Event Comment: Benefit for Mr Beard. Afterpiece: By Desire. Tickets of Beard at Mrs Coleman's in East St., near Red Lyon Square, and at the Stage Door. Receipts: #300 (Cross)

Event Comment: Benefit for Mr Havard (Cross). Last time of performing the Mainpiece this season. Tickets of Havard at his house in Broad Court, Bow St., Covent Garden, and at the Bedford Coffee House and the Stage Door. [The Public Advertiser lists Old Knowell this night as Berry.] Receipts: #190 (Cross)

Event Comment: Benefit for Mr Ross. Afterpiece: By Particular Desire. Tickets of Ross at his House, corner of Bow St., Covent Garden, and at Stage Door. Receipts: #150 (Cross)

Event Comment: Benefit for Mr Berry. Tickets of Berry at Mr Pope's, Peruke Maker, in Russel St., Covent Garden, and at Stage Door. Receipts: #130 (Cross)

Event Comment: Benefit for Davies, and Mrs Davies. Tickets at their lodgings at Mr Marshall's in Tavistock Row, Covent Garden, and at Stage Door. Part of Pit will be laid into the Boxes. Receipts: #220 (Cross)

Event Comment: Benefit for Dyer. No building on the stage

Event Comment: Benefit for Blakes. No building on Stage. Tickets at Blakes' House in Duke's Court, Bow St., Covent Garden. Macklin's Coffee House sold by Auctioneer under the Commissioner of Bankruptcy (Winston MS 8). Receipts: #170 (Cross)

Event Comment: Benefit for Ridout. No Building on Stage. [The printer of the Public Advertiser seems to have kept his form for the old notices of the cast for the mainpiece, for although changing Bayes to Shuter, with the appropriate remark about his first appearance in the character, he also lists Gentleman Usher as Shuter.

Event Comment: Benefit for Mrs Graham. Tickets of Mrs Graham, at Mr Robinson's in Beaufort Buildings in the Strand, and at the stage door. Last time of performing the mainpiece this season. Receipts: #80 (Cross)

Event Comment: Benefit for Frantzel and Sga Rosina Balbi. No Building on stage

Event Comment: The Third Day. As admitting Gentlemen on the Stage would greatly obstruct the Machinery, it's hoped no Person will desire it

Event Comment: Benefit for myself and Wife (Cross). Tickets at the Stage Door. N.B. At the desire of several Ladies and Gentlemen, Mr Cross has changed Virginia, which he had before advertised, to the above Play. Tickets delivered out for Virginia will be taken. Receipts: #147 (Cross)

Event Comment: Benefit for Leviez. Last time performing mainpiece this season. No Building on Stage. Receipts: #120 (Cross)

Event Comment: Benefit for Pritchard. Tickets at Pritchard's lodgings at Pritchard's Warehouse in Tavistock St., and at Stage Door. Receipts: #180 (Cross)

Event Comment: Benefit for Mrs Mills. Tickets deliver'd out by Taswell, Wilder, Morris, and Mrs Addison will be taken. Tickets to be had of Mrs Mills at Mr Gardyner's, Printer, in Russel St., Covent Garden, and at the Stage Door. Receipts: #130 (Cross)

Event Comment: Benefit for Burton and Philips. Tickets of Philips at Martlet Court in Bow St., Covent Garden, and at the stage door (Playbill). [Advertised as not acted in 10 years, but see 29 Oct. 1748.] Receipts: #220 (Cross)

Event Comment: Benefit fo r Roberts. No Building on stage

Event Comment: Benefit for Simson and Wife and Mas. Simson. Tickets of Simson in Wild Passage, Wild St., near Lincoln's Inn Fields; at Grigsbys Coffee House, behind the Royal Exchange, and at stage door. Afterpiece: By particular Desire. Receipts: #210 (Cross)

Event Comment: Benefit for Varney (Housekeeper). Tickets of Varney at the Stage Door of the Theatre. Afterpiece: By Particular Desire. Receipts: #220 (Cross)

Event Comment: At the Desire of several Persons of Quality. By Authority....By Bayes's New-raised Company of Comedians....All other parts [of mainpiece] to be attempted by the new Company; Most of whom never appeared on any stage before. Particularly, the part of Miranda , by a Young Gentlewoman. Being positively her first Essay in a Theatrical Capacity. Boxes 5s. Pit 3s. Gallery 2s. To begin at 6:30 P.m. [No concert formula.

Event Comment: DDrury Lane Theatre open'd Sat: Sept 13th. The House new Gilt, Painted & ornamented wth Festoons &c. Mr Mossop left us. Mr Wilder discharg'd. Mrs Mills is gone to end her Days in Wales, wth an Allowance of #20 per An: from the Managers (Cross). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money returned after the Curtain is up. No Persons to be admitted behind the Scenes. Places for Boxes to be had of Mr Varney at the Stage Door. [Notice customarily repeated and will not be further noted.] Receipts: #109 (Cross)

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for Boxes to be taken at the Stage Door of the Theatre. To begin exactly at Six o'clock. [Notice repeated in subsequent bills.

Event Comment: Some Noise at the Dancers, but not great (Cross). Tomorrow will be publish'd The Dancers Damn'd; Or The Devil to Pay at the old House. Price 6d. Printed for R. Griffiths. [Appears to be an eyewitness, journalistic account, but turns into a considered attack upon mob patriotism. Author purports to describe the action which took place Wednesday night 12 Nov. 1755: 'When the Chinese scene was expos'd, the leader of the Loyal party advanced to the front of the Gallery and thus bespake the House: "O Britons! O my Countrymen! Ye will certainly not suffer these foreign clogs to amuse us. Our destruction is at hand. These sixty dancers are come over with a design to undermine our constitution. This Navarre is Marshall Lewendahl, and the least amongst them is an ensign, disguised in order to perpetrate our ruin!"' After alternate encouragement and abuse Reason, who had descended from the clouds, spoke: "I came hither by the persuasion of Truth and Justice to tell you that amongst all this number of dancers that now stand ready to entertain you there are no more than Four French men and about the same number of females; that their Chief is a Swiss Protestant, who, had not his merit protected him would have been hiss'd off the stage at Paris, for being a Swiss Protestant. And will you damn him for the same reason? Will you pay less regard to Genius than a French Audience? Here a cat-call and one cried out: 'Swiss! What the devil do we know of Swiss! a Swiss is a foreigner, and all foreigners are Frenchmen; and so damn you all!"'] Receipts: #140 (Cross)

Event Comment: This night the Riot was very Great, the Gentlemen came with Sticks, & tho' the play went on quiet 'till the last Act, we had there a great Stop, notwithstanding we ended it, & then the rout went on, ye Boxes drove many out of the Pit, & broken heads were plenty on both Sides; the dance began,--was Stop'd--& so again & again--while this was doing numbers were assembl'd in the Passages of the pit, broke down & were getting into the Cellar, but were repuls'd by our Scene men &c.--heavy blows on both sides--Justice Fielding--& Welch came with Constables & a Guard; but without effect, tho' the Justices stood upon ye Stage--I thought ye proclamation must have been read--after ye battle in the Passages numbers went & broke Garrick's Windows in Southhampton Street, --part of ye Guard went to protect it-Garrick was oblig'd to give up the Dancers-& ye Audience disperc'd (Cross). This day publish'd at 1s. The Country Coquet; or, Miss in her Breeches, a Ballad Opera, as it may be acted at Drury Lane. @Men, some to business, some to pleasure take@But every woman is at heart a Rake.@ Pope By a Young Lady. Printed for and sold for J. Major, in Three-Tun Court, leading from the Ship in Ivy Lane into Newgate Market. Receipts: #200 (Cross)