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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Daughter Trotter"/1) | (@(roleclean,performerclean) "Daughter Trotter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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549 results for: Keyword - Daughter Trotter

We found 344 matches on Performance Title, 114 matches on Event Comments, 101 matches on Performance Comments, 9 matches on Author, and 0 matches on Roles/Actors.

326
15 May 1795 @ Covent Garden

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

327
20 May 1795 @ Covent Garden

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: The Tythe Pig

Afterpiece Title: The Irish Mimick

328
26 May 1795 @ Covent Garden

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Hercules and Omphale

329
28 May 1795 @ Covent Garden

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Hercules and Omphale

330
01 June 1795 @ Covent Garden

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Rosina

Afterpiece Title: The Tythe Pig

331
15 June 1795 @ Covent Garden

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: The Poor Sailor

Afterpiece Title: The Tythe Pig

Dance: As17950609

332
14 October 1795 @ Covent Garden

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Sprigs of Laurel

333
19 October 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Lodoiska

334
21 October 1795 @ Covent Garden

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Oscar and Malvina

335
28 October 1795 @ Covent Garden

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Oscar and Malvina

336
02 December 1795 @ Covent Garden

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: The Poor Sailor

Dance: As17951126

337
06 May 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Romp

338
16 May 1796 @ Covent Garden

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: A Melocosmiotes

Afterpiece Title: Oscar and Malvina

Song: End II of 1st piece: The Sea Storm-Incledon; In 3rd piece: I am a jolly gay Pedlar-Townsend; Come every jovial Fellow-Rees, Mrs Martyr, Mrs Mountain; O ever in my bosom live-Mrs Martyr, Mrs Mountain

339
13 October 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Who's the Dupe

Ballet: The Triumph of Love. As17961001

340
29 October 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Who's the Dupe

Ballet: End: The Scotch Ghost; or, Little Fanny's Love. The Lady of Dunblain-Mlle Parisot (By permission of the Proprietor of the king's Theatre); Jamie-Gentili; Glaude-Dubois; Saundy-Master Menage; Donald-Whitmell; Elpsa-Mrs Brooker; Fanny (with a Hornpipe)-Sga Bossi delCaro; Hornpipe-Sga Bossi delCaro; Villagers-Banks, Butler, Garman, Nicolini, Roffey, Thompson, Wells, Ms Barrett, Ms Bourk, Ms Brigg, Ms Byrne, Ms Daniels, Ms Thompson, Ms Haskey

341
11 March 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Apprentice

Afterpiece Title: Cape St

342
09 May 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Wedding Day

343
21 November 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Sultan

Afterpiece Title: A Trip to the Nore

344
05 January 1798 @ Covent Garden

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Harlequin and Quixotte

Cast

Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England

345
13 March 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Blue-Beard

346
16 May 1798 @ Covent Garden

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Britons Roused

Afterpiece Title: The Follies of a Day

Dance: End 2nd piece: a Minuet-Mr and Miss Betterton

347
16 November 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Captive of Spilburg

Dance: As17981114

348
28 January 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Feudal Times

349
11 April 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Shipwreck

350
30 July 1799 @ Haymarket Theatre

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: Sighs; or, The Daughter

Afterpiece Title: The Purse

Song: not listed in playbill; see17990824: In II 2nd piece: 'Twas in the solemn mid@night hour-Mrs Bland