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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Court of Bareith"/1) | (@(roleclean,performerclean) "Court of Bareith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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672 results for: Keyword - Court of Bareith
We found 582 matches on Event Comments, 64 matches on Performance Title, 41 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

301
24 September 1713 @ Drury Lane Theatre

Event Comment: For theEntertainment of his Excellency the Duke d'Aumont, Ambassador extraordinary from the Court of France. By Her Majesty's Command, no Persons are to be admitted behind the Scenes, nor any Money to be return'd after the Curtain is drawn up

Performances

Mainpiece Title: The Busie Body

302
23 July 1715 @ King's Theatre

Event Comment: Listed only in Colman's Opera Register: No Opera performed since ye 23 July, ye Rebellion of ye Tories and Papists being ye cause--ye King and Court not liking to go into such Crowds these troublesome times

Performances

Mainpiece Title: Hydaspes

303
29 May 1716 @ Drury Lane Theatre

Performances

Mainpiece Title: The Soldier's Fortune; Or, The Witty And Humorous Ladies

Afterpiece Title: Oration

Performance Comment: With a New Oration on [several famous Heads [design'd as an Entertainment for the Court, and the rest of his Friends, written-[D'Urfey] [on the Stage.D'Urfey] [on the Stage.

Song: The Best Performers

Dance: the best Performers

304
27 May 1717 @ Drury Lane Theatre

Performances

Mainpiece Title: The Humorous Old Rake; Or, Greenwich Park

Performance Comment: And a New Oration on several Famous Heads for the Entertainment of the Court, and the Audience his Friends, -D'Urfey on the Stage.

Song: A very Comical Song about the Humours of the Town-

305
05 August 1717 @ Tottenham Court

Event Comment: From the Theatre Royal, Leigh and Jubilee Dicky, alias Norris, At the great Theatrical Booth at Tottenham Court, during the time of the Fair

Performances

Mainpiece Title: The History Of Jane Shore

Afterpiece Title: The Pleasant and Comical Adventures of Sir Anthony Noodle and His Little Man Weazle

306
09 September 1717 @ Southwark Fair

Event Comment: At Bullock's and Leigh's Great Theatrical Booth, in Angel-Court, next the King's Bench. Mainpiece: a Dramatick Opera

Performances

Mainpiece Title: The Noble Soldier; Or, Love In Distress

Afterpiece Title: The Comical Adventures of Master Billy Softhead, His Mother, and Sister Sally

307
16 April 1718 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. [The Prince present, it being the first time of his coming to that Playhouse since he removed from the Court.

Performances

Mainpiece Title: The Nonjuror

308
31 May 1718 @ no theater listed

Event Comment: We hear the famous Mr Pinkethman is building a handsome Playhouse at Richmond, for the Diversion of the Nobility and Quality that attend the Court of their Royal Highnesses; and will begin to play there soon after Whitsuntide, and shew the fine musical Picture he has prepar'd of the Royal Family, the like of which has never been seen in England.-Read's Weekly Journal, 31 May. Mr Prince the famous Dancing-Master is lately Deceas'd.-Original Weekly Journal, 31 May

Performances

309
30 July 1718 @ no theater listed

Event Comment: Original Weekly Journal, 2 Aug.: On Wednesday last, the Deceas'd Mr Keene was carried from his House in Cook's Court, by Lincoln's-Inn-Fields, to the Parish Church of St. Clement Danes; the Pall was held up by 3 Gentlemen from each Theatre, viz. Mr Booth, Mr Mills, and Mr Johnson, from the Old House; and Mr Bullock, Sen. Mr Spiller, and Mr Corey: Mr Charles Bullock appear'd as chief Mourner, the rest of the Actors from both Houses follow'd the Corpse to the Church, where was sung a very fine Anthem. 'Tis said Mr Walker, a Gentleman of that Profession, has made a very Pretty Elegy in Blank Verse upon the Occasion

Performances

310
29 August 1718 @ no theater listed

Event Comment: Evening Post, 30 Aug.: Yesterday Mr Bullock, Master of the Play-House in Lincoln's-Inn-Fields, was commanded to attend his Majesty at Hampton-Court, where he receiv'd Orders for his Company to perform several Plays for the Entertainment of His Majesty during his Stay there, in the Winter Season, and there is a magnificent Theatre erecting for that Purpose

Performances

311
05 September 1718 @ Southwark Fair

Event Comment: At Pack-Spiller-Hall Booth in Angel Court. The whole Droll intirely new Writ. Advertised 5, 8, 10, 13 Sept

Performances

Mainpiece Title: The True And Ancient History Of Sir Richard Whittington, Thrice Lord Mayor Of London, And The Diverting Humours Of Madge The Cook-maid And Her Sweetheart John The Butler

Song:

Dance:

312
14 October 1718 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Money; Or, The Boarding School

Performance Comment: As it was Acted Yesterday before His Majesty at Hampton Court.

Dance: Thurmond Jr, Topham, Mrs Bicknell, Mrs Tenoe, Miss Smith, Miss Lindar

313
17 October 1718 @ Drury Lane Theatre

Performances

Mainpiece Title: Volpone

Performance Comment: As it was perform'd Yesterday before His Majesty at Hampton-Court. Volpone-Mills; Mosca-Wilks; Sir Politick-Norris; Corbaccio-Johnson; Corvino-Cibber; Voltore-Bickerstaff; Bonario-Thurmond; Caelia-Mrs Santlow; Lady Woudbe-Mrs Saunders.
Cast
Role: at Hampton Actor: Court. Volpone-Mills

314
15 November 1718 @ Drury Lane Theatre

Event Comment: According to Cibber, Apology (II, 218-89), the warrant (dated 15 Nov.) for the performances at Hampton Court shows expenses incurred by the actors of #374 1s. 8d. The King made the dl company a present of an additional #200

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Shipwreck; or, Perseus And Andromeda

315
27 November 1719 @ King's Theatre

Event Comment: A meeting of the Court of Directors of the Royal Academy of Music initiated arrangements for a new season. For details, see Lord Chamberlain's Office, 7@3, Nicoll, p. 286, and Deutsch, p. 97

Performances

316
30 November 1719 @ King's Theatre

Event Comment: For further deliberations of the Court of Directors of the Royal Academy of Music, see Lord Chamberlain's Office, 7@3 or Deutsch, p. 97

Performances

317
18 April 1721 @ Haymarket Theatre

Performances

Mainpiece Title: Les Disgraves D'arlequin

Afterpiece Title: Arlequin Limondier

Performance Comment: In which a new Arlequin will perform that Part, who has had the Honour of representing in several Foreigh Courts with Applause: The late Arlequin, Monsieur Francisque, bein gone.

318
26 March 1722 @ Mrs Bellamy's School

Event Comment: Edition of 1722: A Pastoral Opera perform'd on Easter Monday. At the School in Old Boswel-Court, near Clement's Inn. By Daniel Bellamy

Performances

Mainpiece Title: Love Triumphant; Or, The Rival Goddesses

319
27 September 1726 @ Southwark

Event Comment: Benefit Egleton, who has been three Months under Confinement. At his Great Booth, the lower End of Mermaid Court, next the Marshalsea-Gate. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. At 6 p.m

Performances

Mainpiece Title: The Busy Body

Dance:

320
07 March 1727 @ King's Theatre

Event Comment: Benefit Signora Faustina. With several New Additions. By his Majesty's Command, for the better Convenience of the Audience, the Stage will be laid quite Open. N.B. The Court of Directors have resolved not to make use of their Tickets as Subscribers this Night

Performances

Mainpiece Title: Admetus

321
10 March 1729 @ Drury Lane Theatre

Event Comment: Written by the late Mr Congreve. [According to the Craftsman, 29 March, Cibber removed this passage from the play: Foresight , 'Pray what will be done at Court?' Valentine , 'Scandal will tell you; I am Truth, I never come there.'

Performances

Mainpiece Title: Love For Love

Dance: Essex, Miss Robinson Sr, Miss Robinson Jr, Young Lally, Miss Brett

322
21 May 1729 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: Particularly several Pieces on Hautboy the famous-Sig St.Martin of Milan, just arrived from the Court of Brussels

Performance Comment: Martin of Milan, just arrived from the Court of Brussels.

323
28 April 1730 @ Goodman's Fields

Event Comment: Benefit R. Williams. Mainpiece: Not Acted these Twenty Years. On this day the Lord Mayor and the Court of Aldermen of the City presented a petition to the King seeking the suppression of the theatre in Goodman's Fields. Thomas Odell, Master of the Theatre, also appeared before His Majesty and sought royal leave to continue acting.--See Grub St. Journal, 7 May, for a summary of the events, but see also Weekly Journal or British Gazetteer and London Journal, 2 May

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe White Joke (new)-Eaton

324
27 June 1730 @ Goodman's Fields

Event Comment: UUniversal Spectator, 27 June: Thomas Odell, Esq. Master of the New Theatre in Goodman's Fields, hath been at Windsor to obtain Leave to bring his Company of Comedians down thither to perform Plays during the Court's Stay at Windsor; and we hear that he hath succeeded therein

Performances

325
01 August 1730 @ Tottenham Court

Event Comment: Written by the late facetious Mr Doggett. By the Company of Comedians from gf in the Booth next the Turnpike in Tottenham Court. [Advertised also on 3, 4, 5, 6, 7, 8, 10, 11, 13, 14, 15, 17, 18, 19 Aug.

Performances

Mainpiece Title: Mad Tom Of Bedlam; Or, The Distress'd Lovers: With The Comical Humours Of squire Numscul

Song: Mr Corse, age 12

Dance: DDutch Skipper-Sandham; Drunken Man-Wilcox; (On 8 Aug. and there after:) Mad Dance, Pierrot-Le Sieur Labisle, from France