SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dryden Lee"/1) | (@(roleclean,performerclean) "Dryden Lee")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1706 matches on Author, 902 matches on Performance Comments, 534 matches on Event Comments, 74 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [In mainpiece the playbill assigns Lord Lumbcrcourt to Wilson, but "Lee Lewes was the substitute for Wilson, and far indeed better than the man he appeared for" (Public Advertiser, 31 Jan.).] Afterpiece [1st time; P 2, by John O'KeerFe]: The Music composed by Shield. The Scenery designed by Richards and Carver, and executed by them, Hodgins, and others. The 1st Part of this Pantomime is an Alteration of the Last New One [Friar Bacon (see 23 Dec. 1783)], and the 2nd Part entirely new and never before exhibited. Nothing under Full Price will be taken. "If Macklin once loses the Catch Word he is gone irretrievably." At the end of the 3rd act, at half price, some apprentices coming into the pit talked so loudly that "Macklin stopped; he lost himself. ... He came to the Side of the Stage, and stooping down to the Talkers, said, 'Gentlemen, I must beg you to be silent; my Hearing and Recollection are not so perfect as they were; I cannot proceed for your Talking'" (Public Advertiser, 5 Feb.). Receipts: #286 14s. (282/15; 3/19)

Performances

Mainpiece Title: The Man Of The World

Performance Comment: Sir Pertinax Macsycophant-Macklin; Lord Lumbercourt-Lee Lewes [of DL]; Sydney-Aickin; Melville-Clarke; Counsellor Plausible-Wewitzer; Serjeant Eitherside-Booth; Egerton-Lewis; Constantia-Mrs Kemble; Betty Hint-Mrs Wilson; Lady Rodolpha Lumbercourt-Miss Younge .

Afterpiece Title: Harlequin Rambler or The Convent in an Uproar

Event Comment: Account-Book, 21 Oct.: Paid Lee Lewes on cancelling his engagement #21. [Lee Lewes acted on the night of his benefit, 9 May 1785, but not again this season.] Receipts: #104 0s. 6d. (78/7/0; 25/12/0; 0/1/6)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Mr Ford-Smith; Sir Hugh Evans-Parsons; Dr Caius-Baddeley; Mr Page-Packer; Host of the Garter-Moody; Justice Shallow-Waldron; Fenton-Phillimore; Simple-Burton; Bardolph-Wright; Pistol-Alfred; Nym-Wilson; Slender-Dodd; Falstaff-[Lee] Lewes; Mrs Page-Miss Pope; Anne Page-Miss Field; Mrs Quickly-Mrs Hopkins; Mrs Ford-Miss Farren .

Afterpiece Title: Harlequin Junior

Event Comment: Benefit for [Lee] Lewes. Receipts: #144 6s. (25/9/0; 14/15/6; 0/7/6; tickets: 103/14/0)(charge: #105 19s. 4d.)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: As17840930, but Brush-[Lee] Lewes .Lee] Lewes .

Afterpiece Title: The Deaf Lover

Performance Comment: Meadows-[Lee] Lewes; Canteen-Suett; Young Wrongward-Phillimore; John-Burton; Joe-Wilson; Groom-Fawcett; Sternhold-Wrighten; Cook-Chaplin; William-Alfred; Old Wrongward-Baddeley; Sophia-Miss Palmer; Chambermaid-Miss Barnes; Betsy Blossom (with songs)-Mrs Wilson .

Dance: As17840918

Event Comment: [In afterpiece the playbill retains Incledon as Paris. but "An apology was made for Incledon, and his part was sustained by Mrs Lee" (Morning Herald, 11 Nov.).] Receipts: #211 9s. 6d. (202.10.6; 8.19.0)

Performances

Mainpiece Title: Fortunes Fool

Afterpiece Title: Olympus in an Uproar

Performance Comment: As17961108, but Paris-Mrs Lee.
Event Comment: "Whitfield played the Author the first night, but so indifferently that the part was given to Lee Lewes on the 2d" [MS annotation on BM playbill (CG, Vol. III)]. Receipts: #231 8s. (227/5; 4/3)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Performance Comment: As17820209, but Lee Lewes in place of Whitfield .

Afterpiece Title: Tom Thumb

Dance: After the Epilogue, as17811213

Event Comment: Places for the Boxes to be taken of Fosbrook at the stage-door. The Doors will be opened at 5:30. To begin at 6:30 [see 13 Oct.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Lee Lewes was from CG.] Receipts: #190 (153/7/0; 36/1/6; 0/11/6)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-[Lee] Lewes (1st appearance upon that stage); Sir George Airy-Palmer; Charles-Barrymore; Sir Jealous Traffic-Baddeley; Whisper-Burton; Sir Francis Gripe-Parsons; Patch-Miss Pope; Isabinda-Miss Wheeler; Scentwell-Miss Tidswell; Miranda-Miss Farren .

Afterpiece Title: The Quaker

Event Comment: Dryden to Walsh, 9 May 1693: The play I am now writeing is a feignd story: & a Tragicomedy of the nature of the Spanish Fryar: And I am sure the tale of it is likely to be diverting enough. I have plotted it all; & written two Acts of it. This morning I had their chief Comedian whom they call Solon [Dogget], with me; to consult with him concerning his own Character: & truly I thinke he has the best Understanding of any man in tihe Playhouse (Letters of John Dryden, p. 54)

Performances

Event Comment: Dryden to Walsh, 12 Dec. 1693: Your Critique, by your description of its bulk, will be to large for a preface to my Play, which is now studying; but cannot be acted till after Christmasse is over. I call it Love Triumphant; or, Nature will prevaile:...I have remembered you to all your friends; and in particular to Congreve; who sends you his play, as a present from him selfe, by this conveyance; & much desires the honour of being better known to you. His Double Dealer is much censured by the greater part of the Town: and is defended onely by the best Judges, who, you know, are commonly the fewest. Yet it gets ground daily, and has already been acted Eight times. The women thinke he has exposd their Bitchery too much; & the Gentlemen, are offended with him; for the discovery of their follyes: & the way of their Intrigues, under the notion of friendship to their Ladyes Husbands. My verses, which you will find before it, were written before the play was acted, but I neither altered them nor do I alter my opinion of the play (The Letters of John Dryden, pp. 62-63)

Performances

Performances

Mainpiece Title: The Unhappy Favourite Or The Earl Of Essex

Performance Comment: Lee, Yeates (parts unspecified).

Afterpiece Title: Damon and Phillida

Song: Cunningham, Adams, Miss Lincoln, Mrs Bullock

Dance: Cunningham, Adams, Miss Lincoln, Mrs Bullock

Performances

Mainpiece Title: The Original Lecture Upon Heads

Performance Comment: Lee Lewes.

Performances

Mainpiece Title: Concert

Music: The Passion of Sappho (Written by Mr Harison), The Feast of Alexander (Written by Mr Dryden)-Mr ThomasClayton (Author of Arsinoe)

Performances

Mainpiece Title: Concert

Music: The Passion of Sappho (by Harrison), If Wine and Music have the Power (by Prior), The Feast of Alexander (by Dryden)-ThomasClayton

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Consisting of an Ode design'd for the Prince's Birth/Day-; an Ode on the King-; and that Celebrated Piece of Mr Dryden, called the Feast of Alexander; All by Mr Tho. Clayton, Author of Arsinoe-

Performances

Mainpiece Title: Alexanders Feast

Afterpiece Title: An Ode of Mr Drydens For St

Performances

Mainpiece Title: Alexanders Feast

Afterpiece Title: An Ode of Mr Drydens

Performances

Mainpiece Title: Concert

Music: A Solo on the Violin-Collett; a Concerto on the Harpsichord-Gladwin; several Pieces on the Trumpet-Snow; Likewise the Dead March in Saul-to be performed with the Sackbuts; To which will be added, set to Musick Dryden's Ode on St. Cecilia's Day by Mr Handel-; the principal Voice Part-Mrs Arne

Performances

Mainpiece Title: Lallegro E Il Penseroso With Additions Drydens Ode On St

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Duke and no Duke

Dance: PPeasant-Cooke; Comic Ballet-Cooke, Signora Campioni

Song: SSong of Diana from Dryden's Secular Masque,-Beard (set by Mr Boyce); Genius of England-Beard

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Duke and no Duke

Song: II: A New Cantata (compos'd by Mr Arne)-Beard; III: Singing-Master Vernon; IV: The Incantation Song in Dryden's Indian Queen (composed by Purcell)-Beard

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Duke and no Duke

Dance: V: A Dance-Sg Piettro, Janeton Auretti, Master Piettro

Song: II: Dryden's Incantation Song-Beard

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Don Quixote in England

Dance: III: A Hornpipe-the Little Swiss

Song: I: Master Vernon

Entertainment: S+SpecialtyAfter: An Elogium-Mr Ross;wrote by Dryden, concluding with Milton's Epitaph to the Memory of Shakespear-Mr Ross. representing the shade of Shakespear as figured on his monument in Westminster Abbey. By Particular Desire.

Performances

Mainpiece Title: The Discovery

Related Works
Related Work: The Spanish Fryar; or, The Double Discovery Author(s): John Dryden

Afterpiece Title: Polly Honeycomb

Entertainment: After: By particular Desire Sheridan will recite Dryden's Ode on the Power of Music-

Performances

Mainpiece Title: Lallegro Il Penseroso Drydens Ode

Music: CConcerto on Organ-Stanley

Performances

Mainpiece Title: Acis And Galatea Drydens Ode

Music: Concerto on Organ-Stanley

Performances

Mainpiece Title: Acis And Galatea

Music: As17680224, but Dryden's Ode by Handel-