SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dr Arne"/1) | (@(roleclean,performerclean) "Dr Arne")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 819 matches on Author, 583 matches on Performance Comments, 522 matches on Event Comments, 364 matches on Performance Title, and 68 matches on Roles/Actors.

Performances

Mainpiece Title: Merope

Afterpiece Title: The Reprisal; or, The Tars of Old England

Performances

Mainpiece Title: The Triumph Of Time And Truth

Performances

Mainpiece Title: Agis

Performances

Mainpiece Title: The Orphan Of China

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: Harlequin's Invasion; or, A ChristmasGambol

Related Works
Related Work: Harlequin's Invasion; or, A Christmas Gambol Author(s): Michael Arne

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Edgar and Emmeline

Event Comment: Benefit for King. Tickets to be had of Mr King, at his lodgings in Broad Court, Bow Street; and of Mr Varney, at the Stage Door. The New Hippocrates, wrote by Dr Hiffernan--wretched, but went off quietly (Hopkins MS Notes)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The New Hippocrates; or, A Lesson for Quacks

Entertainment: After the Play: by Desire, for that night only The Picture of a Playhouse or, Bucks Have at Ye All-Mr King; a Mimic Comic opera song-Mrs Clive

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Performances

Mainpiece Title: The Cure Of Saul

Music: As17630218

Performances

Mainpiece Title: Nabal

Music: As17640309

Performances

Mainpiece Title: Solomon

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Royal Chace

Cast
Role: Neptune Actor: Pedro

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Deuce Is in Him

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: High Life below Stairs

Dance: End: The Vintage, as17661011

Performances

Mainpiece Title: The Cure Of Saul

Music: FFirst Violin-Pinto; I: Concerto on Violin-Fisher; II: Concerto on Hautboy-Vincent

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Good Natured Man

Cast
Role: Mrs Garnet Actor: Mrs Green
Related Works
Related Work: The Fathers; or, The Good Natur'd Man Author(s): Michael Arne

Afterpiece Title: Midas

Performances

Mainpiece Title: The Good Natured Man

Cast
Role: Mrs Garnet Actor: Mrs Green
Related Works
Related Work: The Fathers; or, The Good Natur'd Man Author(s): Michael Arne

Afterpiece Title: Thomasand Sally

Dance: End: The Merry Sailors, as17671009

Performances

Mainpiece Title: The Cure Of Saul

Music: VViolin Solo-Barthelemon; Concerto on Hautboy-Simpson

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Oxonian in Town

Dance: End: The Irish Lilt, as17680930

Performances

Mainpiece Title: Orestes

Afterpiece Title: Catherine and Petruchio

Dance: End: The Garland, as17681028

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Oxonian in Town

Dance: End: The Garland, as17681028