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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Duke of York"/1) | (@(roleclean,performerclean) "Duke of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3274 results for: Keyword - Duke of York?
We found 1284 matches on Performance Comments, 1194 matches on Event Comments, 429 matches on Roles/Actors, 402 matches on Author, and 349 matches on Performance Title.

2651
04 October 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

2652
08 October 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 129. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Tarugo's Wiles; Or, The Coffee House

2653
22 October 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Mustapha

2654
05 November 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

2655
06 November 1667 @ Lincoln's Inn Fields

Event Comment: Pepys' comment implies that he saw the Duke's Company, Pepys, Diary: With my wife to a play, and the girl--Macbeth, which we still like mightily, though mighty short of the content we used to have when Betterton acted, who is still sick

Performances

Mainpiece Title: Macbeth

2656
08 November 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. In view of two certain performances in the next week, it seems likely that The Tempest was acted continuously through 14 Nov

Performances

Mainpiece Title: The Tempest

2657
14 November 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: The Tempest

2658
19 November 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125: The Rivalls. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Rivals

2659
26 November 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Tempest

2660
16 December 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: Tu Quoque

2661
28 December 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This play is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

2662
08 January 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

2663
February 1668 @ no theater listed

Event Comment: Nicoll, Restoration Drama, p. 307, lists The Comical Revenge (the Duke's Company) for the Inner Temple, 2 Feb. 1667@8. As this date falls on Sunday and as the sequence of entires quggests a later date, this performance appears under 2 Feb. 1668@9

Performances

2664
03 February 1668 @ Whitehall or St. James's

Event Comment: The Duke's Company. This performance is on the L. C. lists, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

2665
25 February 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: She Would If She Could

2666
07 March 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: She Would If She Could

2667
14 March 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Tempest

2668
25 March 1668 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: With my wife to the King's playhouse to see The Storme, which we did, but without much pleasure, it being but a mean play compared with The Tempest, at the Duke of York's house, though Knepp did act her part of grief very well

Performances

Mainpiece Title: The Sea Voyage

2669
13 April 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Tempest

2670
18 April 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

2671
20 April 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: She Would If She Could

2672
23 April 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Man's The Master

2673
11 May 1668 @ Lincoln's Inn Fields

Event Comment: Pepys, Diary: [Mercer] and I to the Duke of York's playhouse, and there saw The Tempest, and between two acts, I went out to Mr Harris, and got him to repeat to me the words of the Echo, while I writ them down, having tried in the play to have wrote them; but, when I had done it, having done it, withour looking upon my paper, I find I could not read the blacklead. But now I have got the words clear, and, in going in thither, had the pleasure to see the actors in their several dresses, especially the seamen and monster, which were very droll. So into the play again. But there happened one thing which vexed me, which is, that the orange-woman did come in the pit, and challenge me for twelve oranges, which she delivered by my order at a late play, at night, to give to some ladies in a box, which was wholly untrue, but yet she swore it to be true. But, however, I did deny it, and did not pay her; but, for quiet, did buy 4s. worth of oranges of her, at 6d. a-piece. Here I first saw my Lord Ormond since his coming from Ireland, which is now about eight days

Performances

Mainpiece Title: The Tempest

2674
29 May 1668 @ Whitehall or St. James's

Event Comment: The Duke's Company. This play is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347. Pepys, Diary, 31 May: At the play at court the other night, Mrs Davis was there; and when she was to come to dance her jigg, the Queene would not stay to see it, which people do think it was out of displeasure at her being the King's whore, that she could not bear it

Performances

Mainpiece Title: She Would If She Could

2675
20 August 1668 @ Lincoln's Inn Fields

Event Comment: In L. C. 5@139, p. 373, is a list of plays allowed to the Duke's Company: The Poetaster [by Ben Jonson]. Cupids Reuenge [by Francis Beaumont and John Fletcher. See 17 Aug. 1668]. Timon of Athens [by William Shakespeare]. Troyolus and Grisseida [by William Shakespeare]. Three parts of H. ye 6 [by William Shakespeare]. The honest mans fortune [by John Fletcher and others]. Woemen pleas'd [by John Fletcher]. Witt at Seuerall Weapons [by Francis Beaumont and John Fletcher]. The Woemen Hater or The hungry Courtier [by Francis Beaumont]. All fooles [by George Chapman]. Birons Conspiracy [by George Chapman]. Broken heart [by John Ford]. Bird in a Cage [by James Shirley]. Chabot Admirall of ffranse [by James Shirley, with George Chapman]. ffaithful Shepherd [possibly Guarini's Il Pastor Fido]. Herod and Antipater [by Gervase Markham with William Sampson]. Humor out of breath [by John Day]. Jealous Louers [by Thomas Randolph]. Loues Melancholy [Lover's Melancholy, by John Ford]. Muliasses the Turke [by John Mason]. Queene of Arragon [by William Habington]. Revenge of Bussy D'Ambois [by George Chapman]. Revenge for Honor [or The Parricide, by Henry Glapthorne]

Performances