SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliver\'d out by Baker"/1) | (@(roleclean,performerclean) "Costollo Tickets deliver\'d out by Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6406 matches on Event Comments, 1274 matches on Performance Comments, 135 matches on Performance Title, 88 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Dr New Dress'd & in a New Manner with a Prologue by ye old Dr to introduce the New by the Author of the Hilliad. The Prologue was forbid by the Licencer, & struck out of the bills, but by Mistake was left in ye News; a great noise for it, Woodward said; as he had face to study, he had not time to do it--more Noise--I went on--& told 'em the Prologue was forbid--Noise still--Woodward went on & said it was forbid by L@or@d Chamberlain--it cool'd a little but when he came on dress'd like Dr Hill, it began again, & so ye farce ended (Cross). Benefit for Mr Woodward. Part of Pit laid into Boxes, and Stage commodiously built in form of an Amphitheatre. Boxes and Stage 5s. Ladies send servants by 3. Tickets to be had of Woodward in Great Piazza, Covent Garden; and at Stage Door. This day publish'd The Chaplet at 6d. a Musical entertainment as performed at Drury Lane. Receipts: #330 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Mock Doctor

Dance: Devisse, Ferrere, Mlle Auretti

Event Comment: Benefit for Mrs Clive-She did Zara (Cross). Farce (not acted these 2 years) with Alterations and an Additional Scene. Part of Pit laid into Boxes. [None behind scenes.] Tickets of Mrs Clive in Henrietta St., Covent Garden, and at The Stage Door. Receipts: #250 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Bayes in Petticoats

Event Comment: Benefit for Miss Bellamy. Afterpiece: By Desire. No part of the pit will be laid into the boxes, nor any building on the stage. Tickets of Miss Bellamy at her House in Thrift St., Soho; and at stage door. Receipts: #160 (Cross)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The Oracle

Dance: II: A Grand Ballet-Devisse, Mlle Auguste; V: L'Entree de Flore, as17521122, but Janeton Auretti seems to replace Mrs Preston

Event Comment: Benefit for Mons Devisse & Mad Auguste. Tickets of Devisse at Mrs Jones's, Hoop-petticoat Maker in Bow St., Covent Garden; at Turk's Head Tavern, in Grig-St., Soho; of Mad Auguste at Mr Harris's, Hosier, in Tavistock Row, Covent Garden; and at the Stage Door. Receipts: #200 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: A Duke and no Duke

Dance: I: A New Dance-Mlle Auguste; II: A Masquerade Dance-M Gerard first appearance from Paris, never appeared in England; III: A New Pierrot Dance-Devisse, Mlle Auguste; IV: The Matelot Basque-Ferrere; after the Country Dance-; The Louvre and Minuet-Devisse, Mlle Auguste

Event Comment: Benefit for Beard. Tickets of Beard in Russel-St, Covent Garden; and at Stage Door. Receipts: #260 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Double Disappointment

Song: I: Cymon and Iphigenia a Cantata by Mr Arne-Beard; II: The School of Anacreon a New Cantata by Arne-Beard; IV: (By Desire) The Lass of the Mill-Beard; accompany'd on the Harp-Mr Parry

Music: III: A Piece on the Welch Harp-Parry

Event Comment: Benefit for Mossop. Part of Pit laid into Boxes to form Amphitheatre. Tickets to be had of Mossop, at his lodgings at Newton's Warehouse in Tavistock St., and at Stage Door. Receipts: #200 (Cross)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Intriguing Chambermaid

Dance: III: A Comic Dance-Devisse, Mlle Auguste; End: L'Entree de Flore, as17530324

Event Comment: Afterpiece: By Particular Desire. Benefit for Mr Dexter (Cross). No building on Stage. Tickets to be had of Dexter at his lodgings in James St., Covent Garden, at the Grecian Coffee House, and at the stage dobr. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Bayes in Petticoats

Dance: II: A Comic Dance, as17530402 IV: L'Entree de Flore, as17530324 End Farce: Le Matelot Basque, as17521005

Event Comment: Benfit for Berry. Afterpiece: By Desire. Tickets at stage door, and of Berry at Mr Pope's, a Peruke Maker in Russel St., Covent Garden. Berry's figure was well adapted to Sciolto, Acasto and characters of that cast; No man had more feeling than he, and it generally had its proper effect, but by being too fond of aiming at tenderness, he grated upon the ear of an auditor (Genest, IV, p. 363, from State of the Stage). Receipts: #220 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Double Disappointment

Event Comment: Benefit for Shuter and Miss Haughton. Tickets at stage door. [For criticism of Shuter and Miss Haughton, see Genest, IV, p. 363, from The Present State of the Stage in Great Britain and Ireland, 1753. Nineteen of the Fifty-five pages of this pamphlet defend the stage on classicial authority and moral grounds from attacks by the religious bigots, and present an ideal picture of a manager, laying under some contribution, it would seem, the character of a manager presented ten years earlier (1743) in Queries to be Answered. The author especially likes the moral of Tate's alteration of Lear. The remaining pages give a paragraph or two of criticism to the leading actors and actresses in some of their most affecting parts (sixteen pages to Drury Lane Performers, all of whom appear in the author's eye to be either "Excellent" or "Very Good.") The remaining space is devoted to the performers at Covent Garden and at the Theatre Royal in Dublin. All those spoken of fare well in the hands of this bound-to-be pleased critic. Shuter is here commended for ability to play an Old Man convincingly though he was but 22 years old, and to play at all considering his lack of education. He possesses a great fund of drollery, and bids fair to be as great in low comedy as it is possible for man to conceive.' Miss Haughton described as an actress of promise. Seems never to have got the better of a lisp, and a Newcastle manner of pronouncing the letter 'r.'] Receipts: #290 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Miss in Her Teens

Dance: IV: Country Amusements-Devisse, Mlle Auretti; End: A Hornpipe-Mathews, the Little Swiss

Event Comment: Benefit for Ridout. Tickets deliver'd by Roberts will be taken. Being the last time of the company's performing till the Holidays

Performances

Mainpiece Title: Venice Preservd

Cast
Role: Bedamar Actor: Ridout

Afterpiece Title: The What Dye Call It

Music: Piece on the Welch Harp-Parry

Dance: GGrand Scots Ballet, as17521216

Event Comment: Benefit for Blakes and Mrs James. Mainpiece: Acted but once these three years. Tickets to be had of Blakes at his House in Duke's Court, near Broad Court, Bow St. Covent Garden; of Mrs James in Little Wild St., Lincoln's Inn Fields; and at stage door. Receipts: #270 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Devil to Pay

Dance: IV: Le Matelot Basque, as17521005; V: Country Amusements, as17530412

Event Comment: Benefit for Miss Macklin. Miss Macklin did Monimia (Cross). Afterpiece: For last time this season. With a New Prologue. To prevent mistakes, those Gentlemen and Ladies who send for Places, are desired to send for Tickets; which may be had of Miss Macklin, in Bow St.; and of Mr Crudge at the stage door

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Englishman in Paris

Dance: II: Grand Scots Ballet, as17521216

Event Comment: Benefit for Liviez, the Ballet Master (Cross). Full Prices. Part of Pit laid into Boxes. Tickets at last house on right hand in Beaufort Buildings, Strand; and at The Stage Door. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: Harlequin Inchanted

Dance: III: Country Amusements, as17530412

Event Comment: Benefit for Davies & Wife (Cross). Tickets at Davies's lodgings at Mr Evans, in Tavistock Row, Covent Garden; and at Stage Door. [The Bill announces Garrick as Lothario for last time this season.] Receipts: #140 (Cross)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Lethe

Dance: III: Dutch Dance, as17521125; V: Country Amusements, as17530412

Song: I: A Cantata-Beard

Event Comment: Benefit for Mrs Mills and Miss Minors. Tickets deliver'd by Taswell will be taken. [The Present State of the Stage commends Miss Minors in characters of awkward country girls.] Receipts: #170 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Miss in Her Teens

Event Comment: Benefit for Lacey and Wilder. Tickets deliver'd out by Ward, Harvey, and Mrs Addison will be taken. Receipts: #170 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Scapin

Dance: V: A Scot's Dance-Harvey, Miss Shawford; End Farce: A Minuet-Lacey, Mad Janeton Auretti

Song: II: A Song-Wilder; IV: Singing-Master Vernon

Event Comment: Benefit for Grandchamps, Stoppelaer, Madam Camargo. Tickets deliver'd out by Paddick, Holtom, Gardiner, and Miss Morrison will be taken

Performances

Mainpiece Title: The Refusal

Afterpiece Title: The Lover His Own Rival

Dance: I: (By Desire) Two Pierrots-Settree, Gardner; II: A Peasant-Gardner; III: A New Dance-Mad Camargo; V: Minuet, Louvre-Grandchamps, Mad Camargo

Event Comment: Benefit for Winstone and Burton. Tickets deliver'd by Palmer and Miss Batcheldor will be taken. No building on Stage. Receipts: #180 (Cross)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Miss in Her Teens

Dance: MMinuet-Piettro, Miss Batcheldor

Event Comment: Benefit for Anderson, Miles, Mrs Gondou. Afterpiece: By Particular Desire. There will be no Building on the Stage. Tickets sold at the door will not be taken

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Harlequin Statue

Dance: II: Drunken Peasant-Miles; III: Les Charboniers, as17521028

Event Comment: Benefit for Ricard, R. Smith, Mrs Griffiths. Tickets deliver'd by Rawlins, Miss Allen and the Widow Dupre will be taken

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: Bellamy Actor: Ridout

Afterpiece Title: The Contrivances

Dance: A Drunken Peasant-Miles; other dancing-Cooke, Mlle Camargo

Event Comment: Benefit for Simson Mrs Simson and Master Simson. Afterpiece: Acted there but once. Tickets to be had of Simson, in Wild-Passage, Wild St., near Lincoln's Inn Fields; Grigsby's Coffee House, behind the Exchange; and at the Stage Door. Receipts: #170 (Cross)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Oracle

Dance: DDance of Furies-Devisse, others

Song: A Song-Wilder

Event Comment: Benefit for Dickenson; W. Vaughan & Ackman. black Guard Audience-(poor Mossop) (Cross). Tickets sold at the doors will not be admitted. Receipts: #230 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Double Disappointment

Song: Wilder

Event Comment: Benefit for Stede &c. Tickets deliver'd by Miss Ferguson will be taken

Performances

Mainpiece Title: Jane Shore

Cast
Role: Belmour Actor: Ridout

Afterpiece Title: Harlequin Statue

Dance: II: Drunken Peasant-Miles; the Clown-Bennet; IV: Grand Scots Ballet-Cooke, Miss Hilliard

Song: III: Smiling Dawn from Jeptha-Mrs Chambers

Event Comment: Benefit for Cushing, Redman, Madam DeHenney. Tickets deliver'd for King Lear will be taken

Performances

Mainpiece Title: Julius Caesar

Cast
Role: Caska Actor: Ridout

Afterpiece Title: The Lover His Own Rival

Dance: GGrand Scots Ballet, as17521216; Minuet-Gardiner, Madam de Henny