SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Cross and Wife"/1) | (@(roleclean,performerclean) "Cross and Wife")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 3047 matches on Event Comments, 2525 matches on Performance Title, 1626 matches on Performance Comments, 110 matches on Author, and 0 matches on Roles/Actors.
Event Comment: "Mash note" appeared in the Daily Advertiser referring to a girl and an incident that occurred at the Provok'd Wife Sat 31 March. The Girl sat in a side-box, but slipped going down the stone steps of the theatre.

Performances

Mainpiece Title: Sampson

Event Comment: Benefit for Ridout and Barrington. On Wednesday 24 April for the Benefit of Leveridge, The City Wives Confederacy: @To all generous Britons I sound this endeavour,@To beg that this season my play you ll promote,@By granting as usual your bountiful favour,@Which by Old Silenus shall ne'er be forgot.@Whilst Life I'm enjoying, and health do inherit,@With grateful Remembrance all thanks I'll renew@Still raising my voice to the Heighth of my Spirit,@Then swan-like will sing out my final adieu. tickets fbr the play, with the Musical note printed on them may had of Leveridge at his Lodging over against the Red Lion in Brownlow St., by Drury Lane, and of Mr Page at the Stage Door. Tickets for the 17th will be taken

Performances

Mainpiece Title: Othello

Cast
Role: Lodovico Actor: Anderson

Afterpiece Title: The Devil to Pay

Dance: As17500926

Performances

Mainpiece Title: Jephtha

Performance Comment: Jephtha-; Zebul-(his Brother); Storage-(His Wife); Iphis-(His Daughter); Hamor-(In love with Iphis); Chorus of Israelites-(Larpent MS).
Event Comment: This day publish'd at 3s. Printed on Five sheets of superfine paper, Five Principal Scenes in Romeo and Juliet, designed, drawn, and engraved by Mr Ant. Walker. Printed and sold by John Tinney, at the Golden Lion in Fleet St. The drawing and Engraving of the three following Plays of Shakespeare are in great forwardness, and the scenes of each play will be sold at a time: 1 Henry IV, 2 Henry IV, Merry Wives. These plates will serve for Mr Pope's edition of Shakespeare in quarto, Sir Thomas Hanmer's edn. 6 Vol. quarto, or for any of the Folio editions. And may be framed and glazed for furniture. There will be a few sets neatly coloured for Gentlemen and Ladies who chuse them so (Public Advertiser). [A set of these prints is available in the Folger Shakespeare Library. The Five Principal Scenes were: The scene in Capulet's Housev where Romeo kisses Juliet 's hand; the Balcony Scenev ; the scene in which Friar Lawrence hurries the young couple off to be married; the Apothecary scenev ; and the death scenev . If, as may be, these scenes were taken from--as they were certainly stimulated by--the Barry-Nossiter production, they may present a good likness of Maria Isabella Nossiter, who so captivated London that season. If, also, they were taken from the theatre production, they give evidence that Barry used a balcony, not only a window.

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: As17540118

Event Comment: Benefit for Sga Passerini. [From charges and countercharges published in great length in the Public Advertiser, it appears that Sga Frasi had earlier arranged to produce Samson at the King's on this night for her benefit. Learning that the subscribers to the opera season could enter on their own tickets on this night she decided to change nights to avoid any losses, only to find that her singers were engaged at one theatre or another on other nights. Meanwhile, Signor Passerini got permission to have this night scheduled at King's for his wife's benefit, and Sga Frasi lost out all around. Passerini asserted that the charge for renting the Great Room, Dean St. Soho was 5 guineas for a night.

Performances

Mainpiece Title: Didone

Event Comment: Text--Goldoni; first performance in England. Music by Sg Vinceni Ciampi. Play a New Italian Burletta. Printed books of the opera will be sold at the theatre. Ladies send servants at half three. [The Epilogue (Larpent MS 117) suggests lovemaking in crowded theatres (see 8 Jan. 1755)]: @Close pack'd they sit and woo with secret squeeze,@Attracting elbows, sympathetic knees...

Performances

Mainpiece Title: La Famiglia De Bertholdi, Alla Corte Del Re Alboino

Performance Comment: The Larpent MS 116 copy, (Amsterdam, 1754) lists the parts: Alboino (King)-; Ipsicratea (Queen)-; Erminio (Confidant of the King)-; Bertoldo-; Bertoldino (his son)-; Menghina (Son's wife and mother of)-; Cacasemo-.

Dance: [Unspecified.]

Event Comment: Last night the Prince of Wales, Prince Edward, Prince Henry, Prince Frederick, and Princess Augusta were at Covent Garden to see The Merry Wives of Windsor and The What D'ye Call It (Public Advertiser)

Performances

Mainpiece Title: Zara

Cast
Role: Chatillon Actor: Anderson

Afterpiece Title: The Devil to Pay

Cast
Role: Conjuror Actor: Anderson

Dance: As17551101

Performances

Mainpiece Title: Jeptha

Performance Comment: Parts were Jeptha-; Zebul (his Brother)-; Storage (his Wife)-; Iphis (his Daughter)-; Hamor (in love with Iphis)-; Chorus of Israelites-. (Larpent MS).
Event Comment: Benefit for the Lying In Hospital, Aldersgate St. Receipts: #76 15s. Income from Tickets #80 11s. (boxes 114; pit 273; gallery 111). Charges #84 (Account Book). Tomorrow the First Part of King Henry IV. [A long plea for attendance at this performance appeared in the Public Advertiser: "It affords me the greatest satisfaction when I peruse your paper, and find so many advertisements for charitable Benefits at the Theatres; which must greatly add to the Entertainment of the Stage, when we are sensible that the profits are to be appropriated towards the relief and support of the Indigent and distress'd; for the refief of whom, it must (at the same time it gives us secret pleasure) raise the astonishment of foreigners to see so many charitable piles raise their benevolent roofs in and about this great Metroplis. Amongst which I must beg leave to recommend to the Public, the City of London Lying In Hospital in Aldersgate Street (for the Benefit of which the Play of the Conscious Lovers will be performed this evening at Covent Garden); whose charitable doors have been opened for the relief of a much greater Number since the late dearth of Provisions, than its Annual Income (being supported by voluntary contributions) can possibly support, without further aid from the Public." The plea continues by emphasizing the need for expert and tender care for pregnant women, and by pointing out the satisfaction British sailors will have in knowing their wives may be delivered in this hospital.] [The Occasional Prologue (Written by Mr Lockman, Secretary to the Society of Free British Fisheries) was published in the Public Advertiser on 16 Dec.: @"Not sweeter Joy the wond'ring Indian feels,@When his far dazzling Glory Sol reveals@Than warms my heart at this auspicious Sight,@The splendid Audience of this cheerful night."@ Much emphasis on the misery of child-bearing, yet the need for a large population "to a commercial land." Also included was the Epilogue, by Lockman, "Intended for Mrs Hamilton," ending, "May each youth, here, breathe Bevil's gen'rous flame@Each virgin merit Indiana's fame."

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Sealand Actor: Sparks
Role: Humphrey Actor: Anderson
Role: Mrs Sealand Actor: Mrs Stephens

Afterpiece Title: Lethe

Dance: FFingalian Dance, by Desire, as17571013

Event Comment: On 21 March died of a Consumption, at Somerset House, Mrs George Garrick, wife of Mr George Garrick, a Lady in whom was united every amiable quality (Public Advertiser, 22 March.)

Performances

Event Comment: A Bold Stroke for a Wife, with Harlequin Sorcerer, had been advertised at the foot of the bill for 5 May, but not on 6 May

Performances

Event Comment: TThe London Chronicle 1758 (p. 461): Having already read the play [The London Cuckolds] it was no wonder if my inclinations to attend the exhibition of it were very small; however, being in some measure oblig'd to perform that penance, I paid my money and sat down in the pit, where I underwent three hours entertainment, if I may call it so, only to be rooted in a former opinion, that the author of this comedy deserved to be hanged; and that the only excuse which could be made for suffering it to be acted would be invincible stupidity. This monstruous production of nonsense and obscenity, is the spawn of one Ravenscroft, a writer whose wit was as contemptible as his morals were vitious. He does not seem to have had one sentiment either of a man of Genious of a gentleman, at least if we may judge by the characters he has daubed, which are a pack of reprobates of the lowest kind. Nor are the things which look like incidents in this play the produce of his own invention, but the squeezings from an extravagant novel of Scarron, and two or three ill-chosen fables of LaFontaine; of which ingredients he has contrived to mix up a sort of hog-wash, sweetened with a few luscious expressions and a large portion of the grossest lewdness, to the palates of swine, or what is the same thing, men like them; but which must be odious to, and nauseated by all people of delicate taste, or common modesty. The three gallants in this comedy, Townly, Ramble and Loveit, never make their appearance upon the stage but to talk bawdy, and that in terms very little different from the most vagabond inhabitants of Covent Garden, nor do they make their exit but with a professed intention to commit adultery with one woman or another, who walks off with him very contentedly for that purpose. I must here observe that adultery is committed no less than seven times during the five acts. [The play an insult to the London aldermen and their wives.] There were several men of distinction in the boxes at this play, and I think about eight ladies. What their inward feelings might be I know not; but if one might judge of their thoughts by the gravity of their looks, they were rather mortified than diverted. But of the women of the town, who as we suppose were unwilling to let slip so fair an opportunity of getting a supper and a bed-fellow, there were crowds both in the pit and green boxes...

Performances

Mainpiece Title: The London Cuckolds

Performance Comment: Ramble-Ryan; Dashwell-Shuter; Wiseacre-Collins; Doodle-Marten; Linkboy-Bennet; Tom-R. Smith; Townly-Gibson; Watchman-Holtom; Chimneysweep-Blakey; Loveday-Anderson; Jane-Mrs Pitt; Anne-Miss Copin; Engine-Miss Helm; Roger-Cushing; Eugenia-Mrs Barrington; Peggy-Miss Mullart; Lady No-Mrs Vincent.
Cast
Role: Loveday Actor: Anderson

Afterpiece Title: The Double Disappointment

Dance: As17581016

Event Comment: ctually no play. Death of George II closed theatres three weeks.] Mainpiece: Not acted in 2 years. [See 28 April 1759. There was no income this night, but the play list had to be met. The house carried a profitable balance of #318 16s. 5d. The payroll plus other expenses came to #284 12s. 9d., leaving a thin balance of #34 3s. 8d. (Account Book). Other bills included #14 17s. to Luppino for making dancing dresses; Robertson 10s. for attendance four nights in The Rape; Miss Ibbott #5 5s. for performing the part of Queen Elizabeth in the Earl of Essex; Marenesi and wife advanced weekly #2 2s. till the Theatre opened again (Account Book)

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: . Plume-Smith; Worthy-Ridout; Kite-Anderson; Scale-Redman; Scruple-Wignel; Constable-Stoppelaer; Steward-Holtom; Ballance-Sparks; Brazen-Dyer; Bullock-Dunstall; Welch Collier-Collins; Rose-Mrs Dyer; Lucy-Mrs Ferguson; Recruits-Bencraft, Costollo; Melinda-Mrs Barrington; Sylvia-Miss Macklin.
Cast
Role: Kite Actor: Anderson

Afterpiece Title: Harlequin Skeleton

Dance: As17601015; III: A Comic Dance not perform'd these 5 years call'd The Colliers-Sg Marenesi, Mlle Capdevlle

Event Comment: Tickets deliver'd out for the 2nd of January will be taken. [Full value from these tickets amounted to #33 7s. (Box 74; Pit 99). House receiv'd half value paid 14 Jan. by Mrs Young "for the benefit of a Gentleman under Misfortune." Sg Maranesi and his wife (as a team) receiv'd a pay increase of 6s. 8d. per day from 29 Dec. 1760, and Mrs Burden received an advance in her salary of 1s. 8d. per day from the same date (Account Book).] Receipts: #114 1s. 6d. (Account Book)

Performances

Mainpiece Title: King John

Cast
Role: Salisbury Actor: Anderson
Role: Pandulph Actor: Gibson

Afterpiece Title: Thomasand Sally

Event Comment: Benefit for the General Lying-in Hospital. (Upper Gallery 3s. 6d.) 3428 helpless women have already been received and preserved, besides 800 out-patients supplied with medicine &c. and many soldiers' and seamens' wives have been taken out of the streets penniless, starving and with Labour pains upon them and admitted at several hours of the night or day without any letter or recommendation whatever. [Long advertisement in Public Advertiser for all to support this charity and at the same time have the "opportunity of seeing a very pleasing Burletta."

Performances

Mainpiece Title: Il Filosofo Di Campagna

Event Comment: No mention of Box income. Pay lists as of 26 Sept. Add Mrs Hamilton, enter'd from 1st Inst. at #1 10s. per day being return'd from Ireland that day; Mrs Storer enter'd from 20 Sept. at 6s. 8d.; Mr Maguire and Wife from 2nd at 10s.; Dall a week's salary #2; Thorne for scenemen #12; 19s. 6d.; Serjeant three months' salary to 29 Sept. #10. Total pay list came to #322 8s. 1d. Receipts: #86 15s. (Winston Theatrical Record)

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Performance Comment: Torrismond-Ross; Lorenzo-Smith; Bertran-Clarke; Raymond-Gibson; Dominic-Sparks; Alphonso-Redman; Pedro-Anderson; Gomez-Shuter; Elvira-Mrs Bellamy; Queen-Mrs Hamilton.
Cast
Role: Pedro Actor: Anderson

Afterpiece Title: Lethe

Dance: TThe Pedlar Trick'd, as17611001

Event Comment: Benefit for Noverre and Miss Bride. Afterpiece: By Desire. No Building on Stage. N.B. Burton and Packer have deferr'd their Benefit, which was to have been tomorrow, to Saturday the 15th of May, when The Jealous Wife will be perform'd, Oakly by Garrick

Performances

Mainpiece Title: Cymbeline

Cast
Role: Jachimo Actor: Holland

Afterpiece Title: The Old Maid

Dance: I: A Minuet (for First Time)-Noverre, Miss Bride; III: A Serious Dance-Miss Rogers; End: A Comic Dance-Miss Rogers

Event Comment: Benefit for the General Lying-in Hospital, Duke St. [a long advertisement in the Public Advertiser, similar to that for 16 April 1761, notes the service the hospital has performed for some 6000 destitute "female objects" wives of soldiers and sailors.] Second Gallery 3s. 6d. 6:30 p.m

Performances

Mainpiece Title: Il Filosofo Di Campagna

Event Comment: [T+The Provok'd Wife and The Rape of Proserpine had been advertised By Desire.

Performances

Mainpiece Title: None

Event Comment: By Command of their Majesties

Performances

Mainpiece Title: Jephtha

Performance Comment: Parts were: Jephtha-; Zebul (his brother)-; Storge (his wife)-; Iphis (his daughter)-; Hamor (in love with Iphis)-; Chorus of Israelites-.

Music: As17630218

Event Comment: Benefit for Capitani, now in the King's Bench, singer in the Opera for 20 years past. Boxes 10s. 6d. Pit 5s. Gallery 2s. 6d. To begin at 7 p.m. [A long note hn the Public Advertiser about the nature of Capitani's distresses--death of wife after an expensive illness loss of considerable sums in trade, now in debtor's prison. The Public Advertiser this day Published the following Sonnet V, seemingly a new sort of puff' for Foote]: @To Mr F-@While party rage, my F., distracts the state@And mutual lies contending parties raise,@As int'rest leads, or Pitt or Bute to praise,@Let vet'ran Tories with staunch Whigs debate.@With gen'rous Punch our spirits we'll dilate,@Laugh at those loud-tongued politicians' frays,@And to good Brookman's fame attune our lays,@Whose genial bowl all cares can dissipate.@Safely to Harrogate let Bute retire,@His gout at Hayes lett Pitt in quiet nurse,@And Wilkes at either Secretary rail:@These party feuds unsocial rage inspire,@Destroy all mirth, and all good humour curse,@But shall not o'er our joyous souls prevail.

Performances

Mainpiece Title: Concert

Dance: Miss Capitani, Master Rogers

Event Comment: Oratorio by Dr Morell. Set by Mr Smith to the Music of some old genuine performances of Handel (Biographia Dramatica). Music of the Songs and Chorusses entirely from works of Mr Handel. This day publish'd Nabal an Oratorio, as performed at Covent Garden. Price 1s. This day Publish'd Midas: an English Burletta. 2nd Edition. Price 1s. As it is acted with great applause at Covent Garden

Performances

Mainpiece Title: Nabal

Performance Comment: Parts were: David (King Elect)-; Nabal-; Asaph (Companion to David)-; Abigail (Nabal's Wife)-; Chorus Attending on David-; Chorus Attending on Nabal-.

Music: As17640309

Event Comment: Benefit for Mrs Vincent. No building on the Stage. Mr Havard sent word that his Wife dy'd this morning. Mr Lee read his part. Imogen by Mrs Palmer (Hopkins). Charges: #64 4s. (MacMillan). Mrs Havard died this morning, on which account Mr Lee read Bellarius, and introduc'd two long speeches that were never spoke before. Miss Bride, being with child, cou'd (not) go into breeches, Mrs Palmer-Imogen (Hopkins Diary-MacMillan)

Performances

Mainpiece Title: Cymbeline

Cast
Role: Iachimo Actor: Holland

Afterpiece Title: The Contrivances

Song: III: The song of Sweet Bird-Mrs Vincent; accompanied on the Violin-Mr Pinto

Dance: The Provancalle, as17631014

Event Comment: TThe Jealous Wife deferr'd. Mrs Pritchard indisposed

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Old Maid

Dance: II: New Tambourine, as17640929

Event Comment: By Command of their Majesties. Mr Garrick played Lusignan and Lord Chalkstone. It is almost impossible to express how finely he played both characters. The Prologue was called for. Mr Garrick went on directly to speak it--as soon as he appeared a general clap and a loud huzza,--and there was such a noise from the House being so crowded, very few heard anything of the prologue.--As soon as the play began there was a great disturbance in the Gallery, and some called out, Guards Guards! that they could not go on.--Mr Lacy went on the Stage, and looked up to the gallery, and came off again without saying anything.--They soon grew quiet, and the play went on.--Monsr Rousseau sat in Mr Garrick's box (Hopkins Diary). [Account in the Public Advertiser of the original story upon which VanBrugh founded some circumstance in his Provok'd Wife, signed Heartfree. The Gentleman's Magazine, January, in the Historical Chronicle section noted that Jean Jacques Rousseau arrived in England on 13 Jan. and "was at the play on the 23rd, and presented himself in the upper Box fronting his Majesty."

Performances

Mainpiece Title: Zara

Cast
Role: Osmyn Actor: Holland

Afterpiece Title: Lethe

Dance: End: New Tambourine-Aldridge, Miss Baker