SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "E W White"/1) | (@(roleclean,performerclean) "E W White")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1795 matches on Performance Comments, 460 matches on Event Comments, 271 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: Gil Blas

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Lying Valet

Dance: Devisse, Mad Auretti, Little Swiss

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Lethe

Dance: HHornpipe-Matthews, the Little Swiss; With Entertainments as will be express'd in the Great Bills

Song: I: Song-Beard

Performances

Mainpiece Title: Proclamation: Southwark

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Intriguing Chambermaid

Dance: II: L'Entree de Flore, as17521116, but Mrs Preston, Miss _Raynor

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Double Disappointment

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Genii

Performances

Mainpiece Title: Virginia

Performances

Mainpiece Title: The Fairies

Dance: CComic Dance-Sabatini, Sga Sabatini, Sabatini jun, his first time

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: Lecture

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Lethe

Dance: HHornpipe-Atkins

Performances

Mainpiece Title: The Contrivances

Entertainment: Isabella Wilkinson, Sga Caterina, Franklin

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Roman Father

Related Works
Related Work: The Roman Father Author(s): William Whitehead

Afterpiece Title: The Englishman in Paris

Performances

Mainpiece Title: The Siege Of Aquileia

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: High Life below Stairs

Entertainment: M$Mr Foote's Epilogue to the Minor-Master Summers, a child 4 years old

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Old Maid

Dance: As17610702

Performances

Mainpiece Title: King Lear

Afterpiece Title: Polly Honeycomb (Winston MS 9)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Deuce Is in Him

Dance: TThe Provancalle, as17631014

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Catherine and Petruchio

Dance: End: New Tambourine, as17660123