SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English and Irish Stage"/1) | (@(roleclean,performerclean) "English and Irish Stage")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2551 matches on Event Comments, 1762 matches on Performance Comments, 1632 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Oroonoko

Performance Comment: As17350103, but Oroonoko-a Gentleman (at the Request of several Friends), a Citizen of London, the first and only time of his appearance on any stage; Driver-Johnson; Widow-Mrs Cross; Stanmore, Jack, Hottman omitted . Stanmore, Jack, Hottman omitted .
Cast
Role: Blandford Actor: W. Mills

Afterpiece Title: The Devil to Pay

Dance: I: A Clown by Nivelon. II: Drunken Peasant by Le Brun. V: Amorous Swain, as17350327

Event Comment: Daily Advertiser, 22 May: We hear that Mons Poitier and Mademoiselle Roland made their Submission last Night on the Stage, and ask'd Pardon of the Town, and afterwards danc'd with universal Applause

Performances

Mainpiece Title: The Man Of Taste

Afterpiece Title: Harlequin Orpheus

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Mrs Sealand Actor: Mrs Cross
Role: Sealand Actor: Milward
Role: Luanda Actor: Miss Holliday

Afterpiece Title: Harlequin Orpheus

Music: Select Pieces. II: Solo on the Violin performed on the Stage by Charke

Performance Comment: II: Solo on the Violin performed on the Stage by Charke .

Dance: II: A new Serious Dance by Mlle Roland. IV: French Peasants by Poitier and Mlle Roland

Performance Comment: IV: French Peasants by Poitier and Mlle Roland .
Event Comment: Boxes and Balconies on the Stage 4s. Boxes 3s. Pit 2s. Gallery 1s. 6 P.M

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Damon and Phillida

Dance: Scotch Dance by Mrs Bullock. Pierrots by Vallois and Delagarde

Performance Comment: Pierrots by Vallois and Delagarde .
Event Comment: At Common Prices. Stage Halfa Guinea. Receipts: #20 6s. 6d

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Toyshop

Dance:

Performances

Mainpiece Title: Othello, Moor Of Venice

Dance: Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme. Two Pierrots by Nivelon and Lalauze, the first time of his appearing on that stage. The Faithful Shepherd by Glover, Miss Rogers, Tench, Desse, Dupre, Livier, Mrs Ogden, Mlle Delorme, Miss Sandham, Miss Norman

Performance Comment: Two Pierrots by Nivelon and Lalauze, the first time of his appearing on that stage. The Faithful Shepherd by Glover, Miss Rogers, Tench, Desse, Dupre, Livier, Mrs Ogden, Mlle Delorme, Miss Sandham, Miss Norman .
Event Comment: At the particular Desire of several Eminent Merchants and Citizens. Afterpiece: Written by Mr Carey. London Daily Post and General Advertiser, 9 Oct.: Yesterday, between One and Two o'Clock, died of a Haemorrage . . . Mr Charles Hulett, belonging to [GF], whose natural Qualifications to the Stage, had he the Application of many of less Merit, would have render'd him one of the most considerable Performers now alive

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Honest Yorkshireman

Dance: As17351006

Event Comment: With entire New Scenes, Machines, Flyings, and other Decorations. Boxes and Balconies on Stage 5s. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d

Performances

Mainpiece Title: The Emperor Of The Moon

Music: A New Medley Overture, composed by Prelleur

Dance: New Dances adapted to the Opera, particularly A Dance of Court Cards: King of Spades-Ray; Queen of Spades-Mrs Dove; Knave of Spades-Norris; King of Hearts-Presgrave; Queen of Diamonds-Miss Hughes; Knave of Clubs-Hamilton. Other dances by Haughton, Mrs Bullock, Vallois, Mrs Woodward, Le Sac, Mrs Vallois

Song: [In it] the Original Songs, set to Musick by Mr Prelleur, and sung by Kelly, Mrs Chambers, Miss Jones

Event Comment: Daily Journal, 27 Jan.: We hear that the Beggar's Opera is soon to be acted at [DL]; the Part of Lucy ... by Mrs Clive . . . Polly by Mr Cibber's Wife, who is to have all the first Parts, having, during the Run of Zara, shewn her natural Genius, by never any one Night varying in either Tone of Voice or Action from the Way she was taught. [See Prompter, 27 Jan., for an essay on the corruption of the stage by pantomime.]
Event Comment: With new Scenes, Machines, and other Decorations. Boxes and Balconies on the Stage 5s. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Harlequin Shipwreck'd: With the Loves of Paris and Oenone

Event Comment: There will be no Action on the Stage, but the Scene will represent a Rural Prospect of Rocks, Grottos, &c. amongst which will be dispos'd a Chorus of Nymphs and Shepherds. The Habits and other Decorations suited to the Subject

Performances

Mainpiece Title: Acis And Galatea

Event Comment: Benefit Glover. At the particular Desire of several Persons of Quality. Three Rows of the Pit will be rail'd in, and Part of the Stage form'd into Boxes. Receipts: money #43 6s.; tickets #169 19s

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Devil to Pay

Dance: II: Clown by Nivelon. III: By particular Desire, Minuet and Louvre by Glover and Miss Rogers. IV: Tambourine by Glover and Miss Rogers. V: French Peasants by Lalauze, Mlle D'Hervigni, &c

Performance Comment: III: By particular Desire, Minuet and Louvre by Glover and Miss Rogers. IV: Tambourine by Glover and Miss Rogers. V: French Peasants by Lalauze, Mlle D'Hervigni, &c .
Event Comment: Benefit Carlo Broschi Farinello. With an Addition of several New Songs. N.B. Room will be made upon the Stage

Performances

Mainpiece Title: Artaxerxes

Event Comment: Benefit Griffin. At the Desire of several Persons of Quality. [For a further discussion of the stage, see Grub St. Journal, 8 April.]

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Contrivances

Performance Comment: As17360325 but Robin and Betty omitted .

Music: Select Pieces

Dance: I: Dutchman and his Frow by Phillips and Miss Brett. II: Pierrots by Delamagne and Villeneuve. III: Fat Farmer and his Family, as17360406 IV: Rover by Essex, Mrs Walter, Miss Mann, &c

Performance Comment: II: Pierrots by Delamagne and Villeneuve. III: Fat Farmer and his Family, as17360406 IV: Rover by Essex, Mrs Walter, Miss Mann, &c .
Event Comment: Benefit Arne, Composer to DL. At the Desire of several Persons of Quality. The Choruses will be perform'd by a great Number of Voices, the Stage illuminated, and the performers rang'd in a particular Manner. N.B. Tho' this Entertainment is perform'd at an extraordinary Expence, no more will be demanded than the common Price of a Benefit Play: Boxes 5s. Pit 3s. Galleries 2s. and 1s. 6:30 P.M. [Tickets at Arne's House in Great Queen Street.]

Performances

Mainpiece Title: A Grand Epithalamium

Music: An extraordinary Band of Musick is provided. An Organ will be erected on which Mr Roseingrave will accompany the Songs and Choruses

Performance Comment: An Organ will be erected on which Mr Roseingrave will accompany the Songs and Choruses .
Event Comment: The Fortieth Day. Benefit One who has wrote for the Stage

Performances

Mainpiece Title: Pasquin

Event Comment: London Daily Post and General Advertiser, 1 May: Last Night The Conscious Lovers was perform'd [at GF] in Honour of the Royal Marriage, when there was a very splendid Appearance of Ladies and Gentlemen, to whom Mr Giffard had distributed Tickets. The Stage was decorated in a particular Manner with several Glass Lustres. And the Outside of the House illuminated with a great Number of Candles, a large Quantity of Liquor given to the Populace. [The Prologue is in London Daily Post and General Advertiser, 1 May; in London Daily Post and General Advertiser, 26 April, an announcement had been made that no money would be received on this night.]

Performances

Mainpiece Title: The Conscious Lovers

Event Comment: A New Opera. [Librettist not known. Music by Handel.] London Daily Post and General Advertiser, 13 May: Last Night was perform'd ... Atalanta ...in which was a new Set of Scenes painted in Honour to this Happy Union, which took up the full length of the Stage: The Fore-part of the Scene represented an Avenue to the Temple of Hymen, adorn'd with Figures of several Heathen Deities. Next was a Triumphal Arch on the Top of which were the Arms of their Royal Highnesses, over which was placed a Princely Coronet. Under the Arch was the Figure of Fame, on a Cloud, sounding the Praises of this Happy Pair. The Names Fredericus and Augusta appear'd above in transparent Characters. Thro' the Arch was seen a Pediment supported by four Columns, on which stood two Cupids embracing, and supporting the Feathers, in a Princely Coronet, the Royal Ensign of the Prince of Wales. At the farther End was a View of Hymen's Temple, and the Wings were adorn'd with the Loves and Graces bearing Hymenael Torches, and putting Fire to Incense in Urns, to be ofter'd up upon this Joyful Union. The Opera concluded with a Grand Chorus, during which several beautiful Illuminations were display'd. . . . There were present their Majesties, the Duke, and the Four Princesses

Performances

Mainpiece Title: Atalanta: In Honour Of The Royal Nuptials Of Their Royal Highnesses The Prince And Princess Of Wales

Performance Comment: Cast not listed, but edition of 1736 lists: Atalanta-Signora Strada; Meleager-Gioachino Conti, called Egizzielli; Irene-Signora Maria Negri; Amintas-Beard; Nicander-Waltz; Mercury-Reinhold .
Cast
Role: Nicander Actor: Waltz
Event Comment: At Common Prices. Stage Half a Guinea

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Flora

Dance: CClown-Nivelon; Several dances-Two Misses Scott, Scholars of Nivelon

Event Comment: Mainpiece: Written by the late Mr Congreve, London Daily Post and General Advertiser, 2 Oct.: Last Night in the Entertainment of Dr Faustus...when the Machine wherein were Harlequin, the Miller's Wife, the Miller and his the Miller's Man, was got up to the full Extent of its flying, one of the Wires which held up the hind part of the Car broke first, and then the other broke, and the Machine, and all the People in it fell down Upon the Stage; by which unhappy Accident the young Woman who personated the Miller's Wife had her Thigh broke, and her Kneepan shatter'd, and was otherways very much bruised, the Harlequin had his Head bruised, and his Wrist strained; the Miller broke his Arm; and the Miller's Man had his Scull so fractured that his Life in despaired of. Thomas Gray to Horace Walpole, 6 Oct.: Covent Garden has given me a sort of surfeit of Mr Rich and his cleverness, for I was at [cg] when the machine broke t'other night; the house was in amaze for above a minute, and I dare say a great many in the galleries thought it very desterously performed, and that they screamed as naturally as heart could wish, till they found it was no jest, by their calling for surgeons, of whom several luckily happened to be in the pit. I stayed to see the poor creatures brought out of the house, and pity poor Mrs Buchanan not a little, whom I saw put into a chair in such a fright that as she is big with child, I question whether it may not kill her.-Horace Walpole's Correspondence with Thomas Gray, I, 113-14

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Necromancer

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Daily Advertiser, 4 Oct.: Yesterday Morning Mr James Todd, who represented the Miller's Man on Friday Night...and fell in one of the flying Machines from the very top of the Stage by the breaking of the Wires, by which accident his Skull was fractur'd, died in a miserable manner. Susan Warwick, who represented the Miller's Wife, lies at the point of Death at the Infirmary at Hyde-Park Corner: The two other Persons who fell in the same Machine are like to recover, [In London Daily Post and General Advertiser, 2 Oct.: All these unhappy People were Servants belonging to the Theatre, and only Representatives in the different Characters of Mr Lun, Mr Nivelon, Mr Salway, and Mrs Moreau.

Performances

Mainpiece Title: The Relapse

Performance Comment: Foppington-A. Hallam; Loveless-Ryan; Worthy-Delane; Berinthia-Mrs Horton; Amanda-Mrs Hallam; Hoyden-Miss Bincks; Sir Tunbelly-Mullart; Young Fashion-Walker; Coupler-Hippisley; Surgeon-James; Lory-Chapman; Nurse-Mrs Mullart.
Cast
Role: Amanda Actor: Mrs Hallam

Afterpiece Title: The Devil to Pay

Dance: CClown-Nivelon; Misses Scott; Scot's Dance-Glover, Desse, Mrs Ogden, Tench, Mrs Delorme

Event Comment: Benefit Pollett, who Danced Upon the Stage Thirty Years Ago

Performances

Mainpiece Title: Theodosius

Afterpiece Title: Damon and Phillida

Dance: III: Clown-Nivelon; V: Scot's Dance-Glover, Mrs Laguerre, Desse, Mrs Ogden, Tench, Mlle Delorme

Song: CChancon a Boire (music by Handel)-Leveridge, Laguerre

Event Comment: MMrs Pendarves, 27 Nov.: They [The king's] have Farinelli, Merighi, with no sound in her voice, but thundering action-a beauty with no other merit; and one Chimenti, a tolerable good woman with a pretty voice, and Montagnana, who roars as usual! With this band of singers, and dull Italian operas, such as you almost fall asleep at, they presume to rival Handel-who has Strada, that sings better than ever she did; Gizziello, who is much improved since last year; and Annabali, who has the best part of Senesino's voice and Caristini's, with a prodigious fine taste and good action! We have had Alcina, and Atalanta, which is acted tonight for the last night with the fireworks....Mrs Porter acts three times a week; I have made a party to go next week; she is the only support of the stage, the house is crammed whenever she acts.-Delany, Autobiography, I, 5578-79

Performances

Mainpiece Title: Atalanta

Event Comment: DDaily Advertiser, 7 Jan.: We are inform'd, that a certain Author, Tir'd With the vain Attempts he has often made in the Political Way, has taken it into his Head, as unwilling to lay down the Character of a Reformer, to explode the reigning Taste for dumb Shew and Machinery, and has declar'd open War against Harlequin, Punch, Pierot, and all the Modern Poets, viz. Joiners, Dancing-Masters, and Scene-Painters. 'Tis said, that he has dispos'd every Thing in such a manner, and is so forward in his Preparations, that he will open the Campaign next Week, having three new Pieces in Rehearsal on the Stage of the little Theatre in the Hay-Market. The Design is, no doubt, laudable, but the Chance of War is doubtful; he makes head against a powerful Alliance; and we do not hear that he is strengthen'd by any of the Auxiliaries of Parnassus

Performances

Event Comment: DDaily Advertiser, 27 Jan.: We are inform'd there is now in Rehearsal at York Buildings (for one Night only) the Fair Penitent, to be acted the 31st instant. 'Tis said that this Play, for the Benefit of an unhappy Person, is cast, and got up by a Set of publick spirited Friends, some of whom have a pretty good Taste and Ability, though no ways inclin'd to the Stage; with a new Prologue and Epilogue adapted to the occasion

Performances

Mainpiece Title: The Fair Penitent