Comment: BBarry's Occasional Prologue printed in the General Advertiser.@ When Vice or Folly over-runs a State@Weak Politicians lay the blame on Fate.@When Rulers useful subjects cease to prize,@'And damn for arts that caus'd themselves to rise:'@When jealousies and fears possess the throne,@And kings allow no merit--but their own,@Can it be strange that men for flight prepare,@And strive to raise a Colony elsewhere?@This custom has prevail'd in every Age,@And has been sometime practis'd on the Stage.@ For--Entre Nous--these Managers of Merit,@Who fearless arm,--"and take the Field with Spirit,"@Have curb'd as Monarchs with their haughty Mien,@And Herod--have out Heroded--within (Pointing to the Green Room)@O! they can torture twenty-thousand ways:@Make bouncing Bajazet retreat from Bayes.@The Ladies too with every power to charm@Whose face and fire an anchorite might warm@Have felt the fury of the Tyrant's arm.@By selfish arts expell'd our ancient Seat,@In search of Candour--and in search of Meat,@We, from your favour, hope for this retreat.@If Shakespear's passion, or if Johnson's art@Can fire the Fancy, or can warm the heart,@That task be ours;--But if you damn their scenes@And heroes must give way to Harlequins,@We too, can have recourse to mime and dance,@Nay, there I think, we have the better chance,@And should the Town grow weary of the Mute,@Why--we'll produce a Child upon the flute.@But be the food as 'twill, 'tis you that treat!@Long have they feasted--permit us now to eat!

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: VViscomica to the Printer of the Public Advertiser: As burlettas have been laid aside some years, and they are a species of entertainment I am particularly fond of, as there is vivacity in the music, and great humour and satire in the performance, I was much pleased with the thoughts of being as well entertained as I had heretofore been; and more so when I found I could gain admittance to so good a place for hearing, for the trifling sum of three shillings; a place in which I never dared to shew my face before, not being on a footing with the riotous company that used to be admitted there, to attend their several masters' call; a nuisance, from which I rejoice the managers have at length, after so many hints and solcitations, found out a method to deliver their audience. I remember to have seen a darkish way down a flight of steps to a dismal winding staircase, which I was told led to the footman's gallery, and, supposing that the road I was to take on this occasion, was very agreeably undeceived by being shewn up about halfway to the five shilling gallery, and by a turn through an arch introduced to a new and convenient staircase leading to this region of the gods, where I was surprised to find myself arrived before I thought I was half-way up. The managers have indeed made this place very neat and commodious, by rendering the descent much less steep, lowering and matting the benches, painting and lighting the whole place; so that I found myself as much at my ease there, as in any other part of the house, and much better situated than I had expected; likewise, by their following Mr Garrick's example, in removing the pendant lustres, and lighting after the foreign manner, you have a full view of the whole stage; by which the magnificance appears greatly increased. The performance was beyond my expectations, as I think the performers excel any in their way which have appeared in this country; but I need not expatiates upon a subject the town in general have been, or I dare say will be, as good judges of as yours, &c

Performances

Event Comment: Benefit for Thompson, Wilkinson &c. Tickets deliver'd for the Inconstant, by Whatley, and others will be taken. @ Thompson .. 7 45 #5 11s. #2 15s. 6d.@ Wilkinson 37 18 22 #14 3s. #7 1s. 6d.@ Whatley .. 6 25 #3 8s. #1 14s.@ Mrs Griffith .. 23 25 #5 19s. #2 19s. 6d.@ Flight .. 9 45 #5 17s. #2 18s. 6d.@ Ellis .. 2 38 #4 2s. #2 1s.@ Reed .. 4 16 33 #6 15s. #3 7s.@ Roberts .. 3 104 49 #21 15s. #10 12s. 6d.@ Dixon .. 5 51 22 #11 2s. #5 11s.@ Robson .. 5 117 78 #26 12s. #13 6s.@ Norbury 8 43 54 #13 17s. #6 18s. 6d.@ Bassan 14 36 41 #13 #6 18s. 6d.@ Bushell .. 6 16 #2 10s. #1 5s.@ Fransdorf 4 39 33 #10 3s. #5 1s. 6d.@ Stephenson 20 106 106 #31 10s. #15 15s.@ Miller 5 44 59 #13 15s. #6 17s. 6d.@ Walker .. 14 47 #6 16s. #3 8s.@ Shuter .. 14 4 #2 10s. #1 5s.@ Total 105 655 742 #198 14s. #99 7s.@ [No charges. The House took half value of tickets.] Receipts: #32 1s. 6d. (Account Book)

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: Thomasand Sally

Dance: III: The Dutch Dance, as17691111

Event Comment: Benefit for Quick, Fox, Hamilton and Bates. Tickets sold at the doors will not be admitted. Charges #65 14s. 6d. Deficit to each actor #5 9s. 1 1!2d., covered by income from tickets: Quick #45 13s. (Box 40; Pit 169; Gallery 103); Fox #54 13s. (Box 60; Pit 219; Gallery 68); Hamilton #28 12s. (Box 40; Pit 72; Gallery 78); Bates #27 3s. (Box 28; Pit 69; Gallery 98). Paid Mr Osborne the Balance due for Benefit of New General Lying in Hospital the 22d Dec. last #10 17s. 6d. Half values from tickets receiv'd from Rose, Wilkinson, Mrs Griffiths, Flight, Roberts, Robson, Norbury, Fransdorf, Miller, and Walker (Account Book). Receipts: #43 18s

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Catharine and Petruchio

Dance: End: The Merry Sailors, as17691018

Event Comment: Benefit for Flight, Furkins, Wooley, Sherratt. Tickets deliver'd by Mrs Paddick, Doe, Claridge, Reed, Ellis, Dickson, Robson, Walker, Longley, Whatley and Singleton will be taken

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Mainpiece: By Particular Desire. Benefit for Wild, Holtom, Bates and Hamilton. Tickets deliver'd for Every Man in His Humour will be taken, as will Tickets deliver'd by Mr Flight. Charges #66 4s. Deficit to each beneficiary #4 9s. 10d., cover'd by income from tickets (Account Book). @Tickets Box Pit Gallery Value@Wild 9 56 133 #23 19s.@Holtom 23 122 94 #33 9s.@Hamilton 32 102 111 #34 8s.@Bates 42 67 48 #25 7s.@Flight [gratis] .. 62 152 #24 10s.@#141 13s.@ Receipts: #48 4s. 6d. (Account Book)

Performances

Mainpiece Title: Cato

Afterpiece Title: The Englishman in Paris

Song: End: Ailen Aroon-Mrs Woodman, as17720429

Dance: End: The Old ground Young, as17711030

Event Comment: Benefit for Mrs Hartle, Mas. Blurton, Walters, Symonds, Francis, and Furkins. Tickets deliver'd by Flight, Longley, Singleton, Shuter, Norbury, Roberts, Frensdorff, Miller, Stevenson, Reed, Robson, and Walker, will be taken. On Monday next (the thirteenth Night) the last New Comedy She Stoops to Conquor...with Harlequin Sorcerer. [No charges. House took half-value of tickets, plus ready-money receipts of #19 2s. 6d. (Account Book).] @Tickets Box Pit Gallery Value Half Value@Mrs Hartle .. .. .. .. ..@Mas. Blurton 5 11 36 #6 10s. #3 5s.@Walters 5 78 92 #22 3s. #11 1s. 6d.@Symonds 9 68 51 #17 11s. #8 15s. 6d.@Francis 3 33 38 #9 10s. #4 15s.@Furkins 18 45 30 #14 5s. #7 2s. 6d.@Flight .. 41 65 #12 13s. #6 6s. 6d.@Longley 9 156 57 #31 7s. #15 13s. 6d.@Singleton .. 6 14 #2 6s. #1 3s.@Shuter .. 55 16 #9 17s. #4 18s. 6d.@Norbury 10 12 19 #26 4s. #3 2s.@Roberts 6 134 48 #26 8s. #13 4s.@Frensdorf 3 44 19 #9 5s. #4 12s. 6d.@Miller 7 87 84 #18 14s. #9 7s.@Stephenson 12 74 71 #21 4s. #10 12s.@Mrs Read 5 16 37 #7 7s. #3 13s. 6d.@Robson 3 88 35 #17 9s. #8 14s. 6d.@Walker .. 34 61 #11 4s. #5 12s.@Total 95 882 773 #243 17s. #121 18s. 6d.

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Contrivances

Dance: III: Hornpipe-Mas. Blurton; End: The Cumberland Corn@thrashers, as17730424

Event Comment: Benefit for Miss Bassan and Abbott. Tickets delivered by Furkins, Longley, Robson, Flight, Curteen, Paddick, Stephenson, as well as those delivered for the Inconstant and Love for Love will be taken. [No charges. House received ready money receipts plus half-value of tickets]: @Tickets Box Pit Gallery Value Half Value@Miss Bassan 22 38 43 #15 10s. #7 15s.@Abbott 18 52 72 #19 10s. #9 15s.@Furkins 27 42 19 #14 19s. #7 9s. 6d.@Longley 22 206 82 #44 12s. #22 6s.@Robson 13 107 42 #23 10s. #11 15s.@Flight .. 72 62 #17 #8 10s.@Curteen 24 57 55 #20 1s. #10 6d.@Mrs Paddick 7 30 13 #7 11s. #3 15s. 6d.@Stephenson 3 21 85 #12 8s. #6 4s.@Total 136 625 473 #175 1s. #87 10s. 6d.@ Paid Nichols (gilder) 1s. 6d., McMillen (shoemaker) #4 3s.; D. Almaine (embroiderer) #3 3s.; Morris (painter) #7 7s.; Rowson (gunsmith) #6 11s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Commissary

Dance: II: (By Desire) a Minuet (1st time)-Blurton, Miss Bassan; End Opera: Hornpipe-Miss Bassan

Event Comment: Benefit for Curteen, Roberts, Shuter. Tickets delivered by Miller, Walker, Reed, Colley, Robinson, Brandon, Booth, Flight, Mrs Paddick, Mr Watson will be taken. Doors open half past 5. To begin half past 6 o'clock

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Cross Purposes

Dance: End: The Pilgrim, as17750503

Event Comment: Benefit for T. Ansell, Pilford, Wooley, Marks, Symonds, Furkins, Tickets deliver'd by Flight, Roberts, Claridge, Doe, Wells, Francis, Brandon, Budd, Miller, Constable will be taken this night

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Lyar

Dance: End: The Italian Gardeners, as17751011

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: A Divertisement

Performance Comment: [The Speaking Characters by Bannister, Johnstone, Wilson, Blanchard, Bernard, Rees (1st appearance on this stage), Mrs Harlowe, Mrs Martyr. Cast from Songs (For the Author [1790]); Clueline-Bannister; Capt. Frederick-Johnstone; Sir Fidget Fearful-Wilson; Gregory-Blanchard; Flambeau-Bernard; Whim-Rees; Squire Thicket-Incledon; Sophia-Mrs Harlowe; Peggy-Mrs Martyr; Female Indian-Mrs Mountain; [With Dialogue-; [to introduce the following favourite Songs, selected, written and composed (with new accompaniments) by Dibdin: PART I. The Lamplighter[, I'm jolly Dick the Lamplighter-Bernard; Peggy Perkins[, Let Bards elate-Blanchard; Irish Drinking Song[, Of the Ancients its speaking-Johnstone; Tom Bowling[, Here a shere Hulk lies poor Tom Bowling-Bannister; Comic Song[, How much I love thee-Wilson; Taffy and Griddy[, Abergavenny is fine-Mrs Martyr; [PART II. Hunting Song[, To Batchelor's Hall-Incledon; Sea Song[, Ben Backstay lov'd the gentle Anna-Bannister; The Portrait[, Come, Painter, with thy happiest flight-Incledon; The Soldier's Grave[, Of all Sensations Pity brings-Incledon; [Conclude with Rural Masquerade-[in which the following Airs will be sung in character; The Greenwich Pensioner[, 'Twas in the good ship Rover-Bannister; Indian Song[, Dear Yanco says, and true he says-Mrs Mountain; The Masquerade[, Sure an't the World a Masquerade-Johnstone, Chorus; Occasional Prologue-Farren.

Dance: In afterpiece: Dancing-Byrne, Mrs Goodwin