SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "E B"/1) | (@(roleclean,performerclean) "E B")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 265 matches on Author, 215 matches on Performance Title, 211 matches on Performance Comments, 144 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: An order of the Court of Common Council for London forbids any performances of plays or interludes at Bartholomew Fair. See a broadside in the British Museum [1851 b. 25 (25)], reported by Alfred Jackson, Review of English Studies, XIV (1938), 55. Flying Post, 22-25 June 1700: The Right Honourable the Lord Mayor and Court of Alderman have ordered that no Play-house Bills be affix'd on any Post, &c. in this City; and the like Orders are resolved on in Westminster

Performances

Event Comment: By Susanna Centlivre. Dat of premiere unknown. Published 22 Oct.] Preface: It wanted only the addition of good Actors, and a Full Town to have brought on a Sixth Night

Performances

Mainpiece Title: The Perjured Husband; Or, The Adventures Of Venice

Performances

Mainpiece Title: Love The Leveller; Or, The Pretty Purchase

Related Works
Related Work: Love the Leveller: or, The Pretty Purchase Author(s): George Bowes
Event Comment: [Words from the Italian of G. B. Neri. Music by Francesco Conti and others.] A new Opera. By Subscription. The Boxes to be open'd to the Pit, and no Person to admitted but by the Subscribers' Tickets. Stage Boxes 15s. First Gallery 5s. Upper Gallery 2s. At 6 p.m

Performances

Mainpiece Title: Clotilda

Performances

Mainpiece Title: Lucius Papirius

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The King and the Miller of Mansfield

Dance: LLa Tambourine-Mlle Chateauneuf; Shepherds and Shepherdesses-Muilment, Mlle Chateauneuf

Performances

Mainpiece Title: The Spanish Fryar

Dance: I: Italian Gardeners, as17421231; III: a New Serious Dance-Sga Aquilanti; V: A New Sicilian Peasant-Checo, Chiaretta

Event Comment: Benefit the Author. Tickets as before. Regulus publish'd. As it is acted by his Majesties Servants at the Theatre Royal in Drury Lane, by Mr Havard, Author of King Charles the First. Inter omnes suos laudabiles & Virtutum insignibus illustres Viros, non preferunt Romani meliorem; quem neque Felicitas corruperit, nam in tanta Victoria, mansit pauperrimus; Nec Infelicitas fregerit, nam ad tanta Exitia revertit intrepidus. (St. Aust. de Regulo. Lib I. de Civitat. Dei.) Printed for H. Woodfall, Jr. in Little Britain, by Paul Vaillant facing Southampton Street in the Strand. J. Watts and B. Dodd also advertised King Charles the First, an Historical Tragedy, written in imitation of Shakespear, and Scanderbeg, a Tragedy. Both written by Mr Havard, author of Regulus

Performances

Mainpiece Title: Regulus

Afterpiece Title: The Amorous Goddess

Event Comment: Tickets deliver'd out by Miss Copin for the Merchant of Venice will be taken to the Conscious Lovers (General Advertiser). This day is publish'd, Price 1s., A Letter of Complaint to the Ingenious author of a Treatise on the Passions, so far as they regard the stage; with a critical Enquiry into the theatrical merit of Mr G-k, Mr Q-n, and Mr B-y, &c. With some further remarks on Mr M-n. And a few hints on our modern Actresses, particularly Mrs C-r and Mrs P-d. Magna est Veritas, & pravalebit. Printed for C. Corbett, over against St. Dunstan's Church, Fleet St. (General Advertiser). [Illuminating discussion of actors' abilities]: The Stage is much indebted to Mr M- for his incessant successful endeavours; he not only grac'd it with his own personal merits, but rais'd up several Branches who tho' they have not yet quite eclips'd Mr Giffard's Nursery from Goodman's Fields, will certainly in time prove stars of the first magnitude.--(p. 28). Touch Messrs. Giffard and Ryan and give them better voices; there is nothing else wanting. Help Mr Delane to a new manner and judgment to display the best pipe that ever was heard. Polish a little the rough Beauties of Mr L. Sparkes, give the sensible Mr Havard a few more spirits; and mend the Humour of Hippisley, Chapman, Barrington, and Blakes if you can. Poor Yates wants nothing but a front of brass, a necessary self-sufficient Manner of pushing himself upon a Publick.--(p. 31). If Mrs Giffard's Manner was equal to her understanding, she wou'd compell everybody to acknowledge her a surprising Performer. In Lady Macbeth she is excellent; and Hermione was very near eclipsing a much more popular actress; in short in every Part she performs, the severest of her enemies cannot but own she is more than decent.--(pp. 32-33). [Gives two pages each to discussion of Mrs Clive, Mrs Woffington, Mrs Cibber, and Mrs Pritchard.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

Performances

Mainpiece Title: The Committee

Afterpiece Title: Phebe

Dance: The English Boy, English Girl

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Virgin Unmask'd

Dance: DDance-Cooke

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Virgin Unmask'd

Event Comment: GGeneral Advertiser: This day is publish'd at 6d. An Apology to the Town, for Himself and the Bottle. By J. Nick-all. N.B. Mr P- was mistaken in the name. To which is prefix'd an exact representation of the scene of Harlequin's Escape into the Bottlev , introduc'd into the Pantomime of Apollo and Daphne, or the Burgomaster Trick'd, the Character of Harlequin by Mr Phillips. Printed for B. Dickenson, the corner of Bell Savage Inn, Ludgate Hill

Performances

Mainpiece Title: None

Event Comment: Benefit for Simpson, Raftor, Usher. Tickets and places of Hobson at the stage door. Receipts: #180 (Cross); charges, #63 (Powel). [This month, the Gentleman's Magazine Register of Books listed as published Remarks on Three Plays of B. Johnson, viz: The Fox, Silent Woman, and Alchymist, by James Upton.] This week will be published The Hen Peck'd Captain,...as it was intended to be acted...on Saturday last. Taken from The Campaigners; or, the pleasant Adventures at Brussels with a Preface by R. Cross, prompter (General Advertiser)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Miss in Her Teens

Dance: SSavoyards, as17480920

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Phebe; or, The Beggar's Wedding

Event Comment: To the Author of the General Advertiser. Sir: Having read an advertisement of a performance call'd Concerto Spirituale, for the Benefit of Mr Geminiani, on Friday 6 April next, I could not avoid making a few remarks to the public on the occasion, which, if you will favour with a place in your Paper it may perhaps be of service to his undertaking, and will greatly oblige, Sir your humble Serv't, J. B. When Mr Geminiani came first over here, the great excellence of the Violin was unknown in this kingdom, and the great improvement our countrymen have made on that instrument is entirely owing to him. The valuable works he has produc'd in the instrumental way, are greater indications of his merit, as an author, than any I can offer in his behalf; this is the only Benefit he ever made, therefore I persuade myself that the Public (who are justly famous for their Generosity on such laudable occasions) will give him the encouragement his Merit deserves

Performances

Mainpiece Title: None

Event Comment: HHarlequin Ranger oblig'd to be deferr'd. A new Dramatic Entertainment call'd Taste written by Mr Foote. The House was full as soon as open--before the first Music, several Speeches were made in ye Pit, moving the Farce might be acted before the Play, wch was insisted on by some, & oppos'd by others Cross, Cross, Prompter &c. was often call'd--The Curtain went up, & ye Clamour encreas'd, ye farce &c. Mr Mossop (who did Zanga ) came off--I went on, & spoke--Gentlemen, I perceive the farce has been desir'd before ye Play, wch cannot be comply'd with, for ye performers in ye Farce, having nothing to do in the Play, are not come--a great applause follow'd--Mr Mossop went on again--but ye noise renew'd, & he retir'd again, & wanted to undress wch I prevented; Mr Lacy (Manager) then went on, # spoke to ye same effect I had done--The play was then call'd for, & it went on with Applause--Tho' I believe Audience wish'd it over--The play done--Mr Garrick spoke ye Prologue in the Character of an Auctioneer , with surprising Applause--when he had done, he made this Apology--Gents--a performer being taken ill, the Author, Mr Foote, is here & will if you please, perform his part, this he spoke in a Hesitating manner, & was greatly applauded--the first Act went off well, & Mr Worsdale, a painter (to whom Mr Foote had given the profits of the farce) play'd a Woman's part, & was greatly received--When Mr Foote came on--he made this Speech--Gent: I have left the Stage some time, nor have I any hopes of Profit from this Piece, but as a performer is taken ill, I had rather appear my self, than have so many people, whom Curiosity has drawn together, b disappointed--Great Applause--In ye Second Act, the people grew Dull, & towards ye End, hiss'd greatly, wch I believe wou'd not have been, had not Mr Foote, bid Blakes pull off his Wig at ye Discovery of Mr Puff --vide Farce--it ended with ye usual Noise, when given out, of No more--Encore &c. &c. Sunday we had great debates about it, & at last it ended it shou'd be play'd no more 'till Mr Worsdale's benefit & an advertisement was put in the paper to signifie that as ye Farce was not so well receiv'd as was expected, the Author had withdrawn it to Alter &c. &c. we put up--We were told on Monday it wou'd be call'd for by the Audience; but no such thing happen'd. The fact concerning the performer's being taken ill is this--At ye practise, the Night before, Mr Foote seem'd dissatisfied with Mr Yates in the part of Puff, so got Mr Garrick next Day, to prevail with Mr Yates to let 'em say he was sick, that Mr Foote might have occasion to do the part (Cross). Mr Goodfellow begs leave to acquaint his friends that through the Indisposition of two of his principal performers, he is compelled to postpone his Benefit to a farther Day; Timely notice of which shall be given in this paper; Tickets deliver'd out for Monday the 13th Instant will then be admitted.--As the sole intent of this Benefit is to satisfy his creditors, who are to share the profits arising from it, he humbly hopes to meet with encouragement, and assures those ladies and Gentlemen who honour him, that the whole performance shall be carried on with the utmost decorum, and will be free from all danger of interruption (General Advertiser). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Taste

Event Comment: Mainpiece: At the Desire of several persons of Quality. At the Theatre Royal in Drury Lane, on Monday April 2 will be performed Othello, for the benefit of Mr Mossop; Othello by Mossop, Iago to b reviv'd by Garrick. It is hoped that those Ladies and Gentlemen who have engag'd places will excuse its being deferr'd to the above day, as a new tragedy, and a multiplicity of other business render it impossible for Mr Garrick to revive the character of Iago in the due course of Time. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Anatomist

Dance: LL'Entree de Flore, as17521122

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: Entertainment-[unspecified]

Performances

Mainpiece Title: The Triumph Of Time And Truth

Performances

Mainpiece Title: Judas Maccabeus

Event Comment: Receipts: #161 12s. To Covent Garden Playhouse to see Miss Brent in the character of Polly. Mr Dives was there and Lt Fevey, went to Miss Borgard in the side box and see her and Miss Ligonier into their coach, went and spoke to Mr Kindersley in the upper boxes, and fetched Mrs B, Mr and Mrs Pickel out of the Gallery. I liked her singing much. It was the 11th night (Elma Hailey, "The Brietzcke Diary 1759-1765," Notes and Queries, (Aug. 1951), 196, p.360)

Performances

Afterpiece Title: The School Boy

Dance: As17591017

Performances

Mainpiece Title: Comment Continued