SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by Baker"/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 6387 matches on Event Comments, 1268 matches on Performance Comments, 134 matches on Performance Title, 86 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Receipts: #188 5s. (134.14.0; 49.16.6; 3.8.6; half-tickets: 0.6.0)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Children in the Wood

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Devil to Pay

Song: Vocal Parts, as17980324but Mrs _Bland

Event Comment: Benefit for the Fund, established for the Relief of those Performers who, through Infirmity, shall be obliged to retire from the Stage. State of the Theatrical Fund, instituted at Covent Garden in the year 1765, and confirmed by Act of Parliament, 1776. This Institution, calculated to provide for, and relieve aged and infirm Performers and their Families, has not been successful enough during the course of 33 years, to acquire any particular Patronage, but has been raised and supported (some few private Donations and Bequests excepted) merely through the liberal Contributions of its Members. Several aged Persons are now, and have been for many years, oeconomically maintained by it, although the Interest arising from the general Sum already amassed is not equal to one half of the Claims of its Annuitants. The other Portion is entirely supplied from the weekly Contributions of the Performers. Applications to the Public in behalf of this salutary Institution have rarely been made, and sometimes very ineffectually. On these Considerations therefore the Lovers of Dramatic Entertainments are respectfully addressed for their Encouragement at This Evening's Performance. (See Genest, VII, 365-66.) Receipts: #131 7s. (122.13; 1.16; tickets: 6.18)

Performances

Mainpiece Title: Hooly And Fairly

Afterpiece Title: The Beaux Stratagem

Afterpiece Title: Oscar and Malvina

Dance: 1st piece to conclude with: a Highland Reel, as17980428

Song: In 1st piece: Highland Laddy-; Hooly and Fairly-; Katharine Ogie-; Andrew and his Cutty Gun-; Todlen Hame-; Tulloch Goram-; End II 2nd piece: Old Towler-Incledon; End 2nd piece: Admiral Benbow-Incledon

Music: In 3rd piece: The Union Pipes-Murphy

Event Comment: Benefit for Mme Hilligsberg. Tickets to be had of Mme Hilligsberg, No. 43, Gerrard-street, Soho. 2nd ballet: Music by J. Mazzinghi

Performances

Mainpiece Title: Elfrida

Dance: End I: Le Triomphe de Themis, as17971226; Pas Russe-Laborie, Mme Hilligsberg; End Opera: a new Pastoral Ballet in 4 acts, composed by S. Gallet, Elisa; ou, Le Triomphe de la Nature-Laborie, Mme Hilligsberg, Didelot, Mme Rose, Miss Hilligsberg, Mme Laborie, Gourlier, Master Laborie

Event Comment: Benefit for Fosbrook, box book and house keeper. Receipts: #484 17s. (85.9; 65.6; 3.0; tickets: 331.2) (charge: #218 3s.)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Prisoner

Dance: End: Dance, Pas Seul-Mlle Parisot; the favourite Hornpipe-Sga Bossi DelCaro

Event Comment: Benefit for Brandon, box-book and housekeeper. Receipts: #465 3s. 6d. (84.18.6; 12.0.0; tickets: 368.5.0)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Harlequin and Faustus

Song: In I: the original Duet-Johnstone, Mrs Pope; In course of Evening: Black Ey'd Susan, Sally in our Alley, Old Towler-Incledon; The Beggar, as17980525; Duetto, as17980528

Event Comment: Benefit for Simpson, Powel, Rees & Mrs Henley. 3rd piece [1st time; P 1]: Selected from The Rape of Proserpine, Lord Mayor's Day, Harlequin's Museum, Harlequin Skeleton, Harlequin Sorcerer, Aladin, &c. In the course of the Compilation will be introduced: The Birth and Emancipation of Harlequin from the Egg-shell-the Dying Scene-the Skeleton-His Renovation-the celebrated Gladiator Scene, &c. In particular, among many surprising Escapes, the Jump through the Tea-chest; Flight from one Balcony to the other; a Leap over twelve Soldiers with fixed Bayonets; the Flight back and Jump through a Tamborine-and (for that night only) Simpson will run perpendicular up the Wall of a House, 30 Feet High. To conclude with a View of the Grotto of Magic. There are some imitations which almost identify the originals, but [Rees's as Dromio] was a vile caricature, which would never have been recognized but for the specification in the play bills" (Monthly Mirror, June 1798, p. 371). Receipts: #269 19s. 6d. (48.19.0; 20.17.6; tickets: 200.3.0, of which Simpson took #72 5s. 6d., Powel #27 10s. 6d., Rees #36 11s., Mrs Henley #61 16s., leaving #2 to be accounted for)

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Waterman

Afterpiece Title: The Witches Revels; or, The Birth of Harlequin

Song: In III 1st piece: song in character-Mrs Henley; Old Towler-Incledon

Entertainment: Vaudeville.As17980528; In 2nd piece: new Imitations-Rees

Event Comment: Benefit for Farley, Sloper & Mrs Watts. 2nd piece [1st time; M. INT 1]: Consisting of Song, Catch, Glee, and Dance. With appropriate Scenery analogous to the different subjects. [3rd piece in place of Harlequin and Faustus, advertised on playbill of 2 June.] Receipts: #292 6s. 6d. (51.10.0; 5.1.0; tickets: 235.15.6, of which Farley took #55 9s. 6d.; Sloper #117 13s.; Mrs Watts #62 13s.)

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Unanimity; or, War, Love, and Loyalty

Afterpiece Title: Raymond and Agnes

Dance: 3rd piece to conclude with: Dance of Savoyards, as17980430; Ascension of the Bleeding Nun-

Event Comment: Benefit for Mr and Mrs Follett. Receipts: #309 6s. (66.3.6; 5.13.6; tickets: 237.9.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: British Fortitude

Afterpiece Title: The Round Tower

Song: In course: Old Towler-Incledon; Fat Dolly the Cook-Munden; an admired Ballad-Incledon

Event Comment: [Extra night] Benefit for General Lying-In Hospital, Bays-water. Under Patronage of Her Majesty. The Proprietor of Theatre has liberally given Use of House on the above Occasion [i.e. he levied no charge]. The Orchestra under direction of Mountain. Principal Oboe by W. Parke. The Curtain to rise exactly at 7:00. Tickets to be had of Mess. Longman and Broderip [music publishers, No. 13, Haymarket]; at Hospital, Bayswater; and of Brandon at Theatre. Receipts: none listed

Performances

Mainpiece Title: The Farmer

Afterpiece Title: The Child of Nature

Dance: End 1st piece: Peggy's Love- in which, by permission of the Proprietor of the Opera House, who has generously allowed Principal Dancers and Whole Corps de Ballet to appear, the following Ladies and Gentlemen will exert their well known Abilities:Laborie, Didelot, Mme Laborie, Mme Hilligsberg; End 2nd piece: La Vengeance d'Amour, in which the Pas de Quatre de Panurge-Laborie, Didelot, Mme Laborie, Mme Hilligsberg

Event Comment: Benefit for Caulfield, Trueman and Johnston. 1st piece: Never [previously] acted at this Theatre. Receipts: #489 (36.12; 35.0; 1.3; tickets: 416.5) (charge: #232 6s. 6d.)

Performances

Mainpiece Title: Ways And Means

Afterpiece Title: The Wedding Day

Afterpiece Title: Blue-Beard

Song: In course: Fal Lal , from The Cherokee,-Mrs Bland

Entertainment: End 2nd piece: a variety of Imitations (for that night only)-Caulfield

Event Comment: Benefit for Shade, Cameron, Wood, Wilson, Edwards, Wooldridge, Panchaud, Dangerfield, Irish, Cole, Hough, W. Nix, S. Nix [box-keepers]. Receipts: #526 10s. 6d. (18.1.0; 22.2.6; 0.4.0; tickets: 486.3.0) (charge: #217 14s. 5d.)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Citizen

Event Comment: Benefit for Didelot. Tickets to be had of Didelot, No. 8, Haymarket. Didelot takes the liberty to assure the Nobility and Gentry that he is under no engagement in lieu of a Benefit, but entirely relies on the generosity and patronage of the Subscribers and the Public, whose protection he has ever studiously endeavoured to merit

Performances

Mainpiece Title: Elfrida

Dance: End I: Peggy's Love, as17980428

Ballet: End Opera: Le Deserteur. composed by Gallet; Morning Chronicle, 18 June: Henry-Didelot; Louisa-Mme Laborie; Jenny-Mme Hilligsberg; Skirmish-Laborie

Event Comment: Benefit for Portal, Stevenson, Percey. George, Bowley, Woollams, Massingham, J. Edwards, Chumbley [box-keepers]. Receipts: #41 10s. 6d. (21.3.6; 20.7.0; 0.0.0; tickets: none listed) (charge: #201 8s. 8d.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Devil to Pay

Entertainment: MonologueEnd: Collins's Ode on the Passions-Palmer

Event Comment: Benefit for Bannister. Times, 7 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: The Children in the Wood

Song: End: Sweet Echo-Mrs Bland; accompanied on the hautboy-Forster

Event Comment: Benefit for Munden [who had 1st sung A Dish of all Sorts at the Manchester theatre in 1785]. 1st piece : Never acted here. Morning Herald, 9 Aug.: Tickets to be had of Munden, No. 16, Clement's Inn

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: An Harmonic Jubilee

Afterpiece Title: The Honest Thieves

Event Comment: Benefit for Suett. Morning Herald, 13 Aug.: Tickets to be had of Suett, No. 18, Clement's Inn

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Blue Devils

Afterpiece Title: My Grandmother

Cast
Role: Scout Actor: Fawcett
Role: Mrs Scout Actor: Mrs Davenport.

Song: In course of Evening: The United Englishmen-Munden

Event Comment: Benefit for the Four Youngest Orphans of the late Mr Palmer [see dl, 18 June]. As it is presumed that the well-known liberality of the Publick will be strongly excited on the present occasion, the Proprietor of the [Haymarket] Theatre has requested the use of the Opera-House for this Evening, that the largest number of persons who wish to patronize the undertaking may be accomodated with places. The Proprietor of the Opera-House has, with the utmost readiness, granted the request. Tickets to be had of the Miss Palmers, at Dixon's, Upholsterer, the corner of Bedford-Court, Bedford-Street, Covent-Garden; of Messrs Ransom, Morland and Co., Bankers, Pall-Mall; of Jewell, No. 26, Suffolk-Street, Charing-Cross, of whom, and of Rice, at the Box-Office, Places for the Boxes may be taken. Boxes 5s. Pit 3s. Gallery 2s. "[His brother] R. Palmer attempted to deliver an address at the end of the play, but he was so much overpowered that he...left the address unrecited, and [his] part in the farce was given up to another performer" (Monthly Mirror, Aug. 1798, p. 117, which also records that the receipts were approximately #700)

Performances

Mainpiece Title: At King's The Heir At Law

Afterpiece Title: The Children in the Wood

Event Comment: Benefit for Miss DeCamp. Afterpiece: By permission of the Proprietor of the Theatre-Royal Covent-Garden. Times, 17 Aug.: Tickets to be had of Miss DeCamp, No. 14, Tottenham-court-road, near Bedford-square

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Poor Soldier

Song: In II: Stevens's glee, Sigh no more Ladies-D'Arcy, Linton, Miss Griffiths, Mrs Edward

Event Comment: Benefit for Mrs Bland. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury-Lane. Times, 18 Aug.: Tickets to be had of Mrs Bland, No. 25, King-street, Covent-garden

Performances

Mainpiece Title: Cambro-britons

Afterpiece Title: The Shipwreck

Song: End II: (by permission of the Proprietors of the Theatre-Royal Drury-Lane) the favourite song in The Stranger I have a silent sorrow here (The Words by R. B. Sheridan, Esq., the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland

Event Comment: Benefit for Johnstone. [Mrs Brown is sister to Miss Biggs of Drury Lane, and...has played frequently in her father's company in the country [i.e. Barnstaple, &c.]" (Monthly Mirror, Sept. 1798, p. 179). Morning Herald, 22 Aug.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Irishman in London

Song: End: Patents all the Rage-Munden; A Mock Italian Song-Fawcett; The Group of Lovers ; or, Beauty at her Levee-Munden; a new song, The British Volunteers-Johnstone; with Chorus-Trueman, D'Arcy, Linton, Waldron Jun., Abbot, Lyons

Event Comment: Benefit for Fawcett. 2nd piece [1st time: M. INT 1]. Times, 4 Sept.: Tickets to be had of Fawcett, No. 41, Frith-street, Soho

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: An Olla Podrida

Afterpiece Title: Bannian Day

Event Comment: Benefit for Jewell, treasurer. Mainpiece: Not acted these 7 years [acted 2 Aug. 1792]. Times, 4 Sept.: Tickets to be had of Jewell, No. 26, Suffolk-street, Charing-cross

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Lock and Key

Event Comment: [Extra night] By Authority of the Most Noble the Marquis of Salisbury, Lord Chamberlain of his Majesty's Household. Benefit for Waldron, prompter. [Amarath the Fourth was "A musical tale," 1st acted at the Royalty, 27 Nov. 1797.] 3rd piece [1st time; P 1, author unknown]: Got up under the direction of Delpini. Tickets to be had of Waldron, No. 4, Cross-court, Bow-street, Covent-garden.

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Afterpiece Title: The Giant and Dwarf; or, Columbine Captive

Entertainment: Vaudeville. A Pasticcio, consisting of: From Shades of Night[, composed by Storace for Mahmoud,-D'Arcy; [The first Strophe, Epode, and Antistrophe of Gray's Bard-a Young Gentleman [, aged 10 years [unidentified]; Cheap Experience [; or, Cheats of London, composed by Dibdin,-Waldron Jun

Event Comment: By Authority of the Lord Chamberlain. Benefit for Lacy, formerly of the Theatre Royal, Drury-Lane. Tickets to be had of Fosbrook, at the Box Office of the Drury Lane Theatre, and Rice, at the Box Office of the Theatre-Royal, Haymarket, where Places for the Boxes may be taken. [Address by John Taylor (Monthly Mirror, Dec. 1798, p. 370). On this night the following appeared both at dl and at the hay: Hollingsworth, Caulfield, Bannister Jun., Suett, Miss Pope, Mrs Bland.

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Between II and III of the above,Sylvester Daggerwood

Afterpiece Title: High Life below Stairs

Dance: In II 3rd piece: A Mock Minuet-R. Palmer, Miss Pope

Song: End I 1st piece: Little Taffline-Mrs Bland

Entertainment: MonologuePrevious 1st piece: Occasional Address-Lacy