SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Doctor Blow"/1) | (@(roleclean,performerclean) "Doctor Blow")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 923 matches on Performance Title, 603 matches on Performance Comments, 91 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Acis And Galatea 0; Grand Selection 0

Afterpiece Title: Acis and Galatea 1

Performance Comment: O the Pleasures of the Plain!=-Chorus; For us the Zephyr blows-Miss Hagley; Ye verdant plains, Hush ye pretty warbling Quire-Miss Davies; Where shall I seek-Spence; Stay Shepherd stay, Shepherd what art thou pursuing-Miss Broadhurst; Lo! here my Love, Love in her Eyes-Kelly; O didst thou know the Pains, As when the Dove-Mrs Crouch; Happy we-Miss Hagley, Dignum; Happy we [repeated]-Chorus.

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: PART III

Performance Comment: A Grand Selection. Tyrants would in impious throngs-Mrs Crouch; Tyrants ye in vain conspire-Chorus (Athalia); Sin not O King-Miss Broadhurst (Saul); Thrice happy the Monarch-Bellamy [Alexander Balus]; What's sweeter than the new blown rose-Miss Hagley, Dignum (Joseph); Shake the dome and pierce the Sky-Chorus (Solomon); Mad Bess-Mrs Crouch (Purcell); I sing the produce of the vine, 'Tis mighty wine inspires us-Reinhold (Ottone); The Trumpet's loud clangor-Kelly, Chorus (Dryden's Ode); Da forte morir sapro-Miss Davies (Sarti); I'll proclaim the wondrous story-Spence, a Young Lady (1st appearance) (Esther); Worthy is the Lamb-Grand Chorus (The Messiah).

Music: As17910323

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Performance Comment: O the pleasures of the plains-Chorus [Acis and Galatea]; When storms the proud-Reynolds; O Judah-Chorus [Athalia]; Here amid-Miss Sharp [Alexander Balus]; What's sweeter than the new blown rose-Mrs Crouch, Kelly [Joseph]; Your harps and cymbals sound-Chorus [Solomon]; Why doth the God of Israel sleep-Incledon [Samson]; I know that my redeemer liveth-Mme Dussek [The Messiah]; Kings shall be thy nursing fathers-Grand Chorus [Coronation Anthems].Coronation Anthems].

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: True Blue

Performance Comment: Lieutenant (with Blow high, Blow low; The Mid Watch, written by R. Sheridan, Esq.; Rule Britannia)-Incledon; True Blue-Davies; Careful-Darley; Nancy-Miss Broadhurst.

Afterpiece Title: Comus

Dance: In 2nd piece: a Hornpipe-Blurton

Song: In 3rd piece: Sweet Echo-Miss Broadhurst; accompanied on the hautboy-W. Parke; Nor on beds of fading flowers-Incledon

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: THE SAILOR'S FESTIVAL; or, All Alive at Portsmouth

Performance Comment: SCENE I. The Deck of a Man of War. Blow bigh, blow low by Incledon. We be three poor Mariners by Johnstone, Incledon, Linton. Jack at the Windlass by Fawcett. The Mid-Watch, When 'tis Night, by Incledon. The good Subjects of England by Incledon, Richardson, Townsend. SCENE II. A Landscape. The Disconsolate Sailor, When my Money was gone, by Mrs Martyr, in character. When Daisies mead by Miss Barnett. SCENE III. Irish Song by Johnstone. Treble Hornpipe by Byrn, Holland, Mme Rossi. Rule Britannia by Incledon. With a Representation of the Grand Fleet at Anchor in Portsmouth Harbour .

Afterpiece Title: MARIAN

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: TRUE BLUE

Performance Comment: Lieutenant (with Blow high, blow low, The Mid Watch, Rule Britannia)-Incledon; True Blue- Davies; Careful- Rees/ / Nancy-Mrs Mountain .

Afterpiece Title: THE UPHOLSTERER

Dance: In 2nd piece Hornpipe by Blurton

Performances

Mainpiece Title: Everyone Has His Fault

Afterpiece Title: THE SAILOR'S FESTIVAL

Performance Comment: As17940407, but in SCENE I: Sally in our Alley by Incledon, in place of Blow high, blow low; in SCENE III: Old England will be England still by Incledon, in place of Rule Britannia .

Afterpiece Title: THE TWO MISERS

Music: End of Act II of mainpiece concerto on the Piano Forte, composed by Krumpholtz, accompanied by the Full Band, by Miss Poole

Song: End of Act IV of mainpiece Mad Bm, in character, by Miss Poole

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Mago and Dago; or, Harlequin the Hero

Performance Comment: Vocal Characters-Bernard, Gray, Street, Linton, Mrs Martyr; Harlequin-Byrn; Clown-Follett; Dago-Farley; Mago-Richardson; Father to Columbine-Hawtin; Zany-Simmons; Columbine-Mme Rossi; Seraphil-Mrs Martyr; I. The Cave of Magov. The Meeting of Fantastic Spirits-the Arrival of Mago-his Address to Seraphil-Richardson; II. Dago's Cavernv. The Magic Concerto-the Phantom of Harlequin-the escape of Columbine. III. A Mountainous Snow Scenev. The Drift of Snow-the Preservation of Columbine, and the Re-animation of the frozen Harlequin. Song by Seraphil-Mrs Martyr; IV. A Romantic Summer Viewv. It blows Hot and Cold-a Storm-an angry Parley between Mago and Dago. V. Inside of the Woodman's Cottagev. Thy introduction of Count Ugolino, with a display of the Magic Powers of Harlequin and Dago. VI. A Precipice, with a Distant Valleyv. The flight of Harlequin, Columbine, and Clown-with the ayrial pursuit of Dago and his Imps. VII. An Inn-Yard near Londonv. The Humours of a Stage Coach-the descent of the Aerial Characters, and Adventures by Lanthern Light. VIII. A Bedchamber at an Innv. A Rumpus in the Dark-the Mistakes of the Night-the Apparition. IX. A Smith's Shop and Forgev. Harlequin changes to a Blacksmith-Columbine to an Anvil-the Bed to a Forge-many Irons in the Fire. X. The Adam and Eve at Pancrasv. The Promenade, with a song, A New Trade for a Jew-Bernard; XI. The Trap-Ball Groundv. The Humours of the Whirligig-one below sees all-the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street; XVII. A Sketch from Naturev, which changes to A Flemish Fetev, from Teniers. A Throw with the dice-Seven's the Main-Win her and wear her. XVIII. A Gardenv. Dago's Triumph-Friends are faithless-The Picture reversed. XIX. Temple of Fortunev. A new Game of Gards-the odd Trick-Fortune's a Jilt-a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Festival of Anacreon [i

Performance Comment: e. The Sons of Anacreon]. Consisting of Songs, Catches and Glees, in which Anacreontic Song, Blow Boreas Blow (Purcell)-Sedgwick; Sally in our Alley-Dignum; Fair Rosale-Master Welsh.
Cast
Role: Blow Boreas Blow Actor: Sedgwick

Afterpiece Title: The Spoil'd Child

Afterpiece Title: Comus

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Introduction-; Ye sons of Israel-Chorus; Relieve thy Champion, Return O God of Hosts-Miss Dufour (Samson); Air-Reinhold; Let the bright seraphim-Mme Mara (Samson); Let them come if they dare-Incledon, Chorus (Purcell); What's sweeter than the new blown rose-Miss Poole, Master Elliot (Joseph); For the horse of Pharaoh-Incledon; The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Incledon; The horse and his rider-Double Chorus (Israel in Egypt).

Music: End I: concerto on the violoncello-C. Ashley; End II: concerto= on the Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection 0 From The Most Favourite Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Select parts of the Water Music-; Softly sweet-Miss Poole; [accompanied on the violoncello-C. Ashley (Alexander's Feast); I feel I feel, Arm arm ye brave-Reinhold; We come we come-Chorus (Judas Maccabaeus); The Soldier tir'd-Mme Mara (Dr Arne); What's sweeter than the new blown rose-Miss Poole, Master Elliot (Joseph); Oh come, let us worship-Incledon ([Chandos] Anthems); But bright Cecilia-Mme Mara; As from the power-Mme Mara, Chorus; The dead shall live-Chorus (Dryden's Ode); . .

Music: As17980309

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Orphan

Afterpiece Title: Harlequin's Return

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Unanimity; or, War, Love, and Loyalty

Afterpiece Title: Raymond and Agnes

Dance: 3rd piece to conclude with: Dance of Savoyards, as17980430; Ascension of the Bleeding Nun-

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: An Egeirophadron

Afterpiece Title: Harlequin's Chaplet

Dance: II: Negro Dance-Bologna Jun., Platt, King

Song: End I: Black Ey'd Susan-Incledon

Performances

Mainpiece Title: Life's Vagaries

Afterpiece Title: Saturday Night at Sea; or, Tars at Anchor

Afterpiece Title: The Norwood Gipsies

Song: End II 1st piece: Admiral Benbow-Incledon; End 1st piece: The Group of Lovers-Munden

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Royal Chace; or, Merlin's Cave: With Jupiter and Europa

Performance Comment: Endymion (as Royal Chasseur)-Beard; Chasseurs-Vincent, Roberts; Nymphs of Chace-Miss Brunette, Miss Male; Diana (Royal Huntress)-Miss Hillyard; Merlin-Leveridge; Aerial Spirits: Cupid-Glover; Graces-Miss Norman, Miss Sandham, Mlle Delorme; Hour-Mrs Ogden; Zephyrs-Tench, Desse, Livier, Delagarde; Psyche-Miss Rogers; Rural Swain and Nymph-Lally, Mlle D'Hervigni; Jupiter (Harlequin)-Lun; Mercury-Stoppelaer; Pluto (Punch)-Delagarde; Neptune (Pantaloon)-Dupre; Pan (Scaramouch)-Richardson; Hercules (Brighella)-Desse; Apollo (Mezzetin)-Glover; Mars (Leander)-Tench; Europa-Miss Rogers; Doctor-Nivelon; Doctor's Wife-Mrs Stevens; Doctor's Servant-Lalauze; Country Lads-Dupre, Bencraft, Ferguson; Country Lasses-Mrs Kilby, Mrs Forrester, Miss Ambrose .
Cast
Role: Doctor Actor: Nivelon
Role: Doctor's Wife Actor: Mrs Stevens
Role: Doctor's Servant Actor: Lalauze

Entertainment: [Words by Phillips.] The Characters New Drest. With New Scenes, representing the exact Views of the Hermitage, and Merlin's Cave, as taken in the Royal Gardens of Richmond. Receipts: #185 4s. 6d

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Royal Chace; or, Merlin's Cave

Performance Comment: Endymion-Beard; Chasseurs-Salway, Roberts; Nymphs of Chace-Miss Brunette, Miss Rogers; Diana-Miss Hillyard; Merlin-Leveridge; Aerial Sprites: Cupid-Glover; Graces-Mrs Moreau, Miss Norman, Mlle Delorme; Hour-Mrs Ogden; Zephyrs-Tench, Desse, Davenport, Baudouin; Psyche-Mrs Laguerre; Harlequin-Lun; Pluto (Punch)-Baudouin; Neptune (Pantaloon)-DuPre; Pan (Scaramouch)-Richardson; Hercules (Brighella)-Davenport; Apollo (Mezzetin)-Glover; Mars (Leander)-Tench; Mercury-Laguerre; Country Lads-DuPre, Bencraft, Baudouin; Country Lasses-Miss Norman, Mrs LeBrun, Miss Dancey; Doctor-Nivelon; Doctor's Wife-Mrs Stevens; Doctor's Servant-Lalauze.
Cast
Role: Doctor Actor: Nivelon
Role: Doctor's Wife Actor: Mrs Stevens
Role: Doctor's Servant Actor: Lalauze.

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Little Hunchback; or, A Frolick in Bagdad

Performance Comment: The Hunchback-Quick; Taylor-Blanchard; Jew Purveyor-Wewitzer; French Doctor-Cubitt; Barber-Macready; Englishman-Fearon; Doctor's Man-Rock; Jew's Man-Milburne; Black Aga-Painter; Cadi-Evatt; Bassa of Bagdad-Davies; Dora-Miss Rowson; Taylor's Wife-Mrs Webb; Text (J. Debrett, 1789) specifies: Crumpy-Quick; +Cross-Leg-Blanchard; +Zebede-Wewitzer (in text: $Reeve); Doctor Quinquina-Cubitt; +Absalom-Macready; +Crank-Fearon (in text: $Booth); Dominique-Rock; +Habby-Milburne; +Babouc-Painter; +Cadi-Evatt; +Bassa-Davies; Crier-Thompson; Courier-Ledger; +Dora-Miss Rowson; +Juggy-Mrs Webb.
Cast
Role: French Doctor Actor: Cubitt
Role: Doctor's Man Actor: Rock
Role: Doctor Quinquina Actor: Cubitt

Dance: End: The Wapping Landlady ; or, Jack in Distress- See17890616

Entertainment: Monologue Preceding: Mother Shipton's Review of the Audience-(with Alterations and Additions) Quick?

Performances

Mainpiece Title: Fontainbleau; Or, Our Way In France

Afterpiece Title: The Little Hunchback

Performance Comment: The Hunchback-Quick; Taylor-Blanchard; Jew Purveyor-Reeve; French Doctor-Cubitt; Barber-Macready; Englishman-Bernard; Doctor's Man-Rock; Jew's Man-Milburne; Cadi-Evatt; Bassa of Bagdad-Davies; Dora-Miss Rowson; Taylor's Wife-Mrs Webb. [Parts adjusted from text (J. Debrett, 1789): Crumpy-Quick; Cross@Leg-Blanchard; Zebede-Reeve; Doctor Quinquina-Cubitt; Absalom-Macready; Crank-Bernard; Dominique-Rock; Habby-Milburne; Cadi-Evatt; Bassa-Davies; Dora-Miss Rowson; Juggy-Mrs Webb.]
Cast
Role: French Doctor Actor: Cubitt
Role: Doctor's Man Actor: Rock
Role: Doctor Quinquina Actor: Cubitt

Dance: End: Divertissement-Byrne, Mrs Goodwin

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: The Little Hunchback

Performance Comment: The Hunchback-Quick; Taylor-Blanchard; Jew Purveyor (1st time)-Wilson; French Doctor-Marshall; Barber-Macready; Englishman-Bernard; Doctor's Man-Rock; Jew's Man-Milburne; Cadi-Evatt; Bassa of Bagdad-Davies; Dora-Mrs Rock; Taylor's Wife-Mrs Webb. [Parts adjusted from text (J. Debrett, 1789); Crumpy-Quick; +Cross-Leg-Blanchard; +Zebede-Wilson; +Doctor Quinquina-Marshall; +Absalom-Macready; +Crank-Bernard; +Dominique-Rock; +Habby-Milburne; +Cadi-Evatt; +Bassa-Davies; +Dora-Mrs Rock; +Juggy-Mrs Webb.]
Cast
Role: French Doctor Actor: Marshall
Role: Doctor's Man Actor: Rock
Role: Doctor Quinquina Actor: Marshall

Afterpiece Title: A Divertisement

Dance: End 3rd piece: As17910112

Event Comment: [The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", pp. 16-17. This performance may have been the premiere. Shadwell, in his Preface, implies that it was acted six days. As Saturday was a day frequently chosen for a first showing and as the play was certainly given again on 14 Dec. 1670, the sequence of performaces which follow in this Calendar is based on the assumption that Saturday 10 Dec. 1670 was the first day, Wednesday 14 Dec. 1670 the fourth day of acting. The Preface: This Play...came upon the Stage with all the disadvantages imaginable: First, I was forced, after I had finish'd it, to blot out the main design of it; finding, that, contrary to my intention, it had given offence. The second disadvantage was, that notwithstanding I had (to the great prejudice of the Play) given satisfaction to all the exceptions made against it, it met with the clamorous opposition of a numerous party, bandied against it, and resolved, as much as they could, to damn it, right or wrong, before they had heard or seen a word on't. The last, and not the least, was, that the Actors (though since they have done me some right) at first were extreamly imperfect in the Action of it.... This of mine, after all these blows, had fall'n beyond Redemption, had it not been revived, after the second day, by her [Mrs Johnson's (?)] kindness (which I can never enough acknowledge) who, for four days together, beautified it with the most excellent Dancings that ever has been seen upon the Stage. This drew my enemies, as well as friends, till it was something better acted, understood, and liked, than at first

Performances

Mainpiece Title: The Humorists

Event Comment: The Duke's Company. The date of the premiere is not known, but the fact that it was entered in the Term Catalogues in February 1679@80 suggests a first production in December 1679 or January 1680. A song, Tell my Strephon that I die, with music by John Blow, is in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Loyal General

Event Comment: The Duke's Company. The date of the first performance is not certain, but it was probably this day. A letter dated 26 Jan. 1681@2 speaks of the preceding day's performance as the "poet's day," presumably the third day; it is likely, therefore, that the premiere fell on Monday, 23 Jan. 1681@2. The Prologue and Epilogue, were printed separately in 1682 and reprinted in Wiley, Rare Prologues and Epilogues, pp. 50-51. Luttrell's copy (Huntington Library) bears his acquisition date of 14 Feb. 1681@2. A note on the Library of Congress copy indicated that Smith spoke the Prologue. A song, Great Augustus like the glorious sun, with music by John Blow, is in A New Collection of Poems and Songs, 1683. Another, Now the Tones all must droop, sung by Bowman, is in the same collection, but without indication of the composer, and a third, Twa bonny lads were Sawney and Jockey, without singer or composer, is in the same collection

Performances

Mainpiece Title: The Royalist

Event Comment: A Second Musical Entertainment Perform'd on St. Cecilia's day, November XXII. 1684. The Words by the late ingenious Mr John Oldham, Author of the Satyrs Against the Jesuits. Set to Music in two, three, four, and five Parts, by Dr John Blow, Master of the Children, and Organist of His Majesty's Chappel-Royal. [This work was published in 1685.

Performances

Mainpiece Title: Concert

Event Comment: The United Company. The date of the first performance is not known. The edition of 1687 states on the title page: This may be printed, April 23. 1686. It was entered in the Stationers' Register, 8 May 1686, under the title: The Disappointed Marriage; or, Ye Generous Mistris. It was probably first given before mid-April 1686, with the publication delayed, a delay accounting for the fact that Mrs Percival, who did not marry Mountfort until 2 July 1686, appears in the cast as Mrs Mountford. A song, O love that stronger art than wine, the music by John Blow, the verse by Ousley, and sung by John Bowman, is in The Theater of Music, The Fourth Book, 1687

Performances

Mainpiece Title: The Luckey Chance; Or, An Alderman's Bargain

Performances

Mainpiece Title: Concert

Performance Comment: A Pindarick Ode, on New@Year's@Day-; Vocal and Instrumental Musick Perform'd before Their Sacred Majesties, K. William and Q. Mary. Set by Dr John Blow, and Written by ThomasD'Urfey-.