Event Comment: Afterpiece: By desire. Powel: Rec'd of Mr Wolfall [Woodfall?] for a ticket for the season to admit one into any part of the house, behind the scenes and to Benefit nights excepted--#15 15s. N.B.: These tickets us'd to be no more than ten guineas each before Mr Garrick's time, as for example Mr Ibbeston upon Ludgate hill, and Mr Tinker gave no more for theirs. Receipts: #170 (Cross); #166 6d. (Powel)

Event Comment: Play By Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, Prince Edward, and the Lady Augusta

Event Comment: Published at 1s. 6d. Romeo and Juliet, revised by Theo. Cibber, first rev[ived] in Sept. 1744 at the Theatre in the Haymarket. Now acted at the Theatre Royal in Drury Lane. Great objects only strike the Gen'rous Heart@Praise the Sublime, o'er look the Mortal Part@Be there your judgment, Here your Candor shown@Small is our Portion-and we wish 'Twere none.-Prologue to Comus alter'd, &c. To which is added a Serio-Comic Apology for part of the life of Theophilus Cibber, Comedian, written by himself. Interspers'd with Memoirs and Anecdotes relating to the Stage managements, Theatrical Resolutions, &c., also Cursory Observations on some Pribcipal players. Particularly, Mr Quin, Ryan, Delane, Mrs Woffington, Mrs Ward, Miss Bellamy, Mr Garrick, Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard and others. Likewise Original Letters that passed between the late Sir Thomas deVeil and Mr Theophilus Cibber relating to the Stage Act. "Each Puny Critic can Objections raise@The Greatest still is Knowing when to praise,"-Buckingham. Concluding with a Copy of Verses called The Contrite Comedian's Confession. Printed for C. Corbett &c. (General Advertiser). [This pamphlet details Cibber's troubles with Fleetwood during the years 1743-46.] Receipts: #160 (Cross); #151 11s. (Powel)

Event Comment: Benefit for Quin. Play By Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, Prince Edward, Prince William, the Lady Augusta, and Lady Elizabeth. In which will be reviv'd a scene not acted these 30 years. Five rows of the Pit will be laid into the Boxes, and for the better Accomodation of the Ladies the Stage will be enclos'd and formed into an Amphitheatre, where servants will be allowed to keep places. Ladies are desired to send servants to keep places at three o'clock

Event Comment: Benefit for Mrs Clive. Part of Pit laid into the Boxes [as on 7 March]. Tickets and places to be had of Mrs Clive in Great Queen St., Lincoln's Inn Fields, and of Hobson at the stage door. [According to the Larpent MS, No. 77 additions were made to the afterpiece of some fifty lines to bring Lettice back into the picture, and enable her to resolve the plot, and to sing The Life of a Beau as a take-off.] Receipts: #206 (Cross); house charges, #60 (Powel)

Event Comment: Benefit for Beard. Mrs Cibber first did Ophelia (Cross). Afterpiece: By particular desire. Five rows of Pit laid into Boxes and stage as on 7 March. Tickets and places of Hobson at the stage door. Receipts: #275 (Cross); house charges, #63 (Powel)

Event Comment: Benefit for Havard. [Stage arranged as on 7 March.] Tickets and places at Havard's House in Broad Court the upper end of Bow St., and of Hobson at the stage door. The manager of the Smock Alley theatre Dublin in order to support decayed players, has resolved to apply the whole receipts of one night every year towards raising a fund for the purpose, which is to be increased by the players allowing a small portion of their salaries to be deducted weekly. A scheme worthy the imitation of the managers and players of our theatres. -Gentleman's Magazine, March 1749, p. 238

Event Comment: Benefit for Mr Mills and Wife (Cross). Three rows of the Pit will be laid into Boxes. Tickets and places to be had of Mills at Gardyner's Printing Office, in Russel St., Covent Garden; or of Hobson at the stage door. Servants allowed to keep places on the stage. Last time of acting the opera this season. Receipts: #240 (Cross); house charges, #60 (Powel)

Event Comment: Benefit for Arthur and Dunstall. Mainpiece: Reviv'd. Not acted these 4 years. [See 4 May 1747.

Event Comment: Benefit for LaLauze. Mainpiece: Acted but once this season. Afterpiece: Never performed there before. In it will be introduced the Scene of Harlequin Restored. The Decorations entirely new. N.B. That the entertainment may not be interrupted in the performance, there will be no building on the Stage: And as Mr LaLauze has been at some expence in bringing this Entertainment on the stage, he humbly hopes that the Town will not take it amiss, that nothing under Full Price will be taken

Event Comment: Benefit for Pritchard. Afterpiece: By Particular Desire, and the last time of performing it. Tickets and places to be had of Pritchard at his House in Duke's, late Earl's Court, Bow Street, Covent Garden, and of Hobson at the stage Door. Ladies are Desired to send their Servants by three o'clock. Receipts: #200 (Cross); charges, #63 (Powel)

Event Comment: [M$Mrs Barrington, formerly Mrs Hale.] To the Author of the General Advertiser, &c. Sir: I am far from being of the opinion of too many of my countrymen, who exclaim against the performances of foreigners be they ever so extraordinary: on the contrary whenever I hear of a person who merits Encouragement from the Publick, I use all my interest in his favour; and will always continue so to do, though he should come from the extremity of the globe--Nor am I of the opinion of another class, who imagine no man can by a great performer unless he comes from a strange land. I am convinced we have an artist at present among us, as excellent in his way as ever was seen in Britain. He is an Englishman, and citizen of London; and without any instruction (as I am inform'd) performs all the surprizing Equilibres on the Slack Rope that were exhibited by the famous Turk. I have seem his performances once already and they gave me infinite pleasure. Tomorrow evening I intend to see them again, at the Theatre in the Haymarket, and heartily wish him the success he deserves, Yours, &c A. B. [See 23 Dec. 1749 note about Rich's engaging Caratha@the@Turk, and note, 28 Oct. 1749.] Receipts: #67 9s

Event Comment: Mainpiece: A Dramatic Masque reviv'd. With proper Decorations, particularly a Grand Scene of Comus's Palace. The Music composed by Mr Arne. Receipts: #90 (Cross)

Event Comment: MMr and Mrs Dyer are arriv'd from the theatre in Dublin; and in a few days he will appear in the part of Tom in the Conscious Lovers at the Theatre Royal in Covent Garden. Receipts: #55 8s