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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliver\'d out by Baker"/1) | (@(roleclean,performerclean) "Costollo Tickets deliver\'d out by Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7568 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $Baker
We found 6406 matches on Event Comments, 1274 matches on Performance Comments, 135 matches on Performance Title, 88 matches on Author, and 0 matches on Roles/Actors.

6651
16 April 1785 @ Drury Lane Theatre

Event Comment: Receipts: #139 17s. 6d. (124/3/0; 14/13/6; 0/8/6; tickets not come in: 1/12/6)

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Whos the Dupe

Song: As17850414

6652
18 April 1785 @ Covent Garden

Event Comment: Benefit for Booth. Mr Booth respectfully hopes his close Attention to the several Departments he occupies in the Theatre will be a sufficient Excuse for his not personally waiting on his Friends. [Public Advertiser, 22 Mar., notes that since Wild's accident [see 11 May] Booth had been acting as prompter.] Public Advertiser, 14 Apr.: Tickets to be had of Booth at his house in Great Queen-street, Lincoln's-inn-fields. 2nd piece [1st time; M. INT I, compiler unknown]: The Music compiled from the most eminent Masters

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Land of Enchantment

Afterpiece Title: Barataria

Dance: In 2nd piece, by Harris, Miss Besford, Mrs Goodwin, Mrs Ratchford, Miss Matthews

Song: As17841025, but omitted: names of singers

6653
19 April 1785 @ Drury Lane Theatre

Event Comment: Receipts: #158 10s. (141/8/0; 15/7/6; 0/19/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Double Disguise

6654
21 April 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: Too Civil by Half

Dance: As17850307athi

6655
21 April 1785 @ King's Theatre

Event Comment: Benefit for Slingsby. Tickets, half a guinea each, to be had of Slingsby at his house, No. 34, Upper Seymour-street, Portman-square

Performances

Mainpiece Title: Artaserse

Dance: End of Act I Robin Gray, with a set of new Caledonian Reels, by Lepicq, Mme Rossi, Slingsby, and a Pas de Quatre by Nivelon, Frederic, Sga Angiolini, Mlle Dorival; End of Opera The Deserter [performers not listed, but see17850111]

Song: Opera: With some of the most approved Airs of Handel by Babbini, Crescentini, Sga Ferrarese

6656
22 April 1785 @ Drury Lane Theatre

Event Comment: Benefit for Barrymore and Miss Field. Receipts: #165 19s. (32/17/0; 15/17/6; 2/10/6; tickets: 114/14/0) (charge: #107 13s. 6d.)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Rosina

Song: End of mainpiece Awake, AEolean Lyre, a glee composed by Danby (which gained a Prize Medal), by Bannister, Suett, Staunton, Barrymore, Chapman, Williames, Dignum

6657
22 April 1785 @ Covent Garden

Event Comment: Benefit for Hull. Public Advertiser, 12 Apr.: Tickets to be had of Hull at his house in Duke's Court, near Dean's Yard, Westminster

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Song: As17850405

6658
23 April 1785 @ Drury Lane Theatre

Event Comment: Benefit for the two Miss Kembles [who are named in the Account-Book, but not on the playbill]. Receipts: #199 10s. 6d. (180/7/0; 18/6/6; 0/17/0; tickets: none listed) (charge: #109 18s. 10d.)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Comus

6659
25 April 1785 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. Public Advertiser, 20 Apr.: Tickets to be had of Mrs Martyr at Mr Robley's, Bow-street, Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Deserter

Dance: End of mainpiece The fancy Races {performers not listed]

Song: End of Act I of mainpiece Tantivy, the welkin resounds (the Music by Hook); End of Act II a new song, The New Blown Rose (the Words by Mrs Cumyns, the Music by Dale), both by Mrs Martyr

6660
26 April 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville. Tickets and places to be had of Mrs Greville, No. 1, Queen's-court, King-street, Covent-garden. [This was Mrs Pinto's last appearance on the stage (but see 12 May 1786).]

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa

6661
28 April 1785 @ Drury Lane Theatre

Event Comment: Receipts: #88 0s. 6d. (50/4/0; 34/11/0; 1/13/0; tickets not come in: 1/12/6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Humourist

6662
28 April 1785 @ King's Theatre

Event Comment: Benefit for Tasca and Sga Rachele Dorta. Tickets, half a guinea each, to be had of Tasca, No. 5, Great Pulteney-street, Golden-square; of Sga Dorta, No. 234, Piccadilly

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I A la Plus Sage [performers not listed, but see17850303 End of Opera Il Convitato di Pietra [performers not listed, but see17850312

6663
04 May 1785 @ Drury Lane Theatre

Event Comment: Receipts: #228 16s. 6d. (198/4/0; 28/1/6; 2/1/0; tickets not come in: 0/10/0)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Humourist

6664
09 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for [Lee] Lewes. Receipts: #144 6s. (25/9/0; 14/15/6; 0/7/6; tickets: 103/14/0)(charge: #105 19s. 4d.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Deaf Lover

Dance: As17840918

6665
10 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for a Fund for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. [Ernst Brandes quoted in J. A. Kelly, p. 109: Brandes has much to say on the subject of Shakespeare ... He regrets that the role of Ophelia is assigned in both theaters on the strength of the candidate's accomplishments as a singer, which he considers relatively unimportant; and that the mania for operettas has been allowed to disfigure several of Shakespeare's plays. The Tempest had been debased to an opera, and a whole army of witches had been added to the cast of Macbeth, so that witches' arias and witches' choruses might be introduced.] Receipts: #241 10s. (131/16/0; 12/17/6; 1/1/6; tickets: 95/15/0) (charge: free)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Bon Ton

6666
11 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Spencer and Mrs Hedges. Mainpiece: Not acted these 2 years. Receipts: #173 16s. 6d.(17/3/0; 10/6/0; 0/11/6; tickets: 145/16/0) (charge: #105 11s. 4d.)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Whos the Dupe

Song: End of mainpiece Stand to your gum by Bannister; Bright Phoebus has mounted the chariot of day by Dignum; Jack, thou art a toper and Toby's brown jug by Dignum, Suett, Williames, Barrymore

6667
11 May 1785 @ Covent Garden

Event Comment: Benefit for Wild [prompter]. Public Advertiser, 7 May: Tickets to be had of Wild, No. 17, Bow-street, Covent Garden. The unfortunate circumstance of breaking his leg . . . has prevented his attending the theatre the whole season [and see 18 Apr.]

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Lawyers Panic

Afterpiece Title: Three Weeks after Marriage

6668
12 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Burton and Harwood, prompter. 2nd piece [1st time; INT 1, author unknown. MS: Larpent 702, not published]. Receipts: #180 15s. 6d. (21/4/0; 13/16/6; 1/0/0; tickets: 144/15/0) (charge: #105 17s. 1d.}

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: New Readings by Johnny Bulcalf With his Journey to London

Afterpiece Title: The Irish Widow

Dance: End of 2nd piece, as17850505

Song: End of Act IV of 1st piece Stand to your Guns by Bannister

6669
13 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Phillimore, Chaplin & Nix. Receipts: #251 7s. 6d. (19/14/0; 9/17/6; 0/13/0; tickets: 221/3/0) (charge: #107 3s. 6d.)

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: High Life below Stairs

Dance: As17841002

Song: End of mainpiece Bright Phoebus has mounted the chariot of Day by Dignum

6670
16 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Fosbrook, box-book and house-keeper. Receipts: #298 6s. (48/12; 11/13; 0/10; tickets: 237/11) (charge: #108 18s. 5d.)

Performances

Mainpiece Title: The Sons Of Anacreon

Afterpiece Title: The Confederacy

Afterpiece Title: The Deserter

6671
17 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Fawcett and Butler. Receipts: #266 16s. 6d. (30/7/0; 11/6/6; 0/3/6; tickets: 224/19/6) (charge: #110 18s. 7d.)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Caldron

Dance: End of Act III of mainpiece the Minuet de la Cour and Gavot by Master Butler and a Young Lady [unidentified] (both Scholars to Miller); End of mainpiece a Double Hornpipe by Master Butler and the same Young Lady

6672
19 May 1785 @ King's Theatre

Event Comment: Benefit for Tenducci. Tickets, half a guinea each, to be had of Tenducci, No. 63, Dean-street, Soho

Performances

Mainpiece Title: Orfeo

Dance: As17850512

6673
24 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Bellamy. Mainpiece: Not acted these 3 years. "Mrs Bellamy was too much frightened to speak the address [written by Charles Stuart (European Magazine, May 1785, p. 354)], and Miss Farren spoke it--Mrs Bellamy herself added some few words in prose" (Genest, VI, 342). But Stuart's address was abandoned, and in its place Miss Farren spoke one written by Alexander Bicknell (Gentleman's Magazine, June 1785, pp. 449-50). This occurred at the end of the play; following the address the curtain rose, and Mrs Bellamy "succeeded in muttering a few words, expressive of her gratitude" (Reynolds, I, 282-83). [This was Mrs Yates's last appearance in London. In July of this year she was acting in Birmingham (Morning Chronicle, 18 July). Mrs Bellamy's last appearance on the stage was at CG, 1 June 1780.] Receipts: #306 4s. (188/1/0; 13/3/6; 0/14/6; tickets: 104/5/0) (charge: #113 8s. 10d.)

Performances

Mainpiece Title: Braganza

Afterpiece Title: Comus

6674
25 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Portal, Shade, Hicks & Palmer Sen. Afterpiece to conclude as 17 Jan. Receipts: #246 1s. (23/6/0; 9/16/6; 1/18/6; tickets: 211/0/0) (charge: #107 19s. 3d.)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Waterman

Dance: As17850505

Song: End of Act IV of mainpiece Bright Phoebus has mounted the Chariot of Day by Dignum

6675
26 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Wood, Pcrcey & Cameron. Receipts: #235 19s. (14/14; 5/10; 0/15; tickets: 215/0) (charge: #106 15s.)

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Author

Dance: As17840918

Song: End of Act I of mainpiece Bright Phoebus has mounted the Chariot of Day by Dignum