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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Court of Chancery"/1) | (@(roleclean,performerclean) "Court of Chancery")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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684 results for: Keyword - Court of Chancery
We found 593 matches on Event Comments, 64 matches on Performance Title, 42 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

326
17 October 1718 @ Drury Lane Theatre

Performances

Mainpiece Title: Volpone

Performance Comment: As it was perform'd Yesterday before His Majesty at Hampton-Court. Volpone-Mills; Mosca-Wilks; Sir Politick-Norris; Corbaccio-Johnson; Corvino-Cibber; Voltore-Bickerstaff; Bonario-Thurmond; Caelia-Mrs Santlow; Lady Woudbe-Mrs Saunders.
Cast
Role: at Hampton Actor: Court. Volpone-Mills

327
15 November 1718 @ Drury Lane Theatre

Event Comment: According to Cibber, Apology (II, 218-89), the warrant (dated 15 Nov.) for the performances at Hampton Court shows expenses incurred by the actors of #374 1s. 8d. The King made the dl company a present of an additional #200

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Shipwreck; or, Perseus And Andromeda

328
27 November 1719 @ King's Theatre

Event Comment: A meeting of the Court of Directors of the Royal Academy of Music initiated arrangements for a new season. For details, see Lord Chamberlain's Office, 7@3, Nicoll, p. 286, and Deutsch, p. 97

Performances

329
30 November 1719 @ King's Theatre

Event Comment: For further deliberations of the Court of Directors of the Royal Academy of Music, see Lord Chamberlain's Office, 7@3 or Deutsch, p. 97

Performances

330
18 April 1721 @ Haymarket Theatre

Performances

Mainpiece Title: Les Disgraves D'arlequin

Afterpiece Title: Arlequin Limondier

Performance Comment: In which a new Arlequin will perform that Part, who has had the Honour of representing in several Foreigh Courts with Applause: The late Arlequin, Monsieur Francisque, bein gone.

331
26 March 1722 @ Mrs Bellamy's School

Event Comment: Edition of 1722: A Pastoral Opera perform'd on Easter Monday. At the School in Old Boswel-Court, near Clement's Inn. By Daniel Bellamy

Performances

Mainpiece Title: Love Triumphant; Or, The Rival Goddesses

332
27 September 1726 @ Southwark

Event Comment: Benefit Egleton, who has been three Months under Confinement. At his Great Booth, the lower End of Mermaid Court, next the Marshalsea-Gate. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. At 6 p.m

Performances

Mainpiece Title: The Busy Body

Dance:

333
07 March 1727 @ King's Theatre

Event Comment: Benefit Signora Faustina. With several New Additions. By his Majesty's Command, for the better Convenience of the Audience, the Stage will be laid quite Open. N.B. The Court of Directors have resolved not to make use of their Tickets as Subscribers this Night

Performances

Mainpiece Title: Admetus

334
10 March 1729 @ Drury Lane Theatre

Event Comment: Written by the late Mr Congreve. [According to the Craftsman, 29 March, Cibber removed this passage from the play: Foresight , 'Pray what will be done at Court?' Valentine , 'Scandal will tell you; I am Truth, I never come there.'

Performances

Mainpiece Title: Love For Love

Dance: Essex, Miss Robinson Sr, Miss Robinson Jr, Young Lally, Miss Brett

335
21 May 1729 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: Particularly several Pieces on Hautboy the famous-Sig St.Martin of Milan, just arrived from the Court of Brussels

Performance Comment: Martin of Milan, just arrived from the Court of Brussels.

336
28 April 1730 @ Goodman's Fields

Event Comment: Benefit R. Williams. Mainpiece: Not Acted these Twenty Years. On this day the Lord Mayor and the Court of Aldermen of the City presented a petition to the King seeking the suppression of the theatre in Goodman's Fields. Thomas Odell, Master of the Theatre, also appeared before His Majesty and sought royal leave to continue acting.--See Grub St. Journal, 7 May, for a summary of the events, but see also Weekly Journal or British Gazetteer and London Journal, 2 May

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe White Joke (new)-Eaton

337
27 June 1730 @ Goodman's Fields

Event Comment: UUniversal Spectator, 27 June: Thomas Odell, Esq. Master of the New Theatre in Goodman's Fields, hath been at Windsor to obtain Leave to bring his Company of Comedians down thither to perform Plays during the Court's Stay at Windsor; and we hear that he hath succeeded therein

Performances

338
01 August 1730 @ Tottenham Court

Event Comment: Written by the late facetious Mr Doggett. By the Company of Comedians from gf in the Booth next the Turnpike in Tottenham Court. [Advertised also on 3, 4, 5, 6, 7, 8, 10, 11, 13, 14, 15, 17, 18, 19 Aug.

Performances

Mainpiece Title: Mad Tom Of Bedlam; Or, The Distress'd Lovers: With The Comical Humours Of squire Numscul

Song: Mr Corse, age 12

Dance: DDutch Skipper-Sandham; Drunken Man-Wilcox; (On 8 Aug. and there after:) Mad Dance, Pierrot-Le Sieur Labisle, from France

339
09 October 1730 @ King's Theatre

Event Comment: DDaily Journal, 9 Oct.: There are Grand Preparations making at the Opera-House in the Hay-Market by New Cloaths, Scenes, &c. And, Senesino being arrived, they will begin to perform as soon as the Court comes to St. James's

Performances

340
25 May 1731 @ Lincoln's Inn Fields

Event Comment: Benefit Wilcocks, Mines, and Widow Gardiner. Receipts: money #6 6s., tickets #103 11s. Daily Post, 25 May: We hear, that when His Majesty removes to Hampton-Court, the Theatre in that Palace will be open'd, and Plays acted by the King's Company of Comedians

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: Flora

Dance: SScottish Dance-Mrs Bullock; Last new Comic Dance-Newhouse, Miss Wherrit

341
14 June 1731 @ Drury Lane Theatre

Event Comment: DDaily Advertiser, 14 June: The Managers of...Drury-Lane, have Orders to get Things in Readiness for the Royal Theatre at Hampton-Court, where Plays are to be acted for the Diversion of the Royal Family

Performances

342
17 June 1731 @ Drury Lane Theatre

Event Comment: DDaily Advertiser, 17 June: His Majesty's Servants [of dl] are getting every Thing in Readiness to Act at Hampton-Court twice a Week...and We hear they are to act there the first Time on Monday next

Performances

343
02 July 1731 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. [Daily Post, 5 July, states that The London Merchant probably will be acted soon at Hampton Court.

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Amours of Billingsgate [The Cobler's Opera]

344
04 August 1731 @ Tottenham Court

Event Comment: By a Company of Comedians from Goodman's Fields, and both the Theatres Royal, at the New Theatre in Tottenham Court

Performances

Mainpiece Title: Amurath, The Great Emperor Of The Turks; Or, The London Prentice's Glory

Song: Excell

345
09 August 1731 @ Tottenham Court

Event Comment: At Yeates' Great Theatrical Booth, facing the King's Head at Tottenham Court,

Performances

Mainpiece Title: Damon And Phillida: With The Comical Humours Of Simon And Mopsus

346
14 July 1732 @ Drury Lane Theatre

Event Comment: As 11 July. Daily Courant, 13 July: Mr Booth of Drury Lane Playhouse hath sold his Share and Interest in the Stock and Management to John Highmore of Hampton Court

Performances

Mainpiece Title: The Beggar's Opera

347
30 November 1732 @ Fleet Street

Event Comment: At the Old House in Crane Court, Fleet Street

Performances

Mainpiece Title: The Fall Of Mortimer

348
30 July 1733 @ Tottenham Court

Event Comment: At Lee-Harper-Petit Booth in Tottenham Court. 10 a.m. to 10 p.m. To begin 4 Aug

Performances

Mainpiece Title: Bateman; Or, The Unhappy Marriage: With The Comical Humours Of Sparrow, Pumpking, And Spicer Going To The Wars; Also A Diverting Scene Of The Mid-wife And Gossips At The Labour

Afterpiece Title: The Harlot's Progress

349
16 November 1733 @ Haymarket Theatre

Event Comment: London Evening Post, 17 Nov.: Yesterday the Court of King's Bench granted a Habeas Corpus, directing the Keeper of Tothill-Fields Bridewell, to bring up the Body of John Harper, one of the Haymarket Comedians; and he is accordingly to be brought up on Monday next . . . that he may be admitted to Bail

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Opera of Operas

Dance: As17331115

350
19 November 1733 @ Haymarket Theatre

Event Comment: At the Desire of several Ladies of Quality. Daily Advertiser, 20 Nov.: Yesterday Mr Harper was brought up to the Court of King's Bench . . . but the Right Hon. the Lord Hardwicke, Chief Justice, perceiving . . . that it might probably take up a long time to hear [the Counsels'] several Arguments, was pleas'd to put off the Affair till this Morning

Performances

Mainpiece Title: The Provok'd Husband

Music: Second Musick: 1st Concerto of Corelli. Third Musick: Overture compos'd by Handel for the Opera of Alexander. I: A Concerto call'd The Cuckoo by Vivaldi

Dance: II: La Basetelle by Essex, and Miss La Tour. In V: Les Amants Constants by Essex, Houghton, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett

Song: II: Limpio Rigor del Fato and Was Ever Nymph Like Rosamond by Miss Arne. IV: Per le Porte del Tormento by Miss Arne and Master Arne