SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Court of Westminster"/1) | (@(roleclean,performerclean) "Court of Westminster")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 746 matches on Event Comments, 90 matches on Performance Title, 87 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

Performances

Mainpiece Title: The Fall Of Egypt

Performance Comment: Parts were: Pharaoh King of Egypt-; Sephres his son-; Menytis, Sister to Pharoah-; Officers of Court-; Chorus of Egyptians-; Chorus of Israelites-; Moses-; 1st Israelite-; 2nd Israelite- (Larpent MS).
Cast
Role: Officers of Court Actor:

Music: As17740218

Performances

Mainpiece Title: The Fall Of Egypt

Performance Comment: Parts were: Pharoah-; Sephres- (his son); Menytis (Pharaoh's sister)-; Officer of Court-; Chorus of Egyptians-; Chorus of Israelites-; Moses-; 1st Israelite-; 2nd Israelite- (Larpent MS).
Cast
Role: Officer of Court Actor:

Music: As17750315

Event Comment: A new Serious Opera. The Music by several eminent Masters; under the Direction of Giardini [who also composed the overture (see 14 Dec.)]. With magnificent new Scenes, Dresses and Decorations, both for the Opera and Dances. Tickets will be delivered at the Office in Union-court, Haymarket, at Half a Guinea each. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, No Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. Care will be taken that no Inconvenience shall arise from the Pavement not being compleated in the Haymarket, the Commisioners having promised to leave the Way safe for Carriages. The Nobility and Gentry will be so obliging to give Orders to take up and set down with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. Public Advertiser, 21 Sept.: Subscriptions are received by Messrs Hoare, in Fleet-street, and by Johnson at the Office in Union-court, Hay-market

Performances

Mainpiece Title: Astarto

Dance: New Dances composed by Simonet and Vallouy.End I: a Grand Serious Ballet-Mons Simonet, Mme Simonet (their 1st appearance in England), Sg Zuchelli, Sga Zuchelli; End II: a new Pastoral Ballet Les Amans Heureux; ou, L'Aimable Vieillesse-Mons Vallouy, Mme Vallouy, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: a new Ballet Demi-caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli

Event Comment: Benefit for Condell, Evans & Curteen, box-keepers. Tickets sold at the doors will not be admitted. Public Advertiser, 12 May: Tickets to be had of Condell, Cross-court, Duke's-court, Bow-street, Covent Garden; of Evans at Bromfield's, Trunk-maker, No. 118, Long-acre; of Curteen, No. 11, Temple-lane, White-friars. Receipts: #259 5s. (53.3; tickets: 206.2) (charge: #105)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Comus

Dance: As17780507

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mirror; or, Harlequin Every-where

Performance Comment: Cast from text (G. Kearsly, 1779) Jupiter-Robson; Pluto-Baker; Minos-L'Estrange; Belphegor-Reinhold; Astorath-Doyle; Cryer of Minos' Court-Thompson; Poor Spirit-Brundson; 3 Antipodeans-; Mercury-J. Wilson; Harlequin-W. Bates; Punch-Edwin; Lieutenant-Booth; Sailor-Fearon; Ceres-Mrs Kennedy; Little Girl-Miss Morris; Prude-Mrs Poussin; Sicilians-Mrs Willems, Miss Green; Colombine-Miss Brown [in text: Miss Cranfield (see17800110)].in text: Miss Cranfield (see17800110)].
Event Comment: Benefit for Whitfield and Mrs Morton. Morning Chronicle, 2 May: Tickets to be had of Whitfield at his house, Crown-Court, Bow-street; of Mrs Morton, No. 15, Crown-Court, Covent Garden. Tickets sold at the Doors will not be admitted. Receipts: #186 7s. 6d. (87.3.6; tickets: 99.4.0) (charge: #105)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: A Fete

Afterpiece Title: The Elders

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Performance Comment: Principal Characters by Lewis, Quick, Edwin, Wilson, Wewitzer, Thompson, Holcroft, Mrs Martyr; Mrs Bates, Mrs Webb, Miss Wewitzer, Miss Younge. [Cast from text (G. G. J. and J. Robinson, 1785): Count Almaviva-Lewis; Don Guzman-Quick; Antonio-Edwin; Doctor Bartholo-Wilson; Basil-Wewitzer; Doublefee-Thompson; Figaro-Holcroft [in text: Bonnor (see17841215)]; Page-Mrs Martyr; Bounce-Stevens; Courier-Jones; Crier of the Court-Bates; Servant-Newton; Countess-Mrs Bates; Marcelina-Mrs Webb; Agnes-Miss Wewitzer; Susan-Miss Younge.] Prologue spoken by the Author. [This was spoken at the 1st 22 performances only (see17841217, and 22 Feb. 1785).] hathi. Prologue spoken by the Author. [This was spoken at the 1st 22 performances only (see17841217, and 22 Feb. 1785).] hathi.
Cast
Role: Crier of the Court Actor: Bates

Afterpiece Title: The Citizen

Related Works
Related Work: The Fair Example: or the Modish Citizens Author(s): Richard EstcourtFlorent Carton Dancourt

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a New Divertissement, in which the 3 different Stiles of Dancing, viz., Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

Performance Comment: , Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival . ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival .
Event Comment: Benefit for Lewis. Public Advertiser, 18 Mar.: Tickets to be had of Lewis at his house in Broad Court, Bow-street, Covent Garden

Performances

Mainpiece Title: The Follies Of A Day

Cast
Role: Crier of the Court Actor: Bates

Afterpiece Title: Midas

Event Comment: Benefit for Barrymore and Mrs Wilson. Morning Herald, 19 Apr.: Tickets to be had of Barrymore, No. 8, Martlet-court; of Mrs Wilson, No. II, Crown-court, Bow-street. Receipts: #295 13s. (75/6; 15/15; 1/6; tickets: 203/6) (charge: #105 8s. 6d.)

Performances

Mainpiece Title: The Country Girl

Cast
Role: Harcourt Actor: Palmer

Afterpiece Title: Who's the Dupe

Dance: End of mainpiece The Lucky Return, as17860420

Song: End of Act II of mainpiece Bright Phoebus (composed by Hook) by Dignum

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: Two Strings to Your Bow

Performance Comment: The parts-the private Thespian Corps from Tottenham-Court-road.

Entertainment: Imitations of Mrs Siddons in Isabella-Mrs Sumbel; Imitations of Mrs Jordan, Mrs Crawford and Mrs Martyr-Mrs Sumbel

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: The Social Songsters

Performance Comment: As18000426, but added: The Tight Little Island-Townsend; When Arthur first at Court began-Incledon, Linton, Denman; Old Towler-Incledon; Naval History-_; My Dolly was the fairest Thing-_; The Red Cross Knight-_; This Life is like a Country Dance-_.

Afterpiece Title: Netley Abbey

Dance: End II 1st piece: the Duchess of York's New Minuet and Waltz= (The Music composed by Alde [recte Alday], Dance by D'Egville)-Master and Miss D'Egville; In 2nd piece: Dance-Master D'Egville, Miss Packwood, Miss D'Egville

Entertainment: Monologue. End I 1st piece: Appropriate Address written on the Occasion-Mrs Mattocks

Event Comment: [Emery was from cg. Mainpiece: Epilogue by the younger George Colman.] Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin precisely at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice, at the Theatre. Printed by T. Woodfall, No. 1, Cross Court, Russel Court, Drury Lane

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Jew and the Doctor

Event Comment: Charles II entered London on this day, an event which occasioned several works of a quasi-dramatic nature. One was The Famous Tragedie of the Life and Death of Mrs Rump...As it was presented on a burning Stage at Westminster the 29th of May, 1660. It has a Prologue and Epilogue; the author is not known. A second is An Ode Upon the Happy Return of King Charles II to his Languishing Nations, May 29. 1660. This work, by James Shirley, with music by Dr Coleman, was printed in 1660, and reprinted in A Little Ark, ed. G. Thorn-Drury (1921), pp. 21-23. A third is A True Relation of the Reception of his Majestie and Conducting him through the City of London...on Tuesday the 29 of this instant May, being the Day of his Majesties Birth

Performances

Event Comment: Edition of 1661: By the Worshipful Company of Grocers. Evelyn, Diary: I saw the Lord Major passe in his Water Triumph to Westminster being the first solemnity of this nature after 20 years. Pepys, Diary: I was (after office was done) ready to go to my Lord Mayor's feast, as we are all invited; but the Sir Williams were both loth to go, because of the crowd, and so none of us went....This Lord Mayor, it seems, brings up again the custom of Lord Mayors going the day of their instalment to Paul's, and walking round about the Cross, and offering something at the altar

Performances

Mainpiece Title: London's Triumphs

Performances

Mainpiece Title: Ignoramus; Or, The Academical Lawyer

Performance Comment: MS in Library of Duke of Westminster: Theodorus-Lilliston?; Antonius-Smyth; Ignoramus-Underhill; Dulman-Williams; Pecus-Will Peer?; Musaeus-R. Nokes; Torcal-Norris; Rosabella-Mrs? Jennings; Surda-Mrs Margaret Rutter?; Trico-Medbourne?; Banacar-Crosby; Cupes-Sandford; Polla-Mrs Norris; Cola-R. James? Nokes; Pyropus-Angell; Dorothea-Mrs Brown; Vince-Boy; Nell-Pegg; Richardus?-Revet; Prologue to the King-Alexander Read. Translated from George Ruggle's Ignoramus.
Event Comment: The King's Company. The date of the premiere is most uncertain. The play was apparently finished in July 1671-see C. E. Ward, The Life of John Dryden (Chapel Hill, North Carolina, 1961), p. 83-and the play may have been acted before April 1672. For the possibilities see Macdonald, Bibliography of Dryden, p. 110, and Nicoll, Restoration Drama, pp. 404-5. The Prologue and Epilogue are in Covent Garden Drollery, 1672. The song, Whilst Alexas lay prest, the music by Nicholas Staggins, was printed in Westminster Drollery (entered in the Stationers' Register, 3 June 1672) and in Choice Songs and Ayres, The First Book, 1673. Another song, Why should a foolish Marriage Vow, set by Robert Smith, is also in Choice Songs and Ayres, 1673

Performances

Mainpiece Title: Marriage A La Mode

Event Comment: The Lord Mayor's Show. By Thomas Jordan. Luttrell (A Brief Relation, I, 285-86): The 29th, sir Henry Tulse...was sworn before the barons of the exchequer at Westminster, whither he went by water, accompanied by the late lord mayor, the new recorder, aldermen, and sheriffs, and attended by diverse of the companies in their barges; their majesties and the duke of York being upon the leads at Whitehall when they passed by: being come back, they passed from the place where they landed, with the usual solemnity, to Grocers Hall, where the lords of the councill, severall of the nobility, judges, and other persons of quality dined

Performances

Mainpiece Title: The Triumphs Of London

Performances

Mainpiece Title: Concert

Entertainment: Divine Musick in Praise of Religion and Vertue-; both Vocal and instrumental, with new Anthems compos'd by Mr Blow; an Oration by Mr Collier; Pieces by Mr Tate, her Majesty's Poet Laureat. The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate

Performance Comment: The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate.
Event Comment: Weekly Journal or British Gazetteer, 27 April: Last Tuesday Night Phormio, a Play out of Terence, was acted by the King's Scholars at Westminster, where were present several Lords and other Persons of Quality

Performances

Mainpiece Title: Phormio

Performances

Mainpiece Title: The Orphan

Performance Comment: Cordelia-Lord Duplin; Scholars of the Westminster School; Prologue by Prior-Lord Duplin.
Event Comment: Weekly Journal or Saturday's Post, 18 Nov.: We hear that the Theatre in the Hay-Market, where lately the French Strollers us'd to perform, will be opened in a little time, for the Diversion of the City and Liberty of Westminster. The Actors, as well as the Plays, they say, will be entirely new, and the whole to be under the Management and Direction of that noted Projector, $Aaron Hill, Esq.

Performances

Event Comment: Weekly Journal or Saturday's Post, 25 Nov.: On Tuesday the King's Scholars at Westminster acted the Andrea of Terrence in their Dormitory, before several of the Nobility, with great Applause

Performances

Mainpiece Title: Andrea

Event Comment: Freeholder's Journal, 31 Jan.: The Eunuchus of Terrence was acted by the King's Scholars at Westminster, in their Dormitory: The whole Play was prettily perform'd, particularly the Parts of Parmeno and Cherea

Performances

Mainpiece Title: Eunuchus