Event Comment: The Subscribers to the Opera are desir'd to send their Silver Tickets on Saturday next, and the three succeeding Days of Performance, to the Opera Office, where a Half Guinea Ticket extraordinary will be delivered to each, or a proportionable Part of Money return'd as Equivalent for four representations, which the Season already too far advanced, cannot admit of being exhibited, thro' the absolute Necessity there was of postponing the proper Time of beginning the Opera. Forty-Two Representations are past

Event Comment: Afterpiece An Historical Dramatic Piece of on act (taken from Shakespear) with a representation of the Trials of the Lords for High Treason, in the Reign of King Henry V. The Characters dress'd in the Habits of the times. With proper Scenes and Decorations. On account of the Extraordinary Scenery, &c, and to prevent any interruption in the performance, it's desired no persons will take it ill that they cannot admitted behind the Scenes.--General Advertiser. [This adaption most certainly occasioned by the trial, which began in Westminster Hall on 28 July of Lord Kilmarnock, Lord Cromarty, and Lord Balmerino for participation in the Rebellion of '45! (Hogan, Shakespeare in the Theatre, p. 199).] An Historical Dramatic Piece of one act, taken from Shakespear, will be perform'd, after a play, at Drury Lane; it will be a Representation of the trials of Lord Cambridge, Lord Scroopv, &c for High Treason, in the reign of King Henry the Fifth. The Characters are to [be] dress'd in rich antique Habits of the times.--Daily Advertiser, 31 July. Last night the Dramatick Piece call'd The Conspiracy Discover'd; or French Policy Defeated, with a representation of the Trials of the Lords for High Treason, was acted at dl, with great applause, and will be performed again tomorrow night at the desire of several persons of Distinction.--General Advertiser, 5 Aug

Event Comment: AA Letter to Mr Garrick on his having purchased a Patent for Drury Lane Play-House published. [Written by one who subscribed himself the Plain Dealer, it pointed out the troubles in store for the young manager from grievances from subordinates, arrogance from other actors (all individualists, no unity) failure from joint managership, grievances from public, and extraordinary expense from costume. He suggests the reasons for Garrick's jumping from actor to manager are vanity and avarice. He indicates Garrick's challenge and sums up the late troubled years of management under Fleetwood and Highmore.

Event Comment: DDelectando pariterque monendo. At Yates's Great Theatrical Booth (from the Theatre Royal in Drury Lane) facing the Hospital Gate. During the short Time of Bartholomew Fair, will be presented an instructing and diverting Droll, call'd The Consequences of Industry and Idleness, or The Apprentice's Guide. To begin at Twelve noon. [Notice repeated 25, 26 27 Aug.

Event Comment: Benefit for Mr and Mrs Bridges. Tickets to be had of Mr Bridges at Mr Courteen's in Bow St., Covent Garden; and of Hobson at the stage door. Publish'd this day at 1s. Miss in Her Teens; or, the Medley of Lovers, a Farce in Two Acts, as it is performed at Drury Lane. Written by Mr Garrick. Printed for J. and R. Tonson. Receipts: #140 (Cross); charges, #63 (Powel)

Event Comment: At Cross and Bridges' Booth, opposite the Hospital Gate. A new Dramatick Droll...being founded on a Story in Real Life, as related in the Memoirs of the celebrated Mrs Constantia Phillips. In which will be introduc'd a New Scene of Bedlam...Interspers'd witn a Merry Interlude call'd The Jovial Tars...with the Comical Humours of Nurse Prate and Will Bowling the Jovial Tar; as also of Jack Hanspite, Nick Hatchway, and Simon Bucket, Sailors; with Mary the Chambermaid, Susan of the Dairy, Kate of the Kitchen, and Nan the Spinster. To begin each day at noon. An extraordinary band of music is provided. Prices: 1s. 6d., 1s., 6d

Event Comment: [M$Mrs Barrington, formerly Mrs Hale.] To the Author of the General Advertiser, &c. Sir: I am far from being of the opinion of too many of my countrymen, who exclaim against the performances of foreigners be they ever so extraordinary: on the contrary whenever I hear of a person who merits Encouragement from the Publick, I use all my interest in his favour; and will always continue so to do, though he should come from the extremity of the globe--Nor am I of the opinion of another class, who imagine no man can by a great performer unless he comes from a strange land. I am convinced we have an artist at present among us, as excellent in his way as ever was seen in Britain. He is an Englishman, and citizen of London; and without any instruction (as I am inform'd) performs all the surprizing Equilibres on the Slack Rope that were exhibited by the famous Turk. I have seem his performances once already and they gave me infinite pleasure. Tomorrow evening I intend to see them again, at the Theatre in the Haymarket, and heartily wish him the success he deserves, Yours, &c A. B. [See 23 Dec. 1749 note about Rich's engaging Caratha@the@Turk, and note, 28 Oct. 1749.] Receipts: #67 9s

Event Comment: At Phillips's Great Theatrical Booth, Bowling Green, Southwark Fair. An Extraordinary Band of Musick. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. To begin at 12 noon. [Repeated in all bills. Play not identified. Some characters resemble those of the Lottery.

Event Comment: At Mr Phillips's Booth, Bowling Green, Southwark. A concert, etc. An Extraordinary Band of Musick. Pit 1s, 6d., Gallery 1s., Upper Gallery 6d. To begin each day at 12 o'clock noon. Mainpiece: An excellent Droll. [Possibly made from Dryden's Spanish Fryar.

Event Comment: MMr Foote play'd Buck & Miss Macklin Lucinda, --went off tol: ye Girl was lik'd-she sung in ye Character Aly Croky--fine, --& danc'd a Minuet--well (Cross). [Foote was engaged as an actor for a certain number of nights and made his 1st appearance on this evening-he spoke a Prologue written by Garrick which was encored every night Genest, IV, 380). The Prologue was printed in the Public Advertiser on 29 Oct. suggesting the many sources of laughter on stage as they appealed to various parts of the House, pointing fun at Foote, and closing with his mock, humble statement: @"Many my passions are, tho' one my view@They all concenter--in the pleasing you.'@ It also contained information about a specialty performer on the Cello, Monsieur Cervetti, and his reception by the upper galleries: @"...In like extremes your laughing humour shows@Have ye not roar'd from Pit to upper Rows@And all the jest was, What? a Fiddler's nose..."@ The person here meant is M Cervetti, who has been a standing joke with the upper gallery for a long time past, on account of the length of his nose: but as I am inform'd, that no feature of his Mind is out of proportion, unless it be that his good qualities are extraordinary, I take this opportunity to mention that it is cruel to render him uneasy in the Business, in which he is eminent, and by which he must gain his livlihood." See identical comment in Gray's Inn Journal, 27 Oct. A puff for Miss Macklin appeared in Gray's Inn Journal, 20 Oct.] Receipts: #190 [Cross)

Event Comment: Benefit for Mr Woodward he did buck in the Farce (Cross). On account of the extraordinary demand for places, Boxes and Pit will be laid together. Amphitheatre on Stage. Published Tuner No 3-31 pages, 6d. Receipts: #311 (Cross)

Event Comment: [Not performed.] Last Night ththe new English Opera of Eliza was suppressed by an Order from superior Power, by which Means many Persons of Taste were deprived of a very elegant Entertainment, as it was universally acknowledg'd that this musical Performance was very extraordinary Merit, being a sensible Composition, calculated to convey the liveliest Ideas to the Fancy, and to awaken the Passions of very feeling Heart. It is said, that instigated by this Disappointment, Mr Arne will apply to P-t for a Bill to unnaturalize him, that he may then have the Privileges of an Englishman, as well as any Foreigner of them all (Gray's Inn Journal No 37, 8 June)

Event Comment: By Particular Desire. An extraordinary band of Musick is provided. N.B. Mr Bridgwater dy'd -an old actor & an honest man. He belong'd to Covent Garden (Cross)

Event Comment: At the Large Commodious Room at the lower end of the Swan Inn Yard, West Smithfield, during the short time of Bartholemew Fair, which begins this day. The Characters dressed in the Italian manner. Scenes, Cloaths, Machinery, and other Decorations entirely New. To began each day at 12:00 noon. A very extraordinary band of musick is provided, and the Room decorated in an elegant Manner, for the better reception of the Nobility and Gentry. There is a back door to Hosier Lane for the conveniency of those who don't chose to be crowded...The passages will be elegantly illuminated

Event Comment: [For the King (Cross). With New Music, Scenes, Machines, Habits, and other Decorations. Compos'd by Mr Noverre. All our Dancers appear. A good deal of hissing & Clapping & some Cries of No french Dancers; a great clapping too-the Dance is fine-(Mr Delaistre is a good Dancer) (Cross). [See for details of preparation, importation of dancers, especially of M Delaistre, The Chevalier Noverre, Father of Modern Ballet, Deryck Lynham (London, 1950), pp. 26-40. See also advertisement in Public Advertiser: 'Mr Noverre, whose entertainments of Dancing have been celebrated in almost all the courts of Europe, exhibits this evening his Chinese Festival at the Theatre Royal in Drury Lane, in pursuance of a contract made above a year ago with the managers of the said theatre: The Insinuation that at this time, an extraordinary number of French dancers are engaged, is groundless, there being at Drury Lane at present as few of that nation, as any other theatre now has, or perhaps ever had. Mr Noverre and his brothers are Swiss, of a protestant family in the Canton of Berne, his wife and her sisters Germans; there are above sixty performers concerned in the entertainment; more than forty of which are English, assisted only be a few French (five men and four women) to complete the Ballet as usual. As the intention of the Managers on this occasion is to give Variety to Entertainments of the town, it is not doubted it will meet with public approbation.'] Receipts: #210 (Cross)

Event Comment: Benefit for Tenducci. Tickets 5s. Coffee and Tea included. [Pasqualino had a similar musical evening there, 18 June, with fireworks.

Event Comment: [The following notice appeared in the Public Advertiser]: Whereas a very unjustifiable disturbance happened last night at this theatre; the managers think it incumbent upon them to acquaint the Publick that when the Opera of Artaxerxes was in rehearsal it was determined that no expence should be spared to render the performance as elegant as the nature of so peculiar an Entertainment would admit. This desire occasioned so considerable an increase of the nightly charge 'twas thought by many disinterested persons would justify additional prices; but to avoid giving the least umbrage, and in gratitude for the Public indulgence on other occasions, no such advance was attempted. When it is known that the extraordinary nightly expence attending this performance amounts to upwards of Fifty Pounds it is humbly apprehended no persons of justice and candour will think the Full Price an exorbitant gratification for such unusual disbursements. The Management therefore flatter themselves that a resolution to oppose the arbitrary and illegal demands of a particular set of persons, contrary to the general sense of audience, will not be deemed arrogant or unreasonable, especially when those demands are enforced by means subversive to Private Property, and in violation of that decorum which is due to all public assemblies

Event Comment: full column letter to the public signed by John Beard appeared in the Public Advertiser announcing his agreement to the half-price demands of the rioters, and excusing himself for not acquiescing with more alacrity on the night of the demand. His excuse was that he was merely manager for other proprietors, and that property interest was involved in the financial sacrifice he was asked to make. He noted further reasons for not immediately giving in to demands of the rioters: Mr Beard had at that time received several anonymous threatening letters and notes concerning many other branches of what they called Reformation. He was ordered by one to add a farce to Love in a Village, or the House should be pulled about his ears. By andther he was commanded to put a stop to the farther representation of that Opera, upon the penalty of enforcing his compliance by a Riot the next night of performance, and very lately received certain information of meetings, which have already been held, and an Association forming to reduce the prices at the Theatre to what they were forty years since, tho' it is notorious the Expence of Theatrical Entertainments are more than doubled. For these reasons he looked upon the Occasion of the present disturbance only as a prelude to future violence; as the first not the last salutation of this extraordinary kind to be expected, and apprehended that too easy an acquiescence might possibly prove rather encouragement than prevention. Nevertheless in gratitude for the many favours and indulgencies received from the Publick, and from an earnest desire to promote that order and decorum so essential in all Public Assemblies, the Proprietors have now jointly authorized Mr Beard to declare that they shall think themselves equally bound with the managers of the other Theatre to an observance of those limitations which they have agreed to." This letter repeated in Public Advertiser, 3 March.

Event Comment: Mainpiece: Not acted these 9 years. [See 7 Feb. 1757.] Mr J. Aickin hissed.--Mr Holland and Mrs Baddeley played well (Hopkins Diary). Mr Garrick had the honour of being with the King of Denmark Tuesday morning last, and conversed with him for near half an hour on the state of the stage in England and France. The King gave him an elegant gold snuff-box studded with diamonds as a small mark of the great regard he had for his extraordinary talents (London Evening Post, 14 Oct.)

Event Comment: MMiss Weller a Pupil of Dr Arne first appear'd and-(Hopkins Diary). London Evening Post, 11 Jan.; A pupil of Dr Arne and scarecely 19 years of age; her figure is that of the tallest of the middle size, well proportioned and at present possesses a dignity and grace which when habit brings her to perfection cannot fail of being universally admired. Her face is oval with an aqualine nose and though from the timidity of a first appearance the rest of her features lost that necessary animation, yet there were periods when she could disposses herself of her confusion, that prognosticated great expression of countenance. Her voice was clear, commanding, and melodious, and her ear and manner both excellent. She is that kind of singer that one can be pleased from looking at as well as from hearing, --an excellence few vocal performers possess. Her acting abstracted from her voice would have done credit to a first appearance, as it was very pleasing and properly accompanied....What the managers could mean in casting Lucy for Miss Pope is extraordinary, as she sung, or indeed rather squalled every song so much out of tune that it was impossible for the music to accompany her; we do not however mean by this to cast the least reflection on so excellent an actress, as her spirited and judicious manner of playing it almost atoned for that of singing it

Event Comment: Benefit for Barry. Barry did not act Doubtless ill (Winston MS 10). Tickets delivered for All for Love will be taken. On Account of the extraordinary demand for places, most part of the Pit will be laid into the Boxes. Send servants by half past 4 o'clock

Event Comment: Doors open at 5 o'clock. Play to begin at 6 o'clock. Prices: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places to be had of Mr Johnston at the Stage door. [Customary note, repeated.] Rec'd Mrs Groath's one year's rent to Xmas last #3; Paid Renters #8 (Treasurer's Book). This regular expenditure was made nightly for the 189 acting nights of the season, as well as for the 11 nights on which Oratorio's were given in the Spring. The total amount came to #1600. No further note will be made of this item this season. The Westminster Magazine this month, reiterated its doleful cry "that the stage is on its decline." In a long article on "Stage Effect, or Dramatic Cookery," it concluded that our "Theatrical managers and even our Theatrical Critics seem to have resolved all the merit of dramatic composition into stage trick, and rest their criterion of Dramatic Genius on the knowledge of what they are pleased to call Stage effect." The "Theatre" article for the month remarked upon the boldness of Garrick's opening with the Beggar's Opera, "notwithstanding he was requested by the Bench of Justices at Bow-Street, to suppress it, as they were of opinion it had done a great deal of mischief among the low class of people." Lloyd's Evening Post, 17 Sept., included extracts from letters against playing the Beggar's Opera, "because every performance makes from one two twenty thieves." Sir John Fielding and his associates had addressed a letter to Garrick requesting him not to perform the opera for the same reason. The Morning Chronicle, 23 Sept., praised Garrick for not complying with the Justices' request. Wm Augustus Miles published a Letter to Sir John Fielding occasioned by his extraordinary Request to Mr Garrick for the suppression of the Beggar's Opera (44 pp.). In this he vindicated the moral effect of the opera.] Receipts: #158 (Treasurer's Book). [Note: For perform ance at hay 18 and 20 September, see Season of 1772-1773, p. 1740

Event Comment: Doors open at 5 o'clock. Play begins at 6 o'clock. [Young Lady identified by Kemble note on playbill and by Winston MS 10. Her identity appears from playbill of 13 Oct. where her name occurs in character of Rosetta along with the statement that it is her fourth appearance on any stage. She appears on the weekly payroll from the first week at 16s. 6d. per day (Account Book). The Westminster Magazine believed her to be no actress (October issue): "Her musical powers were not extraordinary; her acting powers still worse."] Receipts: #206 14s. (Account Book)

Event Comment: Mainpiece: Not acted these 2 years. [See 25 Jan. 1772.] [Brown identified by Kemble note on playbill. Macklin no longer appears on the playlist. This day is published at 1s. 6d. The Duellist, a Comedy, as it was represented at the Theatre Royal in Covent Garden. To which is prefixed a concise Narrative of the very Extraordinary Circumstances attending its Reception. T. Evans Bookseller.] Receipts: #188 1s. (Account Book)