SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Daughter of the late Mr Farquhar"/1) | (@(roleclean,performerclean) "Daughter of the late Mr Farquhar")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5195 matches on Event Comments, 1330 matches on Performance Comments, 1076 matches on Author, 924 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit Bradshaw (Box-Keeper). Places for Boxes to be taken at his house near the Bull-and-Gate, in Holborn; and at Mr Trafford's at the Rose Tavern, Russell St.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: Muilment, Mlle Auguste

Event Comment: On Tuesday last died in Dublin, Mr Thomas Walker, the Comedian, who originally perform'd the Part of Capt. Macheath in the Beggar's Opera.--General Advertiser, 12 June

Performances

Event Comment: MMonticelli and all the singers and dancers of the opera go away next week, there being no more of these entertainments next winter. Mr. Handell having taken the House...to perform his Oratorios in all the next season.--Lady Ethelreda Townshend to Isabella, Countess of Denbigh, cited from Denbigh MS. in Deutsch, Handel, p. 592

Performances

Event Comment: The Third Night. 7 p.m. The Company intends to revive several old pieces, and will perform every Tuesday and Friday during the summer season. Places for the Boxes at Mr Macklin's, Bow Street, Covent Garden. [A letter appeared in Daily Advertiser, 10 July, on the acting of Hamlet.

Performances

Mainpiece Title: Hamlet

Event Comment: Places for the Boxes to be taken of Mr Hobson, at the Stage Door of the Theatre. By His Majesty's Command, no person to be admitted behind the scenes, nor any money to be return'd after the curtain is drawn up. To begin exactly at Six o'clock

Performances

Mainpiece Title: Love For Love

Event Comment: Written by Dryden. Places for boxes to be taken of Mr Page at the stage door of the theatre. 6 p.m

Performances

Mainpiece Title: Don Sebastian, King Of Portugal

Event Comment: As the greatest Part of Mr Handel's Subscribers are not in Town, he is requested not to perform till Saturday the 24th

Performances

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Event Comment: Benefit Mills. A Concert both Serious and Comic; Consisting of the most favourite Airs, taken from the most favourite Operas and Oratorios, by the best Masters. Boxes 5s. Pit 3s. Gallery 2s. 6 p.m. To the Publick. Gentlemen and Ladies: I humbly beg Pardon for troubling you in this Manner, but being Unfortunately excluded (I don't know for what Reason) from both the Theatres, and consequently deprived of getting my Living by my Profession, the Favour of your Company at a Concert which I take for my Benefit on Tuesday the 11th instant, at the Little House in the Haymarket, will be a very great Obligation to Your most faithful and devoted humble Servant, William Mills. Tickets to be had of Mr Mills at his House in Nassau St., near Soho. Note: After the Concert will be perform'd (gratis) a Comedy call'd The Careless Husband

Performances

Mainpiece Title: The Careless Husband

Song: Lowe, Miss Edwards

Event Comment: Mainpiece: By the Particular of Several Persons of Quality for the Benefit of Mr Nicholson

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Schoolboy

Dance: GGondalier-Cooke; Scotch Dance, as17441012

Event Comment: A new Musical Drama, compos'd by Mr Handel. Libretto by Thomas Broughton. [Mrs Cibber was scheduled to sing the part of Lichas, but was indisposed.

Performances

Mainpiece Title: Hercules

Event Comment: Mainpiece: By Particular Desire. The Musick for the Afterpiece compos'd by Mr Arne. With a New Overture founded on some favourite Irish tunes. Nothing Under Full Prices will be taken during the Performance.--General Advertiser. [See Poem by S. G. To Mrs Sybilla, on her Acting the Goddess of Dullness and persuading her to attempt Melantha in Dryden's Marriage Alamode in Gentlemen's Magazine, Feb. 1745, p. 98. Authorship of afterpiece unknown; possible a revision of Theobald's The Happy Captive. See 16 April 1741 hay.

Performances

Mainpiece Title: The Constant Couple

Related Works
Related Work: The Constant Couple; or, A Trip to the Jubilee Author(s): George Farquhar

Afterpiece Title: The Temple of Dulness; With Humours of Sg Capochio and Sga Dorinna

Related Works
Related Work: The Temple of Dulness; with the Humours of Sg Capochio and Sga Dorinna Author(s): Lewis Theobald
Event Comment: Having for a Series of Years received the greatest Obligations from the Nobility and Gentry of this Nation, I have always retained a deep Impression of their Goodness. As I perceived, that joining good Sense and Significant Words of Musick, was the best Method of recommending this to an English Audience; I have directed my Studies that way, and endeavour'd to shew, that the English Language, which is so expressive of the sublimest Sentiments, is the best adapted of any to the full and solemn Kind of Musick. I have the Mortification now to find, that my Labours to please are become ineffectual, when my Expences are considerably greater. To what Cause I must impute the Loss of the Publick Favour, I am ignorant, but the Loss itself I shall always lament. In the mean time, I am assur'd that a Nation, whose Characteristic is good Nature, would be affected with the Ruin of any Man, which was owing to his Endeavours to entertain them. I am likewise persuaded, that I shall have the forgiveness of those noble Persons, who have honour'd me with their Patronage, and their Subscription this Winter, if I beg them Permission to stop short, before my Losses are too great to support, if I proceed no farther in my Undertaking; and if I intreat them to withdraw three Fourths of their Subscription, one Fourth part only of my Proposal having been perform'd. I am, etc. G. F. Handel. Attendance will be given at Mr Handel's House in Brook's St., Hanover Square, from 9 a.m. to 2 p.m. Monday, Tuesday, and Wednesday next, in order to pay back the Subscription money. [Two poems in honor of Handel in the 21 Jan. issue of the Daily Advertiser. A letter in the 25 Jan. issue indicates that the subscribers would not accept the proferred refund; Handel announced he would resume performances in view of this response.

Performances

Event Comment: Benefit Carney. Boxes 2s. 6d. Pit and First Gallery 1s. 6d. Upper Gallery 1s. Tickets at Carney's Lodgings at Mrs Comer's the bottom of Lemon St.; at the Taphouse of the Wells. As Mr Carney's long Illness has prevented him from waiting on his Friends in a proper manner, he humbly hopes that Gentlemen and Ladies will continue their Favours to him, without any further Application

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: The two Masters Granier, Miss Granier

Event Comment: TThe Rehearsal, desir'd for this day is oblig'd to be deferr'd till Saturday, on account of the hurt Mr Garrick receiv'd upon the stage on Tuesday last

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: Rosamond

Dance: III: Shepherd's Dance-Muilment

Event Comment: As alter'd by Mr Dryden and Sir William Davenant, from Shakespear. Last night the Play of the Tempest, with all the Musick and Decorations belonging to it, was perform'd at the New Wells in Goodman's Fields.--Daily Advertiser, 15 Feb

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Furnival; Ferdinand-Goodfellow; Alonzo-Freeman; Antonio-Tucker; Gonzalez-York; Hippolito-Mrs Hallam; Stephano-Kennedy; Mustacho-Maxfield; Trincalo-L. Hallam; Ventoso-Cushing; Ariel-Mrs Kennedy with the songs proper to the character; Miranda-Mrs Daniel; Dorinda-Mrs Cushing; Caliban-Paget; Sycorax-Dove; with all the Dances-proper to the Play; Time-Granier; Death-Chettle; Mephistopheles-Tucker; Charon-Daniel; Old Dame Stetebos-Granier; Pluto-Brett; Demons-Chettle, Daniel, Tucker, Toole, Fullwell, Jackson; Concluding with Grand Masque of Neptune and Amphytrite-; Neptune-Brett; Amphytrite-Miss Lincoln.
Event Comment: Benefit Mrs Charke. 6 p.m. 5s., 3s., 2s., will be presented a Concert, etc. [In the bill for 21 Feb. it is announced as: By Permission...will be reviv'd an Historical Play, not acted these sixty years.] Tickets and Places to be had of Mr Meredith, at the Theatre. [Puffs in the Daily Advertiser announce their pleasure that Mrs Charke is actually going to play a woman's role. A rehearsal was held on 1 March.

Performances

Mainpiece Title: Pope John Viii

Performance Comment: otherwise Pope Joan-Mrs Charke.
Event Comment: Benefit Mrs Giffard. Mainpiece: At the Particular Desire of Several Persons of Quality. Servants will be admitted to keep places on the stage; and the ladies are desired to send their servants by 3 o'clock. Mr Giffard having receiv'd directions for places at his benefit takes this opportunity of acquainting his friends he shall desist from troubling them on that occasion this season. Tickets to be had of Mrs Giffard at No. 11, in Craven Buildings, Drury Lane; and of Hobson at the Stage door

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Anatomist

Song: II: Lowe

Dance: III: Muilment; V: Sga Bettini

Event Comment: Tragedy never acted. By James Thomson. Characters New Dress'd. But as it is rather more fashionable to run mad about Mr Thomsons's play, I will change my theme and talk to you of Tancred. I want much to know how you like it, at this distance I would lay any wager you do not like it so well as your sister does, who certainly cannot be your sister and not have been to see it long ago. Everybody agrees that no play was ever so much improved in acting, at least since the Booths and Bettertons. That first scene expecially, where Siffredi discovers to Tancred who he is, pleased me almost beyond anything I ever saw, indeed even before I saw it, that scene was my favourite. But what do you think of the story, and what of the style?-A Series of Letters between Mrs Elizabeth Carter and Miss Catherine Talbot, I, 60 (dated strangely 2 March). [On 26 April, the Daily Post published a letter by Bellario on Tancred and Sigismunda, discussing the kind of support it received]: A very remarkable new Lord of the Treasury was proud of appearing its Foster Father, and attended at the public rehearsals; the first night of the performance this celebrated person and his friends in the Box with him (all very lately most flaming Patriots) were seen clapping their hands at the following remarkable speech: First of You All...To Quit Mistakes. [The letter also discussed political aspects of the play, then the poetry of the lines. The author heard that three hundred lines were cut out after the first performance, and was of opinion that double that amount would have been beneficial.

Performances

Mainpiece Title: Tancred And Sigismunda

Performances

Mainpiece Title: Joseph

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Miller of Mansfield

Event Comment: Benefit of the Author, it being the eighth night only of acting, but the night from the first Representation, because of the interruption of Mrs Woffington's Benefit. Tickets to be had of G. Strahan, in Cornhill; J. Davidson in the Poultry; A. Millar in the Strand; R. Dodsley in Pall Mall, and of Mr Hobson at the Theatre, where places may be taken on the stage.-Daily Advertiser

Performances

Mainpiece Title: Tancred And Sigismunda

Event Comment: Benefit for the Two Misses Scott. Pit and Boxes to be put together, 5s. Gallery 3s. To begin at half an hour after Six. No persons to be admitted but by printed tickets, which may be had of the two Misses Scott, at Mr Hind's, painter in Silver St., near Golden Square, and at the theatre where places may be taken. Several of the principal performers being engag'd for tomorrow night, the Misses Scott are oblig'd to take this night for their benefit, and humbly hope the Gentlemen and Ladies who intend them the honour of their company will excuse it, and the same tickets will be admitted. Note tickets deliver'd out for the Castle Tavern in Paternoster Row for the 14th of January will be taken

Performances

Mainpiece Title: A Concert

Performance Comment: Vocal parts-Sg Palma, Sullivan; The favorite songs in the last New Opera, call'd L'Incostanza Deluza-the two Misses Scott; The Instrumental parts-the best masters; particularly a solo on the Violin-Sg Pasquali; a concerto on the Violincello-Sg Pasquali Jr.
Event Comment: Whereas it was first intended to lay the pit and boxes together, for the better accommodation of the ladies, who are desirous of having their places kept, the boxes will be enclosed as usual. -General Advertiser. The songs added to the farcical opera call'd the What D'Ye Call It to be performed tomorrow night at cg, were wrote some years ago by a Gentleman since deceased, whose pieces of the Lyric kind have been often admir'd by people of Taste; there is a pleasing variety in them, and they are thought to be well adapted to the several characters in which they are introduced. The Music, which is entirely new, and compos'd by Mr Lampe, is allow'd by all who have heard it, to be an agreeable mixture of humour, spirit, and harmony. -Daily Advertiser. General Advertiser, 4 April: Yesterday was a rehearsal of The What D'Ye Call It

Performances

Mainpiece Title: Joseph

Event Comment: Benefit Chapman. Mainpiece: By Particular Desire. Tickets deliver'd for the Pilgrim will be taken at this play. Tickets and places to be had at Mr Chapman's, the corner of Bow St., Covent Garden

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: The Schoolboy

Performance Comment: See17441005, but Schoolboy-Master Shuter (who never appeared upon the stage before); No other character listed. No other character listed.

Song: ( B By desire )Mad Bess-Beard; The Charms of Polly Willis-Mrs Clive

Dance: Cooke, Sga Campioni