SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Dr Brown"/1) | (@(roleclean,performerclean) "Dr Brown")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 718 matches on Performance Comments, 446 matches on Event Comments, 273 matches on Performance Title, 82 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Follies of a Day

Dance: As17910428

Song: End: Catches and Glees: When Arthur first in court began, Jack thou'rt a toper-Incledon, Reeve, Blanchard; To be jovial and gay-Johnstone; The Siege of Troy (Dibdin)-Johnstone; Goody Groaner (Dr Harington)-Incledon, Reeve, Blanchard; Sir you're a comical fellow-; Let's sing old Rose and burn the Bellows-

Performances

Mainpiece Title: Double Falsehood Or The Distrest Lovers

Afterpiece Title: Tippoo Saib or British Valour in India

Afterpiece Title: Barnaby Brittle

Dance: In 2nd piece: Battle Dance-, and a Representation of English and British Grand Martial Procession

Song: I: Hark the Lark at Heaven's Gate sings (set by Dr Cooke)-Bannister, Johnstone, Incledon, Mrs Mountain; End II: Black Eyed Susan-Incledon; IV: Fond Echo Forbear thy fond sigh (written by Shakspeare [recte Lewis Theobald], and composed new for the Evening's Performance by Shield)-Mrs Mountain; In Pantomime: Poor Orra tink on Yanco dear (the music by Dibdin)-Mrs Mountain; The Gallant Soldier born to Arms (composed by Hook)-Incledon; Indian War Song-Bannister; The Tobacco Box: Tho' the Fate of Battle on Tomorrow wait-Johnstone, Mrs Warrell

Performances

Mainpiece Title: Redemption 0 Selected From The Works Of handel By dr Arnold

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Music: End I: concerto on the bassoon-Parkinson; End II: concerto on the violin-Master Bridgetower

Performances

Mainpiece Title: Macbeth

Afterpiece Title: THE VIRGIN UNMASKD

Song: Mainpiece: With the original Music of Matthew Locke, and Accompaniments by Dr Arne and Linley. Chorus of Witches and Spirits by Mrs Crouch, Mrs Bland, Miss Leak, Miss Arne, Miss Menage, Miss Granger, Miss Chatterley, Miss Redhead, Miss Gawdry, Mrs Bramwell, Mrs Butler, Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Biggs, Trueman, Evans, Lyons, Maddocks, Welsh, Danby. C0MMENT. Mainpiece [with alterations by John Philip Kemble. Prologue by the Rt. Hon. Richard Fitzpa

Performances

Mainpiece Title: The Prisoner At Large

Afterpiece Title: THE AGREEABLE SURPRISE

Afterpiece Title: THE FARMER

Song: In the course of the evening Dr Grigsby's Tippety Witchet by Fawcett [sec CG, 16 May]

Monologue: 1794 08 23 A new Occarimlal Address in the Character of Trudge [in INKLE AND YARICO] by Fawcett

Performances

Mainpiece Title: Macbeth

Afterpiece Title: My Grandmother

Song: The Original Music of Matthew Locke and Accompaniments by Dr Arne and Linley? Sen.-; Chorus of Witches and Spirits-Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Mrs Crouch, Mrs Bland, Miss Leak, Miss Menage, Miss Redhead

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Oscar and Malvina

Dance: I: a Masquerade Scene incident to the Play, in which a favorite Pas de Deux-Byrne, Mme Rossi

Song: End IV: Juliet's Funeral Procession; with a favourite Elegy- (composed by Dr Arne); the Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Bowden, Townsend, Gray, Linton, Rock, Blurton, Abbot, Miss Poole, Mrs Mountain, Mrs Clendining, Miss Hopkins, Miss Stuart, Mrs Arnold, Miss Leserve, Mrs Lloyd, Mrs Bayzand, Mrs Blurton, Mrs Master, Mrs Martyr

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Cymon

Dance: In I: a Grand Masquerade-; the Minuet de la Cour and Allemande-Byrn, Mlle St.Amand; afterpiece to conclude with: Dance-

Song: End IV: the Funeral Procession of Juliet to the Monument of the Capulets, in which a favorite Elegy-; (composed by Dr Arne) Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Bowden, Townsend, Haymes, Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Miss Stuart, Mrs Lloyd, Mrs Follett, Mrs Castelle, Miss Kirton, Mrs Masters, Miss Ives, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Martyr

Performances

Mainpiece Title: Macbeth

Afterpiece Title: No Song No Supper

Song: The Original Music of Matthew Locke-; and Accompaniments by Dr Arne and Linley? Sen. Chorus of Witches and Spirits-Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Mrs Crouch, Mrs Bland, Miss Leak, Miss DeCamp, Miss Menage

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Highland Reel

Song: End IV: the Funeral Procession of Juliet to the Monument of the Capulets, in which a favorite-; Elegy- (composed by the late Dr Arne); a Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Bowden, Townsend, Haymes, Linton, Blurton, Street, Abbot, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Mrs Lloyd, Mrs Follett, Mrs Castelle, Mrs Masters, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Henley, Miss Burnett, Miss Logan, Mrs Martyr

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Adopted Child

Song: Mainpiece: With Original Musick of Matthew Locke-; and Accompaniments by Dr Arne and Linley? Sen.-; Chorus of Witches and Spirits-Kelly, Sedgwick, Dignum, Mrs Crouch, Mrs Bland, Miss Leak, Miss DeCamp, Miss Menage

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Critic or A Tragedy Rehearsed

Dance: In II: Masquerade-; with Dancing-Mlle Parisot, Sga Bossi DelCaro

Song: In Masquerade: Sigh no more Ladies (composed by Stevens)-Sedgwick, Dignum, Mrs Bland, Miss DeCamp; End IV: Little Taffline-Mrs Bland; In course of Evening: Ally Croaker, Little Bess the Ballad Singer (composed by Dr Arnold)-Miss Leak

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Miser

Song: In IV 1st piece: Masquerade Scene-; Orphan Bess the Beggar Girl (the Musick by Hook)-; End 1st piece: A Musical Address (accompanied on the harp by Weippert, the Musick by Dr Arnold)-Miss Leak; In 2nd piece: The Country Club-Bannister Jun

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: Robin Hood

Song: End: a new song (composed by Dr Arnold,)-Miss Leak; accompanied on the Tamborine-Miss Leak

Ballet: After Singing: The Scotch Ghost. As17991202

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: St Patricks Day or The Scheming Lieutenant

Performance Comment: The Characters by: Clinch, Lee Lewes, Quick, Dunstall, Fearon, Fox, Thompson, Cushing, Bates, Chaplin, Hollingsworth, Wewitzer; Mrs Pitt and Miss Brown, in whose character will be introduced a Song; With a Prologue-; Lieut. O'Connor-Clinch; Dr Rosey-Quick; Justice Credulous-Lee Lewes; Serjant Trounce-Dunstall; Bridget-Mrs Pitt; Lauretta-Miss Brown (Genest, V, 467).
Cast
Role: Lauretta Actor: Miss Brown

Dance: End: The Vintage Festival, as17741007

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: A Fete The Fete Anticipated

Performance Comment: Consisting of the following compiled Entertainments: Scene I. A Forest. The Death of the Stag-; Overture by Dr Arne-; Hunting song, Give round the word dismount-Doyle; Foresters' Dance-; Scene II. The Cave of Echo. Echo rebuked in a duett, Idle Nymph-; the music by Dr Arne. Scene III; Mount Ida. Venus and the Graces, to whom she complains of the loss of her son She that will but now discover-; Venus-Miss Brown; Scene IV. A Landscape. Dance of Warriors-; Scene V. A. Moonlight. Witches. When shall we three meet again?-; Scene VI. The Cavern of Despair. Mad Tom-Reinhold; the music by Purcell. Scene VII. A Palace and Banquet. Come honest Friends and jovial Fellows-; Attendant Genius-Miss Morris.
Cast
Role: Venus Actor: Miss Brown

Afterpiece Title: The Flitch Of Bacon

Cast
Role: Eliza Actor: Miss Brown.
Event Comment: Benefit for Phillips. Dr Arne having granted it only on this Occasion, the comic Interlude of Two Acts which met with the highest Approbation and Applause on Master Brown's Night. Preceded by Entertainments of songs

Performances

Mainpiece Title: Capochio And Dorinna

Cast
Role: Capochio Actor: Master Brown

Entertainment: As17680728 but a Burlesque Ode-_

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Holland, 1st time; Ferdinand (with songs)-Vernon; Stephano-King; Trincalo-Baddeley; Caliban-Love; Sebastian-Hurst; Antonio-Strange; Alonzo-Bransby; Gonzalo-Burton; Boatswain-Clough; Ariel (with songs)-Mas. Brown (pupil of Dr Arne, 1st appearance on the stage); Hymen-Kear; Ceres-Mrs Dorman; Miranda (with a song)-Mrs Baddeley, 1st time; with a Grand Dance of Fantastic Spirits-; the other dances-Giorgi, Sga Giorgi.
Cast
Role: Ariel Actor: Mas. Brown

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Lewis; Capulet-Clarke; Friar Lawrence-Hull; Mercutio-Woodward; Benvolio-Booth; Escalus-Fearon; Paris-Young; Tibalt-L'Estrange; Peter-Quick; Lady Capulet-Mrs Poussin; Nurse-Mrs Pitt; Juliet-Mrs Jackson (first appearance on this stage.); In I Masquerade Scenev incident to the play; and a Minuet-Daiguville, Mrs Jackson; end IV, the Funeral Procession of Juliet with the Solwmn Dirge: vocal parts-Mattocks, Reinhold, DuBellamy, Baker, Fox, Miss Brown, Miss Dayes, Mrs Masterson, Miss Valois, Mrs Willems, Mrs Lampe, Mrs Jones.

Afterpiece Title: St Patricks Day or The Scheming Lieutenant

Performance Comment: O'Connor-Clinch; Credulous-Lee Lewes; Dr Rosey-Quick; Trounce-Dunstall; Black Smith-Fearon; Flint-Fox; Bridget-Mrs Pitt; Lauretta-Miss Brown, in which character will be introduced a Song.

Performances

Mainpiece Title: The Detection Or A Sketch Of The Times

Performance Comment: Alderman Increase-Beesley (from the Theatre Royal, Norwich); George Increase-Williams; Sprightly-Mason (1st appearance); Landlord Blacklegs, Carmine-Welldon; Brass-Johnstone; Dr M'Drugg, Powell-Swords; Rushlight-Stannard; Marrowbone-Whittaker; Sam. Baldpate-Parker; Putty-Hedges; Snip-Phillips; Flint-Freeman; Tom Blunt-Robinson; Boy-Master Charles; M'Intosh-Brown (from the Theatre Royal, Edinburgh); Sir Petulant Poundage-Barrett; Clara-Miss Frederick (1st time); Gauze-Miss Watkins; Mrs Tripe-Miss Jackson; Mrs Increase-Mrs Baker (from the Theatre Royal, York); With a new Prologue-; Epilogue-.
Cast
Role: M'Intosh Actor: Brown

Afterpiece Title: The City Association or The National Spirit Rousd

Performance Comment: Captain Constant-Beesley; Serjeant Standfast-Parker; James-Welldon; Paddy O'Flail-Whittaker; Dunk Donald-Brown; Gregory Last-Swords; Dick Hatchet-Robinson; Sam. Slender-Thomas; Nat. Forge-Freeman; Timothy Remnant-Sutton; Mrs Magnum-Mrs Baker; Jenny Magnum-A Young Lady (1st appearance [unidentified]); Miss Fanny Lovewell-Miss Hemet (6th appearance); A new Prologue-Corbett [in the character of one of the City Associators.in the character of one of the City Associators.
Cast
Role: Dunk Donald Actor: Brown

Song: End I: song-Phillips

Entertainment: Monologue.End: (not acted these 10 years) Shuter's comic interlude, Post Haste Observations on his Journey to Paris-Sutton (from the Theatre Royal, Edinburgh)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Enchanted Castle

Performance Comment: [Partial cast from score (Longman and Broderip 1787]), and Morning Chronicle, 27 Dec.: Magicians-Darley, Cubitt; Necromancer-Davies; Harlequin-Brown; Zany-Wewitzer; Ballad Singer-Gaudry (who sang "The American Ballad" [i.e. Yankee Doodle]); Hymen-Mrs Martyr; Colombine-Miss Wilkinson; [Larpent MS also lists: Genius of the Wood-; Animals-; Crier-; Shewman-; Master of the Quay-; Mayor-; Giants-; Judge-; Councillor-; Goaler-; Boatman-; Neptune-; Dr Graham-; Bailiff-; Bacchanal-; Nymphs-.
Cast
Role: Harlequin Actor: Brown
Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Event Comment: This play is alter'd by Mr Cumberland was very well receiv'd Mr & Mrs Barry play'd very well Alcibiades was perform'd by Mr Crofts being his first appearance upon any Stage bad figure bad voice & Play'd bad (Hopkins Diary). New Scenes, Decorations &c. Mr Crofts-a stationer in the Temple (Winston MS 10). Theatrical Review, 4 Dec.: We think ourselves oblig'd to declare that this gentleman (Crofts), by no means answered the expectations we had formed, from the accounts we had heard of him.--His voice is not bad, though it is not much above the level of common conservation; --his deportment is aukward and void of grace to an extreme; and he labors under the disadvantage of having a face destitute of expression. His gestures are extremely ungraceful, and the whole of his execution is glaringly untutored, and misconceived. His persons is very ill formed, and therefore it makes greatly against him, especially as he is the representative of Alcibiades, who was the handsomest man in all Athens, and we never remember any one's attempting to set out as a capital performer with so few requisites for the support of such an undertaking as this gentleman appears to have. Paid Dr Nares & Mr Cooke's 8 boys in the Garter, 12 nights (30th ult. incl.) #36; Master Brown 7 nights (2nd inst. incl.) #2 12s 6d.; Licence for Timon, #2 2s. (Treasurer's Book). [Larpent MS 328 of Cumberland's Timon, is one of the earliest to include scenic descriptions: "A Hall in Timon's House. The Flat Scene represents stately Folding Doors. Scene two, the Back scene is hastily drawn back and discovers a magnificent Levee Room or Salon. &c."] Receipts: #243 1s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: The Musical Lady

Event Comment: Benefit for Mr Palmer. The Entertainment, a New Poetical Interlude (never perform'd there) Alter'd from Prior's Nut Brown Maid, by Mr Bates, With a New Air and Chorus. Music by Dr Arne. Receipts: #203 12s. Charges: #68 2s. 6d. Profits to Palmer: #13 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Deserter

Dance: The Sailors Revels, as17740920

Monologue: End of Play: Henry and Emma. Henry-Brereton; Eugenius-Palmer; Venus-Mrs Smith; Emma-Mrs Baddeley

Performances

Mainpiece Title: He Woud Be A Soldier

Performance Comment: Principal Characters-Lewis, Quick, Edwin, Aickin, Farren, Wewitzer, Fearon, Brown, Thompson, Mrs Wells, Mrs Brown, Mrs Webb, Mrs Pope. [Cast from text (G. G. J. and J. Robinson, 1786): Captain Crevelt-Lewis; Sir Oliver Oldstock-Quick; Caleb-Edwin; Colonel Talbot-Aickin; Mandeville-Farren; Count Pierpoint-Wewitzer; Wilkins-Fearon; Johnson-Brown; Amber-Thompson; Servant-Helme; Harriet-Mrs Wells; Betty-Miss Stuart; Nancy-Miss Rowson; unassigned-Mrs Brown, Mrs Webb; Prologue-Farren; Epilogue-Mrs Pope. [These were spoken, as here assigned, at the 1st 13 performances only (see17870109).]These were spoken, as here assigned, at the 1st 13 performances only (see17870109).]
Related Works
Related Work: The Touchstone of Invention; or, The Soldier's Fortune Author(s): John Brownsmith

Afterpiece Title: Richard Coeur de Lion

Performance Comment: As17861021, but Antonio-Miss Cranfield in place of Mrs Brown.